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161820202Lyon, le 16 août 1818, "Broché, Façonné et Uni" ; in-8, broché ; 24 pp.
1971197611971. Warhol Andy. Women in Revolt 1971 documents a significant work of underground cinema engaging transgender identity performance and feminist discourse within the context of Warhol's Factory productions. Produced by Andy Warhol and directed by Paul Morrissey the film features prominent transgender performers including Candy Darling Jackie Curtis and Holly Woodlawn. The film engages themes of gender identity performance and social marginalization through satire supporting research into LGBTQ film history avant-garde cinema and the intersection of queer culture with feminist movements of the early 1970s.<br /> <br /> Archive of 3 original vintage silver gelatin photographs used as lobby display materials each measuring approximately 10 x 8 inches in black and white. Two photographs feature Candy Darling in stylized portrait-like scenes including one in which she sits on a couch wearing pronounced makeup and gazing into the distance and another in which she appears adorned with a pearl necklace emphasizing glamour and constructed femininity. The third photograph depicts Holly Woodlawn reclining alongside Martin Kove presenting a staged domestic or intimate setting. The images foreground costume pose and expression reflecting the film's engagement with identity as performance and the visual language of Warhol's cinematic productions.<br /> <br /> Produced during a period of expanding queer visibility in underground film following the late 1960s Women in Revolt situates transgender performers at the center of its narrative marking a departure from marginal or coded representation in mainstream media. Its satirical treatment of the Women's Liberation Movement reflects tensions and intersections between feminist and queer discourses of the period while also documenting the lived realities and artistic contributions of Warhol's collaborators. These photographs provide material evidence of how such themes were visually presented within alternative film circuits. Light handling wear with minor edge wear; images remain sharp and well-preserved; overall very good. A concise and significant group from a foundational work of transgender representation in avant-garde cinema. unknown
265 pages including index and bibliographical abbreviations. The Max Schloessinger Memorial Series Monograph II. Signed and inscribed by author upon front free endpaper. "By far the best rectification and continuation of the final part of Wellhausen's monumental opus 'The Arab Kingdom and its Fall'." - David Ayalon. Moderate wear to unmarked book. Binding sound. Above-average wear to dust jacket now preserved in archival-grade Brodart. Book
Very Good French Original leaflet on a folded bifolium. Size: 20 x 16 cm; open size: 20 x 32 cm. In French. [3] p. Slight foxing and stains on paper, some chippings on folded traces and extremities. Overall a good copy. This extremely rare proclamation on the Patrona Halil Rebellion and the fire following the rebellion in 1730 within the Ottoman Empire, written to those living in France, especially Paris residents, was approved by Herault on 21 November 1730. The Patrona Halil Rebellion was a social uprising within the Ottoman Empire, which ended the so-called Tulip period and catapulted Sultan Mahmud I to the throne. The rule of this Sultan and the time until the 1760s was the last period of stability for the Ottoman Empire, as evidenced by the Belgrade