575 résultats
1994103684White Wolf Games Studio December 1994. Trade Paperback. VG. White Wolf Games Studio paperback
1960158620Aguilar 1960. Tapa blanda. 2ª Mano. . . plena piel con dorados buen estado. . . Aguilar unknown
19772092902138901021Sansai kogei 1977. Soft Cover. Fine. Number of books: 1 book Sansai kogei paperback
197591114Department of Landscape Architecture 1975. Paperback. Used - Good. Department of Landscape Architecture Harvard University Cambridge MA undated 1975. 169 pages. Maps plans halftones. 8.5 x 11" printed wrapper over cardboard. Wrap rubbed chips tears text clean tight G. Department of Landscape Architecture paperback
194520947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2†x 2 1/4â€. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.†On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown
193720946EHollywood CA: Universal Pictures 1937. Original 1937 Studio Pass to Universal Pictures Studios for Hollywood columnist Jimmy Starr. Blue cardstock 3 3/4†x 2†with Universal Pictures logo. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Identification Card Void After April 1 1937 Admit to Studio Lot for Parking and to Publicity Dept. Only No. 29 stamped Issued to Jimmy Starr L.A. Herald & Express typed Authorized by signed.†Blank on the verso. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Some of the 1937 Paramount Studios films Mr. Starr may have enjoyed include such popular productions as Jungle Jim with Grant Withers and Betty Jane Rhodes We Have Our Moments with Sally Ellers and James Dunn and When Love Is Young with Virginia Bruce Kent Taylor and Walter Brennan. Universal Pictures unknown
197016443JCulver City: Metro-Golwyn-Mayer Studios 1970s. The original "Myrna Loy Building" metal sign from the M.G.M. Hollywood Studio lot. In the 1970s the Metro-Goldwyn-Mayer Studio started naming various buildings after their classic film stars. Myrna Loy was alive and well at the time of the naming of her building. This sign was acquired by a gentleman who worked as a carpenter on the lot for many years. His accompanying letter reads: During the middle 1980's 85 to 89 I Michael McGovern worked at the old M.G.M. lot Studios in Culver City California in the Permanent Construction Dept. The lot was sold several times in this time frame. At one point before the now Sony Studios it was owned and named Lorimar Telepictues. When the lot was Lorimar Telepictures they were painting and changing the M.G.M. lot to the new Lorimar "look." Thus the signs Blue and Gold naming the building after the old M.G.M. stars were taken down and replaced with the new signs brown and white that matched the Lorimar colors. I asked my boss if it was OK to keep the signs I changed and he said it was fine with him. Myrna Loy is best known for her portrayal of "Nora Charles" in six Thin Man films with William Powell of the 1930s but also starred in Manhattan Melodrama Libeled Lady Test Pilot The Best Years of our Lives Cheaper by the Dozen and From the Terrace. Her film career spanned more than 50 years Accompanied by a copy of Mr. McGovern's "Prop Maker" ID card. The sign measures 18 1/2 x 8 1/4 inches and presents with some obvious wear from the elements like extremely small areas of rust and signs of use overall in excellent condition. Today the studio lot is owned by Sony and it houses both Sony Pictures and Columbia Pictures. The Myrna Loy Building which was the old MGM sound department exists and it still proudly bears her name. Metro-Golwyn-Mayer Studios unknown
1988154878Culver City CA: Media Home Entertainment 1988. Vintage press kit containing promotional information for films released and re-released through Media Home Entertainment in May and April 1988 including three black and white photographs three pages of xerographically duplicated film reviews and approximately 25 gatherings of promotional reading material.<br /> <br /> Films represented in the kit include "Full Moon in Blue Water" "Through Naked Eyes" "High Spirits" "All the Best Steve Allen" "Visionaries Knights of the Magical Light" "The Frog Prince" "Snow White and Rose Red" "Down and Dirty" "Death Wish 4: The Crackdown" "Assassination" "Firewalker" "Murphy's Law" "The Delta Force" "The Octagon" "Sister Emmanuelle" and more. <br /> <br /> Folder photographs and promotional material Near Fine. Media Home Entertainment unknown
