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1592494714.Gmisc_supplies. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1332695671.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197317564BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
42130Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1750. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
42133Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1750. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
42131Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1750. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
42132Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1750. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
35696339like new. unknown
35696339-nnew. unknown
2019__3775745335Hatje Cantz Pub 2019. Hardcover. New. 176 pages. French language. 13.00x9.75x13.00 inches. Hatje Cantz Pub hardcover
17-1094New York NY: Studio Museum Harlem 2017. . 4to. 96 pp. Soft cover magazine. Very Good. Color plates throughout. From the Collection of the Art Historian Peter Selz 1919-2019. New York, NY: Studio Museum Harlem, 2017. paperback
1980225244Parma: Universitàdi Parma 1980. Brossura wrappers. Ottimo Fine. Saggio introduttivo di Arturo Carlo Quintavalle. Introduzione alle schede e schede critiche di Paolo Barbaro. Fotografie in bianco e nero scattate presso: Caproni Ilva Sidercomit Eridania Zuccherificio Delta del Po Società"; italian Industria Zuccheri Distillerie Sarti Off Salesiani Buton Thermomatic Comune di Bologna Igiene e Sanità" Gilera Innocenti e altri luoghi . 8vo. pp. 182. Ottimo Fine. . Università di Parma, unknown
47781Albumen print photograph cabinet card format 165 x 109 mm mount; recto with printed caption 'Miss Lily Dampier' and imprint of 'Falk / 496 George Street Sydney' along with a pencilled annotation 'Imogene' sic; verso with a fuller inscription in ink 'Lily as ""Imogene"" in Cymbeline September 4th 1887'; the print with some light foxing more pronounced on the mount. Provenance: from a group of theatre-related photographs originally collected by the Sydney actor stage manager and playwright Alfred Dampier. Australian stage and silent screen actress Lily Dampier Katherine Annabel Lily Dampier 1867-1915 was the daughter of Alfred Dampier and Katherine Russell. Although her best known stage roles were Shakespearean she was also a success as Sylvia in her father's adaptation of Marcus Clarke's novel For the Term of His Natural Life and as Kate in Robbery Under Arms. She later starred in several early Australian silent films including three released in 1911: The Life of Rufus Dawes which was based on her father's stage adaptation of For the Term of His Natural Life; Captain Midnight the Bush King; and Captain Starlight or Gentleman of the Road. unknown
47782Albumen print photograph cabinet card format 165 x 109 mm mount; recto with printed caption 'Miss Lily Dampier' and imprint of 'Falk / 496 George Street Sydney' along with a pencilled annotation 'Portia'; the print with some light foxing more pronounced on the mount. Provenance: from a group of theatre-related photographs originally collected by the Sydney actor stage manager and playwright Alfred Dampier. Australian stage and silent screen actress Lily Dampier Katherine Annabel Lily Dampier 1867-1915 was the daughter of Alfred Dampier and Katherine Russell. Although her best known stage roles were Shakespearean she was also a success as Sylvia in her father's adaptation of Marcus Clarke's novel For the Term of His Natural Life and as Kate in Robbery Under Arms. She later starred in several early Australian silent films including three released in 1911: The Life of Rufus Dawes which was based on her father's stage adaptation of For the Term of His Natural Life; Captain Midnight the Bush King; and Captain Starlight or Gentleman of the Road. unknown
37504Albumen print photograph cabinet card format 167 x 108 mm mount; recto of mount with imprint of 'FALK / 496 George Street Sydney'; verso with wet stamp of Melbourne print postcard and photograph seller W. H. Cooper Royal Arcade; the albumen print is in good condition; the mount is chipped at two corners but is clean and stable. A rare studio photograph of New Zealand-born Australian boxer Otto Cribb born Alfred Otto Simpson 1878-1901 pictured in a fighting stance. The portrait - which appears unrecorded in Australian collections - was taken in Sydney almost certainly within the short period between his return from the United States and his final bout against Mick Dunn in Sydney on 22 July 1901 after which he died tragically the next day from head injuries sustained in the fight at the age of just 23. 