Peace Treaty. The Ottoman Empire did not participate in the Seven Years' War, but the defeat in the Russo-Turkish War (1768-1774) destabilized it so that it could never again regain its previous stability. This printed rare leaflet details how this revolt started, and what its causes and consequences were. It is stated that the number of people who participated in this revolt, which was aggravated with the Janissaries not getting their salaries for an extended period of time, reached 100,000, the grand vizier and his grooms were strangled, and many people including officials and civilians died during the events. It is also stated that the news about the events in Istanbul was confirmed by Prince Alexander of Wirttemberg, who came from Vienna to Belgrade. Only one copy is located in Bibliotheque Nationale de France in OCLC: 460213436. The complete original text in French: "De cette terrible Revolution, dans laquelle le Grand Visir a ete etrangle evec plusieurs autres Ministres , & le recit d'une Incendie arrivee dans le meme-tems, qui a reduit 2000 masions en cendre. Le 18. Du mois dernier en reçut la nouvelle de Constentinople d'une revolution extraordinaire dont voici le detail. Le 28. Septembre dernier un homme de la lie du peuple deploya dans la Place des Graces une Enseigne dechiree, en invitant tous les Musulmans de le suivre. En un instant le peuple fut en confusion, les Boutiques furent fermees & cet homme s'etant rendu dans la Place d'Okmedon, auttefois le Camp des revoltes. Is s'ya trouva vers le foir pres de fix cent hommes. On porta la Nouvelle de cet evenement au Grand Seigneut & au Grand Visir (c'est le premier Ministre de l'Empire) qui etoient au Camp de Scutari. Ils prasserent sur le champ le Canal & revinrent au Serail, c'est a dire Palais. Ils y farent long-tems a deliberer fur le parti qu'ils avoint a prendre & leur incertitude leur [...] perdre le moment d'apaiser le premier feu de la rebellion enfaisant marcher des troupes contre les soulevez, qui le 29. Au fois ne montoient pas a plus de deux mille. Les Janissaires voyant que leur Souverain demeuroit dans l'inaction, se rengerent du cite des Rebelles; & toute la Ville ayant suivi leur exemple, les Soulevez demanderent au Grand Seigneur la tete de Plusieurs Ministres. Sa Hautesle croyant devoit les contenter, fit etrangler le premier Octobre le Grand Visir, le Kiaia, on Lieutenant & le Capitan Bassa don les corps furent portez dans un Chariot au Camp des Revoltes, qui bien loin de mettre les armes bas, declarerent qu'ils vouloient mettre sur le Trone le Sultan MAMOUTH neveu du Graud Seigneur, Cela fur execute le deux, les Revoltes ayant tire ce Prince de la prison ou il etoit y conduisirent en sa olace ACHMET III. Le nouveau Sultan nomma pour Grand Visir Akmet Bassa jeune homme eleve dans le Serail & Gendre du Sultan depose; Reys-Effendi ou grand Tresorier un ancien Kadileskier qui a la reputation d'avoir des connoissances, de la prudence & de la lagesse: pour Capitaine Bassa ou Grand Amiral Abdikap jeune homme age de ving-six ans, & aussi Gendre du Sultan depose. Tous ces Ministres ne sont pas assurez de rester en place, par ce que les Suleves sont encore en Armes. Le Prince Alexandre de Wirttemberg qui e
9921 Broché, couverture d'édition rempliée illustrée d'une composition originale de Masereel. 22,2 x 14,5 cm, 131-[7] p., 35 illustrations. Paris, Pierre Vorms, 1947.
9921 Broché, couverture d'édition rempliée illustrée d'une composition originale de Masereel. 22,2 x 14,5 cm, 131-[7] p., 35 illustrations. Paris, Pierre Vorms, 1947.
