127 résultats
1880CZC-12586avec une préface de Théodore de Banville et six gravures à l'eau forte de Frédéric Régamey; couverture, frontispice + 4 hors texte. vol in-8, relié demi toile, 16x11cm, des rousseurs parfois fortes, bel état intérieur, 178pp. Couvertures d'origines conservées. Très rare exemplaire. Paris, Chez tous les Libraires, 1880. Edition Originale ref/293
1889116881889. Paris Librairie E. Plon Nourrit & Cie 1889 - Cartonné 21 cm x 28 5 cm 250 pages - Texte de Hugues Le Roux ills originales in-texte de Jules Garnier index - Dos restauré quelques rousseurs sinon bon éta
18899642Paris 1889 1 Illustrations de Jules GARNIER. Paris, Plon, 1889, in-8, demi-chagrin rouge, plats rouge mouchetés dorés, gardes et contre gardes jaspées, tête dorée, dos à 5 nerfs, 250 pp.
1889SPE050MIllustrations de Jules Garnier. 1889 / 250 pages. Relié au format : 21,5 x 28,5 cm. Editions Plon, Nourrit. (+PCM)
190014486Paris OLLENDORFF 1900 1 Paris, Ollendorff, Société d'Editions Littéraires et Artistiques, 1900-1901, 4 numéros reliés en 1 volume in-12, demi-toile bleue moirée à la bradel, pièce de titre bleue nuit en maroquin, tête dorée, 320 pages, couverture et dos conservé, (Kama Rok Relieur).
189338508J. Rothschild | Paris 1893 | 15 x 23 cm | relié
1843100074712Paris. 13 5 cm x 21 5 cm. 1843. Relié. 683 pages. Paris Chez l 'Auteur 1843 édition originale. Cartonnage moderne 13 5 cm x 21 5 cm 683 pages illustrations in-texte. Texte de F.-M. Chertier signature de l'auteur. Traces d'humidité papier jaunissant sinon bon état
188153115Munich: Konigliche Hof-Buch- und Kunsthandlung Adolf Ackerman 1881. Folio. 4 pp unpaginated. printed in red & black w/ decorated woodcut-engraved borders. With 36 pen & ink sketch plates tipped-in to 28 thick paper boards each w/ red woodcut-engraved borders & red lettering in lower fore-edge of plate. Original blue-gray pictorial publisher’s cloth folding portfolio elaborate gilt & black lettering & illustration of horse trainer raising horses up on their hind legs decorative endpapers binder’s tick of G. Fritsche Book binder Leipzig on lower front pastedown minor rubbing very minor shelfwear slight toning to text leaves a couple very small closed tears repaired w/ archival repair tape at fore-edges still a VG bright copy. First edition of this beautifully illustrated homage to the 19th-century circus horse trick riders jugglers clowns and trapeze artists. All of the sepia-tinted plates have been executed with great precision and energy displaying a tremendous vitality and talent. Lang 1838-1891 studied at the Royal Academy of Fine Arts in Munich studied horses in the veterinary schools and stud farms of the Princes of Thurn and Taxis. He traveled extensively and his circus illustrations have become quite desirable by enthusiasts. Konigliche Hof-Buch- und Kunsthandlung Adolf Ackerman, hardcover
188913629Paris, Plon et Nourrit, 1889. In-4 de [8]-V-[3]-250-[4] pages, demi-chagrin rouge à coins, dos orné de filets et fleurons dorés, tête dorée,coins frottés.
187037149Aux bureaux de l'Eclipse et de la Lanterne de Boquillon et Aux bureaux du Journal amusant | Paris s. d. [Circa 1870] | 21.50 x 31 cm | relié
1854115981854 Paris, Victor Lecou, 1854 ; in -18 de (4) - 362pp. - (1)f. bl.; demi-chagrin rouge de l'époque, double filet doré sur les mors, dos à nerfs orné de caissons petits fers dorés, filet pointillé doré sur les nerfs, titre et auteur dorés, tête dorée. Exemplaire enrichi de 4 gravures de Legros à l'eau-forte qui devait illustréer une édition de Poylet-Malassis des " Souvenirs des funambules ", mais qui n'a pas eu lieu. ( VIcaire II - 189). Edition originale (Cf. Vicaire II -183 /184).