191610427Missouri: Hixon-Connelly Studio 1916. Photograph. Good. 8" x 10" Platinum/Palladium process photographic print of Kate Morgan signed Hixon-Connelly in white. A stunning photograph with rich deep tones and exceptionally high brights. The Hixon-Connelly partnership yielded a bevy of Vaudeville and theatre subjects. Highlights included Valeska Suratt for Fox and Ruth St. Denis in Theatre Magazine. At one time with four branch studios as well as primary in Kansas City. Known for dark half shaded intense prints keen on dramatic negative manipulation yielding profound shadow expression and drama in an era of still repose popularized in portraiture. 'Kate Morgan with Wallis Clark' written in pencil to rear uncredited actors in Frank Capras It Happened One Night. Small loss lower left corner. Hixon-Connelly Studio unknown
1930158866New York: Vandamm Studio 1930. Vintage portrait photograph of actor Otto Kruger by the photography team of Florence and Tommy Vandamm Vandamm Studio circa 1930. Photograph with a blind "Vandamm / New York" stamp on the bottom left of the recto and a "Vandamm Studio" stamp on the verso and a label on the verso announcing Kruger in the leading role of the Broadway play "The Boundary Line" by playwright Dana Burnet which premiered at the 48th Street Theatre on February 5 1930 and ran for 37 performances closing in March 1930. The photograph was likely commissioned by the Theatre Guild which contracted Vandamm Studios to photograph all of their productions beginning in 1928.<br /> <br /> Kruger began his career as a Broadway matinee idol in the 1920s and 1930s before establishing a niche in feature films as the charming villain such as in Alfred Hitchcock's 1942 film "Saboteur" Joseph M. Newman's "711 Ocean Drive" and Douglas Sirk's 1954 film "Magnificent Obsession." Kruger starred in over 80 films between 1915 and 1964 as well as multiple television appearances in the 1950s and 1960s.<br /> <br /> The husband and wife photography team of Florence and Tommy Vandamm married in 1918 emigrated from London to New York in the 1920s due to declining business in their portrait studio following World War I. By 1928 Vandamm Studio began to dominate the field in New York after being contracted by the Theatre Guild to photograph all of their productions. Florence took responsibility for most of the portrait work while Tommy documented the stage work. The studio was closed by Florence in 1961. Vandamm Studio's work was known for their carefully planned lighting and composition and their attention to detail.<br /> <br /> 8 x 10 inches. Very Good with two vertical folds and three horizontal folds cropping the face. Vandamm Studio unknown
19922111902152908524Nagaokashoten 1992. Soft Cover. Fine. Size: B5 variable format Nagaokashoten paperback
19196188Butte Montana: Miller Studio 1919. 32x8" panoramic sepia photograph on card stock. Several creases and a few smudges. 5" tear from left margin into the photo. Good. <br /> <br /> Nice panoramic image of the Elks Drum Corps in Butte Montana boosters for the Victory Liberty Loan 1919. The group is in full dress including a patriotic Uncle Sam at the center of the photo. . Miller Studio unknown
191601062471 King Street West Toronto Ontario: Blakemore Studio 1916. No Binding. Very Good. A fine piece of Canadian Military history showing a panoramic photo view of CFB Borden Camp Borden 1916. This view was taken by the Blakemore Studio of Toronto and measures 8 X 62 inches. Several areas on the photo are marked in negative to identify buildings training facilities and construction camp Headquarters Jail Post Office Bank of Montreal Hughes Avenue Maneuver Camp and Musketry School Longer than most panoramic images available this photo is in very good condition with typical light smudges shallow creases and a bit of paper loss along the top left corner.see photos This area would be outside a framing margin when properly matted. An excellent image of this historic camp under construction preparing for more than 30000 men to train for the Canadian Expeditionary Force of World War I. Note: this item will be shipped rolled. A difficult sized item to photograph so I have divided the image into 4 sections. Other photos are available as needed. Inquiries welcome. <br/> <br/> Blakemore Studio unknown
