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15943000London: : Printed by Adam Islip for C. Hunt of Excester 1594. FIRST EDITION IN ENGLISH translated from the 1582 Italian translation of Camillo Camilli d. 1615. . Quarto: . 19 x 14 cm. . 16 333 3 pp. A-Y8 Bound in 19th c. calf rebacked the boards ruled in gold. This is a fine copy; title a little dusty. Occasional marginal pencil notations in margins. “To Distinguish and discern these natural difference’s of man’s wit and to apply to each by art that science wherein he may profit is the intention of this my work.†“This sentence concisely summarizes the ultimate purpose of one of the most successful and influential Spanish scientific books published in the early modern period one with long-lasting influence upon the European intellectual world: the ‘Examen de Los Ingenios para Las Ciencias’ 1575 by the Spanish physician and philosopher Juan Huarte de San Juan 1529-1588… Huarte is now hailed as the precursor of several branches of pedagogy and psychology including differential pedagogy and differential psychology and their practical applications professional orientation and selection. Recently too Noam Chomsky recognized in Huarte a forerunner of the rationalist innatism and the linguistic theory of 17th-century French scholars notably Descartes. In the eyes of Chomsky the ‘Examen’ is the first scientific treatise to define human wit as a generative power that reveals the creative capacities of the human mind… “For Huarte wit denotes the totality of the psychological abilities of an individual; more precisely an individual ability or predisposition dependent on temperament linked to the qualities of the four basic elements earth air water and fire organically connected to the brain and under the influence of other organs. The starting point for Huarte’s theory of wits is that the temperature of the four qualities hot cold moist and dry of the elements has an impact upon the function of the rational as well as the ‘sensitive’ soul and that intemperate and ever-changing environmental conditions lead to a diversity of the wits. Wit is subject to age region of birth sex currents of air weather diet physical exercise and lifestyle in general since these factors have an impact upon the predominance in every individual of one of three powers of the intellective soul: memory imagination or understanding… Huarte’s goal is to clearly delineate what makes a man capable of one science and incapable of another to discover the number of differences of wits the arts and sciences that correspond to each and most importantly to illustrate how all this can be known. The Brain & Faculties of Mind “Contrary to the view of Aristotle and following Plato Hippocrates and Galen instead Huarte argues that ‘the brain is the principal seat of the reasonable soul.’ In his view in order for the reasonable soul to discourse and philosophize the brain ‘should be tempered with measurable heat and without excess of the other qualities’ and divided into four ventricles ‘distinct and severed each duly bestowed in his seat and place.’ Huarte describes the ventricles of the brain as four little hollows of ‘one self composition and figure without anything coming in between which may breed a difference.’ The three ventricles in the forepart of the head are used to ‘discourse and philosophize’ while the fourth ventricle deals with the least noble operations as it ‘hath the office of digesting and altering the vital spirits and to convert them into animal.’ The conviction that the three mental powers understanding imagination and memory necessarily work in collaboration with each other –to the extent that without one the rest would malfunction- makes Huarte conclude that ‘in every ventricle are all the three powers.’… Building a Better Society by Compulsion. “Huarte took his theories very seriously and believed that they could have practical repercussions upon the society of his time. His dedicatory to King Philip II of Spain suggests in fact a law by which subjects exclusively performed the profession art or science that corresponded to them by nature. Huarte envisioned appointing ‘men of great wisdom and knowledge who might discover each man’s wit at a tender age and cause him perforce to study that science which is agreeable to him not permitting him to make his own choice… to the end he may not err in choosing that which fitteth best with his own nature.’ Huarte’s reasoning was that if every man carried out the job that suited his natural capabilities best progress in the scientific artistic and technological production of Spain would promptly follow and a body of naturally accomplished and efficient professionals would ensue… “Huarte allows for a body of intellectuals defined by their merits and not by the social class into which they were born; nature should then be made the key for social mobility. Nobility by birth is no guarantee of sophisticated wits and Huarte remarks that precisely within the highest strata of society numerous witless children are born whereas poor families often produce witty offspring. Eugenics “The ‘Examination’ interacts with numerous treatises on midwifery and procreation in England in the early modern period. Indeed Chapter XV of the book is a short treatise on eugenesis i.e. the application of the biological laws of inheritance to the perfection of mankind particularly concerned with four issues: 1. ‘to show the natural qualities and temperature which men and women ought to possess to the end they may use generation’; 2. To discuss ‘what diligence the parents ought to employ that their children may be male and not female’ and 3. ‘how they may become wise and not fools’ and finally 4. ‘how they are to be dealt withal after their birth for preservation of their wit.’. This final chapter is of the utmost importance to Huarte who is of the opinion that ‘parents apply not themselves to the act of generation with that order and concert which is by nature established neither know the conditions which ought to be observed to the end their children may prove of wisdom and judgment.’ In other words ‘The Examination’ aims to prevent parents from engendering witless children out of ignorance and by so doing to remedy the problems of society prior even to the moment of conception: ‘if by art we may procure a remedy for this begetting witless children we shall have brought to the commonwealth the greatest benefit that she can receive.’â€RocÃo G. Sumillera “Richard Carew The Examination of Men's Wits†pp. 1-66 STC 2nd ed. 13892; Garrison-Morton 4964 1575 Spanish edition; Durling 2498. Hunter & Macalpine p. 46. Thorndike VI pp. 413-14 Printed by Adam Islip, for C. Hunt of Excester, unknown books
199621665Fullerton CA and Los Angeles: Fullerton College Art Gallery / The Artists' Floating Invisible Museum of Actual Art / Public Access Press of the Southern California Institute of Architecture 1996-2004. First editions of three all published of a projected series of four portfolios the series cut short by Eugenia Butler's untimely death of a brain hemorrhage in 2008. One of 80 numbered copies the entire edition produced numbered and signed in the artist's or poet's studio. At the time of the exhibition of The Book of Lies at the 18 Arts Gallery in Santa Monica in 2007 Eugenia Butler wrote: "Sixteen years after the Book of Lies project began the first three of its four volumes are finished. The entirety of the work has taken on form and content far beyond any original imaginings. It has become a rounded voice coming from many voices a discourse about truth in the territory of the unknowable. Its power derives from the strength and integrity of the individual pieces from the communal voice and in single intimate interactions. Each volume is a work of art unto itself that developed from the process of creating it from the individual works themselves and from the relationships between the parts and the whole. At a certain point a bigger vision broke through - something beyond previous understandings - surpassing the initial ideas to become a singular artwork consisting of discrete and powerful works of art. Its subject matter is truth lies and the intimate power of a true work of art." The works of art include pieces by artists and writers Georganne Deen Kim Jones Julia Lohmann John O'Brien Edgar Arceneaux Sally Elesby George Evans Joan Jonas Barry Sanders Arthur Sze Matthew Thomas Kim Abeles Lynn Aldrich Carolee Campbell Steve DeGroodt Janet Fitch Tom Marioni Kim McCarty Michael C. McMillen John Outterbridge Mary Rakow and Madam X. Carolee Campbell of the Ninja Press designed the box brass and enclosures for Vol. III. Images and additional information on The Book of Lies may be found at: http://www.curatorial.com/exhibitions_current/exhib-BookofLies.html. Bookplate in two portfolios with small adhesive shelf labels on each portfolio otherwise the set is in fine condition. Complete sets are rare on the market. Quartos three original portfolios of 81 works of art created out of incised & collaged lead oil paint on vellum original pencil drawings a photograph