656 résultats
P. éd. revue Adam, 1952. In-8 relié demi basane bleue, couvertures conservées,187 pp. avec de nombreuses illustrations hors texte . Dos éclairci, sinon très bon état.
With over 45 illustrations. Previous owners name and date at top of front free endpaper. Small tear at base of back cover. General light shelfwear.
- Goujon, Paris An XIII (1805), 15x23cm, broché. - Edition originale imprimée sur vergé. Envoi autographe de J.P. Lasalette sur la page de garde. Notre exemplaire est enrichi d'une lettre autographe de l'auteur. Agréable état intérieur. Rare. [ENGLISH DESCRIPTION ON DEMAND]
- Seuil, Paris 1959, 12x18cm, broché. - Edition originale dont il n'a pas été tiré de grands papiers. Envoi de l'auteur. Iconographie, agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
Enquête "sur l'origine et la vie de la Société de Farandoles "L'Etoile sorguaise" [1903-1941] et sur le groupe folklorique "Les Enfants de l'Ouvèze" [1971-1989]", avec précisions sur les costumes et instruments de musique et 11 partitions de danses; préliminaire sur la farandole, danse populaire provençale; nombreux fac-similés de documents; photos anciennes et contemporaines; bibliographie. Publication de l'association sorguaise "Etudes sorguaises" (Vaucluse). Français
- Chez Boieldieu, Paris s.d., 27x35,5cm, cousu. - Edition originale entièrement gravée sur papier Vergé et cousue. Cette partition provient de la bibliothèque personnelle d'Hérold. Plats légèrement salis, petite galerie de ver des pages 5 à 20 sans atteinte à la musique. [ENGLISH DESCRIPTION ON DEMAND]
Paris, Bernard Grasset, 1934. In-4, (23 x 29 cm), broché, couverture rempliée. Planche en frontispice de P. Picasso (Serge Lifar à la barre), 64 pages de texte plus en fin de volume un Album de 60 planches photographiques. Edition originale. Un des 200 exemplaires de Presse numérotés sur Vélin Saint-Vincent-de-Blanzat des Papeteries Navarre. n° 38. Bel exemplaire.
Gr. In-8, 274p. Illustré de 16 planches h-texte en noir. Index des noms cités en fin de volume. A l'état de neuf, non coupé.
Broch?. 45 pages.
Pt. In-8, 45p. Avant-propos de Thamar Karsavina. Avec quelques photographies hors texte. A l'état de neuf.
PARIS - Corrêa Editeur - Edition Originale 1950 - Broché - Couverture illustrée par Aristide Maillol - Tirage limité à 3000 exemplaires, celui-ci sur Vélin, N° 160 - In-8, 14 x 19 cm - 199 pages - Exemplaire non coupé - Très bon état
in-8, XIII-321 pp., portrait, 82 illustrations hors texte, broché, couv. Bon etat. [MI-24]
- Les presses françaises, Paris 1925, 12x19cm, broché. - First edition. Illustrated. [FRENCH VERSION FOLLOWS] Edition originale. Ouvrage orné d'illustrations.
