(Bible Latin Nuremberg, 1482)Biblio.com
38 résultats
1482372091Nuremberg: Anton Koberger 1482. Eighth edition of the Bible printed by Koberger his first was 1475. Date from the colophon at end of text on fol. 427. Text in black letter two columns 53 lines. Red initials rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 of 462 leaves. 1 vols. Folio. Twentieth century orange morocco by Zaehnsdorf preserving earlier gauffered and gilt edges. Spine darkened from smoke minor rubbing. First leaf remargined at foot; some traces of damp and stains from old marginal tabs internally clean overall closed tear in fol. 388. Very good plus. Eighth edition of the Bible printed by Koberger his first was 1475. Date from the colophon at end of text on fol. 427. Text in black letter two columns 53 lines. Red initials rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 of 462 leaves. 1 vols. Folio. ISTC ib00575000; GW 4250; Goff B575. Provenance: George Livermore Harvard bookplate recording 1859 deposit with ink release dated 1894; General Theological Seminary gift of Cornelius Vanderbilt and Dean Augustus Hoffman bookplates and blindstamps Anton Koberger unknown
elala3548Nuremberg: Sigmund Soldan’schen…August Zemsch 1896. oblong folio. title 16 photographs mounted on heavy card. loosely laid in original gilt-stamped cloth portfolio photo mounted on upper cover small tear to lower spine light foxing to edges of title Nuremberg: Sigmund Soldan’schen…August Zemsch, [1896] hardcover
0341541281.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
149348447Nuremberg: Anton Koberger 1493. Single leaf in Latin printed recto and verso. Folio 12" X 17½". Very good. Mildly age toned with expected stitching traces along gutter edge. This encyclopedic account of world events is one of the best-known incunabula highly regarded for integrating dramatic and numerous woodcuts with text. German merchant Sebald Schreyer and his son-in-law Sebastian Kammermeister commissioned scholar Hartmann Schedel to write the text hired printer Koberger and produced versions in both Latin and German. The Latin version 1400 to 1500 copies appeared in July 1493 and the German version 700 to 1000 copies in December. According to one source about 400 Latin copies survive today and about 300 German copies with some of each having been disbound. "Folium CCVII" offered here includes an image at upper left of two "Linea imperatory" "Imperial rule" -- half-length portraits of Phillipus at top and beneath him Otto Quartus each holding orb and scepter. Leaf CCVIII features large woodcuts of monastery structures at upper left and lower right the former titled "Ordo cruciferorum" and the latter "Ordo carmelitarum." At upper right is a smaller woodcut of an unnamed clergyman clutching a crucifix. Anton Koberger unknown
194543099No Place Baden-Baden: Arbeitsgemeinschaft "Das Licht 1945. Paperback. No Date 1945 1st edition original printed paper wrappers. Large 8vo 130 pages plus 56 unnumbered pages of photo plates. 27 cm. In German. Title translates as “Concentration Camps: Factual Report on the Crimes Committed Against Humanity. Document F 321 for the International Military Tribunal in Nuremberg.â€<br> Compiled by Eugène Aroneanu the creator of the concept of “Crimes Against Humanity under International Law†with the first prosecution under this concept taking place during the Nuremberg trials against defeated leaders of Nazi Germany as outlined in this work. <br> Includes 17-page list of camps and prisons on pages 113-130 listing the name location and type of each camp.<br> This report provides the evidentiary material given to each participant of the Nuremberg Military Tribunal to become acquainted with the evidence to be presented. The report recounts the German crimes against humanity detailing deportation detention concentration camps tortures medical experimentation execution gassing and incineration.<br> It also delineates the web of procedures and complex organizational structure of concentration and extermination camps set up by the Germans during the course of Nazi rule. With an appendix of dozens of unimaginably gruesome photographs.<br> <br> Table of contents translated:<br> - Foreword<br> - List of witnesses reports and documents <br> - The four main Nazi accusations - Deportation departure / arrival<br> - Internment admission / theft / clothing / housing / food / hygiene<br> - Administration and camp regulations distinction between prisoners<br> - Camp life discipline / customs / religion / everyday scenes / roll call / punishments and torture<br> - Work men's work / women's work<br> - Sanitary conditions illnesses / medical examinations / hospital accommodation / sick conditions / nursing and treatment of the sick / abortions / childbirths / sterilization of women / sterilization and castration of men / the German medical corps<br> - Medical experiments and vivisection<br> - Various executions<br> - Repercussions on the prisoners revolt escape suicide<br> - Extermination selection in the camp / selection upon arrival / gassing and cremation<br> - Liberation<br> - Number of deaths percentage / balance<br> - Before the war<br> - Appendix<br> - List of the camps commandos and prisons used for incarceration<br> - Illustrations<br> <br> Eugène Aroneanu “was a Romanian lawyer resistance fighter and author of several works on international law.