Gavanti, Bartolommeo & Cuvernon, RobertBiblio.com
382 résultats
1634200881634-1646. 4to. 4 works in 1 vol. a4e2A-X4Y2; ¹1a4A-C4D2a4A-F4F4 blanka4A-O4. Full contemporary calf rebacked with old spine laid-on corners worn old owner's names on t.p. some foxing a good copy. Gavantius 1569-1638 liturgist and member of the Barnabite order was general of his order and named perpetual consultor to the Congregation of Rites by Pope Urban VIII. Early on he dedicated himself to the study of liturgy and this was his chief work. It traces the historical origin of the rites discusses their mystical significance and gives rules for their observance and obligation of the rubrics. Cardinals Millino Muto and Cajetan approved it and it was dedicated to Urban VIII. Cuvernon was a doctor of the Sorbonne Gavanti: BL 17th Italian 382. Camerini Giunta Venice 1316. unknown
187014641Milano: Presso la Libreria Dante Alighieri di Erico Politti. Tip. Lombardi 1870 1870. Buon esemplare completo e complessivamente ben conservato entro graziosa ed onesta legatura dell'epoca; lievi segni d'uso sulle legature piccoli difetti sulle sguardie qualche segno a lapis sugli indici. . Due volumi opera completa in mezza pelle coeva piatti in percallina arancio con titoli e piccoli fregi dorati sugli angoli dorso liscio con fregi e filetti dorati sguardie bianche; in ottavo cm 23 x 16 pp 630 712 numerose illustrazioni nel testo occhietto con ricchi fregi di gusto moresco. Buon esemplare completo e complessivamente ben conservato entro graziosa ed onesta legatura dell'epoca; lievi segni d'uso sulle legature piccoli difetti sulle sguardie qualche segno a lapis sugli indici. Bella edizione ottocentesca del Don Quixote di Cervantes nella celebrata traduzione di Bartolommeo Gamba e con ricco apparato iconografico ripreso dall'edizione parigina di Dubochet del 1836. Bartolommeo Gamba noto come bibliofilo e bibliografo per l'importante e tuttora valida Serie dei testi di lingua fu a lungo attivo nell'editoria dapprima con i Remondini per i quali curava tra l'altro la corrispondenza con la Spagna affinando la conoscenza dell'idioma iberico e poi come editore-tipografo dirigendo la Tipografia di Alvisopoli. Fu per l'impresa veneziana che il letterato diede alle stampe per la prima volta la sua traduzione del Don Quixote 1818-1819 con illustrazioni di Francesco Novelli; la versione venne condotta sull'edizione della Reale Accademia di Madrid del 1780 e fu molto apprezzata conoscendo numerosissime ristampe. «El traductor que lo fué B. Gamba adoptò una manera de traducir que sin ser literal reproduce con bastante fidelidad salvo alvunas exceptiones el sentido del original. El estilo es bastante elegante y las poesias estan traducidas con gusto» Rius. L'edizione qui proposta riprende la revisione del testo curata da Francesco Ambrosoli nel 1840 per Andrea Ubicini ma include anziché la prefazione di Louis Viardot tolta dall'edizione parigina presa a modello una breve introduzione di Antonio Balbiani. I due volumi sono illustrati da circa 800 vignette xilografiche disegnate da Tony Johannot con l'ausilio di Andrew Best Leloir Brevière Porret e molti altri. Rius I 795; Ashbee 186 per la serie iconografica e 410; Palau II p. 172. Cat. 26 n. 9. Presso la Libreria Dante Alighieri di Erico Politti. [Tip. Lombardi, 1870] unknown
16585692Venice: Niccolo Pezzana 1658. Very Good/First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. . Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. Niccolo Pezzana hardcover books
16585692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. <br /><br />First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover
H2484Verona 1858. 8vo. 1 S. auf Italienisch gutes Exemplar. Massalongo: Paläobotaniker Lichenologe. unknown
a30245Pisa 1665 Francisci Onophrij. In Latin. 8vo. 433pp. plus errata pages 1/2 leather with marbled paper boards. Ownership stamp on title page. VG some brown spotting in text some wear on covers and head of spine. hardcover
