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1571486271571 (Lyon) Lugduni, Apud Ioan. Tornaesivm (Jean de Tournes), Typogr. Regium (Typographe royal). MDLXXI - 1571 - In-16, 12 x 8,5 x 3,8 cm - Edition Originale - Reliure vélin de récupération avec manque -Collationné complet des 110 gravures sur bois- 637 pagers + Index (3) manque pages d'index- fortes mouillures - Envoi rapide et soigné - Réf. 48627
1564WB18614Nuremberg: Valentin Geissler 1564. Hardcover. Very Good. Contemporary blind-tooled pigskin over wooden boards brass clasps catches bosses and bossed corner pieces one catch no longer present dated 1571; housed in a modern slipcase. 12 1/4 x 7 1/2 inches 30.75 x 10.5 cm; 288 ff.; historated woodcut title border and a full-page woodcut illustration of "Iusticia" "Pax" and "Liberalitas" with a small view of Nuremberg in the background both signed M.S. woodcut double-page tree of genealogical tree relations between 2P1 and 2. Binding somewhat worn two cornerpieces and one clasp lacking rebacked; internally somewhat shaken a few minor marginal tears and stains very extensively annotated in two or more hands. <br/><br/>This is the first edition of the revised 1564 Nuremberg city laws. These replacing a code previously enacted in 1498 are thematically organized into sections on court and procedural law; contracts right of distraint limitation law fishing law planning and building law; and the law of inheritance in which the folding table of genealogical relations frequently missing is placed. The extensive annotations address amendments to the statutes and interpretive aspects. BM/STC German p. 656; Stobbe II p. 304. Valentin Geissler hardcover
1564702761564. Nuremberg: Valentin Geiszler 1564. Nuremberg: Valentin Geiszler 1564. First Edition of the 1564 Nuremberg City Law Filled with Contemporary Annotations Nuremberg. Der Stat Nurmberg Verneute Reformation. Nuremberg: Valentin Geissler 1564. xlv 240 1 ff. Woodcut title page and allegorical leaf. Folding table of consanguinity lacking. 35 added leaves of manuscript notes the last dated 1620. Folio 12-1/4" x 8". Contemporary paneled pigskin stained brown rebacked in calf with raised bands and lettering piece recent metal bosses to corners of boards clasps lacking hinges reinforced. Light rubbing to boards restoration to edges of endleaves title page and final two added leaves of notes. Title page has a handsome elaborate woodcut architectural border main text preceded by handsome full-page woodcut allegorical leaf large woodcut initials. Light toning to text occasional faint dampstaining to foot of text block faint dampspotting in places minor tears to a few leaves. Extensive annotations in early hand in several places. $6500. First edition. Nuremberg was the center of the Renaissance in Germany and was its leading cultural and intellectual center until the end of the sixteenth century. These qualities are reflected in the contents and design of this volume. The Reformation or civic legal code of Nuremberg is known for its humanistic orientation clear straightforward language elegant typography and fine woodcuts. It revised the code enacted in 1498. The highly skilled engraver known today only by the monogram M.S. designed the title and following cut as allegories on the wealth and unity of Nuremberg. The title has a striking architectural border featuring Moses and the Holy Roman emperor and following leaf depicts God the city of Nuremberg and figures representing the city flanked by figures representing peace justice and generosity. Most of the annotations note amendments to the printed statutes the 35 manuscript leaves update the statutes to 1620. OCLC locates 15 copies in North America 4 of these in law libraries Harvard UC-Berkeley University of Michigan Yale. Verzeichnissen der im Deutschen Sprachraum Erschienenen Drucke des 16. Jahrhunderts N2029. unknown books