18681162721868 A la Librairie Frédéric Henry, au Palais-Royal, Galerie d'Orléans, collection "Documents pour servir à l'histoire de nos moeurs" publiée par Lorédan Larchey, exclusivement composée de documents originaux. Imprimé par Emile Voitelain et Cie - 1868 - In-18, broché - 62 pages - Publication tirée à quatre cent exemplaires, sans justificatif de tirage
8vo; . S.-Peterburg: "Proletarskoe dielo", 1906. 1st edition. Paper Wrappers. 12mo, 32 pages. 19cm. In Russian. "Predlagaemyia stati izlagaiut dva takticheskikh vzgliada, namietivshikhsia v sotsialdemokratii po voprosu o vyborakh v Gosudarstvennuiu Dumu." Other Titles: Gosudarstvennai Duma i Sotsialdemokraticheskaia taktika. References: Khronologicheskii ukazatel proizvedenii V.I. Lenina, 2021. SUBJECT(S): Russia. Gosudarstvennaia Duma (1st : 1906); Rossiiskaia sotsial-demokraticheskaia rabochaia partiia. Sezd (4th : 1906 : Stockholm, Sweden), Russia -- Politics and government -- 1894-1917. OCLC lists 2 institutions worldwide with copies (Harvard & Columbia). Very Scarce. Wear & tears & period institutional sticker on cover, no text affected, internal paper & binding Very Good Condition, Good Condition overall. (MX-30-10)
Very Good Turkish, Ottoman (1500-1928) Original illustrated wrappers. Chipping on top edge and front cover. Occasional foxing on pages. Overall a good copy. Roy. 8vo. (23 x 15 cm). In Ottoman script (Old Turkish with Arabic letters). 103 p., b/w plates (19 unnumbered b/w plates and 1 map). First edition of this extremely rare first-hand and historically significant eyewitness account of the Syrian and the Suez Canal Operations during the Great War by an Ottoman soldier and statesman. Erden describes in this book his return to Istanbul after his military attaché duty in Paris and his departure to Damascus to join the 4th Army in Syria under the command of Cemal Pasha (1872-1922). He then discusses the Arab Revolt in Hejaz and its possible effects on the Ottoman Empire (The Arab Uprising was initiated by Sharif Hussein bin Ali in June 1916 during the Great War with the aim of creating an independent and united Arab state comprising of Aden in Yemen and Aleppo in Syria against the Imperial Ottoman). After disclosing his views and the actions of the army in the region, he goes on to describe Jerusalem, the Suez Canal, and the wars that took place there. Erden gave new information on the reasons and results of the Canal operation, the condition of the Turkish army along Palestine and Syria fronts, the relations among the Turkish staff, and the nature of the Arab revolt through his views and observations in Egypt, Palestine, and Syria fronts accumulated as he was Cemal Pasha's chief of staff. Erden was a Turkish soldier and war historian. After graduating from the Military Academy in 1903, he worked in the units and headquarters in Yemen, as the staff of the 3rd Corps in the Balkan War and as the Paris Military Attaché. During the Great War, he served as the Chief of Staff of the 4th Army within the entourage of Admiralty Minister Cemal Pasha in Syria. Özege 16174. Kursun p. 51.
052-Ao.J. Vollständige Folge von 8 Blatt Kupferstichen nach G. van Groeningen, um 1574, auf Bütten mit Wasserzeichen: Narrenkappe. Je ca. 20,2:18,2 cm. Literatur: Hollstein 62-69, jeweils letzter Zustand. Teils mit dem Monogramm, der Blattnummer (teils doppelt), einem Bibelzitat und lateinischem Text sowie Blatt 1 mit dem Verlegermonogramm von Claesz Jansz. Visscher und Bezeichnung in der Platte. Sämtlich mit ca. 1,5 cm breitem Rändchen. Hauptsächlich an den Rändern schwach fleckig. Meist an den oberen Ecken auf Unterlage montiert.
166144596Amsterdam L. & D. Elzevirios 1661. 4to. Contemp. full vellum ms-title on spine. Title in red/black. Engraved portrai of Regius on verso of f 4 H. Bloemaert pinxit T. Matha sculpsit. 445231- Errata pp. 2 folded engraved plates Globus Coelestis a. Orbis Terrarum Typus. Numerous woodcut illustrations in the text astronomical mechanical physical physiological anatomical theory of light theory of vision etc. etc. Printed on good paper clean and fine. <br/><br/><em>Third edition appeared 1651 a. 1654. This is edition having the 2 plates which appears here for the first time and not in the earlier editions.Henricus Regius in Dutch: Hendrik de Roy may be recognised today primarily as one of Descartes' correspondents. However he was also the author of a textbook of natural philosophy Fundamenta physices 1646 which offered an alternative to Cartesian epistemology and metaphysics. His correspondence with Descartes and his simultaneous controversy with G. Voetius during the 1640s reflected Regius' efforts to establish his intellectual independence from scholastic philosophy and Cartesian metaphysics.Stanford Encyclopedia of Philosophy.Willems 1274. - Poggendorff II 587 b. </em> hardcover
166144596Amsterdam, L. & D. Elzevirios, 1661. 4to. Contemp. full vellum, ms-title on spine. Title in red/black. Engraved portrai of Regius on verso of f 4 (H. Bloemaert pinxit, T. Matha, sculpsit). (44),523,(1- Errata) pp. 2 folded engraved plates (Globus Coelestis a. Orbis Terrarum Typus). Numerous woodcut illustrations in the text, astronomical, mechanical, physical, physiological, anatomical, theory of light, theory of vision etc. etc. Printed on good paper, clean and fine.
