DEBUCOURT Philibert-LouisLivre Rare Book
15 résultats
18165555Catalogue Fenaille n° 368. Cadre moderne. Collection de costumes dessinés d’après nature par Carle Vernet. N° 4 de la livraison(7 octobre 1816) très bon 1816
181256411812 Eau-forte et aquatinte 51 x 67 avec le cadre. Déposé à la Bibliothèque le 31 janvier 1812 par Bance. Aquatinte et eau-forte imprimée en deux tons noir et bleu dans les fonds et la neige. Cette pièce encadrée dans une large marge noire à l’aquatinte ne porte pas de titre. Fenaille n° 307 - 2è état (sur 2) Cadre de l’époque en pin marqueté de filets plus clairs. 51 x 67 avec le cadre. 1812
18144369Paris: Ch Bance 1814. An attractive hand coloured engraving by Debucourt after Carle Vernet. First state with 1er to the top left of the plate and No. 1 to the top right. This was conceived as the first in the "Collection de Costumes" series which was to have been a collection of 56 plates with accompanying text showing costumes of the nations. This plate was deposited at the Library by Aumontle on November 2 1814 at the same time as the "March of English Officers." The English are shown as fairly brutish as is often in French prints of the time. A good strong print with attractive original hand colouring. There is moderate to strong foxing across the whole plate. plate area 36cm x 27cm. Sheet is 39cm x 28cm First edition. Une belle gravure coloriée à la main par Debucourt d'après Carle VERNET. Premier état avec le 1er en haut à gauche de la planche et le No. 1 en haut à droite. Cette gravure a été conçue comme la première de la série "COLLECTION DE COSTUMES" qui devait être une collection de 56 planches accompagnées d'un texte montrant les costumes des nations. Cette planche a été déposée à la Bibliothèque par Aumontle le 2 novembre 1814 en même temps que la "Marche des officiers anglais". Les Anglais sont représentés de manière assez brutale comme c'est souvent le cas dans les estampes françaises de l'époque. Il s'agit d'une estampe de bonne qualité avec des couleurs originales attrayantes. Il y a des rousseurs modérées à fortes sur l'ensemble de la plaque. La surface de la plaque est de 36cm x 27cm. La feuille fait 39cm x 28cm. Ch Bance unknown
18144369Paris Ch Bance 1814 Une belle gravure coloriée à la main par Debucourt d'après Carle VERNET. Premier état, avec le 1er en haut à gauche de la planche, et le No. 1 en haut à droite. Cette gravure a été conçue comme la première de la série "COLLECTION DE COSTUMES", qui devait être une collection de 56 planches accompagnées d'un texte montrant les costumes des nations. Cette planche a été déposée à la Bibliothèque par Aumontle le 2 novembre 1814 en même temps que la "Marche des officiers anglais". Les Anglais sont représentés de manière assez brutale, comme c'est souvent le cas dans les estampes françaises de l'époque. Il s'agit d'une estampe de bonne qualité, avec des couleurs originales attrayantes. Il y a des rousseurs modérées à fortes sur l'ensemble de la plaque. La surface de la plaque est de 36cm x 27cm. La feuille fait 39cm x 28cm.
181717910Précédés d'un Discours sur l'élégie héroïque, par M. Treneuil (1763-1818). Ses élégies héroïques sont d'inspiration religieuse et monarchique.Sommaire : Discours sur l'Élégie héroïque. Poêmes Élégiaques : Les Tombeaux de l'abbaye royale de Saint-Denis - L'Orpheline du Temple - L'Héroïsme de la piété fraternelle, ou l'Oratoire de la Barrière du Trône - La Captivité de Pie VI - Le Martyre de Louis XVI.Édition originale. A Paris, chez Firmin Didot, Imprimeur du Roi, et de l'Institut Royale de France - 1817 - 319 pages. Frontispice de Deveze et Debucourt. Envoi autographe de l'auteur sur la page du faux titre "offert à Monsieur Audry(?) par l'auteur".Reliure plein veau blond glacé de l'époque. Dos lisse orné et doré avec pièce de titre maroquin rouge. Roulette dorée sur les coupes. Tranches jaspées bleues. Pas de rousseur. Très bon état. Format in-8°(21x13).
1820902872AGParis, [um 1820]. Aquatinta mit Punktierstich 29,5 x 23 cm (hoch), Blattgröße 32,5 x 24,5 cm.
