2 151 résultats
18-5098Halifax Nova Scotia: Henry Moore Sculpture Trust 1992. . 18mo. 60 pp. Red paper-covered boards with gold flecks and black cloth spine. Very good. Color plates including endpapers. Includes writings by Miranda McClintic and Nima Poovaya-Smith. Catalogue for installation “Emily†exhibited at the Henry Moore Sculpture Trust Studio at Dean Clough Halifax from October 16 through December 20 1992. Limited edition: 1 of 2000 copies. From the Collection the Art Historian Peter Selz. Halifax, Nova Scotia: Henry Moore Sculpture Trust, 1992. hardcover
20032090502113713529Not Available 2003. Soft Cover. Fine. The book is in fine condition. Not Available paperback
8886166729.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009PM234401ZParis: Somogy 2009. Hardcover. Good/Good. 219 x 281 x 17 cm. Studio Ferrazzini Bouchet. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. [Somogy] hardcover
1959342638Washington DC: Grecian Guild 1959. Magazine. 48p. including covers 4.5x6.75 inches stories personal ads illustrated with b&w male physique photos mostly with thongs and cups black marker price on the front cover otherwise a good condition digest-sized magazine in stapled pictorial wraps. Grecian Guild unknown
012391St. Petersburg: State Russian Museum 1992 Catalog for an exhibition of the architect/artists works on paper and in three dimensions mainly staircases and structures heavily influenced by the work of his Constructivist ancestors. Shown in the 1992 St. Petersburg exhibition "Back to the Future Forward to the Past". Avvakumov is a founder of the Paper Architecture movement in the former Soviet Union developing designs impossible to architecturally realize while being loaded with contemporary and historical references. First edition. 42 cm; 12 pp.; illustrated. Wear to foredges; else a very good copy in tabloid format. St. Petersburg: State Russian Museum, 1992 unknown
1977135950London Ontario 1977. Softcover. Very good. Unpaginated. Magazine inside folder with "bus" artwork attached to front. 29 cm. Colour and b&w artwork. Light wear to book itself. Slightly more wear to the folder. Pink colour of magazine has marked inside of folder. Other printed material laid in including American Express card application and folded poster. <br/><br/>Contains interview with the Awes Studio's Phillip Ross Michael O'Henly and Michael Bidner September 1977. Studio was located at 343 Richmond Street London. paperback
1956H2397Madrid: Consejo Superior de Investigaciones Científicas 1956. Published 1956 2 volumes large 8vo bright red quarter leather red cloth boards 935 total pages. Consejo Superior de Investigaciones Científicas unknown
288362Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1893. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
288361Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1893. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
288360Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1893. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
288363Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1893. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
189030855London / Liverpool: Barraud Studio 1890. No stated edition. Mounted photograph. Very good. Image is ca. 7 x 10 inches on damaged cardboard mount ca. 10 x 14 inches. On the mat are printed Barraud's name and addresses plus "W & S Ltd" and "Permanent." Image has trivial wrinkles from mounting visible only under raking light. Else fine and clear. Erroneously identified on the back as Francis Frith the photographer of Middle East scenes. Large portrait of painter William Powell Frith as an older man. Herbert Rose Barraud 1845-1896 was a noted photographer of prominent Victorians and others with studios in London and Liverpool. Frith was famous for his large detailed paintings of Victorian life notably The Derby Day and The Railway Station. This image and mount are identical to a carbon print in the National Portrait Gallery ca. 1890. Woodburytype was Barraud's typical medium. I'm not expert enough to know which process is here. Shipping/handling will be extra; please keep this in mind when ordering. Barraud Studio unknown
1917151140Toronto ca. 1917. Fair. OPne 14 cm b&w photo pasted to 21 cm card folder. Dampstain to card and bottom right corner of photo. Light wear to edges. <br/><br/>Duke won many medals at U. of T pole-vaulting rowing etc. A son of Harry and Elizabeth Duke nephew of Tom Duke of Barrow Bay. Barrett Studio a photographic portrait studio was located at 327 Yonge Street Toronto Ontario. From 1901-1907 it was operated by Augustud Barrett; from 1908-1918 it was operated by Sarah Barrett & Frederick D. Peters and from 1919-1925 it was operated by Frederick D. Peters. unknown
2015110882Lars Muller. New. 2015. Hardcover. 3037783745 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Lars Muller hardcover
66077o. Angaben 1987. 128 x 905 cm Zustand A. Konzertplakat Kurtheater Baden. Mit Clark Terry Buddy Tate Billy Mitchell Al Grey Nat Pierce Freddie Green Eddie Jones und Oliver Jackson. 010 o. Angaben, 1987 unknown