<br> In the mid-1930s he emigrated to Paris. When World War II broke out in September 1939 he conducted radio broadcasts to Romania. When France was occupied in 1940 he joined the French Resistance operating underground under the name Aréne. In 1943 he managed to escape to Switzerland .<br> Aroneanu authored 58 publications. In 1945 he was tasked with compiling a documentation of Nazi wartime atrocities for the Nuremberg Trials. He also drafted a corresponding legal plea intending to expand the prosecution beyond the treatment of the extermination of the Jews as merely a crime against peace and war crimes as desired primarily by the British to include the new territory of crimes against humanity under international law†Wikipedia <br> SUBJECTS: World War 1939-1945 -- Concentration camps. Holocaust Jewish 1939-1945 -- Personal narratives. -- Atrocities. Guerre mondiale 1939-1945 -- Camps d'internement. Holocauste 1939-1945 -- Re´cits personnels. -- Atrocite´s. Internment camps. Crimes against humanity -- Germany. OCLC: 37149416.<br> Light wear to wrappers toning to paper Very Good Condition overall. BK5 Holo2-162-39XX-EGGACC-'l. No Place [Baden-Baden]: Arbeitsgemeinschaft "Das Licht paperback
194342274Moscow Foreign Languages Pub. House 1943. Paperback. 1st English Language Edition. Original Wrappers. 8vo. 40 pages; 19 cm. Koppel Pinson's copy with gift bookplate. Contemporary account published in 1943 of the very first war crimes trial against Nazi defendants held following the Russians’ recapturing of Krasnodar From the Germans who had occupied it. SS-sonderkommando units massacred thousands of Russian citizens Jews and communists. The trials were held immediately in the summer of 1943 while the war against Hitler was ongoing. Includes transcript from the trial and gruesome photographs of the victims of the atrocities. SUBJECT S : War crimes -- Soviet Union. OCLC: 11136869. Small donation bookplate number on margin of final leaf otherwise Very Good condition excellent copy. Very important. B holo2-135-10-LWWEV-'mmacc. Moscow, Foreign Languages Pub. House paperback
1750B4SB1E23SY47Nuremberg 1750. Ca. 39.5 x 71.5 cm. Kept in a white passe-partout. One large etching. Large etching with a spectacular night view of a fireworks display during the Nuremberg peace festival. This event took place in Nuremberg in July 1650 to celebrate the end of the Thirty Years' War 1618-1648 one of the most devastating conflicts in European history. The festival was intended as a sign of hope for a better future in Europe and particularly Germany. The present etching may have been printed to spread this message of peace.The Thirty Years' War started as a civil war within the Holy Roman Empire but eventually became a wider European affair. Primarily fought in present day Germany however it brought disease and starvation to the region and depopulated large areas. After five years of negotiation a peace treaty was finally signed in October 1648. Any remaining unresolved issues were negotiated during a major diplomatic congress held in Nuremberg between May 1649 and July 1650. When the negotiations were concluded a peace festival was held which included a large fireworks show. The present etching shows this spectacular display with the numerous skyrockets shot from all sides of the castle. Remarkable details are the burning statue in the middle and the men with flaming swords surrounding it.The image was engraved after designs by German artists Peter Troschel ca. 1620-after 1667 and Michael Herr 1591-1661. In was first printed in 1650 and included a title at the top and a legend at the bottom. The present version most likely dates from the middle of the 18th century but has been significantly enlarged especially lengthwise. These new proportions make the image even more spectacular.The work has been folded in the past the lower part of the left margin has been restored insect droppings in a small area on the left side of the head margin not affecting the etched image. Otherwise in good condition. unknown
