108 résultats
New Turkish Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and summary in English. 82 p., color ills. Gravestones in Adilcevaz and its environs.= Adilcevaz çevresindeki mezar taslari. The book covers the medieval Turkish tombstones documented during the surveys in 2005-2006 in Bitlis region. Although their number is not high, their materials, forms and decoration reflect the general characteristics of Lake Van area.
From the historical record and discoveries unearthed in the extensive excavations over a fifteen year period, the author recreates the amazing story of Salamis, on the Levant coast of Cyprus, which served as an important link between the Greek world and the Near East. The manner in which archaeology and history are woven together to make this period live again is shown by one of the later excavations, a 'tomb' which in fact was proved to be only a cenotaph. This is almost certainly a memorial to King Nicocreon, last king of Salamis, who, with his family, committed suicide in 311 B.C. rather than submit to Ptolemy I .Account of the excavations of Necropolis at Salamis in Cyprus. . The Site of Salamis; II. Salamis at the End of the Bronze Age; III. The Age of Exuberance: The Necropolis in the 8th and 7th Centuries; IV. A King's Cenotaph; V. The City Site; VI. Salamis-Constantia. 212p.; notes; select bibliography; list of illustrations: 17 color plates, 128 monochrome plates, and 33 line drawings; index. Neat sound copy, usual libray marks, Ex-Library
18890Bruxelles, Vromant, 1926. 15 x 24, 31 pp., 7 planches en N/B, 3 figures, broché, bon état (couverture légèrement déraîchie).
1911333Bourg, Imp. du Courrier de l’Ain, 1911, in-8, broché ; 623, (4) pp., 8 planches hors-texte.
120619Editions Arles - Sans date - In-8, broché - 52 pages - illustrations en N&B in-texte
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 335, [1] p., 139 numerous color, 126 b/w plates, tables. Tralleis Güney Nekropolü Terrakotta figürinleri. Terrakotta figurines of Tralleis Necropole. The terracotta figurines in this study were found throughout the South Necropolis of the Tralleis, with a large number coming from the barrel vaulted chamber tombs. The figurines were recovered in the earlier salvage excavations by the Aydin Archaeological Museum. The excavators records of objects found in a representative series of graves must form basis for our study of the chronology and styles of the figurines. Thirty three contexts are listed as of interest, but not of sharply defined chronological significance. The evidence for dating is derived for the most part from pottery, coins and other archaeological remains, the cemetery of Tralleis dates from the 2nd century B.C.E. at least through the 2nd century A. C. E. The figurines were each cast in a mold. In the 2nd century B.C.E. however, the number of molds used in the creation of a single figurine was increased. The manufacture of terracotta figurines in Roman Imperial Period was an industry. The clay of the Tralleis figurines are rather coarse but homogeneous and contains a fair amount of mica. Yellowish red clay with some mica was used rarely, and mostly in 2nd century B.C.E. Reddish yellow clay, sometimes burned light red, with mica, is characteristic of the finest pieces. The commonest clay is reddish yellow usually with mica, and often with a light white slim according to Munsell Soil Color Chart. According to the stylistic analysis, the influences from Attica, Tanagra, Boeotia and Myrina also are obvious among the early figurines at Tralleis. Flying figurines as Eros and Nike were prominent in the 2nd century B.C.E. Religious types are also found and include Aphrodite and worshipers. Other representations of deities included an Ariadne, Dionysos and his entourage. During the second half of the 2nd century B.C.E. genre groups with animals and standing draped women proliferated. Tralleis was destroyed by an earthquake in 26 B.C.E. and reconstructed with the efforts of Emperor Augustus. The typology repertoire of the 1st century A.C.E. consists of standing draped women and men, athletes with quiver, masks, actors, puppets, caricatures, animals and other mythological and religious types. This type of figurines was commonly found in most of the Mediterranean sites in the Hellenistic and Roman Imperial Period. The works of the coroplasts whose signatures are found in the South Necropolis may be examined here in more detailed. These are Trophimos, Simalionos, Theodotos, AA and the others. The signatures show that workshops were active at Tralleis in the Roman Imperial Period as early as the 1st century B.C.E. and continued to produce figurines until the 2nd century A.C.E. We may therefore assume the fabric of which the coroplasts are made to be a local fabric of its period. Each figurine is introduced by a general commentary that outlines the typology, chronology and significance of the class in the catalogue. Catalogue descriptions give factual detail, references to previous publications, and close parallels. Finally, typology and style of these examples can also be compared with the dated finds from the other contemporary sites and contexts. On the whole, the evidence presented points to the fact that the 2nd century B.C.E. was the most prosperous ones for the city of Tralleis.
