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42135101Yokohama ca 1890's Tamamura. Black lacquer albumdecorated carved bone cover storks Mt. Fuji 50 hand-colored albumen photosmany English captions superb example strong images all edge gilt in original box large size images. RARE . . .A STUNNING JAPANESE LANDSCAPE & BEAUTIFUL LANDMARKS ALBUM . . . WITH 50 HAND-TINTED ALBUMEN PHOTOGRAPHIC IMAGES . . . INCLUDING JAPANESE BEAUTIES AND YOUNG GIRLS . . . TOGETHER WITH THE RARE ORIGINAL . . . CLOTH COVERED PADDED CLAM-SHELL BOX . . This is a classic album of 50 images showing Japan's most famous and historic landscapes and landmark images. The majority have English captions and negative numbers. . It contains hand-tinted album photographs of famous gardens ponds tea houses temples shrines roads bridges Torii gates lakes Yokohama & Kamakura views of main streets the Great Bronze Buddha Mt. Fuji & other mountains waterfalls rapids rivers harbors Nagasaki house interiors Japanese beauties . Album pages are all gilt edges photo size:25.8 x 20 cm. page size: 34.5 x 26 cm. photos are laid down on both sides of each page. Each photo has a white cloth hinge some still have the original tissue guards as usual wrinkles near the hinge & corners area dog ears all unfolded small closed tears & the usual signs of minor age & use. . Many photos have a Romanized Japanese or English caption in the negative either in the lower left or right corner along with negative numbers. . Each photograph was skillfully and tastefully hand-colored with pastels for the most part. He avoided that bright red aniline used in the Meiji period his colorations reflect the subtle elegant and tasteful perspective on Japanese color application a rare commodity during that period. . CONTENTS: 50 ALBUMEN PHOTOS . 1. Prince Iwasaki's garden & pond no caption . 2. 411 UYENO TEA HOUSE . 3. 988 TAKINOGAWA NEAR OJI . 4. 495 UYENO TOKIO . 5. 1040A TEMPLE AT UYENO TOKIO . 6. 961 SHIBA AT TOKYO . 7. 52 SHIBA AT TOKYO . 8. 743 IMAI ROAD NIKKO . 9. 748 SACRED BRIDGE AT NIKKO . 10. 709 TORII AT NIKKO . 11. 715 YOMEIMON GATE AT NIKKO . 12. B792 IKAO . 13. 817 HARUNA LAKE . 14. 1006 MAIN ST OF YOKOHAMA . 15. 986 MISSISSIPPI YOKOHAMA . 16. 532 KAMAKURA . 17. 574 DAIBUTSU AT KAMAKURA . 18. 617 ROAD AT MIYANOSHITA . 19. 379B MIYANOSHITA . 20. 613 HAKONE LAKE . 21. 861 FUJI FROM HAKONE LAKE . 22. 1219 NAKANO TAKE MIOGI . 23. 1196 CHINOTAKI FALLS AT ASAMA . 24. 1087 LAKE OF BIWA FROM MIIDERA . 25. 930B KIOTO TOWN FROM MARUYAMA . 26. 916 GOJIOZAKA AT KYOTO bamboo forest . 27. 901 HOZUGAWA A RAPIDS AT KIOTO . 28. 956 KASUGA AT NARA . 29. 950 SARUSAWA AT NARA . 30. 938 HARBOR OF KOBE . 31. 1081 NUNOBIKI FOLL KOBE sic for 'FALLS' . 32. 460 TAKABOKU NAGASAKI 33. 458A NAGASAKI . 34. 1104A FERRY BOAT . ITEMS WITHOUT CAPTIONS: . 35. INSIDE INTERIOR OF A TYPICAL elegant Japanese house with . Tatami bull rush mats Tokunoma art alcove Shoji . sliding doors colorful hand-woven floor mats painted . scroll Bonsai furniture &c. . 36. Shows two young Japanese Bijin beauties . 37. Shows a middle-age Bijin . 38. Shows a middle age Bijin playing the Koto harp . 39. Shows two women kneeling bowing as a greeting with . the typical Omiyagi present given when visiting. . 40. Portrait of a young girl in elaborate Kimono holding a . fan . 41. Portrait of a young woman playing the Samisen banjo . 42. Portrait of a young woman in winter dress wearing a . head scarf and winter Kimono holding an umbrella . Studio posed a classic example. . 43. Another classic studio posed shows a woman bending to . the 'elements' wind & cold using her umbrella as a . shield. She wears very tall Geta wooden stilt shoes . with toe guards to keep her feet above the snow and . toes dry in a winter scene. This exact image is illustrated in Bennett see below on p.150 as figure 44. Ours is unnumbered & not captioned identical to his. He cites "ca. 1890." . 44. A women at her toilet she holds two mirrors so she . can see the back of her coiffeur. Her Kagami Bako . mirror box is adjacent. . 45. Three young children pose for he photographer in his . studio. A girl holds a large umbrella another girl . carries a baby brother on her back all mug for the . camera. . 46. Two coolies carry a woman in a palanquin . 47. A Rickshaw man wears a lacquered straw rain hat and . rice straw 'rain coat' in a studio posed image. He . pulls his Rickshaw with a beautifully dressed young . & elegant lady holds a large umbrella as she mugs . for the camera. . CAPTIONED ITEMS CONTINUE OR AS NOTED: . 