Moon SarahABAA
217 résultats
1981PB43575Matrix/Delpire Lausanne 1981. Fine. First Edition 9.25 in. x 11.75 in. 94 pages Cloth Dust Jacket First United States edition. 8. Matrix/Delpire, Lausanne hardcover books
1981175687Providence: Matrix 1981. Limited. hardcover. near fine/near fine. Sarah Moon. Translated from the French by Enid Kirshberger. Illustrated with 94 photographic images some colored. Oblong 4to olive green cloth d.w. Providence: Matrix/Delpire 1981. First American edition. Near fine copy in a near fine dust wrapper.<br/><br/> limited edition - one of only 100 signed copies.<br/><br/> Matrix unknown books
198116672Matrix/Delpire 1981. Cloth. Fine/Near Fine. A handsome copy of the 1981 stated 1st American edition. Tight and Fine in a crisp Near Fine dustjacket with just the slightest touch of scuffing to the panels. Oblong quarto the text translated from its original French by Enid Kirshberger. <br/><br/> Matrix/Delpire hardcover books
198112488Matrix Robert Delpire 1981. Cloth. Fine/Fine. SIGNED BY SARAH MOON on the half-title. A pristine copy to boot of the 1981 stated 1st American edition. Fine in a bright Fine dustjacket. Oblong quarto Moon's evocative sensual photographs thruout. <br/><br/> Matrix (Robert Delpire) hardcover books
197915961NY: Dial Press. Fine in Near Fine dust jacket. 1979. Hardcover. 0803742207 . The author's first book. First printing. Fine in a near fine age toning to flap edges dust jacket. . Dial Press hardcover books
19679007393Oxford: Clarendon Press 1967. 1st. Hardcover. Book fine Dust jacket fine. <br/><br/> Clarendon Press hardcover books
2003SKU1031375Rizzoli 2003-02-08. PAPERBACK. Good. 0847825086 Minor cover wear with some rubbing to the edges. Clean has a good binding no marks or notations. Rizzoli paperback books
198760381Seoul Korea: Seoul Computer Press. Very Good. 1987. Hardcover. 111pp. pictorial boards very light scuffing to covers otherwise a Near Fine copy. . Seoul Computer Press hardcover books
1963166979Seoul: Han'guk Yon'guwon 1963. 2 1 165 4 23 p. very good in wraps 23 page English summary ownership signature on front endpaper. On the history of Korean orthography. Han'guk Yon'guwon unknown books
200788059Bogotá: Universidad Nacional de Colombia Facultad de Artes 2007. 21 cm. Colección Punto Aparte. 172p b/w plates ports. frontis facs. meas. draws. appens. bibl. ind. pict. b/w pict. fldg. wrps Author Ardila Luna reconsiders the artistic representation of nature and the constant concern against natural disasters developing theories on the crisis of modernity and how different environmental effects have affected Colombian art. The study is divided in 2 chapters: 1 "The Interprested Landscape" is a study of a landscape exhibition by the same name organized in 1999 by the museum of the Banco de la República and 2 "Art and environmental anxiety" analyzes various exhibitions where artist reflect their ecological concerns. Includes interviews with Alberto Baraya and Maria Elvira Escallón. This is a major contribution to the literature on art landscape the environment and the relationship of disaster facing Colombia. Desde hace por lo menos 20 años no se había escrito sobre el paisaje en el arte colombiano. Era una deuda de los investigadores con el trabajo de muchos artistas contemporáneo que han escogido el paisaje como un reto para representarlo con la inocencia perdida porque se han dado cuenta de las fuerzas económicas políticas y sociales que lo atraviesan. Frente a este panorama tan amplio Óscar Ardila resolvió abordar su tesis de maestría con la pregunta sobre la representación del paisaje en el límite del sueño de dominio de la naturaleza y la preocupación frente al desastre. Es una tesis que va tejiendo teorías acerca de la crisis de la modernidad y de la representación con las obras de algunos artistas colombianos de los años 90. La imposibilidad de la naturaleza es un título que permite entrever una cierta ansiedad de los artistas frente al campo colombiano atravesado por el narcotráfico los sistemas policivos el desplazamiento la violencia y la deforestación. La imposibilidad de la naturaleza se refiere también a la imposibilidad de representarla