1 121 résultats
12194Paris, Sansot, collection "les célébrités d'aujourd'hui", 1921, 1 br. in-8, portrait en frontispice, titre, 41 pp., fac-similé ;
47883Paris, Payot, 1930. 14 x 23, 237 pp., 17 illustrations hors texte, broché, bon état.
19954954858655SP-29, Bordas Editeur 1995
2002RO30367241Editions Didro. 2002. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 131 pages. Accrocs en plats. Coins frottés. Quelques rousseurs. Une à deux colonnes de texte. Nombreuses illustrations en noir et blanc, in et hors texte. Tâches en tranche en tête.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
189738951Paris: Floury 1897. A COMPLETE PROOF SET ON CHINESE PAPER before all letters of all of the relief prints executed for the July issue--the ninth of twelve published--of L'Image a groundbreaking artistic and literary journal. Numerous wood-engravings and woodcuts including A FINE PROOF ON CHINE OF LABOUREUR'S "AU LUXEMBOURG" Laboureur I 572 his first important print. Laboureur was 19 when this issue came out and its publication marked his being recognized as a consequential artist. This copy exceptionally includes A "FUME" early proof OF THE WOOD-ENGRAVING AFTER THOMAS LAWRENCE SIGNED IN PENCIL BY BELTRAND AND JUSTIFIED "Fumé nº 1". Folio. Printed wraps illustrated iwth art nouveau wood engravings after Berthon and De Feure. Stitching loose else FINE AND BRIGHT. Ray 321 and 321A. <br/><br/> Floury paperback
193097439Paris Librairie de France, coll. "Les Cahiers d'Occident" 1930 1 vol. broché gr. in-8, broché, couverture rempliée, 196 pp., portrait-frontispice. Exemplaire numéroté sur alfa. Contributions de P. de Nolhac, Proust, Mauclair, Debu-Bridel, etc. Très bon état.
193097439Paris Librairie de France, coll. "Les Cahiers d'Occident" 1930 1 vol. broché gr. in-8, broché, couverture rempliée, 196 pp., portrait-frontispice. Exemplaire numéroté sur alfa. Contributions de P. de Nolhac, Proust, Mauclair, Debu-Bridel, etc. Très bon état.
48995Exquisite turn-of-the-century French shadow theater comprised of a chromolithographed box illustrated with a central scene depicting the Revue du 14 Juillet à Paris and two smaller scenes from the 1893 Fêtes Franco-Russes Dunkerque-Cronstadt and the Réceptions au Palais Catherine the box containing within: an elaborate wooden framed theater stage with chromolithographed front showing an orchestra and labeled "Ombres Chinoises" meant to be displayed in front of a light source and outfitted with a double-crank system and two rolls of paper which can be scrolled through using the cranks the paper depicting twelve comic shadow/silhouette scenes as well as containing swaths of red green yellow and blue paper with black hatchmarks the theater frame also having a slot into which a frame can be slid behind the "curtain" of the stage; six chromolithographed punched paper scenes meant to be displayed in front of the scrolling colored paper to mimic the impression of fireworks or light displays; a blank screen for shadow figure plays and scenes; approximately thirty-four cut-out shadow figures mounted on cardstock together with two thin metal rods including children wild animals farm animals mythological figures a wizard and Black caricatures; and three sheets of uncut figures some with the possibility of articulated limbs depicting knights dancers street criers hunters and a butterfly chase among others. Descriptive label affixed to inside of lid. A few of the pierced paper scenes with some tears one large tear to scrolled paper shadow scenes some of the tears have been professionally repaired and some minor soiling wear and rubbing to box overall very fine condition. Box measures approx. 