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This is the first publication of Pacific Domes, a non-profit educational corporation. Ten domes were build in four months at an experimental high school in the California hills. Three of the domes were built almost entirely by 15-17 year olds. Domebook One was put together in 14 days at the Whole Earth Catalog production garage by Lloyd Kahn [and others].
The journal of a brilliant South African academic who dropped out, took LSD, and lived rough on the streets of London - "After LSD, one is likely to be much less attracted by money and luxuries and material success." — Testi: Farquharson Robin. BN; rileg. brossura. Editore: Penguin Books, Harmondsworth, 1971.
pagg. 32; BN; rileg. Punto metallico. Editore: , 1972.
F.to: 24,5x30,5; pagg. 160; COL; rileg. rigida. Editore: Van Holkema & Warendorf, Bussum, 1977.
Book shows considerable wear with stained and mottled covers, bumped and worn corners, sun faded spine, super just barely showing at pre-title page, occasional stain to pages, otherwise text/interior is clean and free of marking. Contents include: Black shiny FBI shoes, Rusky-dusky neon dust, The bus, Unauthorized acid, The crypt trip, The unpoken thing, The bust, The Hell's Angels,Cosmo's Tasmanian deviltry, The Mexican bust, Ken Kesey and the Merry Pranksters, a drug saturated group of hippies, trouble with the law. 416 pages. pushing, ballooning heart of the matter , Vibrating dazzle; "[a]mong journalists, Wolfe is a genuine poet; what makes him so good is his ability to get inside, to not merely describe (although he is a superb reporter), but to get under the skin of a phenomenon and transmit its metabolic rhythm" -- (Newsweek).
Tom Bender is an architect who was at the forefront of the sustainability movement. This book, published in 1973, is a scrapbook collection of musings, quotes, images, and philosophies culled from a myriad of sources. The book is a starting place for Bender’s personal investigation of how we can live lightly, in harmony with the land. The book is a relevant document of thoughts in the environmental and sustainability movements of today, and it is easy to get lost in the wandering collage like style of the book’s design. — Testi: Bender Tom. pagg. 208; rileg. brossura. Editore: Schocken Books, 1976.
236 pages. Features: The Confessions of First Lieutenant William J. Calley; The People Inside Peter Sellers; Kicking the Habit - Priests of the Roman Catholic Church reconsidering celibacy; Paranoia - story by Thomas Williams; The Sirhan B. Sirhan Literary Negotiations, Etc., Inc.; Oh! Hillard Elkins! - presenting the man who brought you Oh! Calcutta; Is it Too Late for you to be Pals with a Black Panther?; Saturday at Lee ----ing Marvin's; Short Visits with Five Writers and One Friend - Russell Edson, James Purdy, Grace Paley, J.B. Singer, Frank Conroy, and friend Maurice; Photo-illustrated skiing article; Cappital Punishment - or, whompin' hippies, Dogpatch style; The Soul of the Navajo ; Great 2-page color photo ad for three Mustang car models; Color photo ad for Lincoln Continental cars; Dozens of other fantastic vintage ads - many with color photography; Average wear. Unmarked. Top third of page 105/106 missing, affecting an ad and a minor portion of an article about wine. Quarter of page 209/210 missing, affecting portion of the Sirhan Sirhan article and a credit card ad. Covers beginning to separate front textblock, otherwise a worthy copy of this great vintage issue. Magazine
Book shows light wear to covers with a small tear at top of spine. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind. 192 pages. Many b&w photos and illustrations of hippies in overalls getting into the mud, using masonry tools, etc. Contents: Fireplace Development, The Chimney Effect, Building Materials, Preparation, Radiant Fireplaces, Air Circulating Fireplaces, Heat Recovery, Water Circulating Fireplaes, Multi-opening Fireplaces, Compound Fireplaces, Firespaces
A wild and wacky novel of America's 'Love Generation' that gets you out of your up-tight bag and frees you to enjoy the grooviest action this side of an LSDelicious sugar cube — Testi: Tidyman Ernest. pagg. 160; rileg. brossura. Editore: Paperback Library, New York, 1968.
