FILLEUL Henri & COLLECTIFMareMagnum
656 résultats
- S.n., s.l. 1852, 14x19cm, broché. - Edition originale. Envoi autographe signé de Henri Filleul u vice-président de la Sacem monsieur Julsam. Notre exemplaire est enrichi d'un programme de concert donné au théâtre municipal de Saint-Omer par l'orchestre symphonique de Lille en l'honneur de Henri Filleul. Agréable ensemble. [ENGLISH DESCRIPTION ON DEMAND]
Broch?. 55 pages.
- Grasset, Paris 1957, 12x19cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers, un des exemplaires du service de presse. Bel exemplaire complet de son prière d'insérer. Envoi autographe signé de Pierre de Latil à Jacques Panijel. [ENGLISH DESCRIPTION ON DEMAND]
Paris, Editions du Grenier à Sel, 1947. Un volume broché de format in 8° de 300 pp. nombreuses illustrations et hors textes photographiques. Couverture rempliée, bel état.
grand in-8°, 293 pages, ill. hors texte N&B, broche, couv. rempliee. Avec un vocabulaire des termes choregraphiques et des croquis hors texte des figures. [CL-5]
En vues 1999. In-4 broché, couverture illustrée rempliée de 103 pages. Nombreuses photos en noir dans et hors texte. Très bon état
PARIS, Ed.Publicité - 1959 - In-4 - Broché - Programme du Théatre de l'A.B.C. - Le Havre - 6 décembre 1959 - Couverture illustrée - illustrations en texte dont portrait du Marquis - Propre
PARIS, Ed.Publicité - 1959 - In-4 - Broché - Programme du Théatre Champs-Elysées - Couverture illustrée en couleurs aux 1 & 4 plats- illustrations NB PP dont portrait du Marquis & de la marquise, Horacio Guerrico, Rosella Hightower, Nina Vyroubova, serge Golovine, Genia Melikova Nicolas Polajenko, Georges Goviloff, Beatriz consuelo, andré Prokovsky, Olga Adabache (manque 1/2 page ) - Publicités ilustrées - 40 pages - Propre
- L'Arche, Paris 1949, 14x22,5cm, broché. - First edition, a numbered copy on bouffant paper. A good copy. [FRENCH VERSION FOLLOWS] Edition originale, un ex numérotés sur bouffant. Agréable exemplaire.
- Librairie Larousse, Paris 1945, 11,5x16,5cm, relié. - Edition originale pour laquelle il n'a pas été tiré de grands papiers. Très précieux envoi autographe signé d'André Hodeir à Boris Vian : "Bien amicalement à toi mon cher Boris. André Hodeir." Quelle provenance! [ENGLISH DESCRIPTION ON DEMAND]
Broché. 431 pages.
in-8°, 431 pp., photographies en noir, cartonnage, jaquette illustree en couleurs. Bel exemplaire. [CL-7] Essai historique sur l'epoque et la personne de la reine Blanche de Castille.
- Grasset , Paris 1993, 14x22,5cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers. Iconographie. Agréable exemplaire. Bel envoi autographe daté et signé de Roland Petit : "Cher Alain Delon comme tu le vois je garde toujours un souvenir amical et ébloui de ta merveilleuse prestation de danseur, bien à toi. Roland Petit." [ENGLISH DESCRIPTION ON DEMAND]
Hardcover in-4°; nombreuses photographies en noir et en coulers, cartonnage illustre. Bel exemplaire. [-34]
P., éd. M. Brient, 1964. in-8 carré broché, environ 40 pp. non numérotées, sur papier glacé, avec de belles illustrations pleine page en noir et blanc.
P., PLF "Danseurs et danseuses", 1951. Petit in-8 broché, couverture agrafée, 24 pp-8 hors-textes. Bords insolés.
ISBN : 2220024679. Desclée de Brouwer. 1984. In-8 Carré. Broché. Etat d'usage. 1er plat abîmé. Dos satisfaisant. Intérieur acceptable. 137 pages. Tampons en pages de garde. Coin supérieur du 1er plat manquant. Coins supérieurs des toutes premières page abîmés. 'Le temps d'une vie'. Récits de Michel Cool.
