Várhelyi, ZsuzsannaMareMagnum
773 résultats
Very light shelfwear to DJ else Fine. ; 270 pages; This book examines the connection between political and religious power in the pagan Roman Empire through a study of senatorial religion. Presenting a new collection of historical, epigraphic, prosopographic and material evidence, it argues that as Augustus turned to religion to legitimize his powers, senators in turn also came to negotiate their own power, as well as that of the emperor, partly in religious terms. In Rome, the body of the senate and priesthoods helped to maintain the religious power of the senate; across the Empire senators defined their magisterial powers by following the model of emperors and by relying on the piety of sacrifice and benefactions. The ongoing participation and innovations of senators confirm the deep ability of imperial religion to engage the normative, symbolic and imaginative aspects of religious life among senators.
Bumping to top of spine. DJ has some minor edgewear with some creasing along edges. ; 270 pages; This book examines the connection between political and religious power in the pagan Roman Empire through a study of senatorial religion. Presenting a new collection of historical, epigraphic, prosopographic and material evidence, it argues that as Augustus turned to religion to legitimize his powers, senators in turn also came to negotiate their own power, as well as that of the emperor, partly in religious terms. In Rome, the body of the senate and priesthoods helped to maintain the religious power of the senate; across the Empire senators defined their magisterial powers by following the model of emperors and by relying on the piety of sacrifice and benefactions. The ongoing participation and innovations of senators confirm the deep ability of imperial religion to engage the normative, symbolic and imaginative aspects of religious life among senators.
Ex-library copy with usual stamps, call numbers. Adhesive remains on cover. Ugly adhesive stains on inner covers. Webbing is showing on inner covers. Binding is still tight. ; Contents include (list is not exhaustive) : Virgil's Fourth Eclogue and the Sidus Iulium; Ludus poeticus; Princeps; Horace and Virgil; "Rebirth" in profane antique Literature; Crime of Fratricide; Origin of the Ludi Saeculares; Virgil's eclogues I and IX; Isles of the Blessed and Insula Tiberina; Parentatio in honour of Romulus. ; 316 pages
Scholar's name to ffep with his underlining and marginalia in red and black pen. Small stains to back wrap. No other defects. ; Studies in Greek and Roman Religion, Vol 1; 264 pages; Collection of Wagenvoort's papers in an English translation.
Review of book tipped in. Dustjacket has faint creasing; 0.85 x 9.32 x 6.32 Inches; 240 pages; Theseus is celebrated as the greatest of Athenian heroes. This work explores what he meant to the Athenians at the height of their city-state in the fifth century B. C. Assembling material that has been scattered in scholarly works, Henry Walker examines the evidence for the development of themyth and cult of Theseus in the archaic age. He then looks to major works of classical literature in which Theseus figures, exploring the contradictions between the archaic, primitive side of his character and his refurbished image as the patron of democracy. His ambiguous nature as outsider, flouting accepted standards of behavior, while at the same time being a hero-king and a representative of higher ideals, is analyzed through his representations in the work of Bacchylides, Euripides, and Sophocles. This is the only work of scholarship that examines the literary representation ofTheseus so thoroughly. It brings to life a literary character whose virtues, flaws, and contradictions belong in no less a degree to his creators, the people of Athens.