48. 1016 RICE PLANTING . 49 No caption. Shows two Bijin standing on the edge of a . mountain road before distant scenery. They both stand . under a single umbrella both wear wooden Geta . shoes and wear Tanzan heavy long winter . padded long coats while on an excursion. . 50. "The interior of a textile silk cloth merchant's shop . showing hand-loomed cloth. Two women customers . inspect Kimono cloth while two merchants look on. . The salesman is a shop worker the older man seated . at the desk is the Joji boss he sits . with his Sanban/Soroban bamboo calculator at the . ready seated at his desk with a pencil on his ear. . Various cloth rolls are here and there. In the . background are several cloth examples draped. . THE PHOTOGRAPHER: TAMAMURA Kozaburo 1856-1923: This is the work of Tokyo/Yokohama photographer TAMAMURA Kozaburo studio. . Per Wikipedia: "Tamamura Kozaburo was a Japanese photographer. In 1874 he opened a photographic studio in Asakusa Tokyo and subsequently moved to Yokohama in 1883 opening his most successful studio. He was an originator of the Yokohama Shashin photographic scene. His studio was still operating in 1909." . See Bennett below for a summary of the other photographer's negatives and images which may be contained in this album. It's a well-known fact that Japanese photographers of the epoch sold traded exchanged and used photographs of several contemporary photographers in their albums. . THE ELEGANTLY HAND-PAINTED AND DECORATED LACQUER ALBUM: . This is a highly decorative and elaborately gold-lacquer hand painted album over wood covers both are in superbly immaculate condition. With full leather original spine laid down over black cloth with gold decorations and "ALBUM" stamped in gilt. . . The front cover is superbly hand-painted and illustrated with gold-tinted lacquer showing Mt. Fuji a small village below which is a bamboo grove and river. There are three Konotori Japanese stork with gold-lacquered legs and hand-carved in white bone with stunning wings necks & heads. One is in flight the other two are beside the river each in a unique pose. . The back cover is also stunningly gold and red hand-painted lacquer. It is illustrated with an elaborate butterfly Praying Mantis wasp bug and sprigs of leaves. . CONTAINED IN THE RARE & ORIGINAL CALICO-PRINTED COTTON CLOTH CLAM-SHELL FOLDING BOX: . This superb photograph album is contained in the original hand-made box from Tamamura's Yokohama studio. It is red cloth lined padded and quite clean. The top cover is a bit dusty as usual. The hinges have some splits and wear with one inside blue-cloth patch firming up the hinge. All original RAR E example seldom found complete with this box. . Please see the color photos posted to our website. . This album has the exact leather spine and gilt decorations as the one illustrated on p.94 in Hoerner see below. . BIBLIOGRAPHY: . BENNETT Terry.: OLD JAPANESE PHOTOGRAPHS: COLLECTORS' DATA GUIDE 31 of the above examples are exactly listed here from pages 150-154. See above for a photo illustrated by Bennett found in our album as page 43. . --. PHOTOGRAPHY IN JAPAN 1853-1912 see pages 198-202. HOERNER Ludwig.: EINE FOTOREISE DURCH DAS ALTE JAPAN. See Wikipedia for Tamamura_Kozaburo . CONDITION: Each image is in excellent condition with a minor bit of the usual minimal fading typical of a photo album over 145 years old. It is in remarkable condition far and above the average same period example. . There are not marks damage or worm holes. Firmly bound many with the original tissue guards present some with foxing which does not affect the images preserved with albumen. . All in all an excellent collection of genuine early period photographic images. . RARELY found in such excellent and complete condition. . . unknown