1914189942FlorenceS. Olschki: Leo S. Olschki 1914. Hardcover. Good heavy shelfwear and soiling to portfolio; spine missing all plates present foxing and age toning throughout. Oversized portfolio tan boards with black lettering 4 pages of text describing the plates 25 mounted color and bw plates. I disegni della R. Galleria degli Uffizi in Firenze Series. Second Series Second issue. Text is in Italian. Leo S. Olschki hardcover
1769R300110215PEL BENEDETTI. 1769. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. XII + 209 pages - OUVRAGE EN ITALIEN - un tampon et une annotation sur la page de titre - 2 photos disponibles.. . . . Classification Dewey : 840.05-XVIII ème siècle
183270625Venezia: dalla tipografia di Alvisopoli 1832. 12mo pp. 276; 20th-century marbled wrappers; title page on a guard; very good sound and clean. First edition of this bibliography of writings in Venetian dialect from the origins to the 19th century followed by the Venetian dialect translation of 24 Odes of Horace by Pietro Bussolin director of the Royal Mint of Venice. Gamba 1766-1841 was the director of the Venetian Tipografia di Alvisopoli a bibliographer bibliophile translator he is responsible for a beautiful version of Don Quixote and a member of the Academia della Crusca. Not in the Mills College Check List but see no. 1172 for the separate edition of Horace's Odes dalla tipografia di Alvisopoli 1832 translated by Bussolin and printed in an edition of 50 copies. dalla tipografia di Alvisopoli unknown
1835142049Firenze Italy: Tipografia all' Insegna di Dante 1835. later buckram title on spine. 8vo. later buckram title on spine. xv 290 16 pages. Second revised and enlarged edition Brunet II p. 1473 after the first in Venice in 1833 which appeared in only 100 copies. A near fine copy. Contains six engraved plates with portraits of Italian storytellers Boccaccio Franco Sacchetti Firenzuola Lorenzo Magalotti Gasparo Gozzi and Michele Colombo. Tipografia all' Insegna di Dante unknown
79670Marcelo Prault Parigi - Londra 1768 2 volumes in-12 ( 145 X 85 mm ) de XV-383 et 375 pages, plein veau fauve marbré, dos lisses ornés de caissons et fleurons dorés, pièces de titre de maroquin acajou, triple filet doré d'encadrement sur les plats, toutes tranches dorées ( Reliures de l'époque ). 2 titres gravés, portrait en frontispice et planche dépliante de généalogie hors-texte. Edition originale. Bon exemplaire, pur.
Opera composta da otto scritti di Bartolommeo Capasso, editi tra il 1867 ed il 1887, rilegati in un unico tomo. "Novella di Ruggiero Re di Sicilia e di Puglia promulgata in Greco nel 1150 ed ora per la prima volta edita dai codd. delle biblioteche di San Marco in Venezia e Vaticana di Roma con la traduzione latina ed alcune osservazioni di Bartolommeo Capasso", 1867, di 34 pagine; "Sulla Storia esterna delle Costituzioni del Regno di Sicilia promulgate da Federico II - Memoria di Bartolommeo Capasso", 1869, di 128 pagine; "Sul catalogo dei Feudi e dei Feudatari delle Provincie Napoletane sotto la dominazione Normanna - Memoria di Bartolommeo Capasso", 1870, di 83 pagine; "Notizia di alcune Iscrizioni Formiane recentemente ritrovate con Brevi Osservazioni di Bartolommeo Capasso", 1870, 16 pagine; "Sui diurnali di Matteo da Giovenazzo - Memoria di Bartolommeo Capasso ...", 1872, di 64 pagine; "Sull'epoca della morte di S. Benedetto e sull'Era Benedettina di alcune cronache napoletane dei mezzi tempi - Memoria di Bartolommeo Capasso letta alla R. Accademia di Archeologia Lettere e Belle Arti di Napoli nela tornata del 7 ottobre 1878 tenuta in Montecassino", 1879, di 12 pagine; "Sulla Circoscrizione Civile ed Ecclesiastica e sulla Popolazione della Città di Napoli dalla fine del secolo XIII fino al 1809 - Ricerche e documenti per Bartolommeo Capassa", 1882, 129 pagine; "Monumenta ad Neapolitani Ducatus historiam pertinentia - De Curialium Neapolitanorum sub ducibus ordine officio et ritibus, ac de aria actorum ab eis perscriptorum specie, nomenclatura et forma - Dissertatio - (Ex operis T. II, P. II), 1887, di 17 pagine. I primi sette scritti sono editi in Napoli, Stamperia della Regia Università, l'ultimo sempre a Napoli, Ex Regio Typographaeo Francisci Giannini & Fil. Volume della seconda metà dell'800 in folio, stato discreto, coperta in mezzapelle con angoli, piatti marmorizzati, sul dorso fregi e caratteri in bassorilievo, alcuni segni del tempo, tracce di fioritura sparsa, tagli poco ambrati, pagine in buono stato, alcuni appunti e segni a matita al margine del testo. Fregi in nero. Numero Pagine 483 USATO
