77 résultats
1960114933Club des Editeurs 1960 Club des Editeurs 1960, In-8 reliure éditeur pleine toile rouge. 380 pages. Bon état.
1973LFA-126734876Un ouvrage de 373 pages, format 130 x 205 mm, broché, publié en 1973, Les Belles Lettres, collection "Les Classiques de l'Histoire de France au Moyen Age", bon état
19030056451903 Paris, Hetzel, [1903-1904]. Grand in-8 percaline rouge de l'éditeur ornée de fers spéciaux, titre dans le cartouche, tranches dorées (Engel Rel., d'après une plaque de C. Blancheland). ; (2) ff. de faux-titre (avec frontispice au verso) et titre, 410 pages. Rousseurs au feuillet de titre.
198985652Genève Athènes, Centre orthodoxe du patriarcat oecuménique , E. Tzaferis 1989 In-folio. Reliure pleine toile toile grenat, jaquette illustrée en couleurs, étui carton illustrée, 374 pp., 463 reproductions, plans et figures en couleurs. Emboîtage défectueux, sinon très bon.
191125813Constantinople: Editeur M.J.C. 1911. Color printed postcard. Used dated and divided back. Constantinople cancel mark about 1/2 visible no stamp old discoloration on back; surface of tips wear; faint cancel mark on front as well; in good condition. . Postcard. Not Bound. Good. Editeur M.J.C. paperback books
191025792Constantinople Turkey 1910. Black and white printed postcard. Unused not dated and undivided back. Light wear; in very good condition. . Postcard. Not Bound. Very Good. paperback books
191025789Turkey: A. Zellich Fils Editeurs 1910. Black and white printed postcard. Unused not dated and undivided back. Light wear; in very good condition. . Postcard. Not Bound. Very Good. A. Zellich Fils, Editeurs paperback books
191025814Constantinople: Editeur Max Fruchtermann 1910. Black and white printed postcard. Unused not dated and undivided back. Light wear; in very good condition. . Postcard. Not Bound. Very Good. Editeur Max Fruchtermann paperback books
191025790Turkey: A. Zellich Fils Editeurs 1910. Black and white printed postcard. Unused not dated and undivided back. Light wear; in very good condition. . Postcard. Not Bound. Very Good. A. Zellich Fils, Editeurs paperback books
1965mz810Albin Michel Cités d'art Cartonné avec jaquette 1965 In-4 (21 x 28 cm), cartonné avec jaquette, 213 pages ; mouillure sur l'envers de la jaquette (visible au dos en tête et sur l'envers), petites déchirures sur le bord supérieur de la jaquette, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
198440340Crestwood: St. Vladimir's Seminary Press 1984. Paperback. Very good. 107pp. Spine sunned else very good in publisher's wraps. Ink name on front free endpaper else internally fine. <br/><br/> St. Vladimir's Seminary Press paperback books
19791130631979 Alarko Egitim Tesisleri - 1979 - 2 volumes in-4, cartonnage avec titre et nom de l'auteur en doré sur le 1er plat et le dos - 343 p. + 398 p. - Très riche iconographie hors texte et pleine page en N&B - Ouvrage bilingue turc / anglais
1947290PREMIÈRE ÉDITION. In -8 broché, (22,5 X 14 cm) ,261 p. Éditions A. et J. Picard & Cie, Paris, 1947.