38573Melbourne : The Burlington Studio 1922. Gelatin silver print 200 x 130 mm; photographic montage with 6 vignette shots of comedian Frith ""in character"" for his roles in A night out Going up You're in love High jinks So long Letty and Oh lady! lady! with a slightly larger head-and-shoulders portrait by Langham captioned 'Au Revoir Albert Frith' at the centre; the print is in excellent condition laid down on the original studio mount trimmed across the bottom margin with loss of The Burlington Studio imprint. In the 1920s and early 1930s English-born Alfred Frith was arguably the most popular comedian in Australia where he toured prolifically in between numerous return visits to his homeland. The following notice appeared in The Herald Melbourne 22 May 1922: 'To mark Alfred Frith's 2500th performance In Australia and as a souvenir upon his departure for England a large photograph showing him in six characters and as he appears on the stage will be presented to the ladies in the audience at Her Majesty's Theatre on Monday night next.' Note: The NLA holds another example of this photograph as part of the Lady Viola Tait collection which has the original mount complete with The Burlington Studio imprint. unknown
19477621Winnipeg Manitoba: Gauvin Gentzel Studio 1947. First Edition. Original Photograph on Mount. Original silver gelatin photograph panoramic format measuring 13" x 7.25" mounted on its original heavy card mat to an overall size of 14" x 17". Bears the imprint of the prominent Winnipeg firm "Gauvin Gentzel Studio" to the upper left. A printed caption below the image identifies the "Manitoba Legislative Assembly 1947" and lists all members by row along with the Speaker and legislative staff. <br /> <br />A crisp and detailed panoramic photograph capturing the 22nd Manitoba Legislature in session. The image provides a rare wide-angle view of the historic chamber with all members present at their desks. This 1947 assembly is a fascinating snapshot of Manitoba's unique "Coalition" era. The government led by Premier Stuart S. Garson K.C. pictured in the 3rd row was a fusion of Liberal-Progressives and Progressive Conservatives a "non-partisan" administration that had its origins in the war years. <br /> <br />The photograph is a roster of Manitoba's post-war political establishment. In addition to Premier Garson who would leave in 1948 to join the federal cabinet the roster includes his successor Hon. Douglas L. Campbell 3rd Row who would go on to be Premier for a decade. Also present are numerous other cabinet ministers and future luminaries including: Hon. J. S. McDiarmid 3rd Row who would be appointed Lieutenant-Governor of Manitoba in 1953; Lt.-Col. Gordon Churchill 1st Row a future federal MP and prominent cabinet minister in the Diefenbaker government; Gunnar S. Thorvaldson K.C. 2nd Row a future Senator. <br /> <br />Most remarkably this image captures the legislature's sole dissenter and one of its most notable figures: William "Bill" A. Kardash 2nd Row. As the only member of the Labor-Progressive Party Communist in the assembly Kardash was a conspicuous and often isolated voice in the coalition-dominated house. His presence seated amongst the very establishment he ideologically opposed is a powerful visual representation of the era's complex political landscape at the dawn of the Cold War. <br /> <br />The photograph itself is a fine example of the large-format group portraiture perfected by the Gauvin Gentzel Studio one of Winnipeg's leading photographic firms for decades known for their clarity and high-quality compositions. The silver gelatin print retains excellent clarity sharp detail and strong contrast. The mat is clean and bright with only very light toning to the edges and minor bumping to the corners. A near-fine example. <br/><br/> Gauvin Gentzel Studio unknown
3734749<p>Washington D.C. The Scurlock Studio 1945. Original photograph. 8 x 10 inches. Typed caption and photographer’s rubber stamp on verso. Light edge wear some creasing; two small tape remnants on recto; very good.</p> <p>David Eustace Henderson 1875–1933 a prominent attorney and political figure was born in Texas and raised in Emporia Kansas. He earned his law degree from the University of Kansas in 1904. Henderson established his legal career in Kansas City where he gained influence as both a lawyer and a political leader. He served as deputy to the county attorney of Wyandotte County for three consecutive terms. Recognized for his legal acumen he was appointed special assistant to the U.S. Attorney General during President Hoover’s administration. He passed away in Chicago in 1933.</p> <p>Henderson’s photograph was taken by the Scurlock Studio Washington D.C.’s prestigious Black-owned firm known for documenting prominent Black Washingtonians and luminaries such as Booker T. Washington W.E.B. Du Bois Mary McLeod Bethune and Paul Laurence Dunbar.</p> unknown