Tra i vari argomenti trattati leggo dall'indice (vedi foto): Osservazioni sulla topografia del territorio trevigiano, e sulle condizioni geologiche delle fonti di Treviso. Analisi delle acque potabili di Treviso. Il seccume del Gelso, coll'esposizione di una nuova teoria dell'entofiteusi. Alcune ricerche teoriche sulla origine e natura dell'Ozono. Sulle Opere del prof. Buffalini. Alcune parole intorno alla Musica. La Poesia ipocondriaca. Sull'Affetto. Pi? altre memorie e relazioni. Rilegatura in mezza pelle, copertina rovinata e da sostituire (vedi foto). Pagine in buone condizioni con sporadiche tracce di muffa. Una sola pagina illustrata (vedi foto). Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Worldwide delivery.
1812714P25Milan: Dakka Stamperia Reale 1812. Leather. Good. 6 by 4. None. The second edition of this Italian reference work a bibliographical work on books written about the Italian language. In the original Italian.The second edition of this work.Complete as two volumes bound in one.The work is paginated continuously with a title page for the second part after page 465.A bibliographical work referencing books published between 1257 and 1695 that focus on language particularly the Italian language.Referencing works by Guidotta de Bologna Dante Giacomo Colonna Giovanni Boccaccio Gabriello Chiabrera Benedetto Menzini and more.Written by Bartolommeo Gamba an Italian writer and bibliographer. Gamba was an avid collector of books and left a large library when he died. In a half calf binding with marbled paper to the boards. Externally sound. Rubbing has caused loss of leather and paper to the boards and spine. A little discolouration to the boards and spine. Internally firmly bound. Pages are bright though the title page is age-toned and generally clean with spots. Tidemark to the first few pages. Tidemark to the tail of pages 441 to 508. Good Dakka Stamperia Reale hardcover
1800046679Venice: Palese 1800. Early Edition. Hardcover Vellum. Very Good Condition. Light soiling to vellum light scattered foxing. 8102 2pp Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 046679. Palese hardcover
1800046679Venice: Palese 1800. Early Edition. Hardcover Vellum. Very Good Condition. Light soiling to vellum light scattered foxing. 8102 2pp Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 046679. Palese hardcover books
Z1-U-035-00515Nabu Press. Used - Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages poor pictures errant marks etc. that were either part of the original artifact or were introduced by the scanning process. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Nabu Press unknown
Z1-C-089-01505Gale ECCO Print Editions. Used - Like New. Used - Like New. Italian. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages poor pictures errant marks etc. that were either part of the original artifact or were introduced by the scanning process. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Gale ECCO, Print Editions unknown
1823287857Venetiis : Ex typographia Balleoniana 1823. Editio novissima. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Physical description; vols. III IV and V 3 in 1. Subjects; Catholic Church Liturgy. Bishops. Venetiis : Ex typographia Balleoniana paperback
3600113Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1505. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3607013Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 14th century 1353. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2035600Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1609. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1838946Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1631. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1390796Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1609. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1391437Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1740. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
