Brown-Sequard, Charles-EdouardBiblio.com
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1527721108.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104139502.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1341050556.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266750885.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2024BN203544LGDJ 2024. 2024. Softcover. Le statut des baux commerciaux: Textes et commentaires - Modèles d'actes <br/><br/>Le statut des baux commerciaux: Textes et commentaires - Modèles d'actes Brault Charles-Edouard; Barbier Jehan-Denis LGDJ paperback
2017BN179227LARCIER 2017. 2017. Softcover. Le notaire et son client : de conseiller à confident de 7 à 77 ans <br/><br/>Le notaire et son client : de conseiller à confident de 7 à 77 ans Baugniet Nathalie; Bertouille Dominique; Frésart Charles-Edouard de; Frésart Michel de; Collectif LARCIER paperback
19513031Paris: np 1951. first edition. folder. Very Good. UNIQUE ANNOTATED TYPESCRIPT SIGNED WITH TWO FULL PAGES OF LE CORBUSIER DRAWINGS PRESENTING ONE OF HIS MOST FAMOUS AND INFLUENTIAL PHILOSOPHICAL ACHIEVEMENTS. Born in 1887 Le Corbusier found himself situated between two competing historical and architectural moments: an intricate history of grandiose Gothic and Renaissance style and the sleek efficient creation of the Second Industrial Revolution. In his canonical 1923 Towards an Architecture Le Corbusier argued that modernity must be matched with architectural innovation. Functionality took a core place in Le Corubusier’s thinking. Houses were to be understood as machines for living said Le Corbusier famously and machines were to be governed by the economies in which they existed. From this conviction came Le Corbusier’s famous villas his massive housing blocks in the suburbs of Paris and perhaps most importantly a fathering of modern architecture as defined by an emphasis on function simplicity and new material Towards an Architecture.<br /> <br /> In 1942 Le Corbusier was asked to create a universal measurement for construction materials. What Le Corbusier deemed necessary was not only the creation of a new unit but the arduous task of unifying metric and Anglo-Saxon systems integrating the inch and the centimeter into one intuitive scale. Although an ambitious project this unification coined Modulor existed within the ethos of Le Corbusier’s New Architecture. As Le Corbusier identified it the importance of an architect was in their giving of “a physical order which we feel to be in accordance with that of the world.†This order was not only in aesthetic sleekness but in an ethos of design that mirrored the social moral and political reality surrounding the architect. Therefore units of measurement —as enablers of creation—were to reflect modern efficiency with new universal standards Towards an Architecture.<br /> <br /> It was not immediately clear what should be the basis for the new standardized units. Metric and Anglo-Saxon systems after all are based on different ‘orders’—a meter defined by the speed of light a law of science; a foot defined by the proportions of the human body. Le Corbusier framed this tension in this rare manuscript: “the human body exists on one side and the mathematicians on the other.â€<br /> <br /> Le Corbusier struggled with the concept of the Modulor over many years and the present text dated by Le Corbusier 28/1/1951 represents a more mature and developed presentation of his theories. It reads as a manifesto-like preamble to the Modulor’s ambitions in the postwar world: to “harmonize the flow of worldwide production†to systematize standardization without deadening compromise and to reduce the friction of incompatible systems metric versus foot–inch. Le Corbusier presents the Modulor as a human-scale “gamut†of measurements—explicitly compared to the musician’s scale—grounding chosen dimensions in bodily proportion and number. He invokes the golden ratio and the Fibonacci series as ordering principles and includes the well-known endorsement attributed to Einstein “a scale of proportions that makes the bad difficult and the good easy†framing the Modulor as a tool of order rigor and harmony applicable from the architect’s drafting table to the engineer’s office and the building site.