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Frederick, KirkMareMagnum

Write That Down! The Comedy of Male Actress Charles Pierce

Early Drag PerformanceBiblio.com

Early American Drag and Cross Dressing Tintype and Cabinet Card Photograph Archive Springfield Illinois 1880s 1890s

1880230281880. Cross-dressing Archive of six 19th century photographs of cross-dressing performers Springfield Illinois capturing early American drag performance during a period when public cross-dressing outside performance contexts could provoke not only social but legal backlash. These cross dressing portrait photographs created in Springfield Illinois during the late nineteenth century document early visual culture of gender nonconforming performance in the United States decades before modern LGBTQ identities were publicly articulated. The photographs show male individuals posed in women's clothing and adopting stylized feminine presentation part of a broader nineteenth century culture in which gender impersonation circulated in entertainment spaces private gatherings and visual novelty photography while remaining socially and legally sensitive in everyday life. Public cross dressing outside stage contexts could provoke moral condemnation and in many cities legal sanction under emerging anti cross dressing ordinances that appeared in the late nineteenth century. Portraits such as these therefore preserve rare visual evidence of early drag presentation and gender play at a moment when photographic studios documented identities and performances that existed at the margins of accepted social norms such portraits illuminate early emerging cross-dressing long before twentieth century drag entertainment or even the articulation of modern LGBTQ identities. Six original photographs produced in Springfield Illinois ca. 1880s to 1890s consisting of five cabinet cards and one tintype depicting cross dressing individuals posed in elaborate women's attire. The cabinet cards bear the imprint of Kessberger and Georg Studio of Springfield. Subjects appear against painted studio backdrops typical of commercial portrait photography of the period. Costumes include knee length dresses with lace trim aprons bows bonnets stockings and heeled shoes with attention given to wigs coiffure and accessories. Several figures hold musical instruments including trombone cornet and clarinet suggesting coordinated presentation or group identity among the sitters. Gestures emphasize stylized femininity including a figure lifting a skirt in exaggerated pose and another standing with hand placed at the hip. Also includes one smaller tintype photograph shows a similarly costumed man with a tick mustache in women's nightgown and holding a parasol. Cabinet card mounts show moderate edge wear and minor corner bumping with light surface scratches typical of late nineteenth century albumen studio photography. Images remain clear with strong contrast and well preserved costume detail. Overall Very good condition. Together the photographs form a cohesive visual archive documenting late nineteenth century cross dressing and early drag presentation in the American Midwest preserving rare photographic evidence of gender non conforming identity and performance practices that circulated in American culture long before twentieth century LGBTQ communities began to organize publicly. unknown

Max Rambod Inc. · États-Unis2 850,00 $US≈ 2 411,38 €

Drag Performance Photo ArchiveBiblio.com

Bridal Drag Cross-Dressing Performance and Gender Nonconformity Archive of 22 Photographs 1950s-1970s

1960234611960. Gender nonconforming and drag performance photo archive documenting queer social gatherings costume performance pageantry and private queer community life from the 1960s through the 1990s. The photographs preserve a period when drag culture existed simultaneously in nightlife informal house parties outdoor gatherings and small community events often outside mainstream visibility. Long before drag became widely commercialized through television and corporate entertainment circuits queer performers and gender nonconforming individuals built their own social spaces through costume parody theatricality and communal celebration. Photo archive of 22 color and silver gelatin photographs ranging from small vernacular snapshots to larger prints United States circa 1960s-1990s. Several images center on a recurring bridal drag performer wearing lace wedding dresses veils floral bouquets wigs and exaggerated makeup while posing beside guests in tuxedos theatrical costumes and evening attire. Other photographs depict individuals in burlesque-inspired outfits feather boas crop tops wigs and handmade dresses posed indoors and outdoors at parties picnics and performance-like gatherings. One outdoor scene shows two figures in matching feminine costumes smiling arm in arm while additional images record staged poses beside vehicles improvised dance or performance gestures and casual snapshots emphasizing glamour and gender transformation. The archive repeatedly shifts between formal costume display and relaxed social interaction grounding drag not only as stage entertainment but as an everyday form of queer expression and community-making. The photographs align with broader developments in post-Stonewall queer culture when drag performance expanded from underground bars and private parties into increasingly visible forms of social and artistic expression. During much of this period openly gender nonconforming presentation still carried substantial social and legal risk especially outside major urban nightlife districts. This archive preserves the social fabric surrounding drag culture through intimate portrayals of friendships amateur performance gender experimentation and private community environments that sustained queer life across several decades. Light handling wear scattered creasing and occasional fading consistent with vernacular snapshot use. Overall in good condition. unknown

Max Rambod Inc. · États-Unis2 800,00 $US≈ 2 369,08 €

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