15-1/2 by 20 inches pierced paper pictures approx. 14-1/4 by 17-1/4 inches. Paris Pellerin/Dacier n.d. circa 1903. Although the concept of shadow play and puppetry dates back to antiquity and is especially prevalent in Chinese Thai Cambodian and Southeast Asian tradition shadow puppetry came to Europe at the end of the 17th century. French showman François Dominique Séraphin first presented his shadow play in a hôtel particulier in Versailles in 1771 going on to perform in front of royalty at Versailles. In 1784 Séraphin moved to Paris giving regular shows at the Palais-Royal. His nephew took over the show when he died and his heirs continued the performances until the theatre closed in 1870. Following on this popularity around the turn of the century several French publishers put out portable Chinese shadow "games" meant for personal and home use. Some were even included in the catalogs of the famous department stores La Samaritaine and Au Bon Marché. Mauclair Dacier was foremost among these producers distributing beautiful and elaborate shadow play theaters. The six punched paper scenes included in this theater are: Revue Navale en l'Honneur du Couronnement du Roi d'Angleterre; l'Arrivée d'Ãdouard VII a Paris; Couronnement du Rou d'Angleterre; la Loie Fuller ou la Danse Serpentine; Pont Alexandre III Exposition 1900; and Fêtes du Centenair de Victor Hugo. unknown books
1908249271908 [S.l.], 1908,in8 broché.couverture ill. détachée,sans le plan de la ville - Bibliogr. p. 92 - Renseignements généraux p. 89,rare
8739NICE, Ed. de "Mediterranéa" - 1927- Tirage limité à 800 exemplaires - In-4 - Broché 4 HT en sanguine de Jules CHERET & 86 illustrations d'après les pièces les plus remarquables des Musées de Nice - Lecture sur 2 colonnes - 69 pages - Très propre
1940256845Besins et cie 1940 in8. 1940. Broché. illustrations en noir et blanc
193023330ABParis Maurice le Garrec 1930. 32x23 cm. 133 p., 2 p., 2 f. Avec de nombreuses illustrations et dessins fac-similés. Broché, couverture rempliée.
193175243Paris: L'Edition d'art H. Piazza 1931. Fine. L'Edition d'art H. Piazza Paris 1931 15.50 x 21 cm broché First edition one of 650 numbered copies on Japon impérial paper. Work illustrated with 17 original color compositions by Charles Jouas. Handsome copy despite light marginal foxing of no consequence on the first cover. L'Edition d'art H. Piazza unknown
1941392À Paris, aux éditions "La Caravelle" 1941. In-4 (270 x 215 mm) en feuilles, couverture rempliée imprimée en deux couleurs. Édition originale. En frontispice, un portrait de G. ROCHEGROSSE par lui-même et 18 entêtes en noir composées et gravés à l'eau-forte par EDOUARD LEON. Ensemble et détail du tableau de Rochegrosse du Musée du Luxembourg : 8 reproductions en couleurs contrecollées sur 5 planches et 3 superbes eaux fortes de Decisy. Préface et avant-propos de Camille MAUCLAIR. Poème de Rochegrosse pour le commentaire du tableau. Typographie très soignée. Tirage : 280 exemplaires numérotés sur grand vélin d'Arches, celui-ci 1 des 165 contenant les eux-fortes en leur état définitif avec la lettre.
193175243L'Edition d'art H. Piazza | Paris 1931 | 15.50 x 21 cm | broché
FR181911931 -
1910023080Paris ROUART, LEROLLE & Cie 1910 un volume grand in-4°, 95 pp. Reliure souple de l'éditeur en toile verte, étiquette d'auteur et de titre dorée en veau vert en coin supérieur de plat. (salissures en pourtours de plat, gardes brunies sinon intérieur frais). Recueil pour partition piano d'Ernest Chausson accompagnée de poèmes de BOUCHOR, MAETERLINCK, MAUCLAIR, VERLAINE, JHOUNEY, MORÉAS et CROS. Chausson est un des grands compositeurs français du début du XXe siècle, contemporain de Claude Debussy.