1522606091522. Nuremberg 1522. First edition. Nuremberg 1522. First edition. With a Full-Page Allegorical Frontispiece by Albrecht Durer Featuring Lady Justice Her First Appearance in a Book Nuremberg. Durer Albrecht 1471-1528. Reformacion der Stat Nuremberg. Nuremberg: Fridrichen Peypus 1522. xxxvi 30 208 ff. Folio 12" x 8" 30.5 x 20 cm. Contemporary panel-stamped reversed calf with traces of gilt stamping early repairs to spine ends clasps present and intact endpapers renewed at some point. Some rubbing to extremities chipping to head of spine a few scuffs and stains to boards small crack to front joint rear hinge cracked due to worming minor worming to fol. 208. Allegorical frontispiece by Durer featuring Lady Justice and a female figure representing charity attractive woodcut decorated initials throughout. Light toning to text some leaves lightly browned faint stains and foxing to a few leaves wide margins. "1522/ jahre" to title page in near-contemporary hand interior otherwise clean. $12500. First edition and only edition with Durer's frontispiece which includes an image of Lady Justice. This was the first time her image appeared in a book. Nuremberg was the center of the Renaissance in Germany and was its leading cultural and intellectual center until the end of the sixteenth century. These qualities are reflected in the contents and design of this volume. Enacted in 1479 the Reformacion or Reformed Civic Legal Code of Nuremberg is known for its humanistic orientation straightforward language and elegant production. It is also notable as the collection of German city laws to be issued in print. The 1522 issue by Peypus is notable for its splendid full-page frontispiece by the great Nuremberg artist Albrecht Durer which was originally issued as an independent print in 1521. The bottom half depicts two putti displaying the arms of the city and empire. The upper half depicts Lady Justice holding scales and a sword and a female figure representing charity who is pouring coins from a purse and opening her bodice to bear her heart which is represented by a flame. The woodcut initials are finely carved and possibly the work of Durer or his workshop. OCLC locates 4 copies in North America 1 in a law library Harvard. Verzeichnis der im Deutschen Sprachraum Erschienenen Drucke des 16. Jahrhunderts N2027. Meder Dure. unknown books
159866701598. 22 leaves including some blanks or pages ruled in ink for entries. Agenda format 315 x 100 mm. stitched as issued uncut. Nuremberg: 1598.<br/> <br/> A fascinating document of a type that rarely survives: the manuscript account book for the spring 1598 Leipzig fair of Hans Straub I or the Elder 1541-1610 the prominent Nuremberg gold- and silversmith alderman and son-in-law of Wenzel Jamnitzer the best-known German goldsmith of his time. The first leaf bears Straub’s hallmark interwined initials “HS†over an arrow pointing upward within a plain shield & also containing the inscription “No. 72â€. Our manuscript sheds important light on the business relations in the late 16th century between the Nuremberg goldsmiths and their trade at the Leipzig fairs.<br/> <br/> Our account book is a list of sales orders and expenditures of Nuremberg goldsmith Hans Straub the Elder during the Leipzig Easter fair held in May 1598. While Straub is not expressly named he can be identified by his hallmark on the first leaf. At the fair trade was done in goblets rings knife-sheaths cutlery jewelry gemstones etc. Several business partners are named including the Nuremberg goldsmiths Heinrich Hahn Haan David Lauer and Paulus Koch. As an example of a transaction we see that the council of Halle paid over 33 florins for a goblet.<br/> <br/> In 1596 Straub was elected Alderman of the Artisans the most elevated and honorable office to which a Nuremberg artisan could aspire. Straub retained this position until his death in 1610. In 1569 he married Anna daughter of the famous goldsmith Wenzel Jamnitzer. On his father-in-law’s death in 1585 Straub inherited his casting molds and used them extensively in his own creations. Despite his long period of activity relatively few pieces made by Hans Straub have survived see Nürnberger Goldschmiedekunst 1541-1868 2007 ed. by Karin Tebbe et al. Vol. I p. 409.<br/> <br/> In fine condition.<br/> <br/> â§ The mark is similar to Marc Rosenberg Der Goldschmiede Merkzeichen Frankfurt 1925 Vol. III no. 3969. unknown