Mauclair, CamilleBiblio.com
1 121 résultats
1018436286.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1414257244.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
45378995like new. unknown
1015513522.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1925mon0000029368<p>Brentano's 1925. Hardcover. Very Good. in x in x in. Watercolours By Pierre Vignal. 14 plates. No DJ. 'No. 5' stamped on the front free page. Previous owner name in pencil below the number. Sunning to cover edges with shelf wear to top and bottom spine edges.</p> Brentano's hardcover
4554New York: Brentano's. Hardcover. Fair. Pierre Vignal. Edgeworn. Cover stained. Brentano's hardcover
1925mon0003372062Brentanos 1925T. hardcover. Good. 1.0000 13.0000 10.1000. Cover shows minor wear tear and tanning slight loss on the corners and spine ends. Gift inscription on the front free endpaper. Pages are tanned and clean. Brentanos hardcover
192565396104 pages contains colour and black and white illustrations missing one watercolour plate on page 72 of Canal of the Church of the Madonna De Miracoli all other watercolour plates tissue guarded with a spider wed decorated tissue contains chapters on Painting Architecture Sculpture Industrial Art The City The Islands and Venice and Modern Art Published by Brentanos Inc. paperback
48995Exquisite turn-of-the-century French shadow theater comprised of a chromolithographed box illustrated with a central scene depicting the Revue du 14 Juillet à Paris and two smaller scenes from the 1893 Fêtes Franco-Russes Dunkerque-Cronstadt and the Réceptions au Palais Catherine the box containing within: an elaborate wooden framed theater stage with chromolithographed front showing an orchestra and labeled "Ombres Chinoises" meant to be displayed in front of a light source and outfitted with a double-crank system and two rolls of paper which can be scrolled through using the cranks the paper depicting twelve comic shadow/silhouette scenes as well as containing swaths of red green yellow and blue paper with black hatchmarks the theater frame also having a slot into which a frame can be slid behind the "curtain" of the stage; six chromolithographed punched paper scenes meant to be displayed in front of the scrolling colored paper to mimic the impression of fireworks or light displays; a blank screen for shadow figure plays and scenes; approximately thirty-four cut-out shadow figures mounted on cardstock together with two thin metal rods including children wild animals farm animals mythological figures a wizard and Black caricatures; and three sheets of uncut figures some with the possibility of articulated limbs depicting knights dancers street criers hunters and a butterfly chase among others. Descriptive label affixed to inside of lid. A few of the pierced paper scenes with some tears one large tear to scrolled paper shadow scenes some of the tears have been professionally repaired and some minor soiling wear and rubbing to box overall very fine condition. Box measures approx. 15-1/2 by 20 inches pierced paper pictures approx. 14-1/4 by 17-1/4 inches. Paris Pellerin/Dacier n.d. circa 1903. Although the concept of shadow play and puppetry dates back to antiquity and is especially prevalent in Chinese Thai Cambodian and Southeast Asian tradition shadow puppetry came to Europe at the end of the 17th century. French showman François Dominique Séraphin first presented his shadow play in a hôtel particulier in Versailles in 1771 going on to perform in front of royalty at Versailles. In 1784 Séraphin moved to Paris giving regular shows at the Palais-Royal. His nephew took over the show when he died and his heirs continued the performances until the theatre closed in 1870. Following on this popularity around the turn of the century several French publishers put out portable Chinese shadow "games" meant for personal and home use. Some were even included in the catalogs of the famous department stores La Samaritaine and Au Bon Marché. Mauclair Dacier was foremost among these producers distributing beautiful and elaborate shadow play theaters. The six punched paper scenes included in this theater are: Revue Navale en l'Honneur du Couronnement du Roi d'Angleterre; l'Arrivée d'Ãdouard VII a Paris; Couronnement du Rou d'Angleterre; la Loie Fuller ou la Danse Serpentine; Pont Alexandre III Exposition 1900; and Fêtes du Centenair de Victor Hugo. unknown books
46513PARIS, Aux Editeurs Associés,Les Editions du Monde Moderne - 1 ère édition française (sans date) 1922 - In-12 - Reliure plein maroquin -Tranche supérieure dorée - Traduit du russe par S. Mandel & Marc Semenoff - Préface de Camille Mauclair - illustrations - Lettrines - XXI-163 pages - Bel exemplaire
55052P., Laurens, 1925, in 8° broché, 172 pages ; couverture rempliée.
17765aafParis, Henri Laurens, (Imprimerie Ch. Hérissey - Évreux), 1931, gr. in-8°, VIII + 172 p., illustré de 30 planches en couleur, reliure en demi-cuir, dos orné d’or, en bas R.E. (René Épars) plats en papier fantaisie, couverture de la brochure originale conservée (Rel. M. Vallon Genève). Bel exemplaire.
1931R260170730HENRI LAURENS. 1931. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 171 pages. Couverture contrepliée. Trente planches en couleur d'après les tableaux du peintre (contrecolléeshors texte) Ornementation en noir et blanc de David Burnand .. . . . Classification Dewey : 945-Italie
193138070Reliure demi-percaline blanche. Dos lisse avec pièce de titre rouge. Intérieur très propre. Avec 30 planches en couleurs d'après les tableaux du peintre. Ornementations de David Burnand.
192579686Paris, Henri Laurens, 1925, 190x240mm, plein maroquin grenat sous étui, couvertures conservées, coupes et contreplats décorés, 171p. Bel exemplaire, très frais, dans une élégante pleine reliure.
1925LIQ-7027P. Henri Laurens 1925. Grand in-8° broché, grandes marges, sous couverture imprimée rempliée, 171 pages (petit coup sur le premier plat).
25296Paris, Henri Laurens, éditeur, 1931. Grand in-8 (19 x 24 cm), broché, couverture imprimée et rempliée, 171 pp.
1947108259Paris Henri Laurens, editeur 1947 171p 1 volume In4 broché. Couverture illustrée rempliée.Ouvrage orné de 30 planches H.T en couleurs contre-collées d'après les tableaux du peintre. Ornementations de David Burnand.Non-coupé.
1931123762Henri Laurens, Editeur 1931 In-8 broché 23,5 cm sur 18,5. Trente planches contrecollées en couleur d’après les tableaux de J.-F. Bouchor. Bandeaux, lettrines et culs-de-lampe de David Burnand. Pages non coupées. 171 pages. Bon état d’occasion.
98408Paris, Henri Laurens, 1931. 19 x 24, 172 pp., broché, non coupé, couverture rempliée, bon état (tranches légèrement roussies).
15250aafParis, Henri Laurens, 1925, gr. in-8°, 172 p., illustré de 30 planches en couleur contrecollées, Exlibris en rouge et noir “Alfredi de Clement”, reliure d-cuir avec pièce de tite en cuir au dos ‘Mauclair, Bouchor’. (Reliure F. Kapucian, Buchbinder Schreckenstein III).
1891P., Librairie Académique Didier Perrin et Cie, 1895. In-8° demi chagrin bleu, dos à 5 nerfs, titres dorés, date d'édition dorée en pied, tranchefiles, signet, tête dorée, non rogné, couvertures conservées. (Reliure début XXème).
0331425076.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020811269.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
133484111X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