RO80260508G. Réaubourg. Non daté. In-4. Broché. Etat d'usage, Couv. légèrement passée, Agrafes rouillées, Intérieur acceptable. 3 fascicules d'environ 10 pages. Nombreuses photos monochromes dans et hors texte.. . . . Classification Dewey : 709-Histoire des arts
189983424s. l.: S. n. 1899. Fine. S. n. s. l. s. d. 1899 15 x 19.50 cm 8 feuillets Autograph manuscript signed entitled ""La force et la destruction"" about Paul Adam's novel La Force which has just been published 8 leaves in blue ink with some corrections. The article was certainly published in the Revue Blanche. In this laudatory critique of the novel La Force published by Paul Ollendorff: "". c'est un très grand poème épique."" "". it is a very great epic poem."" as well as of Paul Adam's already prolific work: ""Un écrivain qui à trente-cinq ans avant ce livre en a signé vingt-trois autres dont aucun n'est médiocre et dont dix sont de premier ordre."" "". un inépuisable agitateur d'idées d'aperçus de rêves et de beautés."" ""A writer who at thirty-five before this book had signed twenty-three others none of which is mediocre and ten of which are first-rate."" "". an inexhaustible agitator of ideas insights dreams and beauties."" Camille Mauclair demonstrates to the readers of the Revue Blanche of socialist and anarchist allegiance that Paul Adam is one of them: ""Mais le peuple ne sait peut-être pas combien ce romancier cet artiste de style est près de lui dévoué à sa cause véritablement son apôtre en face de la bourgeoisie. c'est en luttant de front contre les iniquités les laideurs et les égoïsmes de la classe possédante que M. Adam a imposé son nom."" ""But the people perhaps do not know how close this novelist this artist of style is to them devoted to their cause truly their apostle in the face of the bourgeoisie. it is by fighting head-on against the iniquities ugliness and selfishness of the possessing class that Mr. Adam has established his name."" Despite success and unlike many of his fellow poets and novelists Paul Adam has not gone astray: "". un mandarin des lettres refugié dans des rêves compliqués et indifférents à l'époque aux souffrances et aux injustices."" "". les autres décadents égotistes ou symbolistes. se réfugiaient prudemment dans la tour d'ivoire ou dans les honteux culte du moi en attendant l'académisme ou le suffrage des snobs."" "". a literary mandarin taking refuge in complicated dreams and indifferent to the times to suffering and injustices."" "". the other decadents egoists or symbolists. prudently took refuge in the ivory tower or in the shameful cult of the self awaiting academicism or the approval of snobs."" and is animated by an acute political and social consciousness: "". sa voix fut une des plus éloquentes parmi celles qui saluèrent dans l'anarchisme les beaux côtés de sa morale civique l'idéal internationaliste la haine des castes le relèvement de l'individu considéré comme unité et commune mesure de la société."" "". Au moment où la panique multipliait autant les dénonciateurs que les poltrons M. Paul Adam signa résolument un magnifique éloge de Ravachol.""' "". his voice was one of the most eloquent among those who greeted in anarchism the beautiful aspects of its civic morality the internationalist ideal the hatred of castes the elevation of the individual considered as unit and common measure of society."" "". At the moment when panic multiplied denouncers as much as cowards Mr. Paul Adam resolutely signed a magnificent eulogy of Ravachol.""' Finally Camille Mauclair precisely analyzes the significance of ""La force"": Avec une frappante justesse Paul Adam oppose la force véritable la hauteur d'esprit à la suprématie de l'épée."" ""M. Paul Adam nous montre l'éternel symbole de Prométhée de l'intelligence créatrice enchaîné entre la Force et la Violence."" "". étant adversaire du chauvinisme et du militarisme. de mettre en lumière tous leurs motifs de gloire pour mieux en montrer l'écoeurant non-sens la nullité la débilité devant la vie pensante et l'action féconde."" ""With striking accuracy Paul Adam opposes true force elevation of spirit to the supremacy of the sword."" ""Mr. Paul Adam shows us the eternal symbol of S. n. unknown
033156467X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364981466.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
193162346Grenoble: B. Arthaud 1931. Fine. B. Arthaud Grenoble 1931 17 x 23.50 cm broché First edition one of 200 numbered copies on grand vélin pur fil the only deluxe copies. Work illustrated with original watercolors by Migueline d'Attanoux. Handsome copy complete as stated in the justification page with its separate suite of the color plates. B. Arthaud unknown
1330302664.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1528048822.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366573497.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover