96 résultats
1983149602N.p.: Sara Films 1983. Vintage reference photograph from the 1983 film. With a printed mimeo snipe on the verso.<br/><br/>Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br/><br/>Set and shot on location in Paris. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Godard Histoires du cinema. Sara Films unknown books
1986150041Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers from the 1983 film. Later printed French Interpress announcement with typos on verso. <br/><br/>Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br/><br/>Set and shot on location in Paris. <br/><br/>7 x 5 inches. Near Fine.<br/><br/>Godard Histoires du Cinema. Interpress unknown books
29868Image size ca. 212 x 142 mm. sheet size 321 x 190 mm. <br/><br/>The design depicts a man dressed in an exotic Egyptian costume deocrated with numerous armlets anklets necklace earrings headdress etc. Executed in watercolour and gold paint on heavy wove paper. <br/><br/>Slightly worn; browning to outer edges from old mat; remnants of mounting paper to verso. unknown books
1950285American Ballet Theatre <i>Metropolitan Opera House October 8 to November 5 S. Hurok Presents Fall Victory Season of Russian Ballet by the Ballet Theatre with Massine Gollner Kaye Laing Chase Hightower Petroff Karnilova Romanoff J. Reed Tudor Kriza Alonso Orloff Robbins Lang R. Reed. Guest Artists: Anton Dolin Riabouchinska Youskevitch Lichine Eglevsky Argentinita Pilar Lopez & Co. and by Special Arrangement Tamara Toumanova. Antal Dorati Musical Director Mois Zlatin Associate Director. </i>A snake-broadside 79 cm x 7 cm announcing the repertory for performances at the Metropolitan Opera from October 8 to November 5 1950. While there is no year published on this broadside George Balanchine's <i>Waltz Academy </i>had its world and New York premieres on October 5 and 11 1944 respectively and <i>Pas de Deux </i>had its premiere on April 9 1946 featuring Alicia Alonzo and Andre Eglevsky. Sunday fell on October 8 and 22 only in 1950 and 1944. This surviving snake-broadside is folded and in pristine condition. Blue ink on cream paper. A rare surviving ephemeral document listing the repertory and legendary dancers of Ballet Theatre in the years immediately following World War II. S. Hurok books
186432827Boston: F. A. Searle Printer 118 Washington Street 1864. VG some creasing folding and wrinkling to edges small horizontal tear to mid left edge. One broadside sheet printed recto only. 18-1/4" x 6-1/4" <br/><br/>A scarce broadside playbill from an early American production of Gounod's Faust in five acts as originally performed at Paris' Theatre Lyrique in 1859 which would later be selected as the inaugural opera performance of the New York Met in 1883. This bill advertises research suggests the same Opera Company as first brought Faust to the States initially performing it at the Philadelphia Academy of Music 1863 cf. Armstrong. RECORD Of The OPERA In PHILADELPHIA. Includes advertisement for Miss Maggie Mitchell on May 16 1864 performing Fanchon The Cricket. F. A. Searle, Printer, 118 Washington Street unknown books
1930144431930. Image 9 1/2 x 7 1/2 inches matted and framed to 14 1/4 x 12 1/4 inches overall. 1 vols. Fine condition. Image 9 1/2 x 7 1/2 inches matted and framed to 14 1/4 x 12 1/4 inches overall. 1 vols. Inscribed Photograph of Kirsten Flagstad. An attractive image showing the great Wagnerian soprano in street clothes seated. unknown books
13467Used; Like New/Used; Like New. A large and beautifully composed album with 26 pages of autographs of opera singers conductors and other musicians including Marian Anderson Salvatore Baccaloni and Jussi Björling collected in the late 1940's at the Metropolitan Opera. Each page has been carefully arranged with the name of the artist printed in white on black paper a clipped signature a clipped portrait and in many cases a Polaroid of the artist on the evening of the performance. Many of the signatures are dated and the roles played are indicated. Unfortunately several of the signatures have been traced over in pen see below. Included are 10 further loose clipped signatures two further clipped portraits 4 excellent candid Polaroids of stars and a concert program. In a large embossed cream faux-leather photograph album bound with a cord in very fine condition. A lovely record of some of the most important opera performers of the mid-twentieth century. 