on platinum paper polaroid photographs cyanotypes ashes of love letters hand-embroidery and holograph and mechanically reproduced images and texts with interleaved translucent sheets noting the artist loose as issued inserted in a paper chemise and cardboard folderor in an individual folder and laid into a clamshell box accompanied by a spiral bound commentary volume in original printed wrappers printed by Carolee Campbell of the Ninja Press. Bookplate in two portfolios with small adhesive shelf labels on each portfolio otherwise the set is in fine condition. Complete sets are rare on the market. Fullerton College Art Gallery / The Artists' (Floating, Invisible) Museum of Actual Art / Public Access Press of the Southern Ca unknown books
179845354London: Printed for Mr. Hodges Pall Mall and sold by C. Mason 1798. Second edition but the first printed leaves with new preliminary matter. 8vo pp. iii-xi i 281 1. AEG bound in full 19th century polished calf couple of minor spots but a very nice copy. Rare. Although well represented in ESTC not listed in ABPC nor offered on the Internet. Eugenia Stanhope 1730-86 is best remembered for her publication of Lord Chesterfield's letters to his sonsee above. The letters were supposed to be private and Eugenia was attacked for being greedy and immoral. The present work "partly endorses partly rebuts Chesterfield. It argues that husbands are ordained superior that wives should be financially dependent and the world conformed to. Blain. She no longer defends extra maritial sex but does call for freedom of marriage choice. Printed for Mr. Hodges, Pall Mall, and sold by C. Mason unknown books
2000175376Los Angeles CA: St. Ann's Press 2000. First edition. Hardcover. Number 84 of only 100 specially bound copies. Essay by Eugenia Parry. A collection of 100 color photographs of imagined locations with toy figures in various settings. A fine copy in velvet covered boards with color image inset on the front cover and in a velvet slipcase and with an original color c print housed in a you guessed it velvet chemise. Photograph is in very fine condition and is signed by Levinthal on the reverse side and numbered as well. The book is also signed and numbered as well. No dust jacket as issued. St. Ann's Press unknown books
1821007864London: Printed for J. Richardson 1821. Thirteenth Edition 1821. Four volumes in contemporary quarter polished calf over marbled boards gilt lettering on black leather labels with gilt rules and tooling in blind at spines the armorial bookplates of Alex. Trotter Esq. of Dreghorn front paste downs. The set Very Good calf at spines a bit darkened toning to end pages from binder's glue marbled boards rubbed. Interiors very clean and unmarked a quite nice set. . Thirteenth Edition. Quarter Calf. Very Good/No Jacket As Issued. 16mo - over 5¾" - 6¾" tall. Printed for J. Richardson Hardcover books
196920828San Francisco: San Francisco Art Institute 1969. First edition. Loose Sheets. Fine. Single sheet folded art poster. Fine condition. When opened it measures 20 x 14". Scarce poster announcing an exhibition April 11 - May 3 1969 at the San Francisco Art Institute and featuring a cream of the crop of artists of the day. Exhibition organized by Eugenia Butler. <br/><br/> San Francisco Art Institute unknown books
198337438N.p. New Yorki: International Center of Photography 1983. First Limited Edition. Limited to 250 signed and numbered copies this no. 74. Large folio. Emerald silk-covered boards in publisher's pictorial board slipcase; 44pp; illus. Slipcase with a few minor surface scratches and mild bumps to corners else Fine. Sensual dramatic large-format black-and-white photographs of cacti and succulent plants by the Mexican photographer. International Center of Photography unknown books
198651743Paris: Musée des Arts Décoratifs/Flammarion 1986. First edition. Hardcover. Le Secq Henri. 4to. 191 pp. full-page captioned photos plus a pictorial catalogue of 717 images in reduced format. A fine copy in pictorial dust jacket housed in the publisher's plain cardstock slipcase. Le Secq 1818-1882 a painter was commissioned in 1851 to document the historic architecture of France at which time he became a founder-member of the Societé Héliographique. Noted for his use of light and mass Le Secq made still-lifes landscapes architectural and genre scenes. <br/><br/> Musée des Arts Décoratifs/Flammarion hardcover books
