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200036167<p>Contains the original text in medieval-Byzantine Greek polytonic script and translation plus comments and introduction in modern Greek. Soft cover 21 cm 512 pp.; net weight 625 gr.</p><p><i>Το πλÎον σημαντικό από τα ÎÏγα που συνÎγÏαψε ο λόγιος πατÏιάÏχης είναι η "Βιβλιοθήκη" συλλογή πεÏιλήψεων-σημειώσεων από βιβλία του ÎµÎ¸Î½Î¹ÎºÎ¿Ï ÎºÎ±Î¹ χÏÎ¹ÏƒÏ„Î¹Î±Î½Î¹ÎºÎ¿Ï Ï€Î±Ïελθόντος. Οι πεÏιλήψεις αυτÎÏ‚ φÎÏονται να γÏάφτηκαν για Îναν και μόνο αποδÎκτη σε κλίμα συγκινησιακά φοÏτισμÎνο. Î ÏοσφÎÏονται στον ΤαÏάσιο τον αγαπημÎνο αδελφό του Φωτίου ως χαÏιστήÏιο ενθÏμιο λίγο Ï€Ïιν από το διπλωματικό ταξίδι του συγγÏαφÎα στους ΑσσυÏίους. ΠαÏά τον εσωστÏεφή και Ï€Ïοσωπικό χαÏακτήÏα η "Βιβλιοθήκη" γνώÏισε ευÏεία διάδοση.</i></p><p><br /></p><p><b><i><b>IMPORTANT: The shipping cost is an important parameter of this order; it is NOT included in the price and depends on the actual weight and destination; you will have to approve it after the confirmation of the order. You may ask for an estimate before placing the order at: dem.siatras@gmail.com</i></b><br /></p> Kanakis paperback
103727<p>Facsimile reprint of the Leiden edition 1864. Two volumes. Edited by S. A. Naber. Hard cover 24 cm 458986 pp. ISBN: 978-960-400-377-8 set.</p><p>.</p><p>.</p><p>================================================</p><p><b>IMPORTANT: The shipping cost in not included in the price. You will have to approve it at confirmation of the order.</b></p> hardcover
43456Augsburg: Christoph Mang. <p>Photius I Saint Patriarch of Constantinople ca. 810 - 893. Bibliotheca; sive lectorum a Photio librorum recensio censura atque excerpta. Latin translation with notes by Andreas Schott S.J. 28 555 37 pages including final blank. Augsburg: Christoph Mang 1606. 312 x 201 mm. Vellum ca. 1606 spine ends restored inner hinges cracking vellum over covers wrinkled. Infrequent light marginal dampstaining but very good. Booklabel of Frederic Huidekoper on rear pastedown. </p> <p> First Edition in Latin of the chief work by this 9th-century Byzantine scholar and Eastern Orthodox church leader consisting of a critical account of 280 works read by him many of which are now lost. The Greek original text was first published in 1600. "To Photios we are indebted for almost all we possess of Ctesias Memnon of Heraclea Conon the lost books of Diodorus Siculus and the lost writings of Arrian. Theology and ecclesiastical history are also very fully represented but poetry and ancient philosophy are almost entirely ignored. It seems that he did not think it necessary to deal with those authors with whom every well-educated man would naturally be familiar. The literary criticisms generally distinguished by keen and independent judgment and the excerpts vary considerably in length. The numerous biographical notes are probably taken from the work of Hesychius of Miletus" Wikipedia article on Photius. Hoffmann III 91; Sarton I 594. </p> . Christoph Mang unknown
1998186332Berlin: De Gruyter 1998. Hardcover. VG Covers have very minor wear. Greek Text. Volumes I & II. Green cloth boards with light green lettering. Includes bibliographical references. De Gruyter hardcover
1910053167Istanbul: Mihran Iranian. c. 1910 1910. No Binding. Very Good. 8vo - over 7¾ - 9¾" tall. Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul Iranian's photographs are the rarest and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople its picturesque landscape architectural heritage and the many types of artisans and workers that populated its streets. Using the latest photography techniques which allowed for very rapid exposures Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast Iranian's street views are full of photographic 'ruptures' - blurred figures in movement surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus like the Parisian street photography of Atget Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach which deserves a proper evaluation. <br/> <br/> Mihran Iranian., [c. 1910] unknown
041231770 Neuchatel Au dépends de la Société Typographique. 17 x 10 cm - 204187 pgs - plein veau marbré avec titre estampé en or sur de dos dos lisse avec fleuron dans la caissons estampée en or - coiffe usée autrement bel exemplaire l'intérieur est très bien petite fente en bas du mors suppérieur en bas <br/> <br/> 1770 Neuchatel Au dépends de la Société Typographique unknown
1983260207014Studion Publishers 1983. hardcover. Good. 9x6x1. Cover has light wear. Text unmarked small smudge on a few pages. Good solid binding. Ships Next Business Day. Studion Publishers hardcover
1985Q-0881410381St Vladimirs Seminary Pr 1985-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! St Vladimirs Seminary Pr paperback
0260843369.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265824966.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20172-8497153812Editorial Ciudad Nueva 2017. Paperback. New. Spanish language. 8.03x5.20x1.02 inches. Editorial Ciudad Nueva paperback
1391635922.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391196112.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259113670.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19-7848Ixelles-Brussels: Tramways & Electricite de Constantinople 1929. . Folio. Single page. Very good. Includes seven rubber stamps on front. Signed by two administrators. En Francais. Ixelles-Brussels: Tramways & Electricite de Constantinople, [1929]. unknown
5b2203Ohne Verlagsangaben um 1890. 25 kartonierte S. mit je einer aufgezogenen Fotografie Maße: ca. 18 cm x 237 cm unten links bzw. rechts im Motiv mit französischer Bezeichnung kartonierter Original-Einband mit Kordelbindung sowie geprägtem Deckeltitel quart-quer Rücken fehlt/Vergoldung des Deckeltitels oxydiert/einige Seiten lose/Einband und einige wenige Seiten mit Randläsuren. - Die Fotografien zeigen Sehenswürdigkeiten der Stadt sowie Straßen- und Genreszenen - unknown