15 x 11.5 inches 38.2 x 29 cm.<br>The mounted autographs are from:<br>Marian Anderson mezzo sopranoSalvatore Baccaloni bassJussi Björling tenorEmil Cooper conductorCloe Elmo contraltoEdward Johnson General Manager Metropolitan OperaLeonard Warren baritoneRudolf Firkusny pianist tracedVictor DeSabata conductor Chicago Symphony OrchestraAntal Dorati conductorPercy Grainger pianist-composer tracedMack Harrell baritone tracedJerome Hines bassFelix Knight tenorRichard Tucker tenor tracedCharles Kullman tenorRobert Merrill baritoneJames Melton tenorNicola Moscona bass tracedJan Peerce tenorEzio Pinza bassRegina Resnik soprano tracedEleanor Steber soprano tracedFerruccio Tagliavini tenorItalo Tajo bassGiuseppe Valdengo baritoneRamon Vinay tenorPia Tassinari soprano<br>Further loose signatures include:<br>Leonard Warren baritoneMarimi del Pozo sopranoItalo Tajo bass hardcover books
1916301509New York: Metropolitan Ballet Company 1916. First edition. With fourteen full page color plates by Leon Bakst one doublepage eight duotone photo plates of dancers in the company in costume engraved and printed by The Sackett & Whilhelms Comaany. 1 vols. 12-5 x 9.5 inches. String-sewn into stiff printed gilt embossed wrappers including original advert tipped to inside rear cover. Covers at bit ragged at edges lower corner of front wrapper missing. Very good. First edition. With fourteen full page color plates by Leon Bakst one doublepage eight duotone photo plates of dancers in the company in costume engraved and printed by The Sackett & Whilhelms Comaany. 1 vols. 12-5 x 9.5 inches. A fragile souvenir of the first United States tour in 1916 of Diaghileff's now legendary Ballet Russe. Metropolitan Ballet Company unknown books
36029Includes works of Battista 5 Donizetti 6 Mercadante 7 Pacini 1 Petrella 1 and Verdi 1. With contemporary mansucript index to front free endpaper. <br/><br/>Contents:<br/>BATTISTA Vincenzio 1823-1873<br/>Ermelinda Dramma lirico in Quattro Atti di Domenico Bolognese. Monaco: Orlando e C. after 1850.<br/>- Duetto Signor Capitano. PN 599. 19 pp. <br/>- Coro alla danza. PN 600. 14 pp. <br/>- Terzettino Febo ei vieni. PN 606. 8 pp. <br/>- No. 13. Scena e Romanza. Partenopeo. PN 12093. 4 pp. <br/><br/>Anna La Prie. Tragedia lirica di Nicola Leoncavallo. Napoli: Fabricatore e Co. ca. 1845. <br/>- Scena e cavatina Alboix. PN 105. 10 pp. <br/><br/>DONIZETTI Gaetano 1797-1848<br/>La Favorita Melodramma tragico in 4 atti Posto in musica pel Real teatro di Parigi. Napoli: Girard e Ci. ca. 1844.<br/>- Aria O mio Fernando. PN 5181. 9 pp. <br/>- Scena e Duetto Ah moio bene un Dio t'invia. PN 5185. 12 pp. <br/>- Quartettino Deh paventa il furor. PN 5197. 4 pp. <br/>- Scene e Duetto Ah va t'invo la e questa. PN 5184. 13 pp. <br/><br/>Maria di Rohan Melodramma tragico in tre atti di S. Cammarano . Riduzione per Canto con accompo. di Pianoforte di C. Czerny. Milano: Giovanni Ricordi 1843<br/>- N: 14. Scena e Freghier . No osoalzarcilumi! PN 14914HH. 6 pp. <br/>- Scena e Ballata . Cavalieri che veggio. Napoli: F. Fabricatore e C.; Palermo: R. Zerega. PN 146 ca. 1845. 7 pp. <br/><br/>MERCADANTE Saverio 1795-1870<br/>Violetta Opera semiseria in 4 Atti . Rappresentata per la prima volta nel Teatro Nuovo di Napoli li 10 Gennajo 1853. Napoli: Partenopeo ca. 1856-60. <br/>- No. 22. Rondo Finale. PN 10756. 10 pp. <br/><br/>Virginia Tragedia Lirica in tre atti di S. Cammarano . Rappresenta per la prima volta nel R. Teatro S. Carlo di Napoli il 7 Apr. 1866. Napoli: T. Cottrau ca. 1866.<br/>- No. 10. Preghiera di Virginia. PN 14610. 4 pp. <br/>- No. 14. Terzetto di Virginia Appio ed Icilio. PN 14614. 8 pp. <br/><br/>Stratira opera tragica in tre Atti. Esuguita nel R. Teatro di S. Carlo li 8 Gennajo 1853. Poesie di Domenico Bolognese. Napoli: Partenopea ca. 1866. <br/>- No. 3. Scena e cavatina Cassandro. PN 10757. 15 pp. <br/>- No. 14. Romanza Cassandro. PN 10758. 4 pp. <br/><br/>Orazi e Curiaze Tragedia lirica in 3 atti di S. Cammarano. Posta in musica per il Teatro di S. Carlo ov'é stata rappresentata á 10 Novembre 1846. Napoli: Girard ca. 1846<br/>- No. 2. Scena Romanza e Cavatina. PN 7555. 14 pp. <br/>- No. 13. Scena Preghiera ed Aria Finale. PNs 7565 7560 7567. 