191430708Paris Plon 1914 In-8 III- 371 pp, 20 hors texte et une carte dépliante, couvertures conservées , ex-libris Aubry Vitet
1977X113785Katowice, Uniwersytet Slaski 1977 122pp., 24cm., text in Polish, softcover, copy from the collection of the Belgian byzantinist prof. Justin Mossay (with ex-libris and stamp), text is clean and bright, good condition, X113785
1985Q-0881410381St Vladimirs Seminary Pr 1985-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! St Vladimirs Seminary Pr paperback
1983260207014Studion Publishers 1983. hardcover. Good. 9x6x1. Cover has light wear. Text unmarked small smudge on a few pages. Good solid binding. Ships Next Business Day. Studion Publishers hardcover
1968zt801Hachette Broché 1968 In-8 (15 x 21 cm), broché, 270 pages ; pliure, traces et pelliculage décollé au dos, quelques légères traces sur les tranches, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1992X79266Roma, Pontificio Istituto Orientale 1992 viii + 81pp.+ 26 plates out of text, softcover, 24cm., small corner of paper detached from titlepage (no loss of text), good condition, [Reprint of the 1794-edition, with introduction], X79266
190489351Constantinople: Printed by H. Matteosian for private circulation only 1904. Paperback. Near Fine. double-page photo 20p. Oblong softcover in original wrapper. 8 x 12cm. Minor stain/discoloration on back cover. Issued in connection with an effort to raise over half a million dollars for endowment of professorships repair or replacement of two buildings and to pay off the acumulated deficit in the income of the college over the past three years. Robert College was a "Christian" college although it did not teach religion. In 1904 its students came from the children of Armenian Greek Orthodox and other Christian Minorities in the Ottoman Empire and from the children of Westerners living in Constantinople. <br/><br/> Printed by H. Matteosian for private circulation only paperback books
1910053167Istanbul: Mihran Iranian. c. 1910 1910. No Binding. Very Good. 8vo - over 7¾ - 9¾" tall. Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul Iranian's photographs are the rarest and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople its picturesque landscape architectural heritage and the many types of artisans and workers that populated its streets. Using the latest photography techniques which allowed for very rapid exposures Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast Iranian's street views are full of photographic 'ruptures' - blurred figures in movement surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus like the Parisian street photography of Atget Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach which deserves a proper evaluation. <br/> <br/> Mihran Iranian., [c. 1910] unknown
1998186332Berlin: De Gruyter 1998. Hardcover. VG Covers have very minor wear. Greek Text. Volumes I & II. Green cloth boards with light green lettering. Includes bibliographical references. De Gruyter hardcover
200036167<p>Contains the original text in medieval-Byzantine Greek polytonic script and translation plus comments and introduction in modern Greek. Soft cover 21 cm 512 pp.; net weight 625 gr.</p><p><i>Το πλÎον σημαντικό από τα ÎÏγα που συνÎγÏαψε ο λόγιος πατÏιάÏχης είναι η "Βιβλιοθήκη" συλλογή πεÏιλήψεων-σημειώσεων από βιβλία του ÎµÎ¸Î½Î¹ÎºÎ¿Ï ÎºÎ±Î¹ χÏÎ¹ÏƒÏ„Î¹Î±Î½Î¹ÎºÎ¿Ï Ï€Î±Ïελθόντος. Οι πεÏιλήψεις αυτÎÏ‚ φÎÏονται να γÏάφτηκαν για Îναν και μόνο αποδÎκτη σε κλίμα συγκινησιακά φοÏτισμÎνο. Î ÏοσφÎÏονται στον ΤαÏάσιο τον αγαπημÎνο αδελφό του Φωτίου ως χαÏιστήÏιο ενθÏμιο λίγο Ï€Ïιν από το διπλωματικό ταξίδι του συγγÏαφÎα στους ΑσσυÏίους. ΠαÏά τον εσωστÏεφή και Ï€Ïοσωπικό χαÏακτήÏα η "Βιβλιοθήκη" γνώÏισε ευÏεία διάδοση.</i></p><p><br /></p><p><b><i><b>IMPORTANT: The shipping cost is an important parameter of this order; it is NOT included in the price and depends on the actual weight and destination; you will have to approve it after the confirmation of the order. You may ask for an estimate before placing the order at: dem.siatras@gmail.com</i></b><br /></p> Kanakis paperback
198545063B. G. Teubner. 1985. Hardcover. Very Good in No Dust Jacket dust jacket. Scholar's name to ffep A. R. Littlewood. Foxing/dustsoiling to top of textblock.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 3; 182 pages . B. G. Teubner hardcover
198445062B. G. Teubner. 1984. Hardcover. Very Good in No Dust Jacket dust jacket. Scholar's name to ffep A. R. Littlewood. Light Foxing/dustsoiling to top of textblock.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 2; 253 pages . B. G. Teubner hardcover