Rinaldis, Bartolommeo DeBiblio.com
382 résultats
1024831310.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1812714P25Milan: Dakka Stamperia Reale 1812. Leather. Good. 6 by 4. None. The second edition of this Italian reference work a bibliographical work on books written about the Italian language. In the original Italian.The second edition of this work.Complete as two volumes bound in one.The work is paginated continuously with a title page for the second part after page 465.A bibliographical work referencing books published between 1257 and 1695 that focus on language particularly the Italian language.Referencing works by Guidotta de Bologna Dante Giacomo Colonna Giovanni Boccaccio Gabriello Chiabrera Benedetto Menzini and more.Written by Bartolommeo Gamba an Italian writer and bibliographer. Gamba was an avid collector of books and left a large library when he died. In a half calf binding with marbled paper to the boards. Externally sound. Rubbing has caused loss of leather and paper to the boards and spine. A little discolouration to the boards and spine. Internally firmly bound. Pages are bright though the title page is age-toned and generally clean with spots. Tidemark to the first few pages. Tidemark to the tail of pages 441 to 508. Good Dakka Stamperia Reale hardcover
1286660300.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1286395364.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18391238284to. Venezia: Co'tipi del Gondoliere 1839. 4to xxv 2 794 1 pp. Green cloth. Manuscript notes on verso of front free endpaper. § Gamba's own copy with his unpublished corrections throughout. Fourth edition "riveduta emendata e notabilmente accresciuta" still unsurpassed as a general reference work. This is the Breslauer copy lot 988 sold for £1340 in 2005. Many copies for sale in Italy but none in the US as of 2021. Tumarkin 1 525: "Last and best edition of the foremost bibliography of Italian literature." Besterman 3214. Petzholdt 356. Co'tipi del Gondoliere hardcover books
1839BIBLIO-35986Co' Tipi del Gondoliere Venezia fourth edition 1839. Later cloth and imitation leather boards old leather spine-label laid down 8vo 26 cm. xxv 794 1 pp. Textblock detached from binding at rear joint tear to front joint contents a little agetoned. Co' Tipi del Gondoliere, Venezia, fourth edition, 1839 hardcover
34619Bologna: Arnaldo Forni Reprint of the 1838 edition 1982. 4to 794pp. orig. boards. Bologna: Arnaldo Forni, (Reprint of the 1838 edition) 1982 hardcover
1143484576.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
128769005X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18391238281839. Venezia: Co'tipi del Gondoliere 1839. <br /> <br /> 4to xxv 2 794 1 pp. Green cloth. Manuscript notes on verso of front free endpaper.<br /> <br /> § Gamba's own copy with his unpublished corrections throughout. Fourth edition "riveduta emendata e notabilmente accresciuta" still unsurpassed as a general reference work. This is the Breslauer copy lot 988 sold for £1340 in 2005. Many copies for sale in Italy but none in the US as of 2021. Tumarkin 1 525: "Last and best edition of the foremost bibliography of Italian literature." Besterman 3214. Petzholdt 356. unknown
1149885173.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366303104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
183270625Venezia: dalla tipografia di Alvisopoli 1832. 12mo pp. 276; 20th-century marbled wrappers; title page on a guard; very good sound and clean. First edition of this bibliography of writings in Venetian dialect from the origins to the 19th century followed by the Venetian dialect translation of 24 Odes of Horace by Pietro Bussolin director of the Royal Mint of Venice. Gamba 1766-1841 was the director of the Venetian Tipografia di Alvisopoli a bibliographer bibliophile translator he is responsible for a beautiful version of Don Quixote and a member of the Academia della Crusca. Not in the Mills College Check List but see no. 1172 for the separate edition of Horace's Odes dalla tipografia di Alvisopoli 1832 translated by Bussolin and printed in an edition of 50 copies. dalla tipografia di Alvisopoli unknown
18051238278vo. Bassano: Tipografia Remondiniana 1805. 8vo xxix 2 226 pp. Crusca woodcut device on title and at the end. Contemporary Italian printed paper wrappers. § Large-paper copy possibly proof sheets. Gamba's own copy of the first edition with numerous autograph corrections and additions for the second edition. Gamba's classic bibliography of Italian literature whose fourth edition of 1839 is still unsurpassed as a general reference work see below. See Breslauer Sale lot 987 £1600. See Besterman 3214. Petzholdt 356. Tipografia Remondiniana unknown books
0259512605.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0484553208.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020279915.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
16585692Venice: Niccolo Pezzana 1658. Very Good/First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. . Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. Niccolo Pezzana hardcover books
16585692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. <br /><br />First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover
1245664832.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1245664794.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
318952Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
318951Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
318950Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
318953Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
