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19942111902153101700Bungeishunju 1994. Soft Cover. Fine. Number of books: 1 Bungeishunju paperback
197197383Rabat Morocco August 16 1971. 1971. - Over 140 words typed in French on the Prince's 8-1/4 inch high by 6-1/8 inch wide royal stationery with a crown above Maghrebi script printed in indigo at top right. In his letter addressed to Vice President Spiro Agnew's chief of staff Arthur Sohmer Prince Moulay Abdallah of Morocco requests that Art Sohmer convey his warm regards and thanks to the Vice President for sending him a physical therapist "Je vous prie de transmettre a Monsieur le Vice-President S. AGNEW mes chaleureux remerciements pour la delicate attention qu'il a eue a mon egard en depechant aupres de moi un reeducateur". Vice President Agnew visited King Hassan II of Morocco on July 25th 1971 only a couple weeks after the attempted coup during which Prince Moulay Abdullah of Morocco was wounded. The prince goes on to praise the skills and personality of the therapist which the Vice President had sent him and apologizes for not having been able to attend the dinner which the American Ambassador had hosted in the Vice President's honor. He further expresses his thanks to Art Sohmer for the latter's own personal contribution and gesture of friendship: "Je tiens a vous remercier pour votre contribution personnelle a ce geste si amical qui m'a particulierement touche". Signed by Prince Moulay Abdullah in Maghrebi script. The letter is creased at the corners and stapled to the original mailing envelope with the oval red ink seal of the prince's "Secretariat Particulier" with the prince's name above the image of the Prince's crown. The envelope also bear's the Office of the Vice President's blue stamp. The Department of State's stamp together with the October 14th date is stamped in blue on the verso of the letter. Penciled at the top left of the letter is a request for a translation likely written by Art Sohmer: "State: Translation & suggested reply if appropriate".<p>Accompanying Prince Moulay Abdullah's letter which was written in French is an official "Office of the Vice President / Referral" form addressed to Mr. James L. Carson director of the State Department's Secretarial Staff. This form dated October 12 1971 and signed by Major P.D. Slack the Marine Corps Aide to the Vice President requests that the letter be translated for Art Sohmer and the Vice President's benefit. The translation typed on 10-1/2 inch high by 8 inch wide "Department of State Division of Language Services" letterhead accompanies the letter. A referral number is stamped at the top of the Prince's letter as well as at the top of the referral form and the translation references this number. <p>The brother of King Hassan II of Morocco Prince Moulay Abdullah of Morocco 1935-1983 was married to Lamia Solh the daughter of Lebanon's first Prime Minister. On July 10 1971 General Mohamed Medbouh who was disillusioned by King Hassan's light treatment of staff members who were shown to have been shaking down foreign companies and convinced that the King may himself be involved led a coup attempt. Conspiring with other military officers Medbouh enlisted a force of 1200 cadets to storm the palace during the King's birthday reception where according to different sources between 400 to 800 guests were present. 92 people were killed in the attempted coup and many more injured including Prince Moulay Abdullah Ben Mohammad. Royalist troops overcame the rebels killing more than a hundred cadets and capturing another 900 and their officers. Two weeks later on July 25 1971 Vice President Agnew visited Morocco. In his book "Hunting the President: Threats Plots and Assassination Attempts." Mel Ayton quotes Chuck Vance who served on President Ford's protective detail and who described the risks of foreign visits by U.S. Presidents & Vice Presidents: "There's going to be some razzle dazzle so people aren't quite clear who to attack. They'll have military personnel everywhere: frogmen ships and aircraft. I called in a whole naval fleet one time in a Moroccan visit for Vice President Agnew because of political uncertainties" no doubt referring to this visit. It was during this visit that Agnew referred or sent the physical therapist to the Prince. Prince Moulay Abdullah who was a favorite of his father passed away from cancer in 1983 at the age of 48. Stade Moulay Abdullah stadium was named after him.<p>Spiro T. Agnew 1918-1996 was Governor of Maryland and Vice President of the United States under Nixon. He was indicted for tax fraud and forced to resign.<p>The recipient Arthur J. Sohmer 1926-1991 was Chief-of-Staff to Vice President Spiro T. Agnew. Rabat, Morocco, August 16, 1971. unknown
