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1818A141-835Wien / Vienna, 1818. antiker Stich / antique engraving auf Tr?gerkarton kaschiert, Format der Grafik ca. 21,5 x12 cm, Tr?gerkarton ca 27,5 x 18 cm
1818A141-832Wien / Vienna, 1818. antiker Stich / antique engraving auf Tr?gerkarton kaschiert, Format der Grafik ca. 21,5 x12 cm, Tr?gerkarton ca 27,5 x 18 cm
1818A141-833Wien / Vienna, 1818. antiker Stich / antique engraving auf Tr?gerkarton kaschiert, Format der Grafik ca. 21,5 x12 cm, Tr?gerkarton ca 27,5 x 18 cm
1818A141-831Wien / Vienna, 1818. antiker Stich / antique engraving auf Tr?gerkarton kaschiert, Format der Grafik ca. 21,5 x12 cm, Tr?gerkarton ca 27,5 x 18 cm
1818A141-829Wien / Vienna, 1818. antiker Stich / antique engraving auf Tr?gerkarton kaschiert, Format der Grafik ca. 21,5 x12 cm, Tr?gerkarton ca 27,5 x 18 cm
1818A141-830Wien / Vienna, 1818. antiker Stich / antique engraving auf Tr?gerkarton kaschiert, Format der Grafik ca. 21,5 x12 cm, Tr?gerkarton ca 27,5 x 18 cm
1811K-1660London, Rudolph Ackermann, 1811. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1810K-1656London, Rudolph Ackermann, 1810. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1810K-1655London, Rudolph Ackermann, 1810. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1811K-1663London, Rudolph Ackermann, 1811. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1811K-1662London, Rudolph Ackermann, 1811. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1810K-1657London, Rudolph Ackermann, 1810. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1811K-1661London, Rudolph Ackermann, 1811. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1810K-1659London, Rudolph Ackermann, 1810. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1810K-1658London, Rudolph Ackermann, 1810. antiker Stich / antique engraving, Format ca. 21,5x13,8 cm
1816K-1745Wien / Vienna, 1816. antiker Stich / antique engraving, Format ca. 21 x13 cm
1817K-1690Wien / Vienna, 1817. antiker Stich / antique engraving, Format ca. 21 x13 cm
17511Tavistock Place London . 4 April 1815. 1p. 4to. Bifolium. Addressed on reverse of second leaf with postmarks to 'Thomas Hill Esq New Inn'. In good condition lightly-aged. Headed by Oakley 'Circular' and entirely written out in his own hand. The letter begins: 'In consequence of the embarrassing finances of the Old Drury Club and its being uncertain whether or no it can any longer hold its deliberative meetings at its accustomed place of redevous sic - it has been determined by a majority of its members - to resolve themselves into a committee of ways and means'. Details are given of the arrangements for the meeting at the Piazza Coffee House the purpose being to consider 'how far it would be prudent under existing circumstances to raise supplies for the further prosecution of so just and necessary an establishment.' Little is known of the subject of the letter but in 1816 William Linley dedicated his 'Shakspeare's Dramatic Songs' to 'The Old Drury Club a Social Circle round the Shrine of Shakspeare Cherishing his Memory and Revering his Genius.' Tavistock Place [ London ]. 4 April 1815. unknown
15993Both engravings published on 2 October 1826 by S. & J. Fuller 34 Rathbone Place London. The two engravings in good condition with light signs of age and with 'A Faint Impression' with some offsetting in light pink not entirely displeasing. Both headed above the image 'Casualties of London Street Walking' with the title and publication details below the image. ONE: 'A Faint Impression.' Dimensions: image 23.5 x 18.5 cm; plate 27 x 20 cm; paper 29 x 22 cm. A fight outside a hat shop between two boys one holding a tray of meat and the other a wooden board with food and drink results in the light soiling of the clothes of an indignant middle-aged couple the man in top hat whiskers and breeches and the woman in bonnet and frills. The amused milliner looks on from the