2 151 résultats
19190087169London / New York: 'The Studio' Ltd. / John Lane Company 1919. First printing. Hardcover. Very Good. First edition 1919. Cloth-backed boards paper label on the front cover illustrated some in color 48 pp. clean unmarked text Very Good copy minor age-toning to the pages and covers light wear to the tips of the covers no dust jacket. Uncommon. 'The Studio,' Ltd. / John Lane Company hardcover
0806947020.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2000Q-192899802xQvc Pub 2000-06-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Qvc Pub hardcover
70-3455Lenox Mass. : Frelinghuysen Morris House & Studio 2000s. 4 x 9 inches. Very Good. Single sheet printed both sides. Extremely Scarce.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author. Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-77. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Lenox, Mass. : Frelinghuysen Morris House & Studio, [2000s?]. unknown
2010Q-9059052463Visual Steps Publishing 2010-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Visual Steps Publishing paperback
A9798573162249Paperback / softback. New. paperback
B9798573162249Paperback / softback. New. paperback
B9798587679481Paperback / softback. New. paperback
2019Atlantic-9781081612276Independently Published 2019. Paperback. New. Independently Published paperback
2019Atlantic-9781081612276Independently Published 2019. Paperback. New. Independently Published paperback
1705360238.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
51-4916Paris: 1930. Affiche portrait de "Jean Tranchant" avec dédicace de l'artiste : "pour ma cousine mille amitiés/Jean" 23 x16.7cm.Jean Tranchant was a successful composer in the beginning of 30s with songs performed by himself by his wife Nane Cholet or others Marlene Dietrich Jean Sablon Lucienne Boyer. In 1935 & 1936 he's singing with the famous Quintette Du Hot Club De France.Provenance: Yellow Peacock Paris. Part of a collection of photographs from French entertainers 1920s-1940s mostly dedicated to Marthou Allain often reffered to as "cousine" or "Marthe" Paris: 1930 unknown
189620057Herisau Switzerland: Edwin Jucker 1896. Matted. A kooky Gay Nineties band of cross-dressers a la Suisse! Four of the eight member band are in comical drag in this large sepia-toned photograph taken place during Carnival when outrageous costumes partying and carousing are as much a tradition in the Teutonic world as they are in the Latin countries. The photo itself as visible in the window surrounded by matting is 17 by 22 cm. The photo is taped to the back of the matting and when we look behind the photo is on a thick card measuring about 18 by 23.5 cm. We haven't examined the photo removed from the matting but we would assume that there is a narrow margin and virtually all of the photo is visible. The matting included the dimensions are 27.5 by 35 cm. The band seems to be a more or less typical Tyrolean ensemble with a violin a double bass a trumpet a flute a clarinet we assume -- part of the instrument is hidden so we aren't 100 percent certain a bass drum and a trombone. The center figure in the photo is a man dressed like Uncle Sam with a top hat a long goatee etc. We think this was probably intentional -- the consciousness of America and American culture has become a thing in a Europe with the explosive growth of the American economy and the lure of emigration beckoning to so many at the time. Three of the cross-dressers are zaftig and they are dressed in fittingly matronly attire while the fourth mostly hidden behind his drum seems as if he might be a little more svelte and his attire looks more like that of a suffragette say. The men dressed as men are also in comical costume as well at least three of them. The thinner man holding a trumpet is in clothes that might be Tyrolean or might be from an earlier decade -- we can't tell from the photo that blurs his suit into just a dark undifferentiated shape. We also think it is possible but unlikely that one or more of the band members dressed as men might be a cross-dressing woman but we have no confidence that this is the case and it is probably unknowable. A close look at the faces of the band members suggests to us also that a few of them are closely related and probably siblings. Again probably unknowable for all intents and purposes. The backdrop of the photo is a paneled wall with four travel posters of Swiss resorts -- Rigi Lake Maggiore Ragaz-Wartenstein. We would think this was a photo studio backdrop. Again just a guess. Written on the photo is "Wartsaal III - Classe". This suggests that the band was participating in a contest. Herisau is in the Appenzell Canton of Switzerland or the Northeast of the country close to St. Gallen. The photo is foxed not terribly. The matting is also foxed and stained otherwise with three chips two of which are at corners. Although the matting might seem a candidate for replacement though we wouldn't since it is clearly original to the photo with its black impressed caption above and issued with the photo itself as a souvenir of the band and the event. Edwin Jucker unknown