13 pp. Later issue of ca. 1856-60. <br/><br/>PACINI Giovanni 1796-1867<br/>Malvina di Scozia. Opera in 3 acts<br/>Grande Scena Preghiera ed aria. L'orror mi rese immobile. Napoli: Fabricatore e C. PN 725 ca. 1852. 19 pp. <br/><br/>PETRELLA Errico 1813-1877<br/>Elena di Tolosa. Melodramma in tre Atti. Eseguito nel R. Teatro del Fondo li 112 Agosto 1852. Poesia di Domenico Bolognese. Napoli: Successori della Ditta Girard ca. 1852. <br/>- No. 6. Duetto. Dembra mesta! . male! male! PN 10466. 14 pp. <br/><br/>VERDI Giuseppe 1813-1901<br/>Rigoletto. Melodramma di F.M. Piave. Milano: Giovanni Ricordi after 1852<br/>- No. 9. Scena ed Aria "Coro nome che'il mio cor." PN N23079N. 7 i list of publisher's plate numbers for excerpts of piano-vocal piano 2-hands and piano 4-hands pieces pp. <br/><br/>Oblong folio. 19th century black leather-backed boards. <br/><br/>Binding somewhat worn and abraided; joints split. Occasional minor wear and soiling; some small tears. In very good condition overall. An interesting collection of scarce mostly Neapolitan imprints in all likelihood associated with contemporary performances. unknown books
175929663Paris: Basan 1759. 385 x 260 mm. Printed on laid paper. <br/><br/>The outdoor scene with trees and statuary depicts Caroline and Charlotte daughters of Frédéric Sluyter performing in a production of Pygmalion at the Schouwberg Theatre in Amsterdam. The dancer at left is on her right foot with arms outstretched costumed in a dress with a low rounded neckline pointed waistline and a wide panniered skirt; the dancer at right is on her left foot with arms outstretched wearing male attire including cocked hat frock coat with stiff flared skirt breeches and heeless shoes. <br/><br/>Browned; small stain to lower right corner. Scarce. NYPL: b12155632. BM 1854 0614.342.<br/><br/>Caroline and Charlotte Frédéric were part of a troupe of child performers active in Amsterdam in the 1760s. Basan unknown books
201124295Santa Fe: Burning Books 2011. First edition. Hardcover. Fine/fine. Stated first edition. Three operas Max Willard and Bud by the widely acknowledged greatest opera composer of the last half-century. 207 pp. Afterword by Ashley as well. A fine seemingly unread copy in fine dustwrapper. This copy has been briefly INSCRIBED by Ashley to the late poet C. D. Wright. Ashley's signature is most uncommon. Burning Books hardcover books
10572Used; Like New/Used; Like New. Full length jumbo 1884 Mora of NY cabinet photograph of the great soprano. Edges in gilt in very fine condition and rare in this large format. 7.5 x 13 inches 19 x 33 cm. unknown books
12692Used; Like New/Used; Like New. Impressive collection of AMQS and inscriptions addressed to the celebrated soprano Delphine Ugalde on both sides of a large album leaf measuring 31.5 x 23.5 cm 12.5 x 9.5 inches. Fine. <br><br />The recto with: eight measures written and signed by the French composer Charles Lecocq from his wildly successful "La fille de Madame Angot" which when premiered in Paris in 1873 was performed for more than 400 nights consecutively. Inscribed to Ugalde and dated 20 May 1873; an unidentified inscription; a heartfelt inscription from Rossini's friend and biographer Alexis Azevedo dated 17 July 1870. <br><br />The verso with: a three-measure 1869 quotation by Fauré celebrated French baritone and composer creator of important roles by Massé Thomas Meyerbeer Verdi and others who has penned a selection from his own Sacred Song for Voice and Piano "Les Rameaux" with a trimmed albumen photograph of him affixed beneath; a heartfelt 1869 inscription by Capoul the great French tenor creator of Offenbach's Vert-Vert and Masse's Paul et Virginie who writes that he is "so happy of your return to us that I embrace you as strongly as I admire you"; an 1870 inscription from Dejazet important French actress who writes that her "voice remains always charming even when it is speaking it is your great heart which sings" and with a trimmed albumen photograph of her affixed beneath; with one additional unidentifed inscription lower left dated 1873. <br><br />Ugalde "studied in Paris with Cinti-Damoreau and made her début in 1848 at the Opéra-Comique as Angèle in Auber's Le domino noir a role created by her teacher. In 1851 she sang at Her Majesty's Theatre London as Delilah in Auber's L'enfant prodigue. In 1858 she sang Leonora Il trovatore at the Paris Opéra and was then engaged at the Théâtre Lyrique. In 1863 she moved to the Bouffes-Parisiens where in 1867 she sang in her own operetta Halte au moulin. She retired in 1871." Elizabeth Forbes Grove Online unknown books