191539994Great Falls MT 1915. Very good. Black and white panoramic photo 17 x 106 cm captioned "Grand Lodge I.O.O.F. / Great Falls Mont. Oct. 18-20 1915." Mounted on foam core. unknown
1915284839London New York : ""The Studio"" Ltd. 1915. First Edition. Hardcover. Good copy in the original gilt-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains well-preserved overall; tight bright clean and strong. Series; The Studio special number ; 1915 Autumn. Physical description; viii 200 pages including illustrations plates color plates 31 cm. Contents; The river bridges and quays -- Churches -- Old streets houses and markets -- Public buildings monuments and gardens. Subjects; Travel. Paris France Description and travel. Paris France ; Pictorial works. Paris France ; In art. France Paris. Paris France Buildings structures etc. ; Pictorial works. Paris Description and travel. Paris ; Pictorial works. Paris ; In art. Genres; Art. Illustrated. Illustrated works. In art. Pictorial works. London, New York : ""The Studio"" Ltd. hardcover
1934067847Philadelphia PA: David McKay Co. 1934. Book. Near Fine. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. Red cloth color front cover pastedown illus. Minor rubbing to extremities slight foxing to pastedown. Endpapers a bit tanned/soiled interior clean and bright. A notably well-preserved copy. David McKay Co. Hardcover
1934512380Philadelphia: David McKay Co 1934. Hardcover. Near Fine. First edition. Octavo. 45pp. Illustrated. Red cloth with large color pictorial onlay on front cover. Light wear at tips of spine and corners lower corner of rear cover is moderately bumped else a very good or better copy with the front cover bright and the text fresh and clean. David McKay Co hardcover
1979627559Den Haag: Studio Scarabee 1979. 36 pp. 30 x 21 cm. Stiff paper wrappers with black and white photo image on cover illustrated. Text in Dutch and English. Some light soil to rear cover with a label ghost to tail of spine. Ownership stamp from a design company to verso of front cover. Interior otherwise clean and unmarked. Binding sound with no rusting to staples. . Soft Cover. Very Good. Studio Scarabee Paperback
193236411London England: The Studio Limited. As New. 1932. Hardcover Monograph. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Gift inscription FEP; else flawless - 12 1/4" x 9 3/4" - 12 tipped-in black and white plates by Peter Paul Rubens -- with a bonus offer-- . The Studio Limited hardcover
19145026Regina SK: The Carbon Studio 1914. Mounted Photograph. Very Good. Lord Strathcona's Horse seen here recreating at a Horse Show in Regina in 1914 between actions in the Boer War and WWI. The team proudly poses with their dog mascot while displaying a long line of captured booty - 31 event ribbons. One rider wears his team shirt with the letters "L. S. H. R. C." "Lord Strathcona's Horse Royal Canadians" stitched onto the front while the horses are equipped with gymnastic-style saddlery. A 7.5 x 9.75 inch wide photograph titled in negative "Lord Strathcona's Horse - Horse Show Regina April 23 1914." mounted onto a 11.75 x13.5 inches wide photographer's commercial mount with "The Carbon Studio / Ry. St. Regina" stamped at lower right. Photo w. some fading light soil and marks ; card mount w. pin holes at corners glue repair to upper corner and name penciled on verso "Pvt. Green" A proud and capable looking team of professional riders. "Cowboys were called upon again in 1899 when Britain and thus Canada became involved in the Boer War. The Boers or Afrikaners were a unique type type of enemy – an army of prairie veldt ranchers who fought guerrilla-style on horseback. Their logical counterparts were Canada's mounted police and cowboys and in 1900 Donald Smith better known as Lord Strathcona raised a mounted company of 400 men from western Canada half from the NWMP and half from the horse and cattle ranches. Based in Calgary and under the command of Col. Sam Steele they were called the Strathcona Horse." see p. 27 "Shooting Cowboys - Photographing Canadian Cowboy Culture 1875-1965" by Brock Silversides 1997 Fifth House. The Carbon Studio unknown
