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20p., illus PAMPHLET Very good condition, small tear edge of back cover Souvenir programs
Small format: 4"w x 5 3/4"h. 64 pages. Staple-bound. Wear, spots, and small tears to cover. Interior pages unmarked. " Jet is an American magazine focusing on news, culture, and entertainment related to the African-American community. Founded in November 1951 by John H. Johnson of the Johnson Publishing Company in Chicago, Illinois, the magazine was billed as 'The Weekly Negro News Magazine'." [Wikipedia] Cover image: Negro Girl is a Playboy Club Bunny.
Small format: 4"w x 5 3/4"h. 64 pages. Staple-bound. Wear, spots, and small tears to cover. Interior pages unmarked. " Jet is an American magazine focusing on news, culture, and entertainment related to the African-American community. Founded in November 1951 by John H. Johnson of the Johnson Publishing Company in Chicago, Illinois, the magazine was billed as 'The Weekly Negro News Magazine'." [Wikipedia] Cover image: James Meredith.
Small format: 4"w x 5 3/4"h. 64 pages. Staple-bound. Wear, spots, and small tears to cover. Interior pages unmarked. " Jet is an American magazine focusing on news, culture, and entertainment related to the African-American community. Founded in November 1951 by John H. Johnson of the Johnson Publishing Company in Chicago, Illinois, the magazine was billed as 'The Weekly Negro News Magazine'." [Wikipedia] Cover image: Nat King Cole.
pp. 61, (2), [Publisher's catalogue]. 8vo. Original green printed wraps. Contents include: I. The Properties of Numbers, II. The Day-Planet, III. The Hour-Planet, IV. Names and Numbers, V. The Magic Square, VI. Phonetic Values. Scarce. **PRICE JUST REDUCED! OCC 12
176 p. + Frontis and Full page color plates. Original cloth binding. Original priced dust jacket slightly rubbed at edges. First Edition. As New. John Durang stands out in early American theater and dance. Born in York, PA, in 1768, he was, "charming, practical" and "extremely versatile" (acting, as well as dancing hornpipes, harlequins, rough versions of classical ballets, and even circus clowning). He also had lots of children who lived "the theater life" just like their dad, establishing a long line of Durang performing artists - including the contemporary playwright Christopher Durang, who lives in Bucks County. Durang was "the first native-born American to win widespread recognition as a dancer." PA 17
pp. vi, 234 (4)["Books just Published by J. Newbery. and W. Frederick, Bath"] + Engraved frontis portrait of Nash by Anthony Walker after William Hoare. 8vo. Age stained. Contemporary full leather binding, boards detached. Mildly XLib. NOTE: With two autograph ownerships of: Joseph Bloomfield (1753-1823), New Jersey lawyer, Revolutionary War soldier, judge, and political leader. He and his wife supported a variety of social causes, with Joseph serving as president of the first Society for the Abolition of Slavery, organized in Burlington, NJ in 1783. In 1789, he donated a small plot of land to house the Library Company of Burlington. Bloomfield served as Mayor of Burlington from 1795 to 1800, and he went on to serve as Governor of New Jersey from 1801 to 1802 and 1803 to 1812, then returned to military service as a Brigadier General in the War of 1812. After the war, he finished his political career as a U.S. Congressional Representative from 1817 to 1821. Biography of the undisputed King of Bath, which Newbery commissioned to one of his favorite writers, Oliver Goldsmith (though he goes unmentioned in this first edition). Richard Nash (1674-1762), English dandy, better known as "Beau Nash," was born at Swansea. He was descended from an old family of good position, but his father from straitened means had become partner in a glass business. Young Nash was educated at Carmarthen Grammar school and at Jesus College, Oxford. He obtained a commission in the army, which, however, he soon exchanged for the study of law at the Temple. Here among "wits and men of pleasure" he came to be accepted as an authority in regard to dress, manners and style. When the members of the Inns of Court entertained William III after his accession, Nash was chosen to conduct the pageant at the Middle Temple. This duty he performed so much to the satisfaction of the king that he was offered knighthood, but he declined the honor, unless accompanied by a pension. As the king did not take the hint, Nash found it necessary to turn gamester. The pursuit of his calling led him in 1705 to Bath, where he had the good fortune almost immediately to succeed Captain Webster as master of the ceremonies. His qualifications for such a position were unique, and under his authority reforms were introduced which rapidly secured to Bath a leading position as a fashionable