188067264Avec une préface de Théodore de Banville, et six gravures à l'eau-forte de Frédéric Regamey, 1 vol. in-12 br., Chez tous les Libraires, Paris, s.d. [ 1880 ], 178 pp. et 1 f. n. ch. et 5 planches hors texte
188936241Plon-Nourrit & Cie | Paris 1889 | 21 x 28.50 cm | reliure de l'éditeur
189537701Leipzig: Verlagsbuchhandlung von J.J. Weber 1895. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Original white cloth upper board pictorially stamped in gilt and polychrome silk endpapers. One small spot to lower board small book label to front pastedown else a crisp fine copy of this scarce and desirable work on circus athletes freaks and itinerant performers. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Verlagsbuchhandlung von J.J. Weber unknown
189537701Leipzig: Verlagsbuchhandlung von J.J. Weber 1895. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Original white cloth upper board pictorially stamped in gilt and polychrome silk endpapers. One small spot to lower board small book label to front pastedown else a crisp fine copy of this scarce and desirable work on circus athletes freaks and itinerant performers. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Verlagsbuchhandlung von J.J. Weber unknown books
185781743J.-B. Baillière & fils | Paris & Londres & New York 1857 | 13.50 x 21.50 cm | relié
188985901Librairie Plon | Paris 1889 (S.d.) | 21 x 28.20 cm | relié
187819724N. p. n. p. ca. 1878-1880. Some short shallow chips from one long edge; a trifle toned and soiled; in very good condition. Single leaf printed recto and verso approx. 20.25 x 7.13 inches illustrated with numerous woodcuts of human oddities. An attractive ephemeral showbill from the veteran circus promoter Giles Pullman who offers a "Grand Comic Concert Monster Museum and Feast of the Ferocious Wild Animals." The latter promises to be a "Crimson Carnival of Blood." One side of the showbill is devoted to woodcut portraits of the "Living Curiosities" to be seen without extra charge eight acts that include some of the better-known names of the period--the Madagascar Family Rudolph Lucasie and his wife and two children European albinos touted as Africans and performing in American since ca. 1860; the portrait is adapted from the well-known Currier & Ives portrait; Madame Lyons "the Wonderful Bearded Lady;" General Mite celebrated little man Francis Flynn 1864-1898; as well as "The Persian Beauty or Fan Woman" a variant on a Circassian woman; a living skeleton the fairy queen the Wild Man from the Island of Ceylon and "Nena the Egyptian Wild Girl." This seems certainly a late appearance of the Madagascar albinos; General Mite seems to have started performing around 1878 and married in 1884 and some accounts have Madame Lyons dying ca. 1880 n. p., unknown books
18867262St. Louis: Great Western Printing Co. Show Printers and Engravers 1886. St. Louis: Great Western Printing Co. Show Printers and Engravers 1886. Two-sided herald 10.5" x 28" printed in black on yellow newsprint. Text on bottom of each side reads "Black on Yellow Car No. 1 Great Western Printing Co. Show Printers and Engravers St. Louis. No. 4" with "Binghamton Mon. May 10" stamped in blue at bottom of verso in the "Will exhibit at" blank. Illustrations and performance roster in two columns. Headline on recto fabulously reads "The World Ransacked for All Its Wonders."<br /> <br /> Illustrations feature the Grand Street Demonstration the Egyptian Bovalapus actually a water buffalo two from the Equestrian Organization assumed James Robinson in his famous somersault and Emma Stokes wife of show proprietor John B. Doris "Old Betts" the War-Elephant a Troupe of Turkish Athletes another of Bicycle Riders Siberian Roller Skaters knife-thrower Riffia Bey and reptile-queen Katamorpa. Text roster adds everything from Human Blood-Sucking Vampires to a Menagerie of Infant Animals. The show carried a robust equestrian lineup including the aforementioned Robinson who was only the second person to execute a bareback somersault and at the height of his career was the highest paid equestrian in the United States. Another notable performance was the seven-person clown troupe led by Johnny Patterson the Irish humorist and songwriter best known for his song "The Garden Where the Praties Grow."<br /> <br /> In the show's route diary for this year compiler and Superintendent of the Confectionery Department E.C. White writes that the 1886 run was "one of the most successful seasons Financially and Professionally ever known.Notwithstanding the strong opposition experienced at the commencement and close of the season." On May 8th for the stop in Elmira NY just preceding this poster's show in Binghamton the diary notes "First day of the Forepaugh opposition." From there the rival Adam Forepaugh Circus & Wild West Show began to follow the Doris route a few days behind but sending their tack-spitters ahead to put up adverts for their own show before Doris's arrival in town. The Binghamton stand was 135 miles down the Lake Erie and Western Railroad and the opposition brigade had already gotten there. The diary entry for the date on this herald notes "Forepaugh bills us heavy here" but despite the opposition advertising and an amount of rain goes on to say "business good." Forepaugh would set up in Binghamton four days later on the 14th. The route diary as an aside descends into an almost Sisyphean resignation as this goes on simply writing "Forepaugh" or "Forepaugh again" entry after entry until on June 25th offers the existential almost-haiku "We ferry here. Forepaugh is billed here. Rain all day."