<br /> <br /> The two full drawing sheets marked with figure callouts e.g. “Fig. 35…†“Fig. 65…†“Fig. 100…†and geometric/proportional constructions including a right-angle scheme marked “90°†and φ symbols reinforce the document’s working character: argument paired with visual proof capturing Le Corbusier’s drive to make proportion not merely theoretical but operational.<br /> <br /> Although we haven’t been able to find this exact text published anywhere the present typescript closely aligns—often in phrasing and argumentative sequence—with Le Corbusier’s published presentation of the Modulor and can be read as a self-contained “preamble†distilled from that larger project. However the dated and signed terminal leaf 28 January 1951 and the presence of working ink annotations and separate diagram leaves with figure callouts suggest an independent studio or promotional iteration rather than a simple excised page from a printed book documenting the Modulor as an evolving actively circulated tool.<br /> <br /> The Modulor proved enduringly influential as a conceptual and pedagogical framework for proportion—reinforced by its use in Le Corbusier’s own buildings and its broad afterlife in architectural discourse—even as it never achieved its founder’s ambition of becoming a universally adopted international standard of measurement.<br /> <br /> Paris: January 28 1951. Text in French. 6 leaves each approx. 8.25 × 10.75 in.; with writing or drawings on rectos only including 4 typed leaves with ink annotations and small drawings; 2 leaves of original drawings; last typed leaf signed and dated. In excellent condition with only very light toning and minor handling wear consistent with working material. English translation available upon request.<br /> <br /> A UNIQUE FIRST-HAND ACCOUNT WITH NUMEROUS DRAWINGS PRESENTING ONE OF LE CORBUSIER'S CORE PHILOSOPHIES. np unknown
20112-2296547877Editions L'Harmattan 2011. Paperback. New. 358 pages. French language. 9.37x6.06x1.34 inches. Editions L'Harmattan paperback
2013105408Institute; Et Al. New. 2013. Paperback. 3037783052 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 222 pages; many illustrations most in color. -- with a bonus offer-- . Institute; Et Al paperback
0312475829.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1987C102377Philippe Sers. As New. 1987. Hardcover. 2904057234 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in French. 103 pages; well-illustrated with black and white as well as color illustrations. Tissé Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Philippe Sers hardcover
1987102377Philippe Sers. New. 1987. Hardcover. 2904057234 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in French. 103 pages; well-illustrated with black and white as well as color illustrations. Tissé Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee Philippe Sers hardcover
1981117410Mit Pr 1981-05-31. hardcover. Like New. 11x1x10. Looks unread with just a touch of shelf wear oversized and overweight. D74 Please email for photos. Mit Pr hardcover
198780505St. Martin's Press; Et Al. New. 1987. Hardcover. 0312475829 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to IBN: 0312475829. 136 pp. approx. 215 ills. bibliog. 4to. -- with a bonus offer-- . St. Martin's Press; Et Al hardcover
198780504Academy Editions / St. Martins Press. New. 1987. Paperback. 0312475837 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pp. approx. 215 illus. bibliog. 4to. -- with a bonus offer-- . Academy Editions / St. Martins Press paperback
2005C102378Skira. As New. 2005. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in French. 1180 pages; 738 black and white and 967 color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Skira hardcover
2005102378Skira. New. 2005. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in French. 1180 pages; 738 black and white and 967 color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee Skira hardcover