1924241138Londres : ""The Studio"" Ltd. 1924. First Edition. Softcover. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Series; The Studio ; 1924. Special number. Physical description; xxiii 78 lxxii p. 184 p. of plates : ill. some col. ; 29 cm. Notes; ""Schwytzoise. Aquatinte coloriée de M. Dinkel"" 1 leaf inserted. Bibliography: p. xvii-xix 1st group. Subjects; Folk art — Switzerland. Decorative arts — Switzerland. Genres; Bibliography. Illustrated. Londres : ""The Studio"" Ltd. paperback
2002Q-1577658078Spotlight 2002-01-01. Library Binding. New. In shrink wrap. Looks like an interesting title! Spotlight unknown
1997Q-0307988015Golden Books 1997-05-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Golden Books hardcover
2011Q-0736428291RH/Disney 2011-08-09. Paperback. New. New. In shrink wrap. Looks like an interesting title! RH/Disney paperback
T8-4S9W-HI4UHardcover. Very Good. 1958 Golden Press "E" printing. Hardcover with light wear. Golden book spine covering has light wear the plastic coating is just starting to peel missing in only a few tiny areas. FO name neatly written in belongs to box. Pages clean and unmarked. hardcover
7A-IDDN-SY1KHardcover. Very Good. 1956 'A' edition.Face edge and tip wear to hc. Red foil spine has edge wear. No writing in book. Pages good a few small edge tears pages heavily age toned. hardcover
1994Q-1570360162Andrews McMeel Pub 1994-04-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Andrews McMeel Pub hardcover
1518892051.Gdiary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
21090Good. A museum-grade record of the private domestic world of the Busch family.<br /> <br /> This cohesive display records a wood-paneled living room with exposed beams tiled floor and oval braided rugs a slat-back settee multiple stick/Windsor chairs tables and lamps fireplace and large draped windows.<br /> <br /> Three large silver-gelatin architectural photographs of the same room from different angles each signed and dated in pencil on the mount "Behrens-Herberger '50." Image size 13⅜ × 10½ in. on original mounts 19½ × 14 in. <br /> <br /> Condition: clean prints with light edge silver mirroring age-typical for silver-gelatin; mounts evenly toned with darker right/lower margins and minor upper right corner bump/loss; on two mounts. Large architectural photographs of a lodge-style living room-exposed timber ceiling and beams paneled walls with fireplace tiled floor with oval braided rugs a slat-back settee and multiple stick/Windsor chairs tables and lamps-taken in a Busch family residence.<br /> <br /> View A fireplace & window wall: Beamed ceiling; paneled walls; fireplace with twin sconces; large draped window beyond; slat-back settee stick chairs oval braided rugs; side tables and lamps.<br /> View B stone hutch wall: Stone accent wall with lantern sconce; large painted hutch/display cabinet; multiple stick chairs; braided rug foreground; taxidermy mounts above draped windows.<br /> View C broad room view: Wide shot from opposite corner showing both seating groups fireplace wall art braided rugs and tiled floor; strongest sense of room layout and circulation.<br /> <br /> Scholarly Points of Interest:<br /> Material Culture & Design: The photographs provide an exhaustive inventory of period-specific American craftsmanship: exposed timber beams slat-back settees Windsor/stick chairs and hand-braided oval rugs. The presence of taxidermy and stone-hutch accents reflects the hunting-lodge aesthetic prevalent among the American industrial elite of the 1950s.<br /> Architectural Photography Technique: The Behrens-Herberger studio demonstrates mastery of interior depth-of-field and light-balancing. The use of three distinct perspectives View A B and C provides a 360-degree topographical understanding of the space moving from intimate hearth-side details to broad-room circulation and layout.<br /> Elite Provenance: These prints originate from the estate of Elene B. Roberson daughter of August A. Busch Jr. As primary documents of the family's private environment they offer rare insight into the lifestyle and aesthetic preferences of the president of one of America's most significant corporate dynasties.<br /> <br /> Technical Features:<br /> Process: Original silver-gelatin development exhibiting the characteristic tonal range and depth of pre-digital architectural commissions.<br /> Artist Attribution: Each mount is hand-signed and dated in pencil by the studio certifying them as original exhibition or archival mounts rather than later commercial reproductions.<br /> State: Image size 13⅜ × 10½ inches on original 19½ × 14 inch mounts.<br /> <br /> Bibliographic & Archival Note: While smaller promotional images or newspaper clippings of Busch family residences may exist these large-scale studio-mounted prints were likely produced as a private commission for the family's own historical record. Their survival as a cohesive triplet is rare. They serve as a fundamental resource for researchers of Mid-Century Interior Design American Industrial Social History and Twentieth-Century Architectural Photography. unknown
