PILOTTI Raffaele.MareMagnum
268 résultats
Bologna, Nicola Zanichelli, 1918, in-16, brossura editoriale, pp. III, 191, [1]. Condizioni molto buone: intonso.
in-8, 267 pages, illustrations en couleurs, broche, couverture illustree. Bel exemplaire. [CL-3]
Roma, [s.n.], 1921, conservata ripiegata entro la busta di invio, intestata: Comité des Réfugiés Monténégrins.
Hardcover grand in-8, 110 pages + 112 planches h.t. n/b, relie cartonnage editeur.- Edition originale numerotee. Très bel exemplaire. [TX-11]
In-4 (cm. 33), tela editoriale, titolo al dorso, sovracoperta (lievi segni d’usura), custodia, pp. 421, con illustrazioni in bianco e nero e a colori, ISBN 88-7057-117-3. In buono stato di conservazione (good copy).
in-12, 321 pp., gravure sur bois en frontispice, reliure demi-toile, couverture illustree d"un portrait en medaillon conservee, titre dore. Bel exemplaire [NV-32]
(ca. 29,2 x 21,2 cm). 8 S. (Fraktur). Original-Broschur mit Deckeltitel. Einband mit leichten Gebrauchsspuren, innen zeitgenössische Notate (Bleistift), sonst gut erhalten. Altersentsprechend guter Zustand. Zeitgenössische Publikation der Reichszentrale für Heimatdienst, dem Vorläufer der späteren Bundeszentrale für Heimatdienst bzw. ab dem Jahr 1963 Bundeszentrale für Politische Bildung. Das Ziel war die aufklärende Information über die internationalen Pläne zu den Reparationszahlungen Deutschlands nach dem Ersten Weltkrieg. Überaus interessante Archivalie über die staatliche Informationspolitik in der Weimarer Zeit angesichts eines schwierigen Gegenstands, wie auch die weitere Entwicklung zwischen Wirtschaftskrise und Antritt der NS-Regierung zeigen sollte. Sehr seltene Publikation aus der Zwischenkriegszeit in Deutschland!
VERSAILLES, Imp. Aubert - 1908 - In-8 ° broché - 39 pages - Etat neuf Conférence faite à la Bibliothèque Populaire de Versailles le Jeudi 7 Mai 1908.
Mm 140x215 Brossura editoriale con sovraccoperta, 399 pagine, margini e dorso bruniti, lievi segni d'uso e del tempo alla sovraccoperta. Buono stato. Spedizione entro 24 ore dalla conferma dell'ordine.
Bellissima veduta ottica settecentesca, animata, impreziosita da coloritura d'epoca. Dim. complessive mm.240x420.
Features: Cover photo on deck of U.S. destroyer in Taiwan (Formosa) Strait; There is No News From Auschwitz - Now nothing happens at Konzentrationslager Auschwitz, which fourteen years ago was a place of unutterable horror; Photos of famous people of the day; Captain of our Economic Campaign - banker-politician Douglas Dillon deals with foreign trade and foreign aid; Q. & A. With an American Tourist on a Moscow Street Corner; Professor in the Political Maze - Williams College Professor Jim Burns is a candidate for Congress in MA; Great Cliche Debate (continued); Golfer's Real Handicap - Pride; Glories of Versailles; Virtues of Veal; (Ladies') Paris Fashion Report - photos; Photo feature on a glass-walled home designed by Ladislav L. Rado; Teen-Age Tastes - Good, Bad or Inevitable?; Five photos of Elizabeth Taylor in "Cat on a Hot Tin Roof"; Three photos of Jerome Robbins' new ballet "N.Y. Export, op. Jazz"; and more. 44 pages. Many fascinating black and white reproductions of photos plus lovely illustrated ads, some of which are in color. Small clipping from ad on page 39 - text unaffected. Doodling on ad on page 33, otherwise unmarked with average wear. A sound vintage copy. Book
This is a very good softcover copy with just light cover soil. Inside very clean throughout. Text in French. Photographs by Jean Roubier. Text by Jerome and Jean Tharaud. 66 photographs in black & white show Versailles at its' grandest. Close-ups of individual sculpture, long shots of the impressive vistas and allees. The architecture by Mansart is highlighted and shown off to great effect in these photographs. Large 4to, 11.5" high X 9" wide. This book will be securely packed and shipped with tracking.