Ex-library copy with usual stamps, call numbers. Small tears to base of spine. 'Lucretius' written in pen to spine. Call numbers written to top of front wrap. Some creasing to a few corners. ; Mnemosyne, Bibliotheca Classica Batava : Supplementum 40; 134 pages
Tears to spine ends with another tear to front wrap (2 cm) and small piece of corner of front wrap torn off. Creasing and a bit of scuffing to wraps. Scholar's bookplate to inner cover (Robert Brown). Scholar's blindstamp and name to ffep (Robert Brown). A bit of pencilling to margins of a few pages. ; Mnemosyne, Bibliotheca Classica Batava : Supplementum 40; 134 pages
Minor wear; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Very Minor Shelfwear. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Minor Shelfwear. Faint foxing to top of textblock. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Textblock cracked between pp 144-145. Foxing/dustsoiling to top of textblock. ; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Scholar's small bookplate to ffep (R. E. Fantham). Small correction done by Fantham to 1 page in ink. Light shelfwear to book. Dustjacket has minor shelfwear and rubbing. 1 corner slightly chipped. ; The philosophical and practical nature of the changes in religion and its relationship with the Roman state are discussed with particular emphasis on the influence of oriental cults and the momentous success of Christianity, of the one exclusive God who inherited the accommodating world of the pagan state religion. ; 217 pages
Very light shelfwear else fine. ; The philosophical and practical nature of the changes in religion and its relationship with the Roman state are discussed with particular emphasis on the influence of oriental cults and the momentous success of Christianity, of the one exclusive God who inherited the accommodating world of the pagan state religion. ; 217 pages
Spine sunned. Some scratches to rear board. ; 192pp, some attractive line drawings. ; 192 pages
Dustjacket is protected in mylar. ; Reports of the Research Committee of the Society of Antiquaries of London No. XL; 10.6 X 8.7 X 1.4 inches; 267 pages
DJ protected in mylar. ; xx, 267pp, illustrated, 48pls.; Reports of the Research Committee of the Society of Antiquaries of London No. XL; 4to - over 9¾" - 12" tall; 267 pages
195118547Paris Gallimard 1951 In-12 92 pp " Combien notre vie changerait si on voyait que la géométrie grecque et la foi chrétienne ont jailli de la même source"
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. DJ has rubbing and chipping with small tears. DJ spine is sunned. ; This book is about Roman religion in the age of Caesar, beginning with the ancestral cults of the Gens Julia at Bovillae and ending with the new cult of Divus Julius all over the Roman Empire. It deals with the old gods, politico-religious ideas, and ruler cult. Caesar is at the centre, as religious reformer rather than modern rationalist. This aspect of him, though remote and unfamiliar, rounds out the portrait of Caesar as the founder of the Empire of which one may get an occasional glimpse in the later writings of Mommsen but which has since been too seldom presented. ; 490 pages
E Ex-library copy with usual stamps, call numbers and pocket. Front hinge cracked but holding. Minor rubbing to boards. ; This book is about Roman religion in the age of Caesar, beginning with the ancestral cults of the Gens Julia at Bovillae and ending with the new cult of Divus Julius all over the Roman Empire. It deals with the old gods, politico-religious ideas, and ruler cult. Caesar is at the centre, as religious reformer rather than modern rationalist. This aspect of him, though remote and unfamiliar, rounds out the portrait of Caesar as the founder of the Empire of which one may get an occasional glimpse in the later writings of Mommsen but which has since been too seldom presented. ; 490 pages
Fine English Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 312 p. Hindu mitolojisi. [= The origins of evil in Hindu mythology]. Translated by Kudret Emiroglu.
Light browning to wraps. ; Includes 48 plates. ; 137 pages
Dustjacket has minor shelfwear and rubbing. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages; Sandpiper reprint of 1983 Edition.
Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). DJ spine a bit sunned. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages
Front free endpaper has been torn out. Former's owner's name to titlepage has been covered with white label. Pages tanned. DJ has minor shelfwear with a couple of tiny tears. ; Detailed commentary of the Theogony. ; 459 pages
Very light shelfwear to book and DJ; 1996 Sandpiper reprint of 1978 Edition. ; 399 pages; Hesiod was an ancient Greek poet whose Works and Days discusses agricultural practices and society in general. Classicists and ancient historians have turned to Works and Days for its insights on Greek mythology and religion. The poem also sheds light on economic history and ancient agriculture, and is a good resource for social scientists interested in these areas. This translation emphasizes the activities and problems of a practicing agriculturist as well as the larger, changing political and economic institutions of the early archaic period. The authors provide a clear, accurate translation along with notes aimed at a broad audience. The introductory essay discusses the changing economic, political and trading world of the eighth and seventh centuries B. C. E. , while the notes present the range and possible meanings of important Greek terms and references in the poem and highlight areas of ambiguity in our understanding of Works and Days.