As New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 335, [1] p., 139 numerous color, 126 b/w plates, tables. Tralleis Güney Nekropolü Terrakotta figürinleri. Terrakotta figurines of Tralleis Necropole. The terracotta figurines in this study were found throughout the South Necropolis of the Tralleis, with a large number coming from the barrel vaulted chamber tombs. The figurines were recovered in the earlier salvage excavations by the Aydin Archaeological Museum. The excavators records of objects found in a representative series of graves must form basis for our study of the chronology and styles of the figurines. Thirty three contexts are listed as of interest, but not of sharply defined chronological significance. The evidence for dating is derived for the most part from pottery, coins and other archaeological remains, the cemetery of Tralleis dates from the 2nd century B.C.E. at least through the 2nd century A. C. E. The figurines were each cast in a mold. In the 2nd century B.C.E. however, the number of molds used in the creation of a single figurine was increased. The manufacture of terracotta figurines in Roman Imperial Period was an industry. The clay of the Tralleis figurines are rather coarse but homogeneous and contains a fair amount of mica. Yellowish red clay with some mica was used rarely, and mostly in 2nd century B.C.E. Reddish yellow clay, sometimes burned light red, with mica, is characteristic of the finest pieces. The commonest clay is reddish yellow usually with mica, and often with a light white slim according to Munsell Soil Color Chart. According to the stylistic analysis, the influences from Attica, Tanagra, Boeotia and Myrina also are obvious among the early figurines at Tralleis. Flying figurines as Eros and Nike were prominent in the 2nd century B.C.E. Religious types are also found and include Aphrodite and worshipers. Other representations of deities included an Ariadne, Dionysos and his entourage. During the second half of the 2nd century B.C.E. genre groups with animals and standing draped women proliferated. Tralleis was destroyed by an earthquake in 26 B.C.E. and reconstructed with the efforts of Emperor Augustus. The typology repertoire of the 1st century A.C.E. consists of standing draped women and men, athletes with quiver, masks, actors, puppets, caricatures, animals and other mythological and religious types. This type of figurines was commonly found in most of the Mediterranean sites in the Hellenistic and Roman Imperial Period. The works of the coroplasts whose signatures are found in the South Necropolis may be examined here in more detailed. These are Trophimos, Simalionos, Theodotos, AA and the others. The signatures show that workshops were active at Tralleis in the Roman Imperial Period as early as the 1st century B.C.E. and continued to produce figurines until the 2nd century A.C.E. We may therefore assume the fabric of which the coroplasts are made to be a local fabric of its period. Each figurine is introduced by a general commentary that outlines the typology, chronology and significance of the class in the catalogue. Catalogue descriptions give factual detail, references to previous publications, and close parallels. Finally, typology and style of these examples can also be compared with the dated finds from the other contemporary sites and contexts. On the whole, the evidence presented points to the fact that the 2nd century B.C.E. was the most prosperous ones for the city of Tralleis.
BN66789Necropolis Smith Clark Ashton <br/><br/> unknown
Book shows slight use only. Text/interior is clean and free of marking of any kind. Unpaginated, about 30 pages. "Le culte des morts existe, sans doute, depuis que l'homme vit sur terre. Toutes civilisations marquent la trace de ce culte par une architecture, un art funeraires, et on retrouve dans le monde entier, sarcophages, necropoles,masques, pyramides, chambres mortuaires, pantheons et temples funeraires, sepultures, sepultures, colonnes. mausolees, urnes, tombes." -- from the intro. Text is in French. 9 3/8"w x 12 1/2"h.
Fine French Paperback. Pbo. 4to. (28 x 20 cm). In French. [v], 118 p., b/w plts. Une necropole a royale a Sidon. Fouilles de Hamdy Bey. Vol. 1. Textes. Reproduction of the text volume printed in 1892.
Fine English Paperback. Folio. (28 x 20 for text volume; 34 x 24 cm for plates volume). In French. 2 volumes set ([v], 118 p., b/w plts.; 3 p., [xxxvii] reproduction b/w plts.). Une necropole a royale a Sidon. Fouilles de Hamdy Bey. 2 volumes set. Vol. 1. Textes. Vol. 2. Planches. Reproduction of the set printed in 1892. Facsimile reprint of the books including plates and text sections published 1892 in Paris by Osman Hamdi Bey (1842-1910) and Theodore Reinach (1860-1928). This was the publication of excavations at Sidon Cemetery in Lebanon, where masterpieces of art were found, which are kept in the Istanbul Archaeological Museum.
198764941987 Plon, Paris, 1987. Un volume in-4 cartonnage de l'éditeur, 79 pages, nombreuses illustrations en n&b et couleurs. Bon état.
1972160276Ljubljana: Narodni Muzej 1972. 272 Seiten. Mit zahlreichen Abbildungen auf 125 Tafeln (davon 7 farbige Abbildungen) sowie 2 Faltkarten in Papptasche auf dem hinteren Innendeckel. -- With numerous illustrations on 125 plates (including 7 colored illustrations) as well as 2 folding maps in a cardboard pocket on the back inner cover. 4° (25-35 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken. [Hardcover / fest gebunden].
1972160394Ljubljana: Narodni muzej 1972. 272 Seiten. Zweispaltig. Mit zahlreichen Abbildungen auf 125 Bildtafeln im Anhang sowie 2 großen Faltkarten in Papptasche auf dem hinteren Innendeckel. 4° (33 x 23,5 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken. [Hardcover / fest gebunden].
65849aafParis, Librairie A. Jullien et Librairie Honoré Champion 1983, in-4to, 181 S., ill. + XXIII planches + 8 plans schématiques + 1plan plié, brochure originale, avec jaquette ill.
New English Paperback. Pbo. 4to. (33 x 24 cm). In Turkish. [xii], 609 p., 230 b/w and color plates. Rock tombs of highlands of Phrygia in the Hellenistic age and the Roman Empire period. Hellenistik ve Roma dönemlerinde daglik Phrygia bölgesi kaya mezarlari.
98 p., 16 pl. + 1 dépl., 26 fig., 1 microfiche (Publications d'Histoire de l'art et d'Archéologie de l'UCL XVIII). Petites taches sur la couverture défraîchie. Inv. 32089