19207923Thomaston GA: Trice - photographer 1920. Very good . One photograph measuring about 9.5" x 7.5" housed in a contemporary mat and somewhat later frame. The photograph is in excellent condition though it has come slightly loosened from the mat. We have not endeavored to open the back of the frame to either fix or examine it. In the center of the image is a large passenger railcar with the locomotive in the background if any identifying markings are present we cannot read them. Posing in front is a group of nearly two dozen businessmen in suits all posing next to a sign reading "Goodrich Silvertowns" which were a popular white wall tire during the 1910s and 1920s which would seem to date this photograph. The photograph is credited on the bottom right corner to Trice Studio in Thomaston GA which is likely the general area in which the photograph was taken. Though slightly mysterious a nicely-sized photograph of a train taken in the rural south. [Trice - photographer] unknown
19196188Butte Montana: Miller Studio 1919. 32x8" panoramic sepia photograph on card stock. Several creases and a few smudges. 5" tear from left margin into the photo. Good. <br /> <br /> Nice panoramic image of the Elks Drum Corps in Butte Montana boosters for the Victory Liberty Loan 1919. The group is in full dress including a patriotic Uncle Sam at the center of the photo. . Miller Studio unknown
21395Very Good. Hollywood: studio-issued publicity fashion photographs with original wardrobe descriptions c.1936. Gelatin silver prints with attached typed wardrobe descriptions.<br /> <br /> A small cohesive group of studio-issued Hollywood publicity photographs documenting women's fashion as mediated through film-star imagery in the mid-1930s. Each photograph is accompanied by a contemporaneous typed wardrobe description identifying garments fabrics colors and stylistic features reflecting how studios framed costume design for press circulation and public consumption.<br /> <br /> Physical Description: Three original gelatin silver publicity photographs each approximately 8 × 10 inches with attached or accompanying typed studio wardrobe descriptions on paper. <br /> <br /> Photographs depict actresses Ann Sothern Maureen O'Sullivan and Joan Blondell in studio fashion poses. One photograph credited to photographer John Miehle with studio markings present. Prints trimmed to standard publicity format.<br /> <br /> Condition: Photographs are clean and well-preserved with strong tonal range and stable contrast. Minor edge wear and handling marks consistent with studio press use. Typed descriptions intact and legible. Overall condition Very Good. Original studio publicity format retained.<br /> <br /> Scarcity Note: Hollywood publicity photographs survive in quantity but examples retaining original wardrobe or costume descriptions are significantly less common. Sets documenting fashion across multiple studios and actresses from a single period are particularly scarce as textual materials were often discarded after press use. These photographs document the intersection of Hollywood publicity costume design and fashion journalism during the mid-1930s. Studios actively circulated fashion-focused images to newspapers and magazines positioning film actresses as style authorities while subtly promoting costume trends. The attached descriptions reveal the language used to translate costume design into consumer fashion terms noting fabrics construction details and aesthetic intent.<br /> <br /> Together the group demonstrates how Hollywood functioned as a conduit between film production and everyday dress culture shaping public taste through carefully curated visual and textual messaging.<br /> <br /> Contextual / Historical Significance<br /> During the 1930s Hollywood studios increasingly emphasized fashion as a component of star branding and audience engagement. Costume departments collaborated with publicity offices to frame on-screen wardrobes as aspirational yet attainable. These materials provide primary visual evidence of that process offering insight into gender consumption and media influence in prewar American culture.<br /> <br /> Subjects: Costume design in film; women's fashion; Hollywood publicity photography; 1930s American cinema; celebrity culture; fashion journalism; studio press materials Vernacular photography fashion history Hollywood studio publicity. unknown
