32 résultats
191563112New York: Grosset & Dunlap ca. 1915. 8vo. 8 374 pp. Photo frontisp. 7 photo illust. Red cloth white lettering minor shelfwear faint tidemark wicked into fore-edges of plates at the very fore-edge w/ d.j. cover art with KKK rider on horseback next to heroine minor chipping head & foot of spine minor closed tears edgewear still G/VG- copy. First Photoplay edition of the notorious movie starring Lilian Gish Henry B. Walthall Mae Marsh Miriam Cooper Ralph Lewis George Siemann and others which steeped in the Confederacy’s Lost Cause mythos which had heavily influenced the misguided Dunning School’s interpretation of Reconstruction and significantly influenced Dixon and Woodrow Wilson. Directed by D.W. Griffith the movie was very successful but the racist overtones and blatant support of the Ku Klux Klan triggered widespread protests and it was banned in several cities. Very much like 21st-Century media Birth of a Nation’s portrayal of African-Americans created a justification for prejudice and discrimination which undermined Civil Rights for decades and reactivated the largely quiescent Ku Klux Klan movement and was the first film ever screened at the White House for President Wilson. See: Petaja Photoplay Edition p. 53; The Influence of “The Birth of a Nation†Facing History & Ourselves March 14 2016. Grosset & Dunlap, hardcover
a75378Washington 1884 1st GPO. Senate Report for the First Session of the 48th Congress. Investigation of the alleged massacre on colored men at Denville Virginia. Hardcover. Octavo 1298pp. a few caricature illustrations and drawings tan buckram. Institution bookplate and blind stamp on title page tiny depository library name stamp on end paper - no other library markings. VG plus. . hardcover
191526775New York 1915. Irish propaganda targeting the British during W.W.I. from the Irish World of January 30 1915. During W.W.I the struggle for Irish independence was suspended with the Nationalist forces splitting over support of the war. This handbill appears to be an effort to incite hatred of the British with racist descriptions of Fijian soldiers "the cannibals we may say" who fought for the British. There is a clear preference for Germany - "And these are the savages the cannibals we may say whom Britain is bringing over to fight the most enlightened nation of Melancthon and SchlegeL of Kant. of Mozart and Beethoven and Wagner of Goethe and Heine." <br /> <br /> The text characterized the Fijians as cannibals "dark copper colored have black eyes and bushy hair worn in the form of a mop" short stature protruding stomachs legs bowed and feet flat and usually nude. The photograph shows the Fijian soldiers standing at attention behind a British Officer photo by Paul Thompson. <br /> <br /> The text of the handbill is extracted from The Irish World and American Industrial Liberator published in New York between 1878-1951. Hand bill 9 x 7 3/4" printed in blue on cream paper verso blank. Creased with marginal tears and small margin loss. <br /> <br /> Unrecorded on OCLC although there is a W.W.I poster with the title "Civilization Vs. Barbarism" 1914 but associated with Red Cross Week. OCLC: 894257435. unknown
26566English each print 'Copyright Entered at Stationers Hall'. Circa 1888. The four plates each 29 x 23.5 cm are loose and unframed in fair condition aged and worn with no margins chipping to the edges and with the corners cut off at a diagonal. Each title written in pencil in a contemporary hand on the reverse of the print each with a price of '6d'. The subjects are not depicted in unattractive style and are certainly not grotesques but they are shown as 'simple' untroubled individuals with the usual happy gleaming brown faces and shiny white teeth. The 'humour' would appear to be intended to be found in the substitution in quintessentially English scenes of 'foreign' for English faces. This set is generally classed as 'Black Americana' but there are two reasons for assuming that it is of British origin. First each plate is stated in the bottom right-hand corner to be 'Copyright Entered at Stationers Hall' and second a report in the British Printer 1888 notes that 'Two new series of humorous subjects are "New Renderings of Old Song Titles" each picture containing a puzzle and "Sambo's Courtship" both highly amusing and certain to furnish plenty of fun and amusement for the little ones'. Some are listed in "Black Americana: Price Guide: edited by Kyle Husfloen" Google which appears to give incorrect information about the publishing date and "American" printing etc. English (each print 'Copyright Entered at Stationers Hall'). Circa 1888. unknown
193661085Washington D.C.: Associates in Negro Folk Education 1936. 8vo. 6 98 pp. Decorated tan softcovers Art Deco designs on front cover lettering in black gilt & red minor scuffing lower fore-edge front cover still a VG copy. First edition of this 4th installment in the storied “Bronze Booklet†series which quickly became a standard reference for teaching African-American history in the United States and Europe and addressed a number of racial conflicts and issues surrounding the impact of race on political and economic history. This important groundbreaking work by Bunche not only represented his most extended analysis of the issues of racism but also the role of race and racism in World economic and political conflicts Imperialism and inherent racism as well as the fact that race “has been used to whitewash some of the blackest pages in American history.†Bunche 1904-1971 was a leading African-American intellectual diplomat supporter of the US Civil Rights movement and would later be awarded the 1950 Nobel Peace Prize the first African=American so honored. Associates in Negro Folk Education, paperback
190122331<p><b>RACISM. THEODORE ROOSEVELT.</b>Drawing. 1p 5 x 6¼ in. </p><b>Transcript</b><p><i>"To hear how Roosevelt is carrying on I would like to give him a swift kick & see him full of holes I wish the nation would make Alice marry Booker T Washington don't you"</i></p><p>Followed by drawing of Alice Roosevelt marrying Booker T. Washington.</p><p><b>Historical Background</b></p><p>In 1901 Roosevelt invited Washington to dine with him at the White House making him the first black man ever to do so. Whoever wrote this racist note and drawing apparently did not approve of the gesture suggesting that Roosevelt's eldest daughter Alice marry the Civil Rights pioneer.</p>
