Hatch alden

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Hatch, EricBiblio.com

My Man Godfrey.

ISMAIL, Ibrahim Ibn, & James HatchBiblio.com

1965151182Cairo: self-published 1965. A collaborative work from the height of Cairo's Black American creative movement First edition first printing of this collaborative book of poetry about racialized violence in America inscribed by Hatch one of the co-authors on the front free endpaper: "To Jackie would you believe two volumes of verse Love you for supporting the unpopular arts Jim". This self-published volume was a collaboration between Camille Billops a Black American artist her partner James Hatch a White American poet and Ibrahim Ibn Ismail a Black American poet whom the couple met in Cairo at that time the epicenter of pan-African art and politics. Ibrahim Ibn Ismail travelled to Cairo in May 1964 to study at Al-Azhar which was established as a university in 1961. He was drawn to the city as a hub of creativity for black Muslims with "notable Black American intellectuals artists and activists from the United States and even African nations like Ghana relocating to Egypt during the 1960s" Alhassen. In the US Ismail had been involved with the Black Muslim Movement but chose to leave having "suffered mistreatment at the hands of officials and becoming disillusioned with the BMM" Alhassen. In 1964 fellow activist Malcom X visited the city where the two men swiftly became friends. While speaking in Cairo Malcom X "made the following observations about the city: 'Cairo is probably one of the best examples for the American Negro. You know if ever a people should know how to practice brotherhood it is the American Negro and it is the people of Egypt". This work includes the full text of Ismail's "Epitaph for Malcolm X". This book was the first artistic collaboration between the couple Hatch and Billops. Billops was an artist activist and filmmaker of Black diaspora who contributed the illustrations to this volume. Billops's first solo exhibition was shown in Cairo at the Gallerie Akhenaton the same year. Hatch who was granted a Fulbright appointment to teach at the High Cinema Institute in Cairo had moved to the city with Billops in 1961. On their return to America Hatch and Billops established their Soho home as a collaborative space for poets musicians academics and playwrights and together curated a significant archive of African American culture and art beginning in 1968 while both teaching at the City College of New York. Their collection is now housed at Emory University. The "Jackie" in the inscription may be the academic Jacqueline Bobo who had connections with Billops and thereby Hatch through her work on Black female filmmakers. Billops co-edited a special 'Black Film Issue' of Black American Literature Forum featuring contributions from William Greaves Bell Hooks Marlon Riggs and Bobo herself. In turn Bobo edited Black Women Film and Video Artists 1998 in which Billops's work features. Octavo. With 5 black and white illustrations in the text. Original brown paper wrappers titles to front cover in black. Joints firm but a little creased a few small marks to covers. An excellent copy. Maytha Alhassen The "Three Circles" Construction: Reading Black Atlantic Islam through Malcolm X's Words and Friendships Journal of Africana Religions Vol. 3 No. 1 pp. 1-17. unknown

Peter Harrington · Royaume-Uni1 250,00 £GB≈ 1 427,25 €

[Boccaccio; Caxton Club] Wilkins Ernest HatchBiblio.com

The Trees of the Genealogia Deorum of Boccaccio

192323077Chicago: The Caxton Club 1923. FIRST and LIMITED EDITION one of only 160 copies printed on handmade Fabriano Paper. With 21 plates three of which are in beautiful full colour with printed tissue guards. Also with fine engraved ititials and tables throughtout. 4to publisher’s original half vellum over buff boards with small vellum corner-pieces. 24pp plates. A very fine copy near as pristine. SCARCE LIMITED TO ONLY 160 COPIES. A study of the genealogical tables used to decorate Boccaccio's great mythological work from manuscripts and the early printed editions. Genealogia deorum gentilium known in English as On the Genealogy of the Gods of the Gentiles is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome written in Latin prose in circa 1360 by the Italian author and poet Giovanni Boccaccio. The first printed edition was in Venice at the early date of 1472. By 1499 no fewer then eight editions had published attesting to the popularity of the work.<br> Ernest Hatch Wilkins was a respected authority on Italian literature. His teaching career began at Amherst as an instructor of Romance languages from 1900 to 1904 and continued at Harvard where he taught from 1906 to 1912 and again from 1947 to 1950 as a visiting lecturer on Italian literature. In 1912 he went to the University of Chicago where he was successively Associate Professor and Professor of Romance languages until his move to Oberlin in 1927. From 1923 to 1926 he served the University as Dean of its College of Arts Literature and Science Wilkins served as Oberlin College's seventh president from 1927 until his retirement in 1946. He authored several respected works on Dante Petrarch and Papini. He was a corresponding member of the Accademia Della Crusca in Florence and was decorated with the Cavaliere della Corona d'Italia in 1920 for his international promotion of Petrarch and Dante. The Caxton Club hardcover

Buddenbrooks, Inc. · États-Unis764,50 $US≈ 646,84 €

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