1820015887Paris Circa 1820 1820. Early Printing . Single Sheet. Near Fine. Color Engraving. Nineteenth Century Engraving 25 5/8" X 19 3/4" On Laid Paper Watermarked Mbm Produced In Color. Complete With Full Margins As Issued With Title In French Below The Image Which Is Approximately 39.5 X 30 Cm. The Engraver's Name Is Also Present At Lower Right. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> unknown
18994519Tirage à 315 exemplaires : un des 300 sur papier vélin à la forme. Superbe ouvrage. 1/2 chagrin violet, dos à nerfs orné, filets dorés sur les mors, covertures conservées. Reliure Seigneur Paris Morgand 1899 1 volume grand in-4°
182024099A Paris, chez Rolland, s.d. [circa 1800]. Dimensions à vue : 444 x 328 mm + passe-partout + cadre.
1820240991820. A Paris chez Rolland s.d. circa 1800. Dimensions ˆ vue : 444 x 328 mm passe-partout cadre. Rare et superbe ÂŽpreuve gravÂŽe par Louis-Philibert Debucour sic d'aprÂs un dessin de Carle Vernet ; ici proposÂŽe en premier tirage. Etiquette d'exposition contrecollÂŽe au revers L'Art et l'ÂŽquitation en 1936 ˆ Bruxelles. ''Fils de Joseph Vernet Carle montra trÂs t™t de grandes aptitudes pour le dessin et la peinture. Pour utiliser sa connaissance profonde des chevaux il va devenir peintre de batailles. Ses oeuvres sont vivantes et exactes. La plus cÂŽlÂbre d'entre elles est La Bataille de Marengo dans laquelle le dessein du peintre est de reprÂŽsenter une bataille vraisemblable o chacun des personnages participent ˆ une action logique et ordonnÂŽe suivant un plan stratÂŽgique rigoureux .''. in BÂŽnÂŽzit. ''Debucour renonÂa dÂs 1785 ˆ la peinture pour se consacrer exclusivement ˆ la gravure ˆ l'aquatinte. Sa vogue fut considÂŽrable en ce genre et lui valut une rÂŽputation ÂŽnorme ˆ son ÂŽpoque. MomentanÂŽment oubliÂŽ au cours du XIXÂme Debucourt a reconquis aujourd'hui toute sa gloire d'antan'' in BÂŽnÂŽzit. PrÂŽsentÂŽe sous cadre. BÂŽnÂŽzit X Dictionnaire des peintres p. 464 puis III p. 409 - Osterwalder I Dictionnaire des illustrateurs p. 1086. Papier lÂŽgÂrement oxydÂŽ. Claires rousseurs affectant la composition. Laquelle prÂŽsente en outre une petite dÂŽchirure en marge gauche sans doute restaurÂŽe au revers. AltÂŽrations ÂŽparses affectant le cadre. b42961 unknown
1805015891Paris: Louis-Philibert Debucourt 1805. Early Printing . Single Sheet. Very Good . 22 3/4" x 15. Color Engraving. A Fine Engraving By Debucourt. Laid Paper. Complete With Full Margins As Issued With Lettering Below "Desine Et Grave Par P. L. D. B.Rt / Les Courses Du Matin / Ou / La Porte Dun Riche / Depose A La Bib.Que Nat.Ale Ventose An 13 1805. " Image Is Approximately 18" X 11". Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> Louis-Philibert Debucourt unknown
181718811Paris: chez l'Auteur & chez Ch. Bance 1817. Oblong folio. 15 3/8 x 20 1/2 inches. 4 hand-coloured aquatint plates by Debucourt after Vernet. Light foxing to one plate. Provenance: A. B. contemporary ink initials in the upper right corner of each plate<br/> <br/> A fine large-scale series of hand-coloured plates exhibiting Debucourt and Vernet's mastery of the genre print.<br/> <br/> The series consists of four views of scenes glimpsed "on the road." As usual with Vernet the human figures are slightly caricatured whilst the horses in three of the prints are beautifully observed. The plates are titled: Les Aveugles The Beggars. Fenaille 407; Route de St. Cloud The St. Cloud Road. Fenaille 405; Route de Poissy The Poissy Road. Fenaille 404; and Route de Poste The Post Road. Fenaille 406. According to Fenaille the series was eventually extended to include 12 large caricatures published by Bance & Aumont between 1816 and 1823.<br/> <br/> Fenaille Catalogue de l'oeuvre gravé de Debucourt 404-407. chez l'Auteur & chez Ch. Bance unknown
181718811Paris: chez l'Auteur & chez Ch. Bance 1817. Oblong folio. 15 3/8 x 20 1/2 inches. 4 hand-coloured aquatint plates by Debucourt after Vernet. Light foxing to one plate. Provenance: A. B. contemporary ink initials in the upper right corner of each plate<br/> <br/>A fine large-scale series of hand-coloured plates exhibiting Debucourt and Vernet's mastery of the genre print.<br/> <br/>The series consists of four views of scenes glimpsed "on the road." As usual with Vernet the human figures are slightly caricatured whilst the horses in three of the prints are beautifully observed. The plates are titled: Les Aveugles The Beggars. Fenaille 407; Route de St. Cloud The St. Cloud Road. Fenaille 405; Route de Poissy The Poissy Road. Fenaille 404; and Route de Poste The Post Road. Fenaille 406. According to Fenaille the series was eventually extended to include 12 large caricatures published by Bance & Aumont between 1816 and 1823.<br/> <br/>Fenaille Catalogue de l'oeuvre gravé de Debucourt 404-407. chez l'Auteur & chez Ch. Bance unknown books
182787629chez l'éditeur, boulevard Montmartre, no 1 Vassal et EsslingImprimeurs | Paris [1801-1827] ; 1827 (pour le texte) | 41.20 x 27.80 cm | relié
182787629Paris: chez l'éditeur boulevard Montmartre no 1Vassalet EsslingImprimeurs 1827. Fine. Princess Murat's copy chez l'éditeur boulevard Montmartre no 1 Vassal et EsslingImprimeurs Paris 1801-1827 ; 1827 pour le texte 41.20 x 27.80 cm relié Complete set of 115 copper-engraved plates with an additional plate 116 plates all printed on either laid or wove paper all hand-colored with watercolor. Two entirely different plates 39 follow each other in first issue: ""Les Titus et les cache-folies"" was published in the 1817 and 1822 sets and the other ""La Politicomanie"" appeared in 1827. This is the most complete series which also includes the 11 new plates published from 1818 to 1822 numbered 105 to 115. According to Vicaire the plates were probably all printed between 1801 and 1822 and only the text preceding the plates was reprinted in 1827. 3/4 long-grained cherry half-morocco smooth spine elaborately framed in gilt lentghwise gilt tooled center of spine gilt lettered title at head of spine framed in gilt marbled boards marbled paper endpapers and flyleaves. Minor brown spots are mainly confined to the 24 pp. of text with very few on the plates mainly on the margins and versos. A rare and famous collection of costumes genre and entertainment scenes from the French First Empire and Restoration eras with very wide margins and magnificently hand-colored at the time. A veritable encyclopedia of thrills pleasures and pageantry published by Pierre de la Mésangère leading fashion editor at the turn of the century. This copy includes two versions of plate 39 both of which are extremely scarce. These magnificent copper-engraved prints by Georges Jacques Gatine Schenker and others were based on drawings by the greatest painters of Parisian fashion: Carle Vernet Philippe-Louis Debucourt Jean-Baptiste Isabey Louis-Marie Lanté Dutailly. They were initially sold as a supplement to the successful magazine Le Journal des Modes before being published as a collection. Some plates bear the engraver's name and several the draftsmen's. This gallery of figures is singularly representative of a period of upheaval in French history in terms material but also moral and intellectual values - depicting a frivolous and daring part of feminine society eager to please and well-versed in the games of love. The ensemble perfectly combines social satire with the refinement expected of fashion engravings. It includes the famous portraits of the extravagantly dressed Directoire women called ""Merveilleuses"" and ""Incroyables"" - representations that have henceforth served as a reference. From beautiful silhouettes reclining on Greek-style beds to provocative and undressed courtesans everything is designed to illustrate the finery of these pretty coquettes often followed by a host of suitors and servants. Dresses hats and furs rub shoulders with elegant male figures in frock coats and even a few transvestites Trois grâces parisiennes no. 16. Many of the scenes have a clear erotic connotation especially the salon games featuring suggestive embraces and positions. Dancing takes pride of place: no fewer than twenty plates feature fashionable ballroom dances ""Danse du Schall"" named after the popular scarf quadrille figures such as ""La Poule"" ""La Trénis"" or more daring ones like ""La Sauteuse"" ballets or even the famous tightrope dancers Ravel and Forioso. The movement of the characters is reflected in the drapery of the large Empire muslin gowns and hair flowing in the wind. Among the dozens of hand-colored plates a great many are devoted to leisure and entertainment activities available at the beginning of the 19th century. Gastronomy games of skill sports acrobatics circus tricks music and even real sensational attractions: several plates depict the very first Parisian roller coaster installed in Belleville then at the Odeon for the 1817 Carnival. Clowns pierrots and masked figures are seen dancing in front of the structures and hurtling down steep slopes on small carriages. Anothe chez l'éditeur, boulevard Montmartre, no 1Vassalet EsslingImprimeurs hardcover