<br /> <br /> In keeping with classic origin stories John B. Doris ran away at fourteen and joined the Dan Rice Circus. He soon bought privileges on the Rice show along with George Batcheller and soon the two split off to start Batcheller & Doris' Great Inter Ocean Circus. Doris bought out his partner in 1881 and continued as the sole proprietor until 1888 when heavyweight boxer John L. Sullivan became a partner. Sullivan one of the first true sports celebrities was meant to engage in a sparring exhibition each night but missed so many shows due to his excessive drinking that Doris closed the show mid-season and retired from traveling to work in theater production. Doris seems to have been well-liked by other circus folk earning the nickname Hunky Doris.<br /> <br /> Herald is in excellent condition overall with a shallow half-inch chip at bottom and a couple tiny chips and tears in margins along edges along with a few small pinholes to surface none involving or interfering with text. Flattened remnant of a horizontal crease at center. A couple smudged thumbprints to top margin on recto. Print is clean and color even. Great Western Printing Co., Show Printers and Engravers unknown
1863BB055Original carte-de-visite photographs of Charles Sherwood Stratton better known by his stage name "General Tom Thumb" a dwarf who achieved great fame as a performer under circus pioneer P. T. Barnum here photographed with his wife Lavinia Warren AUTOGRAPHED in Stratton's handwriting on verso <i>"Genl Tom Thumb & Mrs Tom Thumb - 1863 August"</i>. The couple were married in February 1863 for which it is said President Lincoln hosted them with a reception at the White House. The 2nd picture of the Strattons in their wedding costumes also a picture of their best man and bridesmaid Commodore Nutt and Minnie Warren Lavinia's sister and the wedding party together all in especially fine condition with dark brown hues each having facsimile autographs on the verso by their subjects. In addition an 1865 photograph of "Gen. Tom Thumb Wife and Child" verso blank. Altogether 5 carte-de-visite original mounted photographs the first with imprint verso backboard of Charles D Fredericks & Co 587 Broadway New York then three "from photographic Negative by Matthew Brady" imprinted by E & H T Anthony 501 Broadway the last by J Hall junction York and Fulton Sts Brooklyn.<br /><p>Born in Bridgeport 1838 to parents who were of medium height Charles was a relatively large baby weighing 9 pounds 8 ounces 4.3 kg at birth. He developed and grew normally for the first six months of his life at which point he was 25 inches 64 cm tall and weighed 15 pounds 6.8 kg. Then he suddenly stopped growing. By late 1842 4 years old Stratton had grown only one inch additional though his body was proportionate and functional. The showman Phineas T. Barnum heard about Stratton and after making arrangements with his parents taught the boy how to sing dance mime and impersonate famous people. He toured America and Europe in 1845 during which time his performances marked a turning point in the history of freak show entertainment. Prior to Stratton's debut the presentation of "human curiosities" for the purpose of entertainment was deemed dishonorable and seen as an unpleasing carnival attraction. However after viewers were introduced to Stratton and performances he was able to change the perception people held toward freak shows. Stratton's lively entertainments made these types of carnival shows one of the most favored forms of theatre in the United States.</p><p>His marriage to Lavinia Warren also a little person became front-page news. The wedding took place at Grace Episcopal Church and the wedding reception was held at New York City's Metropolitan Hotel. The couple stood atop a grand piano at the reception to greet some 10000 guests. Rare to find a vintage picture of the couple dated and inscribed so early in their marriage and nice companion images inscriptions on three other pictures are in facsimile handwriting.<br /></p><p><br /></p> books
188041184Offenbach, Andre, o.J. (um 1880). Druckplattennummer: 1194 B 9 S. 35 x 27 cm, lose Doppelblätter [4 Warenabbildungen]
1877245541877 4 Estampe signée en bas à gauche dans la cuvette, titrée, Paris, Liénrard-L'Art, 1877, 23 x 32,5 cm. à vue, 30,5 x 40.8 cm. (format de la feuille).