186425614<p>The second in a series of four racist political cartoons published in 1864 by Bromley & Company which was closely affiliated with the Copperhead New York <i>World</i> newspaper. These prints sought to undermine Abraham Lincoln's chances for reelection by branding him as a "miscegenationist" and playing on white fears of "race-mixing." The cartoon scene pictures several interracial couples enjoying a day at the park eating ice cream discussing wedding plans and a woman's upcoming lecture. Two African American families have white employees a carriage driver and footmen and a babysitter.</p><p>The only other example traced at auction brought $7800 in 2010.</p> <b>ABRAHAM LINCOLN. RACISM.</b>Print. "Miscegenation or the Millennium of Abolitionism." Political Cartoon. New York: Bromley & Co. 1864. 1 p. 20¾ x 13â… in.<p><br /></p><p>American politics had long played on fears of sexual relationships between races. A powerful new word for "race-mixing" was coined in an anonymous December 1863 pamphlet entitled <i>Miscegenation: The Theory of the Blending of the Races Applied to the American White Man and Negro</i> published in New York. Purporting to advocate the virtues of the "blending of the white and black races on this continent" it was a literary forgery prepared by <i>The World</i> managing editor David Goodman Croly and reporter George Wakeman. The authors were unsuccessful in their attempt to trick President Lincoln into endorsing the work.</p><p>At the far left of the image Abraham Lincoln declares "<i>I shall be proud to number among my intimate friends any member of the Squash family especially the little Squashes.</i>" The African American woman to whom he is speaking replies "<i>I'se 'quainted wid Missus Linkum I is washed far her 'fore de hebenly Miscegenation times was cum. Dont do nuffin now but gallevant 'round wid de white gem'men! he-ah! he-ah! he-ah!</i>"</p><p>Senator Charles Sumner says "<i>Mr. President! Allow me the honor of introducing my very dear friend Miss Dinah Arabella Aramintha Squash.</i>" A white carriage driver complains in the background "<i>Gla-a-ang there 240t! White driver white footmen niggers inside my heys! I wanted a situation when I took this one</i>" while a black man in the carriage tells his companion "<i>Phillis de_ah dars Sumner. We must not cut him if he is walking.</i>" A black woman at a table tells a white man with her "<i>Ah! Horace its-its-its-bully 'specially de cream</i>" and he replies "<i>Ah! my dear Miss Snowball we have at last reached our political and social Paradise. Isn't it extatic</i>"</p><p>To the right are two couples embracing each a white woman and an African American man. The first white women tells her partner "<i>Oh! You dear creature. I am so agitated! Go and ask Pa</i>" to which he replies "<i>Lubly Julia Anna name de day when Brodder Beecher shall make us one!</i>" The second white woman says "<i>Adolphus now you'll be sure to come to my lecture to morrow night won't you</i>" to which he answers "<i>I'll be there Honey on de front seat sure!</i>" In the background are various immigrant minorities viewing the scene. One exclaims "<i>Most hextwadinary! Aw neva witnessed the like in all me life if I did dem me!</i>" and another adds "<i>Mine Got vat a guntry vat a beebles!</i>" An Irish girl complains "<i>And is it to drag nagur babies that I left old Ireland Bad luck to me.</i>"</p><p>Manton Marble the editor of <i>The World</i> collaborated with printmaker Bromley & Company to issue a series of four anti-Lincoln "Political Caricatures." The present example was the No. 2 in that series. No. 1 was "The Grave of the Union or Major Jack Downing's Dream"; No. 3 "The Abolition Catastrophe Or the November Smash-up"; and No. 4 "The Miscegenation Ball."</p><p>Republicans responded by trying to turn the "miscegenation" charge against the Democrats. A Republican print "The Political "Siamese" Twins: The Offspring of Chicago Miscegenation" pictures McClellan and Pendleton joined together despite their very different ideas on ending the war.</p><p>Although Abraham Lincoln won New York states' electoral votes in 1860 Stephen Douglas had carried New York City and its environs. Financial elites fearing that civil war would ruin business and recent immigrants fearing competition with free black labor supported Douglas. Lincoln's unpopularity in New York City during the Civil War was a factor in the deadly 1863 Draft Riots.</p><p>In 1864 Lincoln again won the states' electoral votes while New York City favored his Democratic opponent McClellan. In fact Lincoln's majority dropped from 50136 votes in 1860 to only 7373 votes in 1864 with approximately 50000 more total votes cast than in 1860.</p><p>Bromley and Company continued to sell the caricatures after the election as this January 1865 advertisement from an Ohio newspaper makes clear. Another advertisement assured purchasers that the set of four prints available for $1 were "sent on wooden rollers to insure safe carriage."</p><p><b><i>The World</i></b> 1860-1931 a daily independent newspaper was published in New York City. Alexander Cummings founded it as a religious Republican outlet in 1860. August Belmont and others purchased it in 1862 changing the editorial focus. With editor Manton Marble 1834-1917 <i>The World</i> soon became the country's leading Democratic newspaper. In 1864 Union authorities shut down <i>The World</i>and another paper for three days after they published forged documents purportedly written by Lincoln that were really part of a hoax to manipulate the price of gold. The paper actively supported George B. McClellan against Lincoln in 1864.</p><p><b>Condition</b></p><p>Fine for exhibit despite flaws. Cropped with loss of "Political Caricature No. 2" from top edge and part of printed pricing information from bottom edge publisher's name rubbed out from the copyright statement lacking ½" from lower left corners a few short tape repairs by the edges a 2" closed tear through the second dialogue bubble along the top edge and a 3" closed tear parallel to the right edge. Mount remnants on verso.</p>