sin poner en crisis los cánones. Una crisis que sin embargo ha inventado muchas estrategias: cartografías intervenciones en la tierra o en los árboles nuevas lecturas del pasado recolección de muestras caminatas registros siembras recolección de relatos grabaciones de sonido estrategias curatoriales confrontaciones comparaciones archivos.La imposibilidad es un síntoma de reconocimiento de una crisis y este libro se decide a plantear la urgencia de acompañar teóricamente unas obras de arte que se han abierto camino en solitario al reconocer una naturaleza en crisis casi imposible de representar. Este libro acompaña a los artistas que se han inventado sin embargo estrategias para recuperar la naturaleza en la imagen porque si lo pensamos detenidamente han reconocido la crisis en al territorio más vital y emocional que podamos imaginar. Table of Contents / Tabla de Contenido: -- Introducción -- -- Capítulo uno -- El paisaje interpretado: la dimensión social del paisaje La exposición y al catálogo La crisis de la crisis de la representación de la naturaleza El medio ambiente como objeto de experiencia -- Capítulo dos -- Arte y ansiedad ambientalista La ansiedad ambientalista Nuevas floras: objeto de ansiedad ambientalista Herbario de plantas artificiales: la interpretación contraria de los discursos científicos Papaver somniferum: la catástrofe después de la catástrofe -- Capítulo tres -- Epílogo. La imposibilidad de la naturaleza -- Bibliografía -- Anexos -- Anexos 1. Entrevista con María Elvira Escallón Anexos 2. Entrevista con Alberto Baraya Universidad Nacional de Colombia, Facultad de Artes unknown books
1991202212Los Angeles: Comision Femenil Mexicana Nacional 1991. Magazine. 8p. 8.5x11 inches articles news events resources photos very good newsletter in stapled glossy wraps. Cover story - Mayra Fernandez: Making a Difference. Comision Femenil Mexicana Nacional unknown books
1992112581Bilbao: Banco Bilbao Vizcaya 1992. Softcover. VG. Color illus. wraps; 259 pp.; 63 color plates numerous bw and color figures. Text in Spanish; Accompanied an exhibition held in 1992 and 1993; Contains works by Jan Both Abraham Mignon Andries van Bochoven Balthasar van der Ast and many others; Extensive annotations. Banco Bilbao Vizcaya paperback books
20009177Northampton MA: Oxingale Press 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Very minor shelf/edge wear and a hit of sun else tight bright and unmarred. Quarterbound gold cloth spine blue paste paper boards red and black ink label copperplate etching onlay; drop spine clamshell box audio cd fits into space in box. 4to. Illus color and b/w plates. Numbered limited edition this being 53 of 70. Signed by the artists. Publisher's prospectus laid in. <br/><br/>The innaugural publication of the Oxingale Press. A musical collaboration with cellist Matt Haimovitz and composer Luna Woolf performed by soprano Eileen Clark and Haimovitz. The music of the album inspired the book of poems featuring original color etchings by Kuch whose interpretations create a visual counterpoint to the compositions. Oxingale Press hardcover books
1999UMOOLIT01fpNCTE 1999. Very Good. Moon Brian. Literary Terms: A Practical Glossary. Urbana IL: NCTE 1999. xiv 177pp. Indexed. 8vo. Paperback. Book condition: Very good. Edges lightly rubbed. NCTE paperback books
2002RPERLIT00RJBCreative Editions 2002. Fine. Perrault Charles. Little Red Riding Hood. Moon Sarah. Mankato Minnesota: Creative Editions 2002. 1st edition. Illustrated. 4to. Brown cloth with blind embossed title. Book condition: Near fine. Dust Jacket Condition: Very good with gently bumped edges. Creative Editions hardcover books
1985161015Dallas: Meadows Museum Southern Methodist University 1985. Paperback. VG- clean and tight but with a crease to lower back cover and ex-lib. stamp on ffep. Unbroken spine. Color-illus. wraps with white lettering. 133 pp; color frontis 3 additional color plates and 35 bw plates. Catalogue from the exhibition held in Raleigh Dallas and New York between January and September 1985. With 2 essays and the catalogue. Meadows Museum, Southern Methodist University paperback books
