787 résultats
72784Revue, Paris, éd. Société Jules Verne, 1981, in-8, cartonnage souple agrafé, couv. ill. en noir sur fond jaune éd., 36 pp., préface de Robert Pourvoyeur, bibliographie succinte des œuvres théâtrales de Jules Verne, RARE livret d'une opérette de Jules Verne, ici publiée dans la Revue "le bulletin de la société Jules Vernes" en date de 1981. RARE Très bon état
in 16°, bross. edit. ill. con bandelle,manca acetato protettivo, appunto a penna alla prima bianca
In 8', br. ed. pp. 36, ordinari segni d'uso e del tempo.Luogo di pubblicazione MilanoEditore RicordiAnno pubblicazione s.d.Materia/Argomento Musica, Teatro, Opera, Operetta, Melodramma
200283801Stgt: Arnoldsche 2002. 223 S., 171 z.T. ganzs., überw. farb. Abb. Biographien Reg. Lex 8°. Kart. *neuwertig*
in-16°, pp. 32. Bross. edit. con ingiallimento del tempo sui piatti e sulle carte interne.
TOMO PRIMO: Prefazione - Alfabeto della donna viziosa - Sonetto contenente le rie qualit? della donna - Ricordo a' giovani: Sonetto-Sonetto delle croci -Madrigale-Madrigale acrostico-Sestina acrostica - LO SCOGLIO DELL?UMANITA': Capitoli I.-XIII - Epigramma di Fausto - Conclusione dell'operetta ricavata dal titolo; TOMO SECONDO: Aggiunta allo Scoglio dell'umanit? - Baptista Mantuani, Ecloga IV, da Natura mulierum: in latino con traduzione a fronte - Elogio delle Donne Illustri - Donne illustri nel valore 1 (2 tomi) 15,2x9,5 cm., legatura in mezza pelle, fregi e titoli in oro sul dorso, piatti marmorizzati, tagli spruzzati, segnalibro, pp. 278 (2); 170 (2), ampi margini, nona edizione, in italiano, con Egloga in latino-italiano, leggere tracce di passata umidit? al margine inferiore di alcune pagine e piccole fioriture su altre, pp. 157-160 con margine editoriale pi? corto, s.d., carta ancora bianca e sonante, buon esemplare.
201514852BBFrankfurt am Main, Stroemfeld/Nexus, 2015. gr.8°, 462 S., und 1 CD in Rückeninnendeckellasche, farbig illustr. original Kartonage (Paperback), Erstausgabe sehr gutes, sauberes Exemplar mit schönem Rücken und Titelglanz.
199180903ABWürzburg, Bergstadtverlag, 1991. Ca. 20,5 x 21 cm. 83 Seiten. Mit Abbildungen auf Tafeln. Farbig illustrierter Orig.-Karton.
197931311Gütersloh, Bertelsmann; Stuttgart, 1979. 504 S. 22 cm, Pappeinband , mit Schutzumschlag
198428237BBWien:, Österreichischer Bundesverlag, 1984. 8°. 355 S., sw-Abbildungen, Leinen (gut erhalten) (=Ein Österreich-Thema aus dem Bundesverlag)
199837335Aura, 1998. 108-2 1 CD CD
18111302170196xbvkLuzern, bey Xaver Meyer, 1811. 11 Seiten; Titelblatt mit kleiner Holzschnittvignette. - Marmorierter Heftstreifen; 8vo.(ca. 19,5 x 11,5 cm).