watering-place. He drew up a new code of rules for the regulation of balls and assemblies, abolished the habit of wearing swords in places of public amusement and brought duelling into disrepute, induced gentlemen to adopt shoes and stockings in parades and assemblies instead of boots, reduced refractory chairmen to submission and civility, and introduced a tariff for lodgings. Through his exertions a handsome assembly-room was also erected, and the streets and public buildings were greatly improved. Nash adopted an outward state corresponding to his nominal dignity. He wore an immense white hat as a sign of office, and a dress adorned with rich embroidery, and drove in a chariot with six greys, laced lackeys and French horns. When the act of parliament against gambling was passed in 1745, he was deprived of an easy though uncertain means of subsistence, but the corporation afterwards granted him a pension of six score guineas a year, which, with the sale of his snuff-boxes and other trinkets, enabled him to support a certain faded splendour till his death. He was honored with a public funeral at the expense of the town. Notwithstanding his vanity and impertinence, the tact, energy and superficial cleverness of Nash won him the patronage and notice of the great. He was a man of strong personality, and considerably more able than Beau Brummell, whose prototype he was. First edition with all of the correct points. Rothschild 1022; Tinker 1093. The early American ownership adds substantial interest to this curious book. **PRICE JUST REDUCED! W144
in 4°, cartone edit. con dorso in tela e sovrac. ill., rotture alla sovrac., lievi tracce d'uso - data di stampa presunta - disegni di Artioli, Judd e Barletta a colori e numerose fotografie in b.n. nel testo, anche in tavole ripiegate più volte
OTTIME CONDIZIONI
bross. edit. ill., dorso muto
in 8° oblungo, bross. edit. ill., residuo di etichetta in terza di cop. - data di stampa presunta - volume bilingue italiano-svedese - illustrazioni in b.n. nel testo
bross. edit ill. con bandelle - prima edizione - disegni di Franco Lorenzoni in b.n. nel testo, tavole fotografiche in b.n. e a colori fuori testo
testi di: Raquel Carrió, Gabriella De Fina, Flora Lanten, Liliam Ojeda Hernandez, Sara Rosenberg; postfazione di Alessandra Riccio - bross. edit. ill. con bandelle - prima edizione
in 8° grande, tela edit. con titoli e fregi oro al piatto e al dorso e sovrac. ill., rotture e piccole mancanze alla sovrac. - numerose illustrazioni in b.n. nel testo
bross. edit. ill. - prima edizione
Vol. I - Storia e prospettive della Televisione nella Repubblica Federale Tedesca, in Gran Bretagna, Francia e Italia - scritti di Claus-Dieter Rath. Lutz M. Mai, Howard H. Davis, Carl Levy, François Garçon, Erik Lambert, Gianfranco Bettetini, Giorgio Simonelli, Albino Pedroia, Marco Mele, Barbara Caponotto, Carlo Freccero e Aldo Grasso - Vol. II - I programmi di quarant'anni di Televisione nella Repubblica Federale Tedesca, in Gran Bretagna, Francia e Italia - scritti di Silvana Abbrescia-Rath, Dagmar Jacobsen, Claus-Dieter Rath, Howard H. Davis, Chiara Giaccardi, Valerie Hey, Carl Levy, François Garçon, Erik Lambert, Laura Tettamanzi e Giorgio Simonelli - cartone edit. ill. in cofanetto figurato, minima brunitura al dorso - trad. di Flavia Alemanno e Luciana Spina - fotografie in b.n. fuori testo, tabelle e grafici in b.n. nel testo
bross. edit. ill. - copertina di Aulo Guidi, alcune illustrazioni in b.n. nel testo
in testa al front.: Associazione Amici della Musica di Arezzo; Comune e Provincia di Arezzo; Regione Toscana (Enti della Fondazione «Guido d'Arezzo») - bross. edit. con titoli, lieve brunitura al dorso - prima edizione
in 8° quadrato, bross. edit. ill. - prima edizione - illustrazioni in b.n. nel testo
al piede del front.: Dipartimento di Musica e Spettacolo Università di Bologna; UICC Unione Italiana Circoli del Cinema; Provincia di Bologna Assessorato alle Attività Culturali e Politiche per l'Università; Istituto di Cultura Germanica Bologna - Convegno: Sala dei Notai, Bologna, 24-25-26 novembre 1989; Rassegna: Istituto di Cultura Germanica, Cinema Lumière, Teatro Comunale, Casalecchio - Bologna, 13 novembre - 3 dicembre 1989 - in 4°, bross. edit. ill., piccole rotture e tracce d'uso in cop., abrasione in quarta di cop.
Roma, Palazzo delle Esposizioni (3-22 dicembre 1997); Bologna, Cinema Lumière (3-10 gennaio 1998); Torino, Cinema Massimo (8-19 gennaio 1998) - in testa al front.: Comune di Roma, Assessorato alle Politiche Culturali; Museo Nazionale del Cinema; Cineteca del Comune di Bologna; Centro Sperimentale di Cinematografia, Cineteca Nazionale - in 4°, bross. edit. ill., segni di piega al dorso, tracce d'uso in cop., dedica d'appartenenza - prima edizione - illustrazioni in b.n. e a colori nel testo
OTTIME CONDIZIONI