1948166929Erlenbach; Zürich: Girsberger; Les Editions d'Architecture 1948-1970. Hardcover. Alle Schutzumschläge etwas berieben und kleineren Einrissen alle Bände mit Namensstempel auf dem fliegenden Vorsatz und dem Titelblatt. gr.8° quer. mit zahlreichen Abbildungen von Plänen Skizzen und Werken sowie nach Fotografien. Original-Leinwand mit Schutzumschlag Die Bände I bis VII. vol. I: Oeuvre complète de 1910-1929 cinquième édition 1943. vol. II: Oeuvre complète de 1929-1934 cinqième édition. vol. III: Oeuvre complète 1934-1938. 5e édition 1953. vol. IV: Oeuvre complète 1938-1946 troisième édition 1955. vol. V: Oeuvre complète 1946-1952 deuxième édition augmentée 1955. vol. VI: Oeuvre complète 1952-1957 1957. vol. VII: Oeuvre complète 1957-1965 1965. Mit Ausnahme von Band 3 der von Max Bill herausgegeben und gestaltet wurde war für alle Bände Willy Boesiger verantwortlich. Max Bill gestaltete auch den Schutzumschlag von Band I. Die Bände 1 3 5 6 und 7 dreisprachig französisch deutsch und englisch die Bäde 2 und 4 französisch. Nicht dabei ist der posthum herausgegebene achte Band dèrnières oeuvres Zürich: Artemis 1970. Er kann auf Wunsch besorgt werden. Schweiz; 20. Jahrhundert; Helvetica Girsberger; Les Editions d'Architecture, hardcover
1987239092Parigi: Fondation Le Corbusier - F. Norbakhsh/T.A.C. van Rooijen 1987. Brossura wrappers. Ottimo Fine. Testo e cura di F. Norbakhsh e T.A.C. Van Rooijen. 14 tavole a colori da ritagliare per la costruzione del Padiglione Esprit Nouveau edificio espositivo temporaneo progettato da Le Corbusier e Pierre Jeanneret in occasione dell'Esposizione internazionale di arti decorative e industriali moderne di Parigi del 1925. Edizione in inglese francese tedesco olandese. Cm 30x235. pp. 30. Ottimo Fine. Prima edizione First Edition. Fondation Le Corbusier - F. Norbakhsh/T.A.C. van Rooijen, unknown
1935239164Zurich: Editions Girsberger 1935. Brossura wrappers. Buono Good. <em>Publié";"e par Willy Boesiger Zurich. Introduction et textes par Le Corbusier </em>/ Pubblicato da Willy Boesiger Zurigo. Introduzione e testi di Le Corbusier. Con numerose illustrazioni e fotografie in bianco e nero. Testi in francese tedesco e inglese. Cm 23x28. pp. 208. Buono Good. Cerniere leggermente allentate e fermate con nastro adesivo Front and back inner hinges are starting to loosen and have been taped for reinforcement. . Editions Girsberger, unknown
194157291Zurich: Willy Boesiger/ H. Girsberger. Very Good. 1941. Hardcover. Original flexible cloth. Oblong format. Nouvelle edition. Front hinge cracked but holding mild soil. Text mostly in French with some English and German. ; quarto; 208 pages . Willy Boesiger/ H. Girsberger hardcover
194357296Zurich: Willy Boesiger/ H. Girsberger. Very Good. 1943. Third Edition. Hardcover. Original flexible cloth. Oblong format. 3rd edition. Cloth mildly soiled/foxed. PO inscription. ; quarto; 216 pages . Willy Boesiger/ H. Girsberger hardcover
193957297Zurich: Max Bill/ H. Girsberger. Good with no dust jacket. 1939. Hardcover. Original flexible cloth. Oblong format. Edition not stated. Presumed first edition. Cloth soiled eps foxed. Rear eps stained. Text in English French and German. ; quarto; 175 pages . Max Bill/ H. Girsberger hardcover
2009BN96650MIT Press. 2009. 2009. Hardcover. Le Corbusier and the Occult. <br/><br/>Le Corbusier and the Occult. MIT Press. hardcover
1986232593Berlino: Wilhelm Ernst & Sohn 1986. Rilegato hardback. Molto buono Very Good. Catalogo della mostra tenutasi presso la Badischer Kunsteverein Karlsruhe 23 marzo - 18 maggio 1986. Testi di Le Corbusier Dario Matteoni Arthur Ruegg Daniele Pauly Thomas Kesseler et al. Numerose illustrazioni a colori e in bianco e nero. Biografia Bibliografia. In tasca in quarta di copertina: 9 poster cm 795x525 e cm 265x62 con progetti architettonici relativi ad un progetto di Le Corbusier brochure originale d'invito alla mostra . Cm 275x22. pp. 130 c.ca. Molto buono Very Good. . Wilhelm Ernst & Sohn, hardcover