Mm 150x225 Biblioteca di Storia. Volume cartonato rigido di pagine 299 con una carta di Parigi ripiegata in chiusura, sovraccoperta figurata con leggeri segni d'uso. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
A SPECTACULAR LIVRE D'ARTISTE FOCUSING LARGELY ON VERSAILLES, with 31 original etchings by Paul Baudier, one of the great book artists of the 20th century. From a total edition of 163 copies, this is ONE OF FIFTEEN COPIES PRINTED ON EXTREMELY FINE ARCHES WOVE PAPER. This copy was PRINTED FOR THE ARTIST and includes two additional suites of the etchings on fine Auvergne laid paper (the first state [with remarque] in black and the final state in bistre), a suite of the four planches refusÈes, and a WONDERFUL PEN AND WATERCOLOR DRAWING, SIGNED AND DATED BY THE ARTIST. Folio. Loose as issued in original wraps, chemise, and slipcase. FINE AND BRIGHT, WITH NO DEFECTS.
THE UNIQUE PUBLISHER'S COPY OF BAUDIER'S MASTERPIECE, WITH ALL OF THE ORIGINAL DRAWINGS AND OVER 150 ORIGINAL ETCHINGS, SOME OF WHICH ARE UNIQUE. A SPECTACULAR LIVRE D'ARTISTE FOCUSING LARGELY ON VERSAILLES, with 31 original etchings by Paul Baudier, one of the great book artists of the 20th century. From a total edition of 163 copies, this is THE UNIQUE COPY ON JAPANESE PAPER, PRINTED FOR GUIDO COLUCCI, THE PUBLISHER. *****This copy includes: *****(1) The book itself, printed on Japanese paper (no other copies were printed on Japanese paper). It is justified "Exemplaire unique imprimÈ pour M. Guido Colucci". The 31 etchings are in final state (on Japan, of course, and unique as such), and first and the last are signed in pencil by the artist (the first etching is also warmly inscribed by the artist to Colucci). *****(2) FOUR ADDITIONAL SUITES OF THE 31 ETCHINGS: the first (remarque) state in black on Japan (UNIQUE); the first state in black on Auvergne laid paper; the second state (with many of the remarques still partially visible) in black on Auvergne (UNIQUE); the final state in bistre on Auvergne. *****(3) ALL OF THE ORIGINAL DRAWINGS FOR THE ETCHINGS USED IN THE BOOK. Most of these are executed in pencil, but several employ ink, contÈ crayon, white heightening, etc. ALL OF THESE WONDERFUL DRAWINGS ARE SIGNED BY THE ARTIST. *****(4) The four planches refusÈes in two states: first state on Japan (UNIQUE) and in first state on Auvergne (there was no second state of any of these, of course.) *****(5) The three original SIGNED drawings for the four planches refusÈes (the other planche refusÈe is based on a drawing, in the group described above, from which one of the plates used in the book was adapted.) *****(6) Six original drawings similar to those used in the book, four of which are signed by Baudier and one of which is initialed. *****(7) The original watercolor design by Baudier for the cover of the book (ultimately not used). Folio. Loose as issued in original wraps. Housed in publisher's board chemises and slipcases (this copy, for obvious reasons, is housed in two slipcases rather than one). FINE AND BRIGHT, WITH NO DEFECTS. In all, 161 original etchings, of which 97 are UNIQUE, and 39 ORIGINAL DRAWINGS. AN ASTONISHING AND IMPORTANT COPY OF AN OUTSTANDING LIVRE D'ARTISTE, IN PERFECT CONDITION.
A SPECTACULAR LIVRE D'ARTISTE FOCUSING LARGELY ON VERSAILLES, with 31 original etchings by Paul Baudier, one of the great book artists of the 20th century. From a total edition of 163 copies, this is an ad personam hors commerce copy printed on handmade laid paper for AndrÈ Damien. Folio. Loose as issued in original wraps. FINE AND BRIGHT, WITH NO DEFECTS.
Veduta di un lato del castello
Veduta panoramica della vasca
Raffigurazione della macchina idraulica, posta sulla Senna
Veduta della particolare fontana. Ridimensionata al lato sx
Veduta generale del castello
Veduta generale del Castello
Milano, 1913, stralcio delle pag. 123/130 con illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Mm 140x200 Brossura editoriale di pagine 1223 con alcune cartine a colori fuori testo, sovraccoperta figurata con piccolo strappo, prefazione di Giovanni Spadolini. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
brossura Il giardino di Versailles fu il più straordinario dei giardini. Coniugando insieme le tecniche analitiche della geografia umana e della ricerca storica, in questo libro il progetto del re Sole viene analizzato in un'ottica originale: più che la propaganda politica e i programmi iconografici ideati dagli artisti di corte, vengono qui presi in esame i saperi, le tecniche, i disegni, le mappe, le idee e le forme. Versailles svela così un'immagine inedita e si configura come un modello di organizzazione del paesaggio.