1794215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown books
18448333London. David Bogue. 1844. Lavishly bound in sumptuous tri-gilt ruled full crimson calfskin. Gilt tooled fleurette motifs to corners of front and rear covers. Elaborate gilt ruled spine compartments with intensely ornate gilt tooled fleural vignettes. Gilt tooled raised bands. Decorative gilt tooled and titled morocco label. Elaborate and ornate paneled turn-ins. Marbled endsheets. a.e.g. 4to. 7.25" x 10.75". The First Edition. Illustrated with ten full page illuminated steel plate engravings and further throughout by various wood engravings en texte. Elaborate multi-chromatic decorative borders to each page. A Fabulous production detailing the mid-Victorian Opera and Ballet featuring plate engravings of notable singers dancers and productions. With its high gloss engravings whimsical en texte woodcuts and highly stylized colour page borders this volume represents one of the finest examples of Victorian book design. Niles and Leslie V1-225; Moroda-1272. Some darkening and/or mild scuffing to covers. Hinges present previous repairs but are tight and firm. Corners gently bumped. Head and tail pieces lightly chipped. A very Good copy of this breathtaking work. David Bogue. hardcover books
1818D7301Leipzig: Breitkopf & Härtel 1818. Hardcover. Very Good. Oblong folio 330 x 240mm. 184 pages. Complete vocal score. Notated music. Added engraved title page: Il dissoluto punito; osia Il Don Giovanni. Dramma giocoso in due Atti posto in Musica da Wolfgang Amadeus Mozart. Ridotto per il Pianoforte da A.E. Müller with vignette of Don Giovanni scene by Fr. Bolt after Kininger Pr. 4 Rthlr. Italian-German text. Richly bound in crushed green morocco handsomely gilt with device of lyre and central lozenge on front and rear covers spine done in the same and lettered in gilt Don Juan Mozart speckled edges; toned and only lightly foxed few pages margins lightly torn or with paper repairs not frequent good with all with engraved music otherwise. <br/><br/>1818 Leipzig printing for the vocal score of Mozarts famous opera Don Giovanni. Italian librettos were translated into German owing to the growing popularity of opera in Germany during the last decade of the 18th century; contemporary to Mozarts death in 1791. Mozart immediately accepted at least the title under which on of his works would become known in the German-speaking countries: writing home on 3 October 1790 he reported on Tuesday the theatrical company of the elector of Mainz are performing my Don Juan. German communities variously received Mozarts operas; the battle between the aristocratic and bourgeois audiences raged to and fro. When Don Juan played for the first time in the Frankfurt theater it was deemed suitable for the general public but not for its educated section. Yet the critics could all concede of Mozarts popularity and that the subject matter turned the heads of the public. This fine well-preserved dual text is an early and complete keyboard transcription of the opera. It gives Lorenzo da Ponte's original Italian with the German translation by Schröder underneath. Excellent piece of music history and staple of the standard operatic repertoire. Breitkopf & Härtel hardcover books
WALTER-FILM004294No binding. Very Good. FIne Art Print Scott Joplin book music Washington D.C. 1975. Vintage original 22 x 14"" 56 x 36 cm. window card poster some wear and handling at edges some light creases but VERY GOOD or better with bright colors. Scott Joplin master of ragtime music wrote this opera in 1911 a celebration of African-American life and culture set on an Arkansas plantation in a variety of musical styles. It never got a full performance in his lifetime. In the 1970s the opera began to be rediscovered. This poster is for a Washington tryout of a Houston Grand Opera production prior to a Broadway run. unknown books