doorway of his shop. TWO: 'A Strong Impression.' Dimensions: image 24 x 19 cm; plate 27.5 x 21.5 cm; paper 28.5 x 22.5 cm. A confrontation in front of a printshop between a chimneysweep and a boy selling pies has more serious consequences for another couple more sharply dressed than the last. The gentleman in cutaway jacket has his trousers badly soiled by the falling chimneysweep's bag of soot while the lady receives a bag of pies in the face from the other boy. Two gentlemen and the printseller look on horrified. Uncommon: the only copies found are coloured ones in the Guildhall Library London and London Metropolitan Archives. See Image sl. too large for scanner. Both engravings published on 2 October 1826 by S. & J. Fuller, 34 Rathbone Place, London. hardcover
HIS4182M1688, Pierre Marteau, Cologne. 2e édition après celle de 1687. In-12, relié, plein veau de l'époque, dos à nerfs orné, (8)-446pp. Ex-libris à la plume et cachets humides sur garde, page de titre et garde de fin. Intérieur convenable. Reliure fatiguée. Pièce de témoignage
11646mélange histoire de France & histoire avec quelques autres pièces romaines concernant l’histoire de France. & l’histoire romaine. In 12 plein cuir fauve raciné, pièce de titre chagrin rouge, fers, roulette, filets dorés, roulette dorée sur coupes. Titre 1 feuillet de table des matières & approbation- suivi de remarques 498 pages. 2 pages d’errata. Tranches rouges. A Liège chez J.F Bassompierre 1767. Remarques sur la naissance de Henri III Prince Condé- Histoire des négociations secrètes de la France avec la Hollande qui précédèrent le traité d’Utrecht- Observations sur les troubles de la Régence – Recherches sur les finances des Romains- Des guerres civiles des romains.
201081599Regency Superior 2010-01-01. Good. Good; Contents are tight; lower part of spine bumped; Soft Cover; Regency Superior; 2010; 0 Regency Superior paperback
2010412199New Haven London New Haven : Yale Center for British Art ; National Portrait gellery ; in association with Yale University Press 2010. First Edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight bright clean and strong. Physical description; xxvi 314 pages : color illustrations ; 30 cm. Notes; Publsished to accompany the exhibition ""Thomas Lawrence: Regency power and brilliance"" co-organized by the Yale Center for Britiish Art and the National Portrait Gallery London on view at the National Portrait Gallery from 21 October 2010 to 23 January 2011 and at the Yale Center for British Art from 24 February to 5 June 2011. Includes bibliographical references pages 302-306 and index. Contents; Lawrence among men : friends patrons and the male portrait / Peter Funnell -- The construction of desire : Lawrence's portraits of women / A. Cassandra Albinson -- ""Charming little brats"" : Lawrence's portraits of children / Marcia Pointon -- Catalogue. Arrival on the scene : the 1790's ; Delineating a life : Lawrence as draughtsman ; New ambition : experimentation and innovation in portraiture practice ; Lawrence in Europe : international career and reputation ; Court academy and society : the 1820s -- Photographic copyright and credits -- A survey of the literature / A. Cassandra Albinson. Subjects; Lawrence Thomas 1769-1830 ; Exhibitions. Lawrence Thomas 1769-1830 Criticism and interpretation. Art British 18th century. Art British 19th century. Portrait painting British 19th century ; Exhibitions. New Haven London New Haven : Yale Center for British Art ; National Portrait gellery ; in association with Yale University Press hardcover
QWA-16329Henri Plon, 1865, 2 vol. in-8 rel. 1/2 chag. rouge à coins (16 x 24), 528 p. - 559 p., reliure amateur solide de bonne facture, couvertures conservées, bon état.
601696Gustave Barba Paris S.D. (1829) In-4 ( 290 X 210 mm ) de 160 pages, demi-chagrin framboise, dos lisse orné de fleurons dorés, illustrations dans le texte. Quelques taches, sinon agréable exemplaire.