1877245531877 4 Estampe signée en bas à gauche dans la cuvette, titrée, Paris, Liénrard-L'Art, 1877, 23 x 32,5 cm. à vue, feuille 32,5 x 50 cm. (format de la feuille).
1863BB055Original carte-de-visite photographs of Charles Sherwood Stratton better known by his stage name "General Tom Thumb" a dwarf who achieved great fame as a performer under circus pioneer P. T. Barnum here photographed with his wife Lavinia Warren AUTOGRAPHED in Stratton's handwriting on verso "Genl Tom Thumb & Mrs Tom Thumb - 1863 August". The couple were married in February 1863 for which it is said President Lincoln hosted them with a reception at the White House. The 2nd picture of the Strattons in their wedding costumes also a picture of their best man and bridesmaid Commodore Nutt and Minnie Warren Lavinia's sister and the wedding party together all in especially fine condition with dark brown hues each having facsimile autographs on the verso by their subjects. In addition an 1865 photograph of "Gen. Tom Thumb Wife and Child" verso blank. Altogether 5 carte-de-visite original mounted photographs the first with imprint verso backboard of Charles D Fredericks & Co 587 Broadway New York then three "from photographic Negative by Matthew Brady" imprinted by E & H T Anthony 501 Broadway the last by J Hall junction York and Fulton Sts Brooklyn.Born in Bridgeport 1838 to parents who were of medium height Charles was a relatively large baby weighing 9 pounds 8 ounces 4.3 kg at birth. He developed and grew normally for the first six months of his life at which point he was 25 inches 64 cm tall and weighed 15 pounds 6.8 kg. Then he suddenly stopped growing. By late 1842 4 years old Stratton had grown only one inch additional though his body was proportionate and functional. The showman Phineas T. Barnum heard about Stratton and after making arrangements with his parents taught the boy how to sing dance mime and impersonate famous people. He toured America and Europe in 1845 during which time his performances marked a turning point in the history of freak show entertainment. Prior to Stratton's debut the presentation of "human curiosities" for the purpose of entertainment was deemed dishonorable and seen as an unpleasing carnival attraction. However after viewers were introduced to Stratton and performances he was able to change the perception people held toward freak shows. Stratton's lively entertainments made these types of carnival shows one of the most favored forms of theatre in the United States.His marriage to Lavinia Warren also a little person became front-page news. The wedding took place at Grace Episcopal Church and the wedding reception was held at New York City's Metropolitan Hotel. The couple stood atop a grand piano at the reception to greet some 10000 guests. Rare to find a vintage picture of the couple dated and inscribed so early in their marriage and nice companion images inscriptions on three other pictures are in facsimile handwriting.TOGETHER WITH:BLEEKER Sylvester: Gen Tom Thumb's Three Yers' Tour Around the World accompanied by His Wife – Lavinia Warren Stratton Commodore Nutt Miss Minnie Warren and Party.New York: S. Booth 1872. Woodcut illustrations.8vo. 144 pp.; original printed pictorial orange wrappers overlayed with decorative cloth including spine.
187557736Indianapolis IN: Indianapolis Journal Print 1875. First edition . Illustrated advertising broadsheet 28 1/2 x 10 5/8 inches employing a large number of sizes and styles of type including nice display types. The show traveled via its own fleet of 42 railroad cars "Mr. H. Barnum with years of experience catering to the tastes of lovers of amusement and artistic mechanism has put together a show with the sole view of eclipsing any and all heretofore attempts as to Splendor and Novelty." Howes' Great London Circus began its season in St. Louis Missouri according to the New York Clipper edition of March 11 1876; it was in New Orleans on November 20 1875. An ad in the Little Rock Arkansas Gazette gave a December 1 1875 date for its appearance in that city and noted that the circus would be appearing in "all the principal cities of Texas" beginning in that month. Henry Barnum ca. 1826-1902 was a showman and manager for several circuses during his career; in 1873 he purchased an interest in Howes' Great London Circus along with James E. Kelley. Lavish production low attendance and rail costs contributed to the demise of this circus at the end of the 1876 season being subsequently sold to Cooper & Bailey who continued to employ Barnum. Apparently not recorded on OCLC. Despite the defects a nice exhibition display broadsheet. Creased from folding some old staining to margins some short tears repaired with cello-tape two in margins one along a fold affecting several words printer's inking defect affecting the first two letters in the headline word "Howes". #6169. <br/><br/> Indianapolis Journal Print unknown books