976 résultats
96510<p>Paris circa 1805 through 1814. . Very good. - A suite of 18 plates by Jean Duplessis-Bertaux engraved on creamy white stock measuring between 10-1/2 inches by 8 inches and 11 inches by 8-1/2 inches with large margins there is one smaller exception. The images depict the various cries of Paris merchants. All but three are signed "JDB" in the plate. Most of the images are identified and titled in French in pencil by a previous owner. The collection is as follows:</p><p>"Marchand de gravures etalagiste" portrays street vendors of engravings offering their merchandise to customers some of whom are handling the prints. Several prints hang from a wire stretched between poles in the background and a large blank canvas hangs from the center of the pole. In some editions what is here a blank canvas bears the printed title "Suite de Marchands ambulants de Paris par J.D. Bertaux" and serves as frontispiece to the work. The image measures 3-1/4 inch high by 2-1/4 inch wide within 4 inch high by 3-1/4 inch wide plate marks. The edges are very slightly creased with two tiny tears to the left edge and a couple of tiny stains or spotting to the bottom margin of the page.</p><p>"Decrotteur et ramoneur" portrays a man shining the shoes of an officer as chimney sweeps and other shoe-shiners are pictured in the background. A small dog stands at the side of the officer. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/4 inch high by 4 inch wide plate marks. There is some minor faint foxing.</p><p>"Parade de comediens ambulants" portrays traveling actors performing and parading on the porch of a house with spectators in the foreground. The image measures 2-3/8 inch high by 3-3/8 inches wide within 3-1/2 inch high by 4-1/4 inch wide plate marks. There is light foxing throughout.</p><p>"Colleur d'affiches" portrays a bill-poster perched on a ladder pasting a poster or bill to the corner wall of a building. Another worker stands around the corner and a family looks on with their dog. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There are some minor faint stains and minor foxing to the margins.</p><p>"Gagne petit" portrays a knife grinder or sharpener carrying his grinding wheel on his back with a dog at his side. Another knife grinder wheels his equipment in a wheelbarrow. A house and people are pictured in the background. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There is minor foxing to the margins.</p><p>"Remouleur" although the title differs the image is identical to the prior one. "Gagne petit" and "remouleur" both translate to knife grinder or sharpener. There is some scattered foxing and the paper is lightly darkened.</p><p>"Titre" possibly the title page to the work. The image portrays men filling water containers from a city's monument fountain with water pouring from the mouth of a troll. The image measures 2-1/2 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. The edges of the plate are darkened with a short tear to the top edge and just a hint of foxing to the margins.</p><p>"Serrurier" portrays a locksmith grinding keys near the open gate leading to a mansion. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is a minor crease to the bottom right corner with just a hint of foxing to the margins.</p><p>"Cardeuses de matelats" portrays mattress carders. 3 women are seated with their carding tools and sections of stuffed fabric. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/4 inch high by 3-1/4 inch wide plate marks. There are minor creases to the corners with a couple of faint specks to the margins.</p><p>"Menuisiers" portrays carpenters working on furniture at their work table. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is light scattered foxing mostly to the margins.</p><p>"Marchands de parapluies et de soufflets" portrays an umbrella merchant carrying several on his back and a bellows merchant with several fireplace bellows attached to this clothing. The image measures 3-1/4 inches high by 2-3/8 inches wide within 4 inch high by 3-1/4 inch wide plate marks.</p><p>"Batteurs de platre" portrays plaster beaters. A man is beating away at plaster spread out upon the ground as another carries a basket of plaster to spread over it. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/4 inch high by 3-7/8 inch wide plate marks. There is some minor foxing to the margins.</p><p>"Charrons" portrays wheel builders constructing wooden carriage wheels. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is some minor faint foxing throughout.</p><p>"Scieurs de bois" portrays sawyers at work as an empty horse-drawn cart rides away and another stacks wood upon a ramp leading to a barn's loft. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 4 inch wide plate marks. There are some minor sports of foxing or browning to the print.</p><p>"Lingere au petit crochet" portrays an elderly woman cloth merchant carrying her linens in a basket on her back. Several dogs are near her and another cloth merchant can be seen speaking to a man in the background. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/8 inch high by 3-1/4 inch wide plate marks. There are minor creases to the edges.</p><p>"Porteur d'eau" portrays a water carrier and his wife pulling a large barrel of water on a cart. Another water cart and houses are depicted in the background at left. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/4 inches high by 3-7/8 inches wide plate marks. There is creasing to the bottom right corner and some foxing to the margins.</p><p>"Tomeliers" portrays coopers at work constructing wooden barrels to which they affix metal rings. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-3/4 inch wide plate marks. There is some minor foxing throughout.</p><p>An untitled image portrays barbers working on customers hair and beards and a wigmaker at her loom. Several wigs hang from the wall. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/2 inch high by 4-7/8 inch wide plate marks. This print is engraved on a sheet which is slightly smaller than the others measuring 7-3/8 inches high by 9-1/4 inches wide. There is a piece chipped from the bottom left corner with some foxing and darkening to the margins. The artist's name here spelled "Duplessis-Berteaux" by an early owner is penned on the verso.</p><p>The engravings are in overall very good condition with a paper tab mounted along one edge of the verso of each print.</p><p>The French painter and draughtsman Jean Duplessis-Bertaux 1747-1819 produced etchings and burin engravings. Having taken part in the French Revolution Duplessis-Bertaux produced a series of prints entitled "Scenes de la Revolution" followed by "Campagnes de Napoleon" which illustrated scenes from Napoleon Bonaparte's Italian campaigns engraved after paintings by Carle Vernet. He also produced a series of engravings portraying the street cries of Paris "Cris de Paris". Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon and produced several pornographic prints many of which were printed anonymously but were later re-attributed to him. The work entitled "Recueil de cent sujets de divers genres" published in 1814 gathered together in one volume 100 of Duplessis-Bertaux' engravings from eight of the suites including military scenes and those from his Cries of Paris which had previously been distributed seperately.</p> Paris, circa 1805 through 1814. hardcover
1919013809Paris Henri Floury 1919 In-8 Broché Edition originale
11414Lausanne, André et Pierre Gonin, sans date. In-4 en feuilles de 108-[6] pages, chemise blanche gaufrée de formules d'algèbre, sous chemise de soie bleue et étui de soie violette, un brin insolée, titre en bleu au dos de la chemise.
23705Lille, Raoust, sd (1927). In-4 (270x205mm) en feuilles sous jaquette et double emboîtage ; 10 eaux fortes en noir in t avec remarques et 10 estampes en noir ht sous serpentes, représentant de pittoresques scènes du vieux Lille. Cet exemplaire est un des 15 tirés sur Japon Impérial (n°10) comprenant trois états de toutes les eaux fortes : premier état en pointe sèche, épreuve imprimée en couleurs et épreuve en noir terminée. On y trouve aussi une AQUARELLE ORIGINALE en couleur, signée, sous serpente. Ensemble très rare en magnifique état. Superbe ensemble.
1981230672Langlois OR: Diaspora Distribution 1981. Paperback. 61p. very good limited hand-printed paperback of 550 copies this copy personally inscribed and signed as Elana by the author on front endpaper red wraps decorated in silver. Poetry "for lesbians only Diaspora Distribution paperback books
929Paris, De Kérénac et Cie 1945 Paris in-4 91 p. 8 eaux-fortes hors-texte de Maurice l'Hoir. 29 poèmes., En feuilles sous couverture rempliée. Ex. sur Arches-Ecole n°160/292. Bon état.
6294Minneapolis: Red Egypt Press 1994. Limited Edition. One of 20 copies plus three Artist's Proofs specially bound and signed by Rathman this being copy no.20. Quarto 33.5cm; text is letterpress printed on Rives BFK wire-bound into grey cloth-covered boards with pictorial label inset on front cover; publisher's matching cloth slipcase; 26pp; illustrated with 9 three-color engravings from relief prints and etchings by David Rathman. Fine in a Fine slipcase. An elaborate production pairing the poetry of Russell Edson 1935-2014 with the artwork of Minneapolis-based visual artist David Rathman. Edson a Guggenheim Fellow has been called the "godfather of the prose poem in America." Uncommon evidently sold out prior to publication; OCLC notes 8 holdings. Red Egypt Press unknown
1946B7264New York: Heritage Press. 1946. Light wear to slipcases interiors clean and crisp. . Binding: Pictorial paper boards backed in brown cloth. Spines with gilt lettering and decoration. Top edges purple. Housed in brown paper slipcases. <br><br> Notes: A very good example of this set illustrated with reproductions of Piranesi’s renown etchings of Rome. <br><br>Giovanni Battista or Giambattista Piranesi 1720 – 1778 was an Italian classical archaeologist architect and artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" Carceri d'invenzione. He was the father of Francesco Piranesi Laura Piranesi and Pietro Piranesi.<br><br> Size: 8vo. 240 x 160 mm Volume: 3 volumes. Category: Book Classics; Heritage Press. hardcover
143945x25,5 cm, Motiv-Format: ca. 36, Blattformat: ca. 58x44cm. 1976. Unterhalb der Abbildung von Eggenschwiler gewidmet, signiert, mit `a.p.` bezeichnet und datiert ([19]72). Druck auf Japanpapier. Gutes Exemplar. Good copy. Dedicated and signed by the artist. Wikipedia: "Ab 1971 beteiligte er sich an der von Holger Runge gegründeten «Radiergemeinschaft Osterath» in Meerbusch-Osterath. Im Jahr 1972 war er Teilnehmer der Documenta 5 in Kassel in der Abteilung Individuelle Mythologien. 1973 zog er nach Eriswil im Oberaargau um, wo er bis zu seinem Tod lebte und arbeitete. Für den 85. Katholikentag 1978 in Freiburg im Breisgau schuf Eggenschwieler ein meterhohes Holzkreuz in einer Metallgitterstruktur, das seit 1979 am Hirzberg an der Waldstraße vom Schlossberg nach St. Ottilien steht. Von 1981 bis 1995 war er Professor an der Kunstakademie Düsseldorf."
19195585Hermann A. Wiechmann Verlag, München, 1919. 279 S. und 5 Tafeln, 8°, OHalb-Leder auf 5 Bünden, Lesebändchen, Kopfgoldschnitt. Mit 10 Vignetten des Künstlers und fünf, einschließlich des Titelbildes, signierten Original-Graphiken. "Von diesem Werke wurden 200 Exemplare auf Bütten abgezogen, welche vom Künstler eigenhändig signiert sind. Dieses Buch trägt die Nr. 33 (handschriftlich)." Die Signatur bezieht sich auf die Graphiken. Rückenfalzen und Kanten der Einbanddeckel abgerieben. Wenige Stockflecken im Text. Das Leder berieben. Innen ein insgesamt schönes Exemplar dieser seltenen Vorzugsausgabe. Limited edition for about 200 pieces, this is number 33 with 5 handsigned etchings. Das Foto zeigt die Titelgraphik. 1. Auflage
19207858Hermann A. Wiechmann Verlag, München, 1920. 279 S. und 5 Tafeln, 8°, OHalb-Leder auf 5 Bünden, Kopfgoldschnitt. Mit 10 Vignetten des Künstlers und fünf, einschließlich des Titelbildes, signierten Original-Graphiken. "Von diesem Werke wurden 500 Exemplare auf Hadernpapier abgezogen, welche vom Künstler eigenhändig signiert sind. Dieses Buch trägt die Nr. 263 (handschriftlich)." Die Signatur bezieht sich auf die Graphiken. Auf dem Vorsatz Stempel und handschriftlicher Besitzervermerk von Karl Maria Zwißler (von 1936 bis 1966 Generalmusikdirektor in Mainz). Rückenfalzen und Kanten der Einbanddeckel stark abgerieben. Abklatschspuren auf den Vorsätzen. Das Leder berieben. Innen ein insgesamt schönes Exemplar dieser Ausgabe. Limited edition for about 500 pieces, this is number 263 with 5 hand signed etchings. Das Foto zeigt eine Graphik.
19197820Hermann A. Wiechmann Verlag, München, 1919. 7 Original-Radierungen auf Japan-Papier hinter Passepartout in Mappe (diese mit gedruckter, farbiger Blüte). Die Original-Radierungen mit Remarquen. Die Mappe in Folio, die Graphiken ca 20x15 cm (HxB). Diese vorliegenden Blätter werden auch als sogenannte `Grosse Ausgabe` bezeichnet. Die nicht genannte Auflage betrug 100 Exemplare. Das Passepartout und die Mappe gegilbt, die Mappe mit Läsuren am Rücken und an den Kanten. Insgesamt ein gutes Exemplar, die Graphiken einwandfrei. Limited edition for about 100 pieces with 7 (6 hand signed) etchings. Das Foto zeigt eine Graphik.
