172 résultats
196888041968. Softcover. VG- Ex-gallery lib. small label at front cover pencil marking ink stamp and label at first page; Light wear and scuffing to wraps. Blue wraps. 84 pp. 7 color 137 bw plates. Introductory text is in Dutch; two essays in Dutch and English by de Kooning "What Abstract Means to Me" and "The Renaissance and Order"; interview in English mostly; and bibliography. Catalogue lists 134 works. This exhibition went from Amsterdam to London New York Chicago and Los Angeles. paperback books
197148456New York: WIN Publishing Empire 1971. 1st Printing. Blue paper wrappers with white lettering & photographic image to front cover stapled. Now house in an archival mylar sleeve. Chip at base of spine. Age-toning to paper. Very Good. 36 pp including wrappers. Illustrated with b/w half-tone photographs. 10-3/4" x 8" <br/><br/>One of the many Vietnam KIAs. this one happened to keep a diary and published courtesy of his family who also supplied many of the image reproduced herein. WIN Publishing Empire unknown books
191128519Paris: A. Durand & Fils 1911. Quarto. Grey boards with original publisher's light green wrapper laid down to upper. 1f. title 1f. dedication 1f. notes on first performance and named cast list 1f. index 236 pp.<br/><br/>Named cast includes de Potter Riddez Rothier Swartz Fisher Brozia Amsden Kaplick de Courcy Maubourg Claessens and Martini.<br/><br/>Boards slightly worn. Gutters of several leaves reinforced; other minor defects. First Edition. <br/><br/>Le Forêt Bleue was first performed in Geneva at the Opéra on January 7 1913; the first American performance was scheduled to take place in December of 1911 in Boston. <br/><br/>"Aubert wrote songs and piano music as well as several ballets and incidental music but left only one opera La forêt bleue a fairy-tale piece with a happy ending which engagingly depicts Pérrault's original characters." Richard Langham Smith in Grove Music Online. A. Durand & Fils unknown books
19501283191950. unbound. A stunning 13.25 x 10.5-inch black-and-white photograph of Bankhead in motion. No place no date circa 1950. Inscribed over the white background of her cardigan and blouse: "For Suzanne all my love from Tallulah." Stamped on the back by Miami photographer Ray Fisher. Several small creases; very good condition.<br/><br/> unknown books
19351763151935. unbound. 7 x 5 inches no place no date circa 1935 -- a black-and-white head shot of Bankhead wearing dark lipstick and gazing wanly into the distance. Signed in the full near the bottom. Very good condition.<br/><br/> unknown books
196874711968. VG label on front cover. Wraps. 14 pp. 11 bw plates. Catalogue lists 38 works Introduction written by Harold D. Cole. unknown books
19685903Binghamton NY: Roberson Center for the Arts and Sciences 1968. Hardcover. G Label & few marks from previous gallery owner; front hinge beginning to pull away. Tan buckram. 73 pp. 12 color 59 bw plates. Considers the life and work of American artist Fletcher Martin 1904-1979. With foreword by Keith Martin. Introductory essay by Peter Pollack. Illustrated comment by the artist followed by a detailed chronology and the plates. Lists 9 drawings and 61 paintings. Uncommon. Roberson Center for the Arts and Sciences hardcover books
1968125251968. VG. Cream wraps. 6 pp staple bound. 3 bw plates. Annotated catalogue of 36 works with a brief introduction by E. Maurice Bloch. Around 1968 large and important caches of drawings and sketches dating from all periods of West's career were uncovered. As a group the drawings in this exhibition were made up entirely from these finds and provide us an intimate glimpse of the work and method of an artist who was the first American to earn an international reputation. unknown books
196735515London: Schott & Co. 5897 1967. Paperback. Very Good. Octavo. Wrappers. 1f. 87 pp.<br/><br/>From the collection of noted musicologist Stanley Boorman with his signature to upper.<br/><br/>Wrappers lightly worn; titling in ink to spine. Schott & Co. [5897] paperback books
1968240161968. Softcover. VG- small amout of writing front cover. Gray-green wraps. 36 pp. 75 bw plates. Text in Italian. Annotated and illustrated catalogue of 75 works. paperback books