50 pages. Features: Super color cover photo of Rita Hayworth; Two large black and white photos of Miss Universe, Armi Kuusela of Finland; You Can Be Healthier, Be Happier - follow this expert's rules for living in nature's four great worlds - photo-illustrated article including half-page black and white photo of a dozen or so boys skinny dipping at the "Ole swimming hole"; Abducted Women - Emotional photo-illustrated article on the over 500,000 women forcibly detained during the partition of India in 1947, some of whom are now being repatriated; The Duel - brief photo-illustrated article on Tasso's "Jerusalem Delivered", as presented by the Ballets de Paris; Heaven on Earth - photo-illustrated article on a new sculpture symbolizing beauty and joy of life, The Fountain of Faith, recently unveiled at Falls Church, VA; I Was a Spy for Stalin - Nora Korzhenko Murray, an agent of the Soviet secret police, reveals her cloak-and-dagger career as a tool of the N.K.V.D. and a lure for Allied diplomats living in Moscow; Best photos of 1952; Babies in Jail - photo-illustrated article on babies born in jail to mothers who are pregnant when incarcerated; Flying Saucers - The Last Word! - exclusive interview with the world's best informed military man - Major General John A. Samford - on the world's most exciting modern mystery; Earl Wilson, America's 'Saloon Editor' picks his "Super-Six" - photos and brief write-ups of American beauties Marilyn Monroe, Gloria Van Deweel, Julie Wilson, Eva Gabor, Ava Gardner, and Virginia Mayo (no photo of her); Faith is a Star - belief in a benign and divine power is a refuge in a time of trouble; So Hot Soho - article on U.S. Jazz in London's Bohemian west end - with super photos of dancers in action; Hoop Houdini - Photo-illustrated article on Boston Celtic Bob Cousy (written by Curt Gowdy who went on to a great career in TV sports broadcasting); Great 3/4-page sexy photo of Rita Hayworth; Letters from readers; plus many great vintage ads. Unmarked with average wear. Binding intact. PLEASE NOTE: lacking pages 33-34 which, we believe, contained the last page of the Flying Saucer article and a photo of Virginia Mayo. Otherwise, a sound vintage copy of this wonderful issue. Book
Mai - Juin 1978. N°1. Nombreuses photos. Très bon état
PARIS, Max Eschig - In-4 - Cartonnage éditeur -47 pages représentant avec dessins la chorégraphie de cette opérette - Bel exemplaire
- 1920-1922, oeuvres : 23x30cm ; cadres : 38,4x48,6cm, trois feuilles sous cadres. - Three original gouaches around dance by Loïs Hutton. 1. Original gouache with dancers May 16th 1920 | work: 23 x 30 cm frame: 38,4 x 48,6 cm | framed leaf This early composition, one of the rare ones still preserved, attests to her modernism and total symbiosis with her choreography. The dominant curves of the bodies in this Gouache with dancers, dated "May 16th 1920" evokes the androgynous silhouettes of Matisse's round dance (La Danse, 1910), as does the choice of vibrant blue and dark ochre tints. A Cubist aesthetic appears in the movement of the dancers with their unrelenting symmetrical balance - while the boldly contoured kaleidoscopic designs betray the influence of Vorticism, whose members during the same period assiduously frequented the underground club of Loïs' lover, Margaret Morris. This work from the London era will find its fulfilment the following year in the choreographies created in France where the Margaret Morris School settle in the summer. The photographs of these sensational performances from Dinard to Cap d'Antibes show very similar compositions, notably one of the scenes of Hutton's ballet, entitled Étincelles, created in 1922 to music by Maurice Ravel. 2. Signed original gouache "Background design, 1922" 1922 | work: 26,5 x 36 cm frame: 40 x 50 cm one framed leaf One of the only original preserved stage decor sketches by Loïs Hutton, also one of the first of her career. This abstract composition reflects the artist's incredible versatility. She flourished both as a principal dancer at her lover's school, the Margaret Morris School as well as a choreographer, set and costume designer. These painted sets on large fabrics served as the backdrop to the school's dance troupe productions and solo dances by Loïs who had previously painted a design on canvas based on a sketch by her mentor the Fauvist painter John Duncan Fergusson. Trying her hand here at a radically new and ambitious style, her design joinsthe angular movements of her dances and is inspired by the teachings of Cézanne: "Everything in nature is modelled on the sphere, the cone and the cylinder" (letter to Emile Bernard). This vital attention paid to volumes goes hand in hand with a fragmentation of motives close to Edward Wadsworth's Vorticism. Hutton visited at that time Wadsworth and the group of Vorticists in Morris' Chelsea underground club, a laboratory of modern dance where the set in its large-format version may have been displayed in December 1921 or the following year as suggested by the two dates on the lower part of the composition and on the back. 3. Signed original gouache "Composition - Ground design of dance, fool's dance" may 22 1919 | work: 20 x 25,5 cm; frame: 30 x 40 cm | one leaf One of Loïs Hutton's rare abstract works, a horizontal and graphic exploration (entitled "Ground design") of her Fool's Dance choreography. A hypnotic solo dance that she performed for the first time in January 1920 to music by Edvard Grieg. In this interesting and innovative vision of dance, Loïs Hutton lays down the products of the force of her choreographic movements on paper: a ballet of lines and curves filled with vivid colours. This fluid and dynamic composition is marked out by a square with asserted outlines, acting as both a physical support for the painting and a material surface for the scene where its movements unfold - an essential space of creation to be compared with the "original plan" theorised several years later by Kandinsky in Point et ligne sur plan (1926). Presented at the Margaret Morris Club in Chelsea where her very first creations were born, Fool's Dance will be performed again at the Château des Deux Rives in Dinard in July of the same year. It earned Hutton one of her first mentions as a performer and choreographer in the French press, in the newspaper Comoedia on 20 July 1920, and marks the beginning of her notoriety in France.
