37 résultats
1st 'Black Swan' edition. VG pbk. Small crease to the front cover. ISBN 0552994952. 23204. eng
8vo., First Edition, free endpapers lightly browned; green cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper.
8vo., First Edition, neat inscription on front free endpaper; blue cloth, gilt back, blue endpapers, a near fine copy in price-clipped dustwrapper.
8vo., First Edition; blue cloth, gilt back, green endpapers, a near fine copy in unclipped dustwrapper.
Second edition, corrected and enlarged, 12mo, iv, 5-12pp., woodcut ornament on title, cont. ink Ms. note on lower blank portion of last page, modern marbled wrappers, printed paper label. Taken without acknowledgement from "A Dialogue between a the Baptist and the Presbyterian." by Thomas Grantham, 1691. Baker, 24, 2.
First Edition,12mo, 12pp., a little browned with some light soiling, recent marbled wrappers, printed paper label on upper cover. Green, 320.
First Edition,12mo, 44pp., a little browned with some light soiling, recent marbled wrappers, printed paper label on upper cover. Green, 287.
First edition, 8vo (180 x 120 mm), 148pp., new endpapers, orig. green cloth. Provenance: Ownership inscription to front fly-leaf "Elizabeth Browne, Christmas 1874, Long Clawson."
Un'eredità da investire nel nostro tempo: è questo che secondo Valdo Benecchi ci ha lasciato John Wesley, il fondatore del metodismo, una delle personalità religiose più importanti della Gran Bretagna del XVIII secolo, vero e proprio protagonista del clima di rinnovamento che veniva affacciandosi all'orizzonte. In un tempo di grandi cambiamenti economici, politici, sociali, religiosi e culturali, l'impegno di Wesley fu quello di tradurre la propria fede in potenziale dinamico, capace di contribuire alla costruzione di una nuova società. In un tempo di grandi cambiamenti economici, politici, sociali, religiosi e culturali, l'impegno di Wesley fu quello di tradurre la propria fede in potenziale dinamico, capace di contribuire alla costruzione di una nuova società. Autori: Valdo Benecchi.
Two volumes. pp. (xx) 598; (16) 676 + Illustrations, including color frontis pieces and sixty-four monochrome plates. Foxed. Original blue cloth binding, worn and torn at hinges. Methodism in the Christian tradition, chronicling its growth (especially in the U.S.) from modest beginnings. PA 51.
First edition, 8vo, 267, [3]pp., coloured frontis., 52 portrait plates, orig. cloth, d.w.
Hardcover Like new. Ships from publishers directly. Pls. allow a minimum of 25 business days delivery time from publishers. Will be backorde red if not available.
Fifth Edition, 3 vols., xxiv,722; xxviii,713; xxviii,724pp., folding frontispieces, orig. cloth, head of spines frayed otherwise a very good set. Vol. 1: Wesley and his times. Vol. 2: The Middle Ages. Vol. 3: Modern Methodism.
No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards, slight tanning to pages and no bumping to corners. 69pp. Periodical magazine with feature articles on John Wesley and America - 1730s, History in Stone - Paris, Lord Odo Russell and Roman Friends - 19th century, Balthasar Hubmaier - Anabaptist extraordinary 1480-1528 Vienna, Sir Robert Dudley - Italy 17th century, Frances Wright and Robert Dale Owen and the American Utopian communities and the Godolphin-Marlborough Duumvirate - 18th century plus book reviews and letters.