196872681968. Softcover. VG Exlib w/minimal markings small orange label on cover. Wraps. 27 pp. 11 bw plates. Catalogue ists 105 works. Introductory letter by Christopher Cornford. Detailed chronology. The emphasis of the work seems to be mathematical and geometrical sculpture. unknown books
196881301968. Softcover. VG exlib w/minimal markings small label and writing on cover. Wraps. 61 pp. 46 bw plates. The stated purpose of this exhibition is to place current concerns about certain types of abstract art in focus. 92 artists are represented by 228 works few checkmarks in the margins of the checklist. Includes special emphasis on the lifework of the artist Gabo. This exhibition was organized by Douglas MacAgy. Includes American and European artists. unknown books
191849432San Francisco: John Henry Nash 1918. 1st edition O'Day p. 8. INSCRIBED by Bynner to the preliminary blank. Bespoke simple green cloth binding with gilt stamped tilte lettering to front cover. Brown floral patterned-paper eps. Minor wear to binding with front hinge paper starting. Few spots of bubbling to cloth. Faint hint of age-toning to paper. Withal a VG - VG copy. 4 IX 3 blank pp. T.p. printed in red with blue rules with title page vignette by Lawrence B. Haste printed in black. 11-7/8" x 8-1/2" <br/><br/> John Henry Nash hardcover books
191335038New York: Mitchell Kennerley 1913. 1st edition. Maroon cloth binding with gilt stamped title lettering to spine. Original publisher's wax paper dust wrapper. A Fine book in a chipped & age-toned wrapper. 48 pp. 12mo. <br/><br/> Mitchell Kennerley hardcover books
191930910Berkeley: Privately Printed 1919. 1st edition. Limited to 400 cc. Red paper wrappers; yapp edges. Orange printed paper title label to front wrapper. Floral patterned-paper eps. Spine paper sunned with modest chipping to the yapp edges. A solid VG copy. viii 63 3 blank pp. Photographic frontis. 8-7/8" x 5" <br/><br/> Privately Printed unknown books
19401341113Mexico 1940. Softcover. Octavo; G-; Paperback; Spine cream with brown print; Cover has short tears at top and bottom of spine curling to fore corners edgewear wear to hinges small stain on front some creasing shelfwear; Text block has spotting to edges upper portion becoming partly unglued from cover curling to fore corners crease to top fore corner throughout else clean and tight; Text in Spanish; 246 pages illustrated color plates else b&w drawings. 1341113. FP New Rockville Stock. unknown books
192634161Firenze: A. Forlivesi & C. PN 11260 1926. Folio 340 x 255 mm. Original publisher's heavy ivory wrappers with titling and illustration within heavy line border in dark red and olive green to upper. 1f. recto title verso notes 31 pp.<br/><br/>Wrappers slightly worn and soiled. Light uniform browning. First Edition. Op. 37 was composed in 1925.<br/><br/>"By the early 1930s Castelnuovo-Tedesco became increasingly concerned for Italian Jewry and when Heifetz approached him for a concerto I profeti 1931 he saw an opportunity to take a stand later commenting in 1940 . 'I felt proud of belonging to a race so unjustly persecuted; I wanted to express this pride in some large work glorifying the splendour of the past days and the burning inspiration which inflamed the envoys of God the prophets'. About the purge which began in Italy in January 1938 he wrote 'I happened to be the "pioneer". My music was suddenly banished from the Italian radio and some performances of my works were cancelled. A public performance of I profeti scheduled by Italian radio in Turin in January 1938 was suddenly cancelled by a mysterious telephone order from Rome and that happened six months before the anti-Semitic laws were issued.'<br/><br/>In the summer of 1939 shortly before the outbreak of war he left with his family for New York staying in Larchmont for a year and a half before moving to California. There in autumn 1940 he signed a contract with Metro-Goldwyn-Meyer beginning a relationship from 1940 to 1956 with several Hollywood studios including Columbia Universal Warner Brothers 20th-Century Fox and CBS." James Westby in Grove Music Online. A. Forlivesi & C. [PN 11260] unknown books