- Extrait de la Revue des deux mondes, s.l. (Paris) (1885), 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
- Albin Michel, Paris 1948, 14x21,5cm, broché. - New edition on ordinary paper. Illustrated cover. [FRENCH VERSION FOLLOWS] Nouvelle édition sur papier courant. Couverture illustrée.
Gallimard, 1975, 277 p., broché, photos hors-texte, annotation à la page 3, traces d'usage, état correct.
français In-12 de 277 pp.; broché de l'éditeur. Traduit et préfacé par G. Solpray. Mention de troisième édition. Photographies hors texte.
- 1969, 16,8x21,6cm, carnet en spirales. - Handwritten personal diary for the year 1969 1969 | 16.8 x 21.6 cm | spiral-bound notebook Personal diary handwritten by Maurice Béjart, written in a 1969 diary celebrating the centenary of the birth of Mahatma Gandhi. 52 handwritten leaves, written in red and blue pen in a spiral-bound notebook. This diary features amongst Béjart's very rare, privately owned manuscripts, the choreographer's archives being shared between his house in Brussels, the Béjart foundation in Lausanne and the Théâtre Royal de la Monnaie. The choreographer Maurice Béjart's diary written during the year 1969. An extremely rare collection of thoughts, questions and introspections from the point of view of Hinduism and Buddhist wisdom, which Béjart adopts following his first trip to India in 1967. The diary is an emblematic testimony of the indo-hippie era of the 1960s, spiritual and artistic renaissance that inspired numerous ballets of the choreographer (Messe pour le temps présent, Bhakti, Les Vainqueurs). A selection from this diary was published by Maurice Béjart in the second volume of his memoirs (La Vie de Qui ? Flammarion, 1996). During the year 1969, Béjart wrote daily notes in a diary published in memory of Mahatma Gandhi. Fascinated by Hindu mysticism since his trip to India in 1967, he filled in this spiritual journal with numerous mantras and prayers ("Krishna guide my chariot, the light is at the end of the path. OM"; "Buddha is everywhere"; "Let God enter, but how to open the door") and he calls upon the Hindu deities as well as the Bodhisattvas Mañju?r? et T?r? - soothing figures of the Buddhist pantheon. Béjart's "Indian period" was particularly rich in choreographic masterpieces, the progress of which can be followed in his diary (Baudelaire at the beginning of the year, the first performance of the Vainqueurs in Brussels and the Quatre fils Aymon in Avignon, as well as the filming and screening of his Indian ballet Bhakti). At the crossroads of New Age and the hippie movement, Béjart's "conversion" is symptomatic of an era that refuses progress and has a thirst for spirituality: "Calcutta is not India, but our western face. It is not religion or traditional thinking that is to blame, but capitalism. India, a rich country before colonisation." The Beatle's visit to the guru Maharishi's ?shram and Ravi Shankar's concert at Woodstock in 1969 marks the beginning of a real western passion for Indian music and culture, which was decisive in Béjart's ballets at the time. In Béjart's eyes, India presents itself as a place where art and ancestral traditions have not suffered the perversions of positivity. In his creations he seeks to express the spirit of a culture that intimately links the body and the spirit, and in which dance plays a major cosmic and spiritual role. Included in his ballets were Indian dance systems and Vedic songs that were discovered thanks to Alain Daniélou - in 1968 he opened the Messe pour temps présent with a long vînâ solo that lasted fifteen minutes: "Béjart is in his Hindu quarter-hour. And over there, Hindu quarter hours, can last for hours..." commented Jean Vilar, director of the Avignon festival. A wave of Indian fashion also passes through the costumes of the Ballet du XXe siècle company: large silk trousers, tunics, jewellery and oriental eyes. In the diary, Béjart states that there is "no truth without yoga," an art discovered from an Indian master that can be found in many of his ballets in the form of dance exercises on the barre. He also decides to make Bhakti "an act of Faith" by filming himself the ballet choreographer, and during the summer he prepares the Vainqueurs, an unusual meeting between Wagner and traditional Indian ragas. Beyond the prolific artist, we also discover the choreographer's troubled personality in the diary, in the grips of doubt and melancholy: "vague state of physical weightlessness and moral emptiness. Lethargy or laziness. Weakness.
in-12, 277 pages, broche, couverture illustree.— Exemplaire du S.P. DEDICACE par le traducteur. Excellent etat. [CA31-8]
- Extrait de la Revue des deux mondes, s.l. (Paris) 1865, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