180243922San. Petroburgo 1802. 6 60 1 pp. Title; Dedication leaf signed in type Antonio Cassasi; List of Characters with Members of the Orchestra on verso; Libretto. 1 vols. 8vo. Contemporary calf-backed boards rebacked original spine laid down. Ink stamp of Tsarsko-Selo Library. About fine. 6 60 1 pp. Title; Dedication leaf signed in type Antonio Cassasi; List of Characters with Members of the Orchestra on verso; Libretto. 1 vols. 8vo. Italian Opera in St. Petersburg. Not in OCLC unknown books
196088091<p><b>CULTURAL REVOLUTION MODEL OPERA</b></p><p>Manuscript Ledger Master Inventory: General Record of Stage Props for a traveling Chinese theatrical repertory company introducing Revolutionary Opera into its program including costs for creating silk stage props sets costumes and scenery with various paper slip receipts some loose dated from 1963 to 1969. Oblong album measuring 7-3/4 x 10-5/8 inches contents with 20 numbered leaves of double-sided ruled ledger; bound in brown cloth-backed plain light blue paper board with lettered pink paper label decorative pattern endpapers originally with ribbon-tied spine now lost contents loose.</p><p>Includes entries for the revolutionary opera <i>Taking Tiger Mountain</i> 1968 with one entry bearing signature of Wang Xiu Wen dated 12 September 1967. Includes a pink silk armband laid into the album inscribed "Mei Ying Shan" which could be translated as Huaying Mountain. </p><p>https://www.youtube.com/watchv=cjE0LDNycE8</p><p>There is also reference to a 1961 novel which the Bejing Film Studio made into a movie called <i>Lie Huo Zhong Yong Sheng</i> Living Forever in Burning Flame its IMDB title translated as <i>Red Crag</i> based partly on fact by Chinese authors Luo Guangbin and Yang Yiyan former inmates in a Kuomintang prison in Sichuan. It was set in Chongqing during the Chinese Civil War 1949 and featured underground communist agents under the command of Zhou Enlai fighting an espionage battle against the Kuomintang. The story takes place in Huaying Mountain.</p> hardcover books
199914955JAbsecon: MagicImage 1999. First Edition First Printing. Laid in is an Autograph Letter Signed by Mary Philbin co-star with Lon Chaney Sr. in the classic film written to the book’s author Philip J. Riley. Dated September 11 1989 Philbin writes: “Dear Mr Riley: I am sorry about the delay in returning the book and papers. I would appreciate eleven complimentary copies of The Phantom of the Opera book or if you cannot then as many as possible. Thank you Mary Philbinâ€. Accompanied by the original hand-addressed envelope from Philbin’s home in Los Angeles. Philbin died before the book was published so this is as close as one can come to a signed copy. Large 317 page paperbound book. Profusely illustrated. Near fine copy enclosed in a handsome morocco leather and cloth clamshell box. MagicImage hardcover books
30832Executed in ink pencil gouache and silver paint on wove paper. Unsigned but with monogrammatic handstamp to lower left corner. With annotations in ink in Russian relative to various parts of the costume. 13.125" x 8.75" 332 x 222 mm.<br/><br/>Slightly worn and soiled; some edge tears and repairs; upper right corner with erasure resulting in minor paper loss. Korovine designed costumes for productions of Russian operas including Borodin's Prince Igor Mussorgsky's Khovanshchina and Rimsky-Korsakov's Sadko and Le Coq d'Or.<br/><br/>"Konstantine Korovine is one of the most famous of Russia's twentieth-century stage designers. He made his debut as a theatrical painter in 1885 when he executed the sets and costumes for the production of Snegurochka at Savva Mamontov's Private Opera after Vasnetsov's designs and thereafter he emerged rapidly as an independent stage designer - decorating according to one souce 80 operas 37 ballets and 17 dramas during his lifetime. Korovine brought to the Russian stage a vibrancy and richness that was lacking in the traditional Imperial theaters. He felt more at ease when called upon to design operas and ballets treating of Russian history and legend such as Prince Igor Sadko and The Golden Cockerel and he designed sets and costumes for such spectacles at home and abroad." Bowlt: Russian Stage Design Scenic Innovation 1900-1930 from the Collection of Mr. & Mrs. Nikita D. Lobanov-Rostovsky pp. 175-176. MacDougall Arts Ltd. London auction June 9 2011 lot 413 catalogue p. 17. unknown books