1984169337Mardrid: Museo del Prado 1984. Paperback. VG-. Minimal wear light foxing along page edging otherwise clean and tight. Pictorial wraps. 129 pp. 63 BW 12 color plates and illustrations. Text in Spanish. Centro Cultural de la Caja de Ahorros de Valencia Feburuary-March 1984. Publication of the Museo del Prado number 924. Museo del Prado paperback books
197057674Middletown:: Wesleyan University Press. Very Good in Good dust jacket. 1970. Hardcover. 0819540188 . First edition. Previous owner's name on front free endpaper else very good in a good closed slit across front panel small abrasion near the base of the spine price clipped dust jacket. . Wesleyan University Press, hardcover books
2004016705Norwalk CT: Easton Press 2004. Book. New condition. Hardcover. Signed by Authors. First Edition. Octavo 8vo. Hardcover bound in a decorative gray leather binding. Number 355 of 900 copies signed by Elizabeth Moon. Includes a certificate of authenticity and a printed note about the book both provided by the publisher. The text is clean and unmarked and does not have a bookplate. Silk bookmark and silk moire endpapers. First edition. Easton Press Hardcover books
199455328Albuquerque: University of New Mexico Press 1994. Hardcover. xiv 142p. text in English & Spanish map preface bibliography very good first edition thus in cloth boards and unclipped dj. Torres' letters to her aunt about her arrival in the US were originally published in El Paso del Norte in 1918. University of New Mexico Press hardcover books
198483790San Antonio: San Antonio College 1984. Paperback. xiii 166p. wraps with Bruce-Novoa graphic. The papers herein presented at a 1983 San Antonio conference by the same title include contributions from the editors Edward MurguÃa Rolando Hinojosa-Smith Sandra Modin and others and include both literary and popular culture topics e.g. comic books and folklore in comparative perspective. San Antonio College paperback books
1976151223London: The Tate Gallery 1976. First edition. Softcover. 47 pages. Exhibition catalog for a show that ran June 18 through July 25 1976. Foreword by Sir Norman Reid. Text by Judy Marle. Includes 15 color and several black and white illustrations. A near fine copy in wrappers and with a former owner's small artistic stamp on the title page. The Tate Gallery unknown books
WELLER9781646140428New. New book. unknown books
1930151434Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1930. Two vintage oversize reference photographs from the 1930 film one showing actors Wallace Beery and Marie Dressler and one showing Dressler alone. With printed mimeo snipes affixed to the verso. <br/><br/>Based on Lorna Moon's 1929 novel. A beleaguered dockside innkeeper Dressler tries to protect and raise her young adopted daughter while loving and frequently fighting with an alcoholic fisherman Beery who resides at the inn. A wildly successful sharp drama co-written by two successful female screenwriters at the height of their careers Frances Marion and Marion Jackson. <br/><br/>10 x 13 inches. Very Good plus lightly toned and slightly wavy. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
1938BB083<p>MOON William 1818–1894:</p><p><i>Moon Christmas Annual</i>. 1938. </p><p>London: Moon Society 1938. Printed in embossed Moon type for the blind a simplified system of embossed reading for the Use of the Blind.Oblong Folio printed throughout with "Moon type" title; 1 85 ff.; publisher's brown cartridge stiff wrappers lettered spine label.The present Christmas Annual for 1938 printed as a gift by the Moon Society includes holiday themed poetry and stories. A most unusual Christmas gift annual.</p><p><b>William Moon</b> contracted smallpox as a young child and by age 22 had lost his sight completely. Frustrated by the quality of embossed reading systems he had tried he developed his own system based on roman lettering with portions of the letters omitted in order to make the characters more discernible to the touch. Moon's system was easy to master particularly for those who had learned to read before losing their sight and it became very successful. However nowadays examples are rarely encountered.</p> Moon Society paperback books