461p., illus. Hardcover Very good condition good
Absolut neuwertig. Vorwort...........................................................................................................................9 I. Die Wiener Operette................................................................................................15 Carl Michael Ziehrer - Der letzte Walzerkönig........................................15 Franz Lehar und das Comeback der Operette...........................................29 Oscar Straus - Vom „Uberbrettl“ zum Walzertraum.................................55 Leo Falls „lustige Soldatenlieder“...............................................................75 Zwischen Kriegsverweigerung und Anpassung -......................................94 Georg Jarno............................................................................................95 Leo Ascher............................................................................................101 „Der Kriegsberichterstatter“ -...................................................................110 Edmund Eysler - Der „letzte Wiener“.................................................111 Bruno Granichstaedten und der Einzug amerikanischer Musik in die Operette................................................121 Charles Weinberger - Zwischen den Operettenepochen...................131 Oskar Nedbal - Der vergessene Böhme..............................................135 Ralph Benatzky - Das Multitalent der Operette......................................139 Robert Stolz - Der letzte Botschafter der Wiener Musik........................153 II. Die Berliner Operette und Revue.......................................................................171 Paul Lincke - Der „Vater der Berliner Operette“.....................................171 Wenn der Vater mit dem Sohne - Walter und Willi Kollo........................185 Weitere Komponisten der Berliner Operette - Jean Gilbert und Eduard Künneke.................................................211 Leon Jessel - Ein jüdischer Antisemit................................................235 Rudolf Nelson - „Der dicke Napoleon des Cabarets“.......................245 Auf ins Metropol - Victor Hollaenders Jahresrevuen........................253 III. Ungarische Komponisten.................................................................................271 Emmerich Kalman und die ungarische Operette.....................................271 Paul Abraham - Endpunkt der Entwicklung der Operette......................293IV. Die „Blecherne Operette“ im Dritten Reich................................................... 303 Literaturverzeichnis..................................................................................................311 Bilderverzeichnis...................................................................................................... ISBN 9783826069246
200141603Decca, 2001. 467907-2 CD CD
1990117694Essen: Theater & Philharmonie Essen - Essen: Galerie KK, Inh. Klaus Kiefer, 1990. 25 Bl. ; 30,5 x 21,5 cm quer ; kart. ;
Milano, Ricordi, 1903, stralcio con copertina posticcia muta, pp. 228/330 con illustrazioni fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
19603625Berlin., 1960. 8°. Mit zahlr. Fotos. 10 Bl. OBrosch. Etwas ber. und best. Siehe Foto. [2 Warenabbildungen]
1964137369Couverture souple. Programme 21 x27 cm. 24 pages.
190791101907. Programme du Théâtre lyrique municipal Gaîté 1907 - Agrafé 18 cm x 24 cm 16 pages - Photos de Rossini et des principaux artistes dont D. Devriès Marie Thiéry Francell Lavarenne Angèle Pornot Azéma Mme Davray M. Huberdeau Mlle Guionie Georges Durand M. Bouteloup Mme de Poumayrac M. Payan - Programmes de Le Barbier de Séville et de Les noces de Jeannette - Nombreuses publicités - Plan du Théâtre lyrique municipal de la Gaîté avec prix des places - Texte sur Rossini - Très bon état
1952137373Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1952. Revised Final Draft script for the 1954 film. Studio File Copy rubber-stamped on the front wrapper. Three front wrappers are present each with varying rubber-stamps to indicate different drafts and each noting different directors: Thorpe who received final credit Mervyn LeRoy and Curtis Bernhardt. Brief annotations in holograph pencil on the verso of one page. <br/><br/>Based on the 1924 operetta of the same name by Sigmund Romberg and Dorothy Donnelly which in turn was based on the 1901 play "Old Heidelburg" by Wilhelm Eyer-Forster itself filmed four times between 1915 and 1959. <br/><br/>Mario Lanza was originally slated to star in the film but a dispute with MGM led him to getting fired from the picture. However MGM retained the rights to his already recorded vocals and had replacement Edmund Purdom lip sync them in the film. Ironically the songs "Beloved" and "Serenade" would become heavily associated with Lanza after the film and cast recording were hits. <br/><br/>Goldenrod titled wrappers noted as FINAL and COMPLETE on the front wrapper rubber-stamped copy No. 172 and production No. 1596 dated 7/18/52 with credits for screenwriters Ludwig and Levien producer Joe Pasternak and director Thorpe. 324 leaves with last leaf of text being the fourth page of a summary dated 11/12/53 and three front wrappers. Mimeograph duplication dated variously between 7/2/52 and 11/12/53 with pink and white revision pages throughout dated variously between 8/11/52 and 1/4/54. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Hirschhorn p. 344. Metro-Goldwyn-Mayer [MGM] unknown books
186026143-yf9225Mayence, Bruxelles, Londres (Mainz, Brüssel, London): Schott 1860. 17 Seiten. Orig. Broschur (der Umschlag fleckig und mit Randläsuren, eine Seite mit einem kleinen Einriß, teils etwas stockfleckig, sonst ordentliches Exemplar). 4°. broschiert/ Taschenbuch
1932126144Couverture souple. Broché. 14 x 18 cm. 32 pages.
1994137214Selbstverlag, Erscheinungsort: Hamburg. 1994. 48 S. 23*13,5 cm. OBroschur.
200141604Decca, 2001. 467916-2 CD CD