ill., br. Nell'ultimo mezzo secolo Wes Craven è il regista che ha scavato più a fondo dentro il genere horror, portando alla luce le pulsioni nascoste della società americana. Tralasciando la ricca ma sterile aneddotica esistente sulle traversie produttive e censorie di molti film di Wes Craven, il saggio di Pugliese si addentra invece nel labirinto creativo dei suoi film e della sua produzione televisiva, caratterizzati da un delicato equilibrio fra un linguaggio volutamente triviale, una sofisticata ironia e il gusto sottile della citazione colta e dello sberleffo grottesco. Cineasta tardivo e classico "tuttofare" hollywoodiano, Wes Craven è autore di un cinema disturbato e disturbante, nel quale sono messe a nudo le contraddizioni della società americana, in particolare quelle prodotte dallo scontro mortale fra l'idea borghese della famiglia e i tanti individui "reietti" che sono forse il segno più autentico e vitale della cultura a stelle e strisce. Craven ha frequentato tutti i tópoi dell'horror - da Frankenstein al licantropo, dalle streghe all'Uomo Nero - realizzando capolavori come le serie di Nightmare e Scream. Il libro è arricchito da apparati puntuali e aggiornati, tra cui filmografia, videografia, discografia delle soundtracks e bibliografia.
685pp. + 15 planches hors-texte., 24cm., dans la série "Universitas Catholica Lovaniensis. Dissertationes ad gradum magistri in Facultate Theologica consequendum conscriptae" Series 2 Tomus 16, br.orig. (dos restauré), texte en bel état, R74393
685pp. + 15 planches hors-texte, 23cm., dans la série "Universitas Catholica Lovaniensis. Dissertationes ad gradum magistri in Facultate Theologica consequendum conscriptae" Series 2 Tomus 16, belle reliure demi-cuir avec titre doré au dos, br.orig. conservée, bon état, R92639
Features: The 'Crazy One' - Mariana, La Loca progressed from silver camp dancehall to High Priestess of Joaquin Rocks - a frightening woman!; The West's Best Hidden Horror - Jim Gilliland; Smithwick's Bowie Knife; Tramp Miners - the Old Ruth Mine near Trona, California; "I'll Kill 'til I Die" - Wesley Barnett; South Dakota Gold Streams; 'Struck Oil" - a theatrical gusher of the '70s!; Terror to the Rustlers - Chief Field Inspector John R. Banister in Oklahoma; A Very Special Strongbox; Old Cripple Creek and Ralph Carr; Sourdough Gold - Charles Goff in Alaska; Wild Old Days! Average wear. Unmarked. Sound copy. Book
12mo (175 x 102 mm), 24pp., title slightly soiled, nineteenth century cloth, a good copy. Provenance: From the library of Lt. Col. William Allen Potter, High Sheriff of Nottinghamshire 1944/45, with his bookplate. ESTC locates The British Library, National Library of Wales and John Rylands.
Drop-head title, 8pp., as folded. The Bodleian Library copy only on Copac.
First edition, 8vo, [4], 28pp., disbound. JISC locates just 2 copies (the Bodleian and Manchester University Libraries.)
This is a fine as new softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition Castles in the Sky : Fantasy Architecture in Contemporary Art, at the Lehman College Art Gallery, City University of New York, and at Coral Gables Museum from October 13, 2018 to January 26, 2019. Includes the work of: Gustavo Acosta, Diane Arbus, Clint Baclawski, John Bowman, Hannah Raine Brenner-Leonard, Michele Brody, Adrien Broom, Dean Byington, James Casebere, Laurent Chéhère, Thomas Cole, Beatrice Coron, Will Cotton, William Richard Crutchfield, Linda L. Cunningham, Salvador Dalí, Thomas Doyle, Peter Hamlin, Cameron Hayes, Robert Hite, David LaChapelle, Julie Langsam, Armando Marino, Jonathan Monaghan, Juan Garcia-Nunez;, Claes Oldenburg, Lothar Osterburg, Kevin M. Paulsen, Laurie Simmons, Rachel Sydlowski, Eric Wesley, and Xing Danwen. Illustrations in color or black & white on every page. 11" high X 8" wide, 100 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
32 pages. Moderate wear. Prior owner's name atop front cover else unmarked. A sound copy. Book
8vo (220 x 145mm), 175pp., orig. cloth, d.w. slightly torn.
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 137 pages with a great many b&w photos. Chapters include: Human history in the natural scene, American Indians, Spanish explorations, American Explorations, The American frontier reaches the Grand Canyon, Forest reserve and national monument, Grand Canyon national park: period of establishment, .... Period of expansion.