Testi: Sellet Michael. F.to: 23x23; pagg. 96; BN; rileg. brossura. Editore: Aquarius Publisher, Amsterdam, 1970.
Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs.Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs--formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg)--as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels. — Testi: Sanders Edward. pagg. 448; rileg. rigida. Editore: Da Capo Press, New York, 2011.
Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 14/10/1969
Gives details on design, construction materials, optional features, costs and pitfalls for each type of home. Chapters include mobile homes, modular houses, prefabricated houses, domes, specifications, and an excellent bibliography. While many of the examples are traditional in design, there are enough interesting, modernist and thoughtful designs to make this a valuable addition to your prefab collection. Well-written, organized, and photographed. — Testi: Rabb Judith, Rabb Bernard. pagg. 172; BN; rileg. brossura. Editore: Quadrangle, New York, 1975.
Testi: Leary Timothy, Burroughs William S. et al. pagg. 496; rileg. brossura. Editore: Sugar Editore, Milano, 1971.
F.to: 17x24; pagg. 48; BN; rileg. brossura. Editore: Savelli-stampa alternativa, Roma, 1975.
Testi: Schröder Peter. F.to: 27x36,5; pagg. 260; rileg. rigida. Editore: Uitgeverij Het Spectrum, Utrecht, 2003.
“In the last few years, Glide has intentionally gravitated toward cultural movements with major ramifications for the people—present and future. In the last year, the people who have caught Glide’s attention have been “the hippies”—as branded by the popular press. During the year the hippies have captured international interest—and have regularly confounded Glide. Glide believes that hippie developments in the Bay Area may have long range ramifications for everyone. As another step in making current trends and history self-conscious, we invited Bob Fitch to engage the new community and say in photos and text what he wants to say. His conclusion is that ‘hippie is necessary’.” — Testi: Fitch Bob. F.to: 22x29; pagg. 44; 28 BN; rileg. brossura. Editore: Glide Urban Center, San Francisco, 1967.
<I>Hippie Modernism</I> examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as <I>Oz</I> and <I>The Whole Earth Catalog</I>; books by Marshall McLuhan and Buckminster Fuller; and much more.<br>While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus-Rucker-Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life.
Milano, Bevivino, 2008, 8vo brossura editoriale con copertina illustrata, pp. 287 con illustrazioni n.t.
Testi: Earisman Delbert L.. F.to: 11x18; pagg. 144; rileg. brossura. Editore: Fortress Press, Philadelphia, 1968.
Testi: Di Prima Diane. pagg. 12; BN; rileg. Punto metallico. Editore: New York City Poets Press, New York, 1968.
Testi: Shortney Joan R.. F.to: 10,5x17,5; pagg. 338; rileg. brossura. Editore: Pocket Books, New York, 1971.
Mm 110x185 PRima edizione itgaliana. Brossura editoriale, 229 pagine. Copia eccellente, mai letta. SPEDIZIONE IN 24 ORE DALL'ORDINE.
Testi: Esam John. pagg. 80; COL e BN; rileg. Punto metallico. Editore: Ian Duncan, London, 1968.
Edited by Linn House, managing editor: Peter Weinberg. Contributing editors: Peter Stafford, Ira Einhorn. Staff artist: Linda Jarvis. Issues of 24-32 pages, printed in offset in vartious colours, fully illustrated. Part of the Underground Press Syndicate. Number 5 is the "American Indian Issue" and contains a letter referring to issue no. 4. Contains articles and reports on drugs, be-ins, etc. with correspondents in San Francisco, Los Angeles, Beirut, Berkeley, Nashville, later also Bombay, Amsterdam, Cleveland, etc. — Testi: House Linn, Weinberg Peter. F.to: 27x28,5; pagg. 32; rileg. Punto metallico. Editore: InnerSpace, New York, 1967.