19756600Paris-Genève, Selbstverlag, 1975. In-folio en feuilles, non paginé, sous couverture muette à rabats, chemise et étui en soie bleue, titre argenté au dos de la chemise.
26544New York, Theodore B. Donson, 1981 Illustrated cardboard cover in colour, 180 x 255mm., pages not numbered, 60 b/w etchings.
1949795Paris, Maeght éditeur, 1949. In-folio (380 x 280 mm) en feuilles, 8 pages. 2 LITHOGRAPHIES ORIGINALES EN COULEURS. Texte de Paul Éluard, Pierre Bérès, Georges Blaizot et Charles Peignot. Exposition de l'ouvrage "Le Bestiaire" de Paul Éluard illustré d'eaux-fortes originales de Roger Chastel.
19733969Lausanne, André et Pierre Gonin, 1973. 1 vol. in-folio en feuilles de 225 p., [2 ff. ] Couv. de papier gaufré à rabats, 1er plat orné de reliefs d’après Hans Erni. Sous chemise et étui demi-vélin et toile bleue turquoise. Très belle condition.
1930698Paris, Horizons de France, 1930. 1 vol. in-4 (20x28,8) de 155 pages, broché, couverture imprimée. Dos légèrement gauchi, un brin insolé, minuscules déchirures en bords de couverture.
058622Berkeley Ca: Pacific Editions / Arif Press 1986. 1st Edition . Hardcover. Fine/Box. 36 Pp. #143 Of A Limited Edition Of 165 Copies Of Which 130 Were For Sale. Unique Rag Papers In Two Colors Commissioned From Twinrocker Paper Mill And Hand Bound In Gold Stamped Leater Gray Boards In A Custom Made Box Covered In Gold-Stamped Van Heel Cloth From Holland With A Printed Spine Label. Signed By Thomas And Goldyne On The Limitation Page. Fine. Also With The Prospectus 8 Pp Covers Also Fine. Box Fine But Small Bump To Lower Front Tip. With The Printed Folder Enclosed A Signed Color Print By Goldyne Apparently Issued Only With The 35 Copies Not For Sale. <br/> <br/> Pacific Editions / Arif Press hardcover
1923ferry06249Tillinger 1923 Berlin: Hans Heinrich Tillgner Verlag 1923. Very good/no dust jacket as issued. A tight clean copy. 300 copies only were printed. 1-20 were bound in parchment and printed on Imperial Japan paper. With signed etchings. This is copy #14. Signed by Authors. 1st Edition. Hardcover. Very Good/No Jacket. Tillinger hardcover
198328520The Strange Company: USA 1983. First edition. Oversize pictorial wrappers. No 2. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. ''of special interest in no 2 is an interview with the leading Weird Tales cover artist of the 1930s Margaret Brundage'' plus ''The Room Of Fear'' a previously unpublished short story by William Hope Hodgson'' see Ashley/Tymn: Science Fiction Fantasy And Weird Fiction Magazines pp. 205/206. Fine unread copy. The Strange Company: USA unknown
198728527The Strange Company: USA 1987. First edition & 1st printing. Oversize pictorial wrappers. Tenth and final issue. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. This issue has a mscellany of fiction poetry and essays by Thomas Ligotti ''The Spectacles In The Drawer'' Brian Lumley and others. The emphasis of this issue is on the work of WEIRD TALES author Amelia Reynolds Long and includes two of her short stories and an essay about her work by Chet Williamson. 1000 copies printed. Fine unread copy but for a touch of edge wear. The Strange Company: USA unknown
198520052The Strange Company: USA 1985. Oversize pictorial wrappers. Seventh issue. Large octavo single issue pictorial wrappers perfect bound. 96 pages including covers. Weird magazine: ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. This issue has fourteen pieces of fiction including Brian Lumley illustrated throughout plus lots of poetry plus an interview with Joseph Payne Brennan a short piece listing ''The Thirteen Best Obscure Stories From Weird Tales'' and ''Landscapes of Intertextuality'' by Philip E. Kaveny. See Ashley/Tymn: Science Fiction Fantasy And Weird Fiction Magazines pp. 205/206. Near fine NF copy. The Strange Company: USA unknown
2T-7QNB-5NR6Hardcover. Good. Jacket has some wear nicks and scratches. Book has some wear and bumps foxing to textblock edges and endpapers otherwise clean pages firm binding. hardcover
24753584like new. unknown
24753584-nnew. unknown