198623427Paris: Musée des Arts Décoratifs/Flammarion 1986. First edition. Hardcover. Le Secq Henri. 4to. 191 pp. full-page captioned photos plus a pictorial catalogue of 717 images in reduced format. Gift inscription on the front free endpaper from Christian Le Secq. A fine copy in pictorial dust jacket housed in the publisher's plain cardstock slipcase. Le Secq 1818-1882 a painter was commissioned in 1851 to document the historic architecture of France at which time he became a founder-member of the Societé Héliographique. Noted for his use of light and mass Le Secq made still-lifes landscapes architecture and genre scenes. <br/><br/> Musée des Arts Décoratifs/Flammarion hardcover books
194453339New York: J.B. Lippincott 1944. First Edition. First Printing. Octavo 21.25cm navy blue cloth-covered boards titled in yellow on cover and yellow and white on spine; deckle page edges; dustjacket by Richard Floethe; 371pp. Spine ends gently pushed; front hinge very slightly pulled at heel; minor rubbing to lower board edge; Near Fine. The dustjacket is price-clipped with chipping and short tears mostly at spine ends; Very Good. <br/><br/>"Smith's first published novel.It was banned from the bookstores and libraries of Boston and from the bookstores of Detroit.Much of the uproar stemmed from the realistic language and ironic treatment of miscegenation sexuality and abortion." MAINIERO American Women Writers vol.4 p.115. J.B. Lippincott unknown books
1926WRCAM50158Charleston: Southern Printing and Pub. Co. 1926. 1011pp. plus fifteen plates. Modern three-quarter calf and cloth boards leather label by Sangorski and Sutcliffe with original wrappers bound in. Front board slightly bowed. Mild toning. Very good. A biography of James Oglethorpe British general and founder of the colony of Georgia. Oglethorpe was a member of Parliament and a renowned humanitarian conceiving the plan to resettle many of England's poorest particularly those in debtors' prisons to the New World. Southern Printing and Pub. Co. hardcover books
198750429Chicago: The Art Institute of Chicago and The University of Chicago Press 1987. First ed. Hardcover. Le Gray Gustave. Oblong 4to. 184 pp. frontis over 100 photos and illustrations. A near fine copy in a very good illustrated dust jacket. Gustave Le Gray 1820-1882 a French painter and photographer was the teacher of Henri Le Secq and Charles Nègre. <br/><br/> The Art Institute of Chicago and The University of Chicago Press hardcover books
2011170852Santa Fe NM / Chicago IL: Radius Books / The Art Institute of Chicago 2011. First edition. Hardcover. First printing. 129 pages. Published in conjunction with a traveling show that began at The Art Institute of Chicago and then went on to San Francisco and Philadelphia. Text by Eugenia Parry and Elizabeth Siegel. Includes numerous black and white images. A very fine copy in a very fine dust jacket. As new and still in the publisher's shrinkwrap. A beautifully printed book. Radius Books / The Art Institute of Chicago unknown books
1979034519Birmingham: University of Alabama. 1979. Inscribed by Rawls to Cheryl Crawford on the dedication page: "and for Cheryl with admiration and affection/ Eugenia." Dated December 1 1979. With several small corrections to the text in the author's hand. Rawls and Bankhead were lifetime friends from childhood. Near fine in a good dust jacket with only minor edge wear and foxing but with dampstaining to the spine. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Near Fine. University of Alabama hardcover books
199111622Paris: Centre National de la Photographie Collection Photo Poche 1991. Original wraps. Near Fine. The 1991 1st edtion #49 in the very impressive "Photo Poche" series out of Paris. SIGNED BY JOEL-PETER WITKIN on the front free endpaper. Clean and Near Fine in its black pictorial wrappers. 12mo first-rate reproductions thruout. <br/><br/> Centre National de la Photographie (Collection Photo Poche) paperback books
1997261586Santa Fe: Arena 1997. First. hardcover. fine/fine. Profusely illustrated in color and in black and white. tall 4to pictorial white boards d.w. Santa Fe: Arena Editions 1997. First Edition. Fine.<br/><br/> Arena unknown books
1979JC2861Boards of Trustees for the University of Alabama 1979. Paperback. Very Good. Wraps; illustrated throughout. Inscribed by the author on the dedication page to Douglas Fairbanks Jr. 1909-2000 an American actor his credits include Gunga Din and a highly decorated naval officer of World War II. Also includes a laid-in postcard addressed to Fairbanks at his home in Palm Beach advertising the performance of TALLULAH. <br/><br/> Boards of Trustees for the University of Alabama paperback books