'Otto Cribb came to Australia from New Zealand. He was born at Dunedin in the south Island on St Valentines Day 1878. After cleaning up all the local welterweights he like many of his countrymen crossed the Tasman and made a mess of some of Australia's best. Cribb was a truly great puncher and after thrashing a dozen of the Aussie lads took the Australian welter title from Snowy Sturgeon with an eight round knockout on April 21st 1900. In October of that year he defended his title against Mick Dunn with a seventh round knockout before travelling to America where he impressed everyone with his toughness and two fisted punching. After a successful tour he returned to Sydney where on July 22nd 1901 he put his title on the line against Mick Dunn at the Gaiety Hall. It was a tough bruising affair with Cribb being counted out in the ninth round while resting on one knee. He seemed to recover quickly and after dressing went back to his hotel The Cliff House at Bondi and retired for the night. In the morning his manager found him dead in his bed. He was twenty three. Upon hearing the news Mick Dunn announced his retirement from boxing. Cribb's record is impressive. Of twenty six bouts he only lost two winning nineteen by knockout.' NLA unknown
1920BB.23.031<p><em><strong>Silver prints 24; Each 5 1/2 x 3 1/2 inches; Some with "Nu Way Photo Shoppe" stamp verso one with Hicks Photo Studio embossed credit stamp some with subject identification recto or verso.</strong></em></p><p>Collection of real photo postcard studio-portraits of the African American community of Miami Florida in the 1920s-40s.</p><p>Eighteen of the photographs are from the "Nu Way Photo Shoppe" a commercial studio located at 939 N.W. 2nd Avenue in the Overtown neighborhood of Miami.The firm was opened by David Jenkins in the early 1940s and catered to a Black clientele. A 1942 issue of "The Crisis" advertises Jenkins' work in Overtown and notes that many of the photographs illustrating the issue were shot by his firm. Included in the collection are portraits of two young women posed proudly in her graduation uniform an identified soldier alongside his sister dapper men in pinstripe suits two-tone shoes and panama hats and equally sharp-dressed women.</p><p>There are six other photographs from other Miami-area studios. One of a woman seated has an embossed stamp for "Hicks Studio." Run by proprietor James E. Hicks the Hicks Studio was also located in Overtown at 225 N.W. 8th Street and is mentioned in the same issue of "The Crisis." Also included are a fun pair of photos showing a coolly-posed man in an all white suit and a second image showing him with a woman elegantly-clad in all white as well. There are also two photographs in front of the same tropical-backdrop one of a man dressed in a suit with tails holding a cane and bowler and the other of a man and woman. One of the last two photos show a woman in lavish evening wear and the other shows a couple in more conservative attire.</p><p>The second-oldest continuously inhabited Miami-area neighborhood after Coconut Grove Overtown is located just northwest of downtown. The area was originally settled in the late 19th-century by African American laborers who worked on the construction of the Florida East Coast Railway. Originally known as "Colored Town" it was one of the few places in Miami where black residents were allowed to live. During the early 20th-century Overtown became a thriving cultural center for Miami's black community with numerous businesses restaurants and nightclubs built primarily along Northwest 2nd Avenue where the Nu-Way Photo Shoppe was located. Its thriving Jazz scene earned Overtown the nickname "Little Harlem."</p><p>In the 1960s Overtown was largely demolished to make way for the construction of Interstate 95 which cut through the heart of the neighborhood. Many homes and businesses were destroyed and the highway effectively cut Overtown off from downtown Miami and the rest of the city. Today revitalization efforts are in place including the restoration of the neighborhood's historic Lyric Theatre.</p>
201194163Gestalten. New. 2011. Hardcover. 3899553810 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pages. Description: "Studio On Fire is at the forefront of the current letterpress movementthe rediscovery of old printing machines and techniques by young designers. The phenomenal detail and haptic sensuousness of their work have made this Minnesota-based company a seminal reference for how to effectively blend current and classical graphic design styles with production methods. " -- with a bonus offer-- . Gestalten hardcover