Paris, Aux éditions de l'Artisan, 1947. Grand in-4 (27 x 34 cm), 276 pp-[12], en feuilles, couverture illustrée sur papier d'Auvergne et rempliée, chemise cartonnée, étui de l'éditeur. Tirage limité à 350 exemplaires numérotés. Un des 310 exemplaires ex numérotés sur vélin Malacca. N° 273. 40 belles lithographies hors-texte du peintre et illustrateur F. Barette (1899-1979). Exemplaire en parfait état.
- Extrait de la Revue des deux mondes, s.l. (Paris) (1854), 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
Rosario. 1956. In-8 Carré. Broché. Bon état. Couv. convenable. Dos frotté. Intérieur frais. 7 pages illustrées de photos en noir et blanc. Plaquette. Avec programme sur feuillet tiré à part. Juan Alba. Anda Jaleo. Cafe del Burrero. Juan Garcia de La Mata...
Broch?. 40 pages.
- Choudens, Paris S.d (1867), 19x28cm, relié. - Roméo et Juliette - Opera score in 5 acts by J. Barbier et M. Carré Choudens, Paris n.d (1867), 19x28cm, bound. First edition. Opera in five acts based on the play Romeo and Juliet by William Shakespeare, music by Charles Gounod for voice and piano and libretto by Jules Barbier and Michel Carré. Bound in half red chagrin (retinted), gilt spine, glazed calico boards with double gilt fillets, central gilt initials of Ernest Beulé on the first board, moiré silk endpapers with some spotting and staining to the margins, first original cover preserved, all edges gilt, strictly contemporary binding. Rare inscription signed by Charles Gounod to the archaeologist E(rnest) Beulé. [FRENCH VERSION FOLLOWS] Edition originale de cette partition de l'opéra en cinq actes tiré de l'oeuvre de William Shakespeare, composition musicale de Charles Gounod pour chant et piano et livret par Jules Barbier et Michel Carré. Reliure en demi chagrin rouge avec reprise de teinte, dos à cinq nerfs orné de doubles caissons et de pointillés dorés, plats de percaline grainée avec double filet doré en encadrement, initiales d'Ernest Beulé estampées à l'or au centre du premier plat, contreplats et gardes de papier moiré comportant quelques salissures et brunissures marginales, premier plat de couverture conservé, toutes tranches dorées, reliure strictement de l'époque. Précieux envoi autographe signé de Charles Gounod à à l'archéologue E(rnest) Beulé sur la page de dédicace.
- S.n., Paris 1968, 44,5x31,5cm, en feuilles sous chemise et étui. - Edition originale hors commerce imprimée à 100 exemplaires numérotés sur aquarelle d'arches. Chemise et étui en pleine toile verte, dos lisse. L'ouvrage a été réalisé et produit par Jacques R. Bertrand. Iconographie. Contributions de Marcel Dupré, Pierre Auclert, Clym, Michel Meignen, Adam Hollensen, Deutsche Gramophon, Alain Chevier, Camille Lacheroy, Jean Yon, le musée du Louvre, la photothèque européenne, Christa Dauvillier, Judith Lange Bailey, Edici. Une gravure sur cuivre souple représentant l'orgue de Marcel Dupré est encollée sur le premier plat de la chemise, notre exemplaire est enrichi d'un second cuivre souple inspiré du même thème. [ENGLISH DESCRIPTION ON DEMAND]