200888983Morelia Michoacán: Universidad Michoacana de San Nicolás de Hidalgo; Consejo Nacional para la Ciencia y la Tecnología 2008. 27 cm. Coordinadores: Carlos Salvador Paredes Martínez. et al. 2 vols: 468p; pp 471-843 color and b/w plates maps facs. tbls. chts. graphs diags. bibl. index color pict. wrps. The most detailed architectural study and inventory of Michoacán region during the colonial period that has been printed. The study is the result of a multi- disciplinary group investigation between institutions in Mexico. The book has two main themes: the architecture of habitable space and the dynamics and organization and urban structure in relation to the population. There are 42 contributions by noted scholars divided into six parts. The last chapter is a survey of architecture throughout Latin America. Contents: Población poblamientos y reorganización de los asentamientos humanos en la Temprana Época Colonial -- Apropiación control y territorialidad en la concepción y construcción del territorio -- Los Asentamientos Humanos y sus espacios -- Arquitectura religiosa en el contexto del territorio y de los asentamientos humanos -- Tecnología y tradición constructiva -- Del territorio a la arquitectura en América colonial. AN ESSENTIAL REFERENCE. LIMITED EDITION OF 1000. Sold as set Universidad Michoacana de San Nicolás de Hidalgo; Consejo Nacional para la Ciencia y la Tecnología unknown books
198927914Madrid: Fundacion Cultural MAPFRE VIDA. 1989. First Edition; First Printing. Hardcover. Very good- with bad bump at head of spine causing a tear at the head of the front joint; the bump has also left a small horizontal crease on the spine. Granell has glued to the pastedown endpaper a signed and inscribed note "To Franklin and Penelope Rosemon our very dear great friends . Eugenio and his wife Amparo."; 4to 9" - 11" tall; 250 pp . Fundacion Cultural MAPFRE VIDA hardcover books
1979158477BIRMINGHAM UNIV OF ALABAMA 1979 1979. DUST JACKET SMALL CHIP TO SPINE TOP FIRST EDITION VERY GOOD. F. Hardcover. BIRMINGHAM, UNIV OF ALABAMA, 1979 hardcover books
1983159209Princeton NJ: Princeton University Press 1983. First edition. Oblong hardcover. First printing. 284 pages. A scholarly examination of this early method of photography as it was used by French photographers like Gustave Le Gray Charles Negre Hippolyte Bayard and numerous others. Includes over 100 images. A clean and tight very near fine copy in a close to near fine dust jacket with a small tear at the bottom of the front panel near the spine and some other very minor wear. Princeton University Press unknown books
1986180905Paris: Musee des Arts Decoratifs 1986. Hardcover. VG/VG some cover wear. Dj has some curling along edges and some tearing near spine. French language edition. Black cloth boards with silver letering pn spine. SIlver dj with photographs. 191 pages : chiefly illustrations some color. Museum exhibition. Musee des Arts Decoratifs hardcover books
19913370San Francisco. Bedford Arts. 1991. Square 4to. 1st Edition. Illustrated from photographs. Very Fine in Very Fine dustwrapper. Bedford Arts. unknown books
1903114168San Francisco: The Unknown Publisher 1903. Octavo pp. 1-9 10-130 inserted plate photographic portrait of the author original pictorial green cloth front panel stamped in gold. First edition. "A Mexican Holiday" is a sketch about bullfighting in Mexico. "Chief Skowl's Revenge" is a tale set among the Indians of Alaska. "A Heroine of Diplomacy" is set on a train between Houston and El Paso Texas. "The Story of a Curse" is a nonfictional sketch about the house owned by Frank Pixley editor of the ARGONAUT an important San Francisco literary weekly newspaper; his widow believing the house to be cursed ordered it to be torn down after her death. The other two items are stories set in San Francisco. Included in the preliminary matter is a transcription of a letter to the author from Joaquin Miller praising her stories. Smith American Fiction 1901-1925 K-77. Baird and Greenwood An Annotated Bibliography of California Fiction 1664-1970 1355. Light damp stain to lower edges of endpapers and lower edge of rear cover else a fine copy with bright cover stamping. #114168 The Unknown Publisher unknown books
1994148935Santa Fe NM: Twin Palms Publishers 1994. First edition. Hardcover. First printing of 5000 copies. Introduction by Witkin. Essays by Stanley Burns Eugenia Perry Janis Aaron H. Esman and James Crump. A collection of over 100 black and white images. A fine copy in a near fine dust jacket. Twin Palms Publishers unknown books