Aron, PaulBiblio.com
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1476688303.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0783885172.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0471351903New. Brand new and still unused unknown
1998Q-0471283681Wiley 1998-09-22. Paperback. New. New. In shrink wrap. Looks like an interesting title! Wiley paperback
0470581395.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2001Q-0471442577Wiley 2001-08-03. Paperback. New. In shrink wrap. Looks like an interesting title! Wiley paperback
2000Q-0471351903Wiley 2000-08-25. Hardcover. New. In shrink wrap. Looks like an interesting title! Wiley hardcover
2008Q-0742562727Rowman & Littlefield Publishers 2008-08-22. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Rowman & Littlefield Publishers hardcover
2013Q-1611684943University Press of New England 2013-08-06. Paperback. New. New. In shrink wrap. Looks like an interesting title! University Press of New England paperback
199713841Bruxelles: Éditions Labro 1997. Ottimo stato di conservazione difetti macchie all’interno e segni d’uso sulla custodia. Due volumi in brossura editoriale illustrata con custodia in cartoncino cm 21.5 x 15 pp 558 2 4 559-1024 2. Collana Archives du Futur. Raccolta della produzione critica del poeta belga Émile Verhaeren 1855 - 1916: recensioni articoli prefazioni relative alla pittura e le arti plastiche della modernità a lui contemporanea Moreau Rodin Seurat - del quale fu il primo acquirente e della grande pittura fiamminga e olandese. Éditions Labro unknown
152339382Venice: Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani 1523. Full vellum with titling gilt to spine. 1f. early manuscript on vellum with decorative initials in red ink and decorative penwork in red and blue decorative pointers in black 1f. recto title printed in red within highly decorative woodcut border verso privilege 1f. dedication to Sebastiano Michele with historiated initial 2ff. contents and full-page woodcut portrait of Aron 21ff. Libro Primo 1f. recto full page plate "Coligatio Notvlar" verso blank 28ff. Libro Secondo 1f. early manuscript. With occasional decorative and historiated initials. With numerous finely-printed musical examples and diagrams throughout. Unpaginated but 54ff. in total with L4 blank as issued. In Italian. <br /> <br /> The fine full-length portrait of Aron depicts the author seated surrounded by his pupils with a viol lute recorder and books on a table in the foreground all within a densely floriated border incorporating small figures playing musical instruments. <br /> <br /> Binding slightly worn and soiled; ties lacking. Minor internal wear and soiling; occasional foxing and staining; staining to many lower blank margins and gutters; title slightly trimmed and frayed at lower and outer edges; minor annotation to one page with inking to several notes on following page resulting in staining to preceding and following leaves. First Edition. This edition not in Cortot Gregory-Bartlett or Wolffheim. Cowden: A Collector's Journey: Notable Music Books Written Prior to 1800 no. 12. Davidsson: Bibliographie der Musiktheoretischen Drucke des 16. Jahrhunderts p. 11. Gaspari 1 185. Reese: Fourscore Classics of Music Literature 36. Hirsch I no. 2. RISM Écrits Imprimés p. 97.<br /> <br /> "Born in tenuous circumstances Toscanello preface Aaron seems to have been largely self-taught; this may be the reason for his less systematic approach and questionable statements especially in his first treatise but also for his valuable insights into contemporary practice: from his first treatise onwards he promises to divulge 'many of the secret chambers of this art never heretofore revealed'. He is especially informative on counterpoint and compositional process distinguishing older and newer procedures the modal system in polyphonic music and the application of musica ficta. He is one of the first theorists to discuss mean-tone temperament. His Toscanello among the earliest vernacular music treatises was highly successful and ran to four editions." Bonnie J. Blackburn in Grove Music Online<br /> <br /> First published in 1523 "Toscanello . is probably the best general treatise of its generation invaluable for its clever and progressive discussions of musical practice particularly counterpoint. . Aron wrote extensively about practice scarcely ever touching on speculative theory. His ideas are derived from earlier writers notably Tinctoris Gaffurius and Spataro but he frequently extended or modified traditions." TNG 6 Vol. 1. pp. 2-3. <br /> <br /> "Aron's published works on musical theory comprise the Libri III de institutione harmonica 1516 the Trattato della natura e cognizione di tutti gli toni di canto figurato 1525 the Lucidario in musica 1545 and the Compendiolo di molti dubbi without date. His chief writing however is the Toscanello in musica 1523 and four later editions which contains the best exposition of contrapuntal rules to be found before Zarlino. Aron is the first theorist to recognize the practice of composing all voices of a composition simultaneously." Strunk: Source Readings in Music History p. 205<br /> <br /> The full-page woodcut of Aron instructing his pupils with musical instruments in the foreground represents a significant record of the history of the student/teacher relationship of the period. See Kinsky: A History of Music in Pictures p. 109 no. 2.<br /> <br /> An important work and a fine example of a very early treatise in the vernacular. Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani unknown
0428781217.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428172571.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996Q-080185296XThe Johns Hopkins University Press 1996-07-08. Hardcover. New. In shrink wrap. Looks like an interesting title! The Johns Hopkins University Press hardcover
19779528358Greenwood Press 1977. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item650grams ISBN:0837196728 Greenwood Press hardcover
2070718042.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1983018233Routledge & Kegan Paul. Unclipped DJ in archival cover. . Fine. Hardcover. 1st Edition. 1983. Routledge & Kegan Paul hardcover
2021x-1032101741Routledge 2021. Hardcover. New. 428 pages. 9.19x6.13x1.26 inches. Routledge hardcover
20232-103210189XRoutledge 2023. Paperback. New. 432 pages. 9.19x6.13x1.02 inches. Routledge paperback
43750488-nnew. unknown
43750488like new. unknown
1986Q-0671628267Simon & Schuster 1986-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Simon & Schuster paperback
1985Q-0131363425Prentice-Hall 1985. Hardcover. New. In shrink wrap. Looks like an interesting title! Prentice-Hall hardcover
103210189X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004x-0765809257Transaction Pub 2004. Paperback. New. revised ed edition. 160 pages. 8.75x6.00x0.50 inches. Transaction Pub paperback