28448Sydney : Warringah Printmakers Studio 2017. Elephant folio with printed wrappers housed in buckram clamshell case with matching printed lining in printed calico bag. A publication of twenty-nine prints of varying method showing flora and fauna of Northern Sydney accompanied by artists' statements and scientific descriptions. Limited to an edition of 10 copies with signatures of all twenty-nine contributing artists on colophon. This publication is an impressive collaboration between some of Australia's foremost printmakers showcasing the diverse influences and methods of contemporary Australian printing. Published to celebrate the twentieth anniversary of the Warringah Printmakers Studio with support of the North Head Sanctuary and the Australian Wildlife Conservancy. 'To celebrate its 20th anniversary the Warringah Printmakers Studio has produced “Natural Collection†a stunning artist book of original prints. Situated on the Northern Beaches of Sydney the Warringah Printmakers Studio is committed to connecting with its community so chose the focus of this artist book of prints to be endangered species in the area. The project was supported by local environmental groups the North Head Sanctuary and the Australian Wildlife Conservancy giving the book a veracity and quality of engagement that intensifies its pertinence. With a foreword by Dr. Jennifer Anson from the Australian Wildlife Conservancy the work features 29 prints by 29 members. Each print is augmented by the artist's statement and supporting scientific information about the chosen species. The book is unbound allowing the artists freedom to work on a type of archival paper and in the printmaking method of their choice. It is housed in a clamshell box and measures 51 x 36 x 5.5 cm.' A poignant reminder of the impact Sydney’s development has on its natural environment The artworks were exhibited at the Manly Art Gallery & Museum July 16 - September 3 2017. hardcover
192511454New York Buffalo 1925. Unique. Hardcover. Very Good. Unique. Hardcover. George C. Tyler's touring production of "The Rivals." Autograph and photograph collection album includes tipped in silver gelatin photographs. The inscriptions and autographs are on sepia toned gelatin prints photographs; inscriptions from the performers to Rita Olcott. Inscription and autographs including cast: Thomas A. Wise Lola Fisher James T. Powers Fred Eric Chauncey Olcott Percival Vivian May Collins George Tawde Walter Woodall and "Sir Anthony Absolute" dated December 25 1924. "The Rivals comedy in five acts by Richard Brinsley Sheridan produced and published in 1775. The original play stars Sir Anthony Absolute fictional character the father of Captain Jack Absolute and with him a protagonist of Richard Brinsley Sheridan's comic play The Rivals 1775. Sir Anthony is a wealthy aristocrat and so his son masquerades as the penniless Ensign Beverley in order to court Lydia Languish who has romantic notions of marrying a poor man. When Sir Anthony attempts on his own to arrange a marriage between Jack and Lydia Jack's true identity is revealed to Lydia. She initially rejects him because of his deceit but she eventually accepts him." On October 30 1925 while playing the role of Sir Lucius O'Trigger in Richard Brinsley Sheridan's The Rivals Olcott fell ill and wasn't expected to survive. He eventually recovered but it was the last time he appeared on stage. Almost seven years later Chauncey finally succumbed to his chronic bout with pernicious anemia at his Monaco villa in the early hours of March 18 1932. In 1897 Chauncey married Rita O'Donovan from San Francisco a fellow enthusiast. They collaborated on many plays she was the inspiration for the song that Chauncey wrote "My Wild Irish Rose." She wrote a biography "Song in Her Heart" about her and Chauncey's life which was made into a film "My Wild Irish Rose." Wonderful example of an early 20th century performers dedication album. More biographical information at: https://www.wnyheritage.org/content/chauncey_olcott_buffalos_golden-tongued_tenor/index.html. Textured black leather binding with ribbon ties. Large oblong np. Illus. b/w plates. Signed by performers with inscriptions. Rubbing to boards shelf/edge wear else tight bright and unmarred. 13 leaves of sepia toned gelatin prints on black paper most blank. 13-1/2x10-1/2" prints. hardcover
144216719X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