149325186Nuremberg: Anton Koberger for Sebald Screyer and Sebastian Kammermeister 1493. First Edition with the Latin text the bifolium with fine hand-colouring to the Venice view. This is one of the large double-page city-view woodcuts from the workshop of Mighael Wolgemut and Wilhelm Pleydenwurff beneith 24 lines of text. The view of Venice was adapted from the 1486 woodcut by Erhard Reuwich in the Sanctae Perigrinationes. It is handsomely and finely handcoloured in blues greens yellows reds grays etc. Double-page folio ca. 540 x 364 mm handsomely mounted framed and glazed. Leaves XLIII and XLIIII. In fine condition and very well preserved and presented. FROM THE FIRST EDITION OF THE NUREMBERG CHRONICLE ARGUABLY THE GREATEST ILLUSTRATED BOOK OF THE 15TH CENTURY. The artists Michael Wolgemut the well-known teacher of Albrecht Dürer and his stepson Wilhelm Pleydenwurff have been praised and admired for over five-hundred years for their contributions to one of the monuments of early printing. David Bland calls it "a marvelous book and a landmark in the history of illustration" and through the ages it has more than fulfilled Koberger's prophecy that it would be "the delight of the men of learning and of everyone who had any education at all."<br> HIGHLY IMPORTANT INCUNABLE the “Nuremberg Chronicle†is the most extensively illustrated book of the fifteenth century and after the Gutenberg Bible the most celebrated book printed in the fifteenth century. Its 1809 woodcut illustrations 1164 excluding repeats depict popes saints and other religious figures kings and emperors historical and biblical genealogies mythological and fanciful creatures natural phenomena and views of all the major cities of the known world as well as a brilliant creation sequence. In addition to the full-sheet maps of the world and of Europe twenty-nine city views such as this one span two pages and eight other cuts excluding the xylographic title page are full-page. The colophon explicitly acknowledges the contributions of the artists Michael Wolgemut and Wilhelm Pleydenwurff. Albrecht Dürer was at that time a pupil in Wolgemut's workshop and there is good evidence that he did many of the preliminary drawings for woodcuts and may even have cut some of them see Adrian Wilson THE MAKING OF THE NUREMBERG CHRONICLE. Anton Koberger, for Sebald Screyer and Sebastian Kammermeister unknown
149325185Nuremberg: Anton Koberger for Sebald Screyer and Sebastian Kammermeister 1493. First Edition with the German text. The bi-folium with fine hand-colouring to the Rome view. This is one of the large double-page city-view woodcuts from the workshop of Mighael Wolgemut and Wilhelm Pleydenwurff beneath 22 lines of text. It is handsomely and finely handcoloured in blues greens yellows reds grays etc. Double-page folio ca. 540 x 380 mm handsomely mounted framed and glazed. Leaves LVII and LVIII. In fine condition and very well preserved and presented. FROM THE FIRST EDITION OF THE NUREMBERG CHRONICLE ARGUABLY THE GREATEST ILLUSTRATED BOOK OF THE 15TH CENTURY. The artists Michael Wolgemut the well-known teacher of Albrecht Dürer and his stepson Wilhelm Pleydenwurff have been praised and admired for over five-hundred years for their contributions to one of the monuments of early printing. David Bland calls it "a marvelous book and a landmark in the history of illustration" and through the ages it has more than fulfilled Koberger's prophecy that it would be "the delight of the men of learning and of everyone who had any education at all."<br> A HIGHLY IMPORTANT INCUNABLE the “Nuremberg Chronicle†is the most extensively illustrated book of the fifteenth century and after the Gutenberg Bible the most celebrated book printed in the fifteenth century. Its 1809 woodcut illustrations 1164 excluding repeats depict popes saints and other religious figures kings and emperors historical and biblical genealogies mythological and fanciful creatures natural phenomena and views of all the major cities of the known world as well as a brilliant creation sequence. In addition to the full-sheet maps of the world and of Europe twenty-nine city views such as this one span two pages and eight other cuts excluding the xylographic title page are full-page. The colophon explicitly acknowledges the contributions of the artists Michael Wolgemut and Wilhelm Pleydenwurff. Albrecht Dürer was at that time a pupil in Wolgemut's workshop and there is good evidence that he did many of the preliminary drawings for woodcuts and may even have cut some of them see Adrian Wilson THE MAKING OF THE NUREMBERG CHRONICLE. Anton Koberger, for Sebald Screyer and Sebastian Kammermeister unknown
1564WB18614Nuremberg: Valentin Geissler 1564. Hardcover. Very Good. Contemporary blind-tooled pigskin over wooden boards brass clasps catches bosses and bossed corner pieces one catch no longer present dated 1571; housed in a modern slipcase. 12 1/4 x 7 1/2 inches 30.75 x 10.5 cm; 288 ff.; historated woodcut title border and a full-page woodcut illustration of "Iusticia" "Pax" and "Liberalitas" with a small view of Nuremberg in the background both signed M.S. woodcut double-page tree of genealogical tree relations between 2P1 and 2. Binding somewhat worn two cornerpieces and one clasp lacking rebacked; internally somewhat shaken a few minor marginal tears and stains very extensively annotated in two or more hands. <br/><br/>This is the first edition of the revised 1564 Nuremberg city laws. These replacing a code previously enacted in 1498 are thematically organized into sections on court and procedural law; contracts right of distraint limitation law fishing law planning and building law; and the law of inheritance in which the folding table of genealogical relations frequently missing is placed. The extensive annotations address amendments to the statutes and interpretive aspects. BM/STC German p. 656; Stobbe II p. 304. Valentin Geissler hardcover