1902AL 524<p><em><strong>Printing-out-paper print; 9 1/2 x 5 1/2 inches; mount 11 x 7 1/2 inches</strong></em></p><p>A dynamic photographic assemblage advertising the historic town of Sonora California as host of the 48th annual session of the Grand Encampment of the State of California International Order of Odd Fellows. Present in the image are views of Sonora's court house hospital railroad depot the Hotel Victoria mining operations Birdseye views and more.</p><p>About 800 Odd Fellows and their families took a special train from San Francisco to the historic gold rush town where it was "handsomely decorated with the colors of the order" according to an account published in the Fort Bragg Advocate and News.</p><p>The photos within the photo have a credit stamp on the mount to "Harrington" a local commercial photographer so we presume he produced this photo as well.</p><p>From the estate of Ron Lerch.</p>
1901EPH25-04<p><em><strong>Platinum print affixed to paper</strong></em> <em><strong>20 x 25 inches overall</strong></em><br /><em><strong>Broadside with affixed platinum print photograph attached to board with red wax.</strong></em><br /><em><strong>With Randall's signature recto.</strong></em></p><p>A large and handsome broadside advertising a lecture entitled "Whistler the Man and His Art" which was delivered by William Merritt Chase at the photo studio of Herbert Randall in New Haven Connecticut and was sponsored by the city's Paint and Clay Club. The advertisement also lists the patronesses of the lecture and is illustrated by a stately portrait of Chase which was taken by Randall.<br /><br />American artists William Merritt Chase and James McNeill Whistler had to put it simply a complicated relationship. They met in the 1870s. Chase was already an admirer of Whistler who was more than ten years his senior and already very well-known. At first they struck up a friendship and at one point agreed to paint each other's portrait with the intention of exhibiting the two together. Chase painted a full size portrait of Whistler which he called "The Public Whistler." For this work Chase departed from his typical vibrant painting technique and mimicked Whistler's muted colors and style. In the meantime the two men's relationship began to strain as they traveled together and argued frequently. The final straw was Chase showing his portrait of Whistler without the latter in New York. The press coverage of the show presented the painting as an accurate ridiculing of Whistler's likeness and style and Whistler was insulted and declared himself finished with Chase and their friendship. Whistler's portrait of Chase has never been shown and in all likelihood was destroyed.<br /><br />Beginning around 1901 in what could perhaps be understood as an attempt to rewrite history or at least sway public perception of their relationship Chase began to tour with a lecture on his one-time close companion. Titled "Whistler: Man and his Art." Though he spoke of Whistler's hot-tempered nature the lecture was by all accounts a warm one. One review published in the Morris County Chronicle in 1902 recounts that Chase "gave an interesting description" of Whistler "consisting of personal reminiscence and criticisms on his many works" and that Chase "set forth the character of the man by his loyal devotion to art." Whistler passed away in 1903 and Chase continued his talks until the end of the decade.</p>
195778433Hamden Conn. Dec. 1957. Fine. About 7 x 5 inches. Photographer's stamp on verso. unknown
2000Q-192899802xQvc Pub 2000-06-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Qvc Pub hardcover
19190087169London / New York: 'The Studio' Ltd. / John Lane Company 1919. First printing. Hardcover. Very Good. First edition 1919. Cloth-backed boards paper label on the front cover illustrated some in color 48 pp. clean unmarked text Very Good copy minor age-toning to the pages and covers light wear to the tips of the covers no dust jacket. Uncommon. 'The Studio,' Ltd. / John Lane Company hardcover