310222Very Good. 7 1/2" X 9 1/2" black & white PHOTOGRAPH of an unattributed actress with the stamp of the Evans' Studio Hollywood CA. on blank reverse. Circa 1915-25. Very good only with glue residue on blank reverse and light traces of shelfwear at edges. From the personal collection of silent film star Carmel Myers. . unknown
63-2689Los Angeles CA: Finn Haakon Frolich Studio 1924. Black and White Photograph 8 x 10 inches Very Good. Los Angeles, CA: Finn Haakon Frolich Studio, [1924]. unknown
1902AL 524<p><em><strong>Printing-out-paper print; 9 1/2 x 5 1/2 inches; mount 11 x 7 1/2 inches</strong></em></p><p>A dynamic photographic assemblage advertising the historic town of Sonora California as host of the 48th annual session of the Grand Encampment of the State of California International Order of Odd Fellows. Present in the image are views of Sonora's court house hospital railroad depot the Hotel Victoria mining operations Birdseye views and more.</p><p>About 800 Odd Fellows and their families took a special train from San Francisco to the historic gold rush town where it was "handsomely decorated with the colors of the order" according to an account published in the Fort Bragg Advocate and News.</p><p>The photos within the photo have a credit stamp on the mount to "Harrington" a local commercial photographer so we presume he produced this photo as well.</p><p>From the estate of Ron Lerch.</p>
46832M11751 Adres Krasnapolsky aan de Warmoesstraat. unknown
1901EPH25-04<p><em><strong>Platinum print affixed to paper</strong></em> <em><strong>20 x 25 inches overall</strong></em><br /><em><strong>Broadside with affixed platinum print photograph attached to board with red wax.</strong></em><br /><em><strong>With Randall's signature recto.</strong></em></p><p>A large and handsome broadside advertising a lecture entitled "Whistler the Man and His Art" which was delivered by William Merritt Chase at the photo studio of Herbert Randall in New Haven Connecticut and was sponsored by the city's Paint and Clay Club. The advertisement also lists the patronesses of the lecture and is illustrated by a stately portrait of Chase which was taken by Randall.<br /><br />American artists William Merritt Chase and James McNeill Whistler had to put it simply a complicated relationship. They met in the 1870s. Chase was already an admirer of Whistler who was more than ten years his senior and already very well-known. At first they struck up a friendship and at one point agreed to paint each other's portrait with the intention of exhibiting the two together. Chase painted a full size portrait of Whistler which he called "The Public Whistler." For this work Chase departed from his typical vibrant painting technique and mimicked Whistler's muted colors and style. In the meantime the two men's relationship began to strain as they traveled together and argued frequently. The final straw was Chase showing his portrait of Whistler without the latter in New York. The press coverage of the show presented the painting as an accurate ridiculing of Whistler's likeness and style and Whistler was insulted and declared himself finished with Chase and their friendship. Whistler's portrait of Chase has never been shown and in all likelihood was destroyed.<br /><br />Beginning around 1901 in what could perhaps be understood as an attempt to rewrite history or at least sway public perception of their relationship Chase began to tour with a lecture on his one-time close companion. Titled "Whistler: Man and his Art." Though he spoke of Whistler's hot-tempered nature the lecture was by all accounts a warm one. One review published in the Morris County Chronicle in 1902 recounts that Chase "gave an interesting description" of Whistler "consisting of personal reminiscence and criticisms on his many works" and that Chase "set forth the character of the man by his loyal devotion to art." Whistler passed away in 1903 and Chase continued his talks until the end of the decade.</p>
51702Melbourne: Ruskin Studio nd. photograph. G. Good condition with backing foxed./No Jacket. Photograph 18 cm x 14 cm. Ruskin Studio unknown
51-4903Paris: Circa 1930s. Carte photo avec portrait de femme blonde dédicacée "Pour Mickey chat un Mickey chien/ qui l'aime bien/ Toutoune. Inscription au verso : "Tonia Gill/ chanteuse légère" avec adresse. 17.5 x 11cm.Provenance: Yellow Peacock Paris. Part of a collection of photographs from French entertainers 1920s-1940s mostly dedicated to Marthou Allain often referred to as "cousine" or "Marthe." Paris: Circa 1930s unknown
63-8829Paris France: Studio Carlet Aine ca. 1933. B&W post card 9 x 14 cm. Very Good.Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Studio Carlet Aine, ca. 1933. unknown
63-8785Paris France: Studio Lorelle ca. 1933. B&W photo 23 x 14.5 cm. Good removed from album with remains on verso. Also signed by Gaubert on verso.Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Studio Lorelle, ca. 1933. unknown
63-8830Paris France: Studio Piaz ca. 1933. B&W photo 18 x 13 cm. Very Good removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Studio Piaz, ca. 1933. unknown