18249181Boston: Cummings Hilliard & Co. at the Boston Bookstore 1824. Fourth American Edition. 4to xxvii 297pp. Tables plus 15 of 16 plates at rear several folding. Ownership inscription of Henry Walker on front pastedown presentation inscription from George W. Walker to Walter B. Beals on ffep with Walker's signature below. Laid in are several items from Charles Scribner's Sons Rare Book Department offering this book as part of a collection to a Mr. James M. Blackford of Eugene Oregon. Contemporary mottled calf red spine label with gilt lettering. Boards worn and rubbed around edges page block toned and foxed throughout lacking rear endpaper. Few pencil annotations to the text couple plates with light damp staining to edges. A very good copy in attractive contemporary binding. <br /> <br /> An interesting text with interesting provenance belonging to Seattle judge Walter B. Beals who served on the Washington Supreme Court from 1928-46 and '46-51. He also presided over the "Doctor's Trial" part of the Nuremberg Tribunals in 1946-47 taking a leave of absence from his post as chief justice in Washington. The prior owner was George. W. Walker of Seattle grandson of Capt. Henry Walker 1788-1872 who was a master marine in the East India Trade in Boston and sailed in the American Valant during the War of 1812.<br /> <br /> Enfield's Institutes of Natural Philosophy was one of the standard English physics textbooks of the time being an introduction to Newtonian science. The book went through several editions first being published in London in 1785. This American edition contains Webber's appendix. A very nice copy in contemporary binding with great provenance. <br /> <br /> <br /> . Cummings, Hilliard & Co. at the Boston Bookstore unknown
1333013361.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196858898Nurnberg Germany: Albrecht Durer Gesellschaft; Et Al. As New. 1968. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 92 pp. With 53 ills. 3 col. . 20 x 20 cm. -- with a bonus offer-- . Albrecht Durer Gesellschaft; Et Al paperback
15-8934London & Nuremberg: Ernest Nister 1890. 48mo. 8 pp. Decorative Hard Cover String Binding Very Good with minor staining. Illustrated. Title page also cites Dutton New York as distributor. Dedication to book's previous owner lightly penciled on cover. Scarce. London & Nuremberg: Ernest Nister, [1890]. hardcover
321470Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century 1491. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321473Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century 1491. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321472Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century 1491. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321471Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century 1491. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
196758873Nuremberg Germany: Germanisches Nationalmuseum. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 100 pp. With 65 ills. 2 col. > 20 x 18 cm. -- with a bonus offer-- . Germanisches Nationalmuseum paperback
1120463815.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986230538New York Munich : Metropolitan Museum of Art ; Prestel Verlag 1986. First Edition. Hardcover. Fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight bright clean and strong. Physical description: 499 p. : ill. ; 31 cm. Notes: Catalogue of the exhibition held at the Metropolitan Museum of Art New York April 8-June 22 1986 and at the Germanisches Nationalmuseum Nuremberg July 24-September 28 1986. Includes bibliography. Subject: Art German - Art Gothic - Art Renaissance - Art Medieval - Germany - Nuremberg - Exhibitions. Germany West. Nuremberg. Other names: Kahsnitz Rainer. Wixom William D. Germanisches Nationalmuseum Nürnberg. Metropolitan Museum of Art New York N.Y. Genre: Illustrated text. New York Munich : Metropolitan Museum of Art ; Prestel Verlag hardcover
ria9783895784101_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; SIMATIC is the worldwide established automation system for implementing industrial control systems for machines manufacturing plants and industrial processes. Relevant open-loop and closed-loop control tasks are formulated in various p hardcover
ria9783895784590_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book provides a comprehensive introduction to the architecture and operation of the powerful and flexible automation system SIMATIC S7 along with the engineering framework TIA Portal and the versions V5. 5 and V13/14 of the STEP 7 hardcover
63-7053Augsburg Holy Roman Empire: Silvan Ottmar 1520. Woodcut 6 3/16" x 4" Very Good. German text on verso.From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. Augsburg, Holy Roman Empire: Silvan Ottmar, 1520. unknown
2014108762Hirmer Publishers. New. 2014. Paperback. 3777422185 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and German. -- with a bonus offer-- . Hirmer Publishers paperback