192934128Wien: Universal-Edition PN 8863 1929. Small folio 300 x 230 mm. Original publisher's ivory wrappers with titling printed in green to upper publisher's advertisement to verso of lower. 1f. 104 pp. <br/><br/>Lower outer wrapper dated "IV 1929" <br/><br/>Wrappers slightly worn and soiled; spine slightly warped and browned. First Edition first issue.<br/><br/>The present concerto was composed in 1927.<br/><br/>"By the early 1930s Castelnuovo-Tedesco became increasingly concerned for Italian Jewry and when Heifetz approached him for a concerto I profeti 1931 he saw an opportunity to take a stand later commenting in 1940 '. I felt proud of belonging to a race so unjustly persecuted; I wanted to express this pride in some large work glorifying the splendour of the past days and the burning inspiration which inflamed the envoys of God the prophets'. About the purge which began in Italy in January 1938 he wrote 'I happened to be the "pioneer". My music was suddenly banished from the Italian radio and some performances of my works were cancelled. A public performance of I profeti scheduled by Italian radio in Turin in January 1938 was suddenly cancelled by a mysterious telephone order from Rome and that happened six months before the anti-Semitic laws were issued.'<br/><br/>In the summer of 1939 shortly before the outbreak of war he left with his family for New York staying in Larchmont for a year and a half before moving to California. There in autumn 1940 he signed a contract with Metro-Goldwyn-Meyer beginning a relationship from 1940 to 1956 with several Hollywood studios including Columbia Universal Warner Brothers 20th-Century Fox and CBS." James Westby in Grove Music Online. Universal-Edition [PN 8863] unknown books
1964M5963Offprint from:: Rassegna Medica Sarda Vol. LXVII Fasc 2-3 Marzo-Giugno 1964. 1964. 244 x 172 mm. 8vo. 151-170 pp. Printed wrappers. INSCRIBED BY THE AUTHOR on top cover. Ownership rubber stamp on top cover. Very good. Rassegna Medica Sarda, Vol. LXVII, Fasc 2-3, Marzo-Giugno 1964. unknown books
1960MMRM1446Springfield:: Charles C. Thomas 1960. 1960. 8vo. xvi 449 1 pp. 225 illus. indices. Brown gilt-stamped cloth dust-jacket; jacket with tear to spine and front flap. Very good. Charles C. Thomas, 1960. hardcover books
194135121Washington: United States Government Printing Office 1941. Green paper wrappers with black title lettering printed to front wrapper and spine. Lean yapped edges wear ex-library markings with bookplate to inner front wrapper and card pocket to rear. Withal a VG copy. vii 1 blank 938 2 blank pp including index. Untrimmed. Profusely illustrated with b/w images. 9-3/4" x 6-1/4" <br/><br/> United States Government Printing Office unknown books
1968170661968. Softcover. VG slight wear to extremities. Magenta wraps. 95 pp. Numerous bw plates. This exhibition is a tribute to the poet Baudelaire and his influence upon the artists of his time. unknown books
19681597.1Los Angeles and Miami: Ward Ritchie Press / Lowe Art Museum 1968. Softbound. Good. ExLib spine taped. Black cloth with yellow inked title and image. 128 pp. 8 color 104 bw repros. Illustrated essay by August L. Fruendlich excerpts from the artists statements chronology and bibliography. Uncommon. Ward Ritchie Press / Lowe Art Museum unknown books
19688866Washington DC: Corcoran Gallery of Art 1968. Softcover. VG light edge toning light interior foxing. White wraps. 16 pp. 8 bw plates. Includes a 2-page essay by James Harithas the full-page plates of his geometric sculptures an exhibition catalogue of his sculptures 9 acrylic 4 polystyrene 9 glass and aluminum and 16 drawings and professional information exhibitions commissions collections etc. Corcoran Gallery of Art unknown books
1931M3889Providence:: Snow & Farnham 1931. 1931. Series: Fiske Fund Prize Essay No. LXIV. 235 x 160 mm. 8vo. 158 pp. 33 figs. bibliog.; some penciling in the margins of the bibliog. Gilt-stamped blue cloth; dusted. Very good. Courville Collection 484. Snow & Farnham, 1931. hardcover books