1608972321.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1622265920.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0050003925.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197014655<p>Milano: Studio Marconi 1970-1971. Buono stato lievi segni del tempo chiusura ad anelli un po' allentata. Faldone in cartoncino giallo in custodia cm 32 x 25 con legatura ad anelli contenente un cartoncino di richiesta dati dei clienti per aggiornamento dell'indirizzario e alcuni cataloghi fogli sciolti con fori fustellati cm 27.5 x 20.5 della galleria fondata da Giorgio Marconi nel 1965: 1. GIANNI COLOMBO. 1-16 Ottobre 1970. Catalogo composto di 6 carte incluse le copertine con alcune fotografie in nero dichiarazione di Vincenzo Agnetti una tavola con illustrazione del progetto di Agnetti e Colombo biografia e regesto delle esposizioni sulla terza di copertina. 2. JAMES COLEMAN. 1-16 Ottobre 1970. Sei carte incluse le copertine testo di Cyril Barrett e James Coleman 4 fotografie in nero una tavola in carta millimetrata con schema tecnico nota biografica. 3. LABORATORIO 1. 17 ottobre 1970. CARLOS FRANQUI. El circulo de piedra. Catalogo composto di 8 cartoncini numerati 1 di copertina stampati in viola testi di Carlos Franqui Luigi Nono e altri. La mostra che si concluse il 5 novembre 1970 espose opere di Valerio Adami Alexander Calder Jorge Camacho Cárdenas César Baldaccini Corneille Erró Jorn Asger Piotr Kowalski Wifredo Lam Joan Miró Edouard Pignon Paul Rebeyrolle Michel Tapié ed Emilio Vedova con musica di Luigi Nono. Con la riproduzione delle opere e nota sul volume pubblicato da Upiglio con le grafiche esposte. 4. HSIAO. 6 -30 Novembre 1970. Sei carte incluse le copertine con testo di Hsiao Chin fotografie in nero una tavola a colori biografia. 5. LABORATORIO 2. VALERIO ADAMI. 11 dicembre 1970 -13 gennaio 1971. Dieci fogli in cartoncino illustrati in nero. 6. MARIO SCHIFANO. Dicembre 1970. Catalogo composto di 6 carte incluse le copertine con 11 pagine di tavole ciascuna con 2 immagini 4 a colori e 18 in nero testo critico "Schifano ritratto di un artista come paesaggio" di Tommaso Trini biografia e regesto delle esposizioni sulla terza di copertina. La mostra si tenne tra l'11 dicembre 1970 e il 13 gennaio 1971. 7. LABORATORIO 3. RICHARD HAMILTON. 14 gennaio 1971 -3 febbraio 1971. Sei cartoncini e un foglio di carta lucido. Catalogo dedicato alle edizioni recenti di Hamilton Kent State Solomon R. Guggenheim Portrait of the artisti by Francis Bacon con testo dell'artista in inglese e traduzione di Daniela Palazzoli a parte. Lieve alone in copertina. 8. GASTONE NOVELLI. 4 febbraio -4 marzo 1971. Mensile n. 1 febbraio 1971. Catalogo composto di 16 pagine incluse copertine con testo dell'artista 16 illustrazioni una a colori biografia e regesto delel esposizioni. 9. ANTONIO DIAS. Mensile n. 2 marzo 1971. Dieci carte tre in velina con 7 tavole dell'artista biografia e regesto. La mostra si tenne dal 1 al 31 marzo 1971. 10. LABORATORIO 5. PARDI ""ECHO"" un film e un progetto per un libro di figure. 24 marzo 1971. Mensile n. 2 bis marzo 1971. Quattro cartoncini impressi in nero con nota di Franco Quadri e 4 tavole; durante l'evento venne proiettato il film 8mm Echo con colonna sonora realizzata con Mino Ceretti e Carlo Ruffini. 11. PINO SPAGNULO. Mensile n. 3 bis aprile 1971. Sette carte incluse copertine con fotografie in nero di Mario Carrieri. Mostra organizzata in collaborazione con il Salone Annunciata dal 1 al 30 aprile 1971. 12. CALDER. Mensile n. 4 aprile-maggio 1971. Copertina litografica a 2 colori e 28 pagine con 24 fotografie per lo più in nero di Claude Gaspari e Ugo Mulas testo di Marco Valsecchi. La mostra di Alexander Calder organizzata in collaborazione con la Galerie Maeght di Parigi si tenne tra il 1 aprile e il 31 maggio 1971. 13. LABORATORIO 4 DEL PEZZO. Mensile n. 3 aprile 1971. Catalogo composto di 10 cartoncini con testo di Giorgio Soavi. La mostra di Lucio del Pezzo si tenne tra il 1 aprile e il 30 giugno 1971. 14. CARL FREDERIK REUTERSWARD. LAZY LASERS. Mensile n. 5 maggio-giugno 1971. Copertina e 16 pagine illustrate a colori e in nero testo in inglese con traduzione di Roberto Sanesi. 15. LABORATORIO 6. ARNALDO POMODORO. UN CENTESIMO DI SECONDO. Mensile n. 5 bis giugno 1971. Composto di 4 cartoncini con "appunto teorico-critico" da una conversazione con Francesco Leonetti.</p> Studio Marconi
17-6625Milan: Studio Marconi 1978. 8vo. 80 pp. Softcover. Black and white images throughout. Text in English French and Italian. Very good. Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author. Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-77. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Milan: Studio Marconi, 1978 paperback
69-0242Centro Culturale Milano 1978. 4to. 36 pp. Soft Cover. Very Good. Chipping along the Spine. BW Images.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Centro Culturale, Milano, 1978 paperback
189350966London: Offices of The Studio 1893. hard cover. G. Good condition with shelf wear and edge wear to covers some soiling slight damp staining to lower page edges not affecting text a little foxing primarily to endpages and page edges. Covers have been removed from each issue prior to binding./No Jacket. Illustrated in black and white. 29 cm. Offices of The Studio hardcover
2025__1797236180Chronicle Books 2025. bookmark. New. 1.85x0.55x6.30 inches. Chronicle Books unknown