QQ-2Q3L-EDD7Fine. Like New condition; GREAT FIND; cosmetic imperfections confined to dust cover which has several tears/creases along edges and tips from less-than-ideal boxing/storage/transport; hardcover itself only has some normal coloration from natural aging; overall impressively SOLID copy with clean/crisp pages and tight spine with most flaws on dust cover. hardcover
1936375753The Studio London Undated c.1936. First Edition. Hardcover. Very Good Condition. One of Holme's four classic Studio Publications on Japanese print culture presenting a finely curated suite of kacho-ga plates that helped shape early Western appreciation of ukiyo-e. A handsome volume and still one of the most approachable gateways into the field. 8 large colour plates images measuring 15 x 22 cms approx each with tissue guards and 6 pages of explanatory text. Some foxing to the paper throughout but not to the printed images though their surrounds are foxed. Printed boards covered in Japanese style paper. The spine is firm and without loss. Printed paper label to front board and spine as issued. A pleasing example on the shelf. Size: 25 x 31.5 cms. Category: Antiquarian & Rare; New Arrivals; This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Studio hardcover
1962019542Roma: Isco 1962. Un volume 31 cm di circa 300 pagine con paginazione varia ogni relazione è numerata a parte. Brossura editoriale con titolo alla copertina con nota per uso interno degli uffici. Ottime condizioni. Testi di La Malfa Ferrari Aggradi Di Fenizio Marzano Campilli Arcelli Ricossa Spaventa ecc. Isco unknown
19518130Torino: Ajani e Canale 1951. Lievi segni d'usura sui bordi della brosura internamente molto ben conservato fresco e completo. Album cm25.5x20.5 copertina in cartoncino con titoli stampati in rosso legatura con nastro rosso 9 fogli con elenco del personale e sette stampe fotografiche applicate fotografie di Berchialla & Bressano con titoli a stampa Atrio della Caserma Pietro Micca - Altorilievo di Filippo Chiassotti Ingresso Deposito 22° Reggimento Fanteria Sacrario dei Bersaglieri caduti Particolare del gruppo scultoreo del Ceragioli Particolare della nicchia contenente l'Album con i nomi dei Bersaglieri del 4° Regg. Caduti nella guerra 1915-18 foto di gruppo. Sulla prima pagina dedica manoscritta del Tenente Colonnello Biagio Augusto Zaffiri Comandante del Deposito. Raro documento. Ajani e Canale unknown
18866780After 1886. Very Good. Albumen-silver print on paper. 255 x 197 mm. Signed and titled in plate. Corners trimmed. <br /><br />Depicts the famous Sphinx with six male figures in traditional dress distributed at various places on the monument for scale. unknown
NB300308491Phaidon Press 2015-02-19. paperback. Like New. 8x1x11. Phaidon Press paperback
2015110991Phaidon Press. New. 2015. Paperback. 0714867365 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Phaidon Press paperback
ria9781913597498_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
B9781913597498Paperback / softback. New. paperback
ria9781913842277_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ria9781913842284_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
0500027625.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
8368Black & white illus. 35 pp. Square 4to printed wrappers staple-bound. Maastricht: Agora Studio 1975.<br /> <br> <br> Scarce catalogue for a traveling exhibition undertaken by the artist-run space Agora in three South American locations. With a foreword by Willem K. Coumans in Dutch and English. The exhibition took place at the centro di arte y communication Buenos Aires Estudio Actual Caracas and Sao Paulo’s Museo de Arte Contemporaneo. The cover was designed by Klaus Groh.<br /> <br> <br> Artists in the catalogue: Peter van Beveren Michel Cardena Ulises Carrión Guglielmo Achille Cavellini Albrecht D. Michael Gibbs Groh Raul Marroquin Yoshio Nakajima Maurizio Nannucci Marjo Schumans Yves de Smet Rod Summers etc.<br /> <br> <br> Near fine. WorldCat: Getty and Museum of Modern Art NY.<br /> <br> <br> ⧠Not in Dear reader. Don’t read. 2016. unknown
2090502113709501Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
69-5747Detroit Michigan: Contemporary Authors Gale Research Co 1960. Original photograph. 18 cm x 13 cm. Submitted by the author or their agent for inclusion in the publication "Contemporary Authors". Very Good.Provenance: From the collection of Frederic Gale Ruffner Jr the founder of Gale Research Detroit. Detroit, Michigan: Contemporary Authors Gale Research Co, [1960] unknown