118 résultats
Testi: Earisman Delbert L.. F.to: 11x18; pagg. 144; rileg. brossura. Editore: Fortress Press, Philadelphia, 1968.
F.to: 12,5x20; pagg. 240; BN; rileg. brossura. Editore: De Bezige Bij, Amsterdam, .
F.to: 12,5x20; pagg. 160; BN; rileg. brossura. Editore: De Bezige Bij, Amsterdam, 1963.
Testi: Hanlon Edward S.. pagg. 160; rileg. brossura. Editore: Paperback Library, New York, 1968.
A clean, unmarked book with a tight binding. 11"w x 8 1/2"h. Black and white photos of soldiers, Viet Nam, hippies, students, protests, cops, People's Park, Jerry Rubin, Huey Newton, portraits and street scenes.
Testi: Shortney Joan R.. F.to: 10,5x17,5; pagg. 338; rileg. brossura. Editore: Pocket Books, New York, 1971.
Testi: Simmons J. L., Winograd Barry. pagg. 180; rileg. brossura. Editore: Marc Laird Publications, Santa Barbara, 1967.
pagg. 136; rileg. brossura. Editore: Becker Versand, Nürnberg, 1970.
Testi: Kluver Heinrich. F.to: 13,5x20,5; pagg. 108; rileg. brossura. Editore: Phoenix Books, Chicago, 1966.
Testi: Hyde Margaret O.. pagg. 148; rileg. brossura. Editore: Pocket Books, New York, 1969.
We Are Everywhere, written by Jerry Rubin while in the Cook County Jail, is a bit of a departure for the Library. It isn't a direct "how-to" manual in the ways that the other books we have included are, rather it is a celebratory book chronicling an emerging counterculture. The book was written to share ideas openly and freely. Rubin was part of the Chicago 7 arrested after mass protests at the 1968 Democratic National Convention in Chicago. He wrote the book at a time when he and others were witnessing the birth of our control society. This book joyfully enumerates and celebrates an emerging militant, resistant counter culture. It is part manifesto and part document of the emergence of a movement. The book's design is also a point of interest for us. Rich and dynamic, we are sure that it was intended to be read while under the influence of some psychotropic substance. The colors change on every page. They jump back and forth from background to frame to text, alternating with one another. The pages alternate between purple, yellow, red, green and pink. The same colors appear as strips, bands or frames, sometimes texts, on various pages throughout. Here is the tantalizing description of the book on the back cover: We Are Everywhere is Jerry Rubin's journal, written secretly in Cook County Jail and smuggled out. Jerry is a convicted felon, Yippie, enemy of the state, pothead, seven-year-old child and author of the revolutionary manifest Do It! We Are Everywhere reveals a defendant's inside view of The Conspiracy Trial. Written like a scenario, this book focuses on the Weatherman underground, the Black Panther Party, LSD, Women's Liberation, Walter Cronkite, Judaism, street fighting and the coming revolution. A color layout including more than one hundred and fifty pictures takes you on a multi-media trip, revealing the emergence of a new people. — Testi: Rubin Jerry. F.to: 13,5x20; pagg. 256; COL e BN; rileg. brossura. Editore: Harper & Row Publisher, New York, 1971.
Book shows light wear to covers with a small tear at top of spine. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind. 192 pages. Many b&w photos and illustrations of hippies in overalls getting into the mud, using masonry tools, etc. Contents: Fireplace Development, The Chimney Effect, Building Materials, Preparation, Radiant Fireplaces, Air Circulating Fireplaces, Heat Recovery, Water Circulating Fireplaes, Multi-opening Fireplaces, Compound Fireplaces, Firespaces
Testi: Meerum Terwogt Hanneke. F.to: 20,5x25,5; COL e BN; rileg. brossura. Editore: Foton Uitgeversmaatschappij, Amsterdam, 1970.
274 pages including references and index. "The Age of Aquarius was dawning. A radical, rebellious and sometimes illegal phenomenon was demanding attention - and getting it." - from back cover. Unmarked. Solid binding. Light wear. Nice copy. Book
Testi: Eddy Deborah. BN; rileg. brossura. Editore: Anonymous Phoenix, Los Angeles, 1972.
Testi: Leary Timothy, Burroughs William S. et al. pagg. 496; rileg. brossura. Editore: Sugar Editore, Milano, 1971.
Testi: Beckett Samuel, Ginsberg Allen et al. F.to: 12,5x20; pagg. 160; BN; rileg. brossura. Editore: De Bezige Bij, Amsterdam, 1961.
The ultimate compendium of counterculture press in the United States and the Netherlands during the heady decades of the 1960s and ’70s, this volume is the definition of sex, drugs, and rock ‘n roll. From underground pornography, free love, anti-establishment anarchism, and Provo, to anti-war protests, spiritual empowerment, the Black Panthers, and women’s liberation, it’s all here. Page after page of magazine covers, articles, advertisements, and clippings encapsulate the era when academia revolted, gays marched in the streets, and hippies wondered if Jesus got high, too. — Testi: De Donno Emanuele, Simonetti Gianni-Emilio et al. F.to: 23x31; pagg. 496; 64 COL e 450 BN; rileg. brossura. Editore: A&Mbookstore Edizioni, Milano, 2016.
Testi: Schröder Peter. F.to: 27x36,5; pagg. 260; rileg. rigida. Editore: Uitgeverij Het Spectrum, Utrecht, 2003.
F.to: 13x20; pagg. 154; COL e BN; rileg. brossura. Editore: Vintage Books, New York, 1969.
Testi: Melville Keith. pagg. 256; rileg. rigida con sovracoperta. Editore: William Morrow & Company, New York, 1972.
The journal of a brilliant South African academic who dropped out, took LSD, and lived rough on the streets of London - "After LSD, one is likely to be much less attracted by money and luxuries and material success." — Testi: Farquharson Robin. BN; rileg. brossura. Editore: Penguin Books, Harmondsworth, 1971.
A wild and wacky novel of America's 'Love Generation' that gets you out of your up-tight bag and frees you to enjoy the grooviest action this side of an LSDelicious sugar cube — Testi: Tidyman Ernest. pagg. 160; rileg. brossura. Editore: Paperback Library, New York, 1968.
Testi: Kleps Art. pagg. 356; rileg. brossura. Editore: Bench Press, Oakland, 1977.
Testi: Hoffman Abbie. F.to: 13x20; pagg. 232; BN; rileg. brossura. Editore: The Dial Press, New York, 1968.