1614LRB170909Dans une reliure hollandaise pastiche de belle facture avec lacets en cuir mégis, 26 libelles en parfait état, complets, série homogène de 1614. Nombreuses marques de libraires, tous de Paris. In-12° parchemin
170012Paris, 1614 28 pièces en un vol. in-12, vélin rigide, dos lisse à rabats, traces de lacets (reliure de l'époque). Bon exemplaire.
1614LRB200Un recueil factice de 46 pamphlets ou édits de 1614 (la dernière pièce est de 1604, il s'agit de l'édit sur la Paulette). 160*100 mm, tranches non rognées, plein maroquin à grains fins vert olive, coins bord à bord, titre doré au dos , non endossé (pour ne pas abîmer les pamphlets). Cette reliure moderne remplace vraisemblablement une précédente, car les notations, visiblement du XIXe siècle ont été conservées : "Louis XIII. Recueil n°4 46 pièces / Toutes ces pièces, sauf la dernière, sont relatives aux événements suscités par les princes rebelles..."
11594New York: Original Artwork c.1984. Acrylic and ink on a denim Wrangler jacket size 40. Painted circa 1984. Large "JoyStick" piece with character portrait and smaller "Revolt" piece underneath to rear jacket panel. A classic Dr. Revolt burner with character portrait of Joy "Joystick" Bouldin. Authentic hand painted clothing from the early days of hip hop are exceptionally rare. Revolt began painting on New York subway trains in the late 1970s and continued throughout the 1980s. As a member of the RTW Rolling Thunder Writers he painted with artists such as IZ THE WIZ ZEPHYR QUIK and KEL. He appeared in the historic PBS documentary "Style Wars" and along with Zephyr created the iconic "WILD STYLE" mural used in the film of the same name. Revolt has never stopped painting and his work is held in museums galleries and private collections worldwide. He has been in commercial demand since the 1980s designing album covers for artists such as The Fun Lovin' Criminals and Grandmaster Flash and creating the classic "YO! MTV Raps" logo. Provenance: Joy "Joystick" Bouldin. Joy was a key figure in the New York club scene of the early 1980s. Aged 18 she arrived in New York and eschewing her plans to go to college found work at the Mudd Club. Here she was befriended by Andy Warhol who introduced her to his inner circle including Jean-Michel Basquiat for whom she modelled and Keith Haring. In 1982 she quit her job in a law firm to "work the elevator" at Danceteria. Deciding who to let in to the private club gave her a key position at the forefront of the emerging culture of the time positioned at the intersection between fashion Pop Art Hip Hop and graffiti. Like key door-people everywhere Joy knew everyone and everyone knew her. She came up with the idea of having the best known and most applauded graffiti writers pop artists and musicians tag or draw on her clothing as they came in and out of the club. In doing so she created a wearable original artwork merging fashion art and music that now also serves as a significant historical document. In true graffiti spirit the writers wanted to be seen and learning of Joy's legendary art coats were keen to have their name displayed at the hottest club in town. As a result Joy was gifted items of hand-painted clothing in the hope she would wear them out. This jacket by Revolt was once such item that she loved and wore regularly. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. New York: Original Artwork c.1984 hardcover