1982611138No place: Columbia Pictures 1982. Unbound. Very Good. Original 1982 film poster. Measuring approximately 27" x 40". Folded presumably as issued wear along the creases a few small holes bumping to the corners and theater stamps on the unprinted verso still very good. The stamps read "Mohawk Theatre North Adams Mass." Original film poster for the 1982 biopic of Mahatma Gandhi directed by Richard Attenborough and starring Ben Kingsley Candice Bergen Edward Fox John Gielgud Trevor Howard John Mills and Martin Sheen. The film won Oscars for Best Picture Best Director and Best Actor Ben Kingsley. Columbia Pictures unknown
1945517591Hollywood: United Artists 1945. Unbound. Fine. The photograph is in fine condition. Ingrid Bergman won the New York Film Critic's Award for Best Actress for her role in this film. It was also nominated for Best Picture and Best Director. Glossy promotional photograph of Ingrid Bergman starring in Alfred Hitchcock's 'Spellbound.' Glossy black-and-white photograph measuring 10 1/4 by 8 inches including 1/3-inch white border. The photograph depicts Ingrid Bergman from the shoulder's up facing the camera resting her chin on her right hand. United Artists unknown
1911ST17882Paris: H. Piazza 1911. No. 262 OF 450 COPIES. 236 x 168 mm. 9 3/8 x 6 5/8". 198 pp. 2 leaves. <br/> SUPERB DARK BLUE CRUSHED MOROCCO GILT AND INLAID TO AN ARABIC DESIGN BY BLANCHETIÈRE stamp-signed in gilt on front turn-in covers with frame of gilt-tooled tan morocco outlined in scarlet morocco central panel with recessed cornerpieces and central arabesque of lilac morocco its edges framed with inlaid scarlet morocco raised bands spine compartments framed in tan and red morocco with gilt tooling at corners central compartment with inlaid center ornament of tan morocco tooled with gilt flowers gilt lettering PURPLE MOROCCO DOUBLURES framed in blue and brown morocco with blind chain roll royal blue moiré silk endleaves all edges gilt. Original color-illustrated paper wrappers bound in. Housed in matching morocco-lipped slipcase. Title page and three section titles with elaborate Islamic frames printed in colors 41 COLOR ILLUSTRATIONS BY ÉTIENNE DINET nine of them full-page nine double-page. All text with decorative frames printed in green. ◆Spine just faintly and evenly sunned but A BEAUTIFUL COPY SPARKLING INSIDE AND OUT.<br/> <br/> This collection of stories of life in the Sahara Desert is not only in a sumptuous binding but its color illustrations are printed with such skill that they seem very much like original paintings. French Orientalist painter Étienne Dinet 1861-1929 met his Arabic teacher and closest friend Sliman ben Ibrahim 1870-1953 in Algeria in 1889 when Sliman saved the painter from an ambush. Sliman accompanied Dinet to Paris in 1896 where the latter met the French Society of Oriental Painters and impressed them with both his character and his couscous. Sliman and Dinet collaborated on several other works including a biography of Mohammed and an account of the Hajj they made to Mecca after Dinet's conversion to Islam. The gorgeous binding by Henri Blanchetière 1881-1933 utilizes rich jewel tones scalloped edges and complex gilt scrolling patterns calling to mind Islamic art and architecture and echoing Dinet's beautiful designs used inside the book. After training with Marcellin Lortic and René Kieffer Blanchetière took over the atelier of binder Joseph Brétault in 1906 at which time "he aligned himself with Marius-Michel in the pursuit of a modern binding style inspired by nature. His designs incorporated a cautious blend of Art Nouveau flowers" and "after World War I he gradually cut his remaining ties to traditionalism." Duncan & De Bartha As a craftsman of artistic fine bindings Blanchetière ranks with Kieffer and Charles Meunier but his bindings are less commonly seen in the marketplace. H. Piazza unknown
1902ST17129-011Paris: H. Piazza et Cie 1902. No. 248 OF 260 COPIES on papier vélin from a total edition of 300. 248 x 178 mm. 9 3/4 x 7". 175 1 pp. 1 leaf colophon. <br/> EXTRAVAGANT BLUE MOROCCO GILT AND INLAID BY OTTO SCHULZE stamp-signed on front turn-in covers with a very decorative gilt frame enclosing a Moorish design featuring a lobed central panel framed by a strip of terra cotta morocco inlaid with 96 black morocco and gilt flowers and between this and the outer frame a panel of lilac morocco inlaid with swirls of gilt vines terminating in 22 red blossoms; raised bands spine gilt in compartments with central fleuron surrounded by small tools and five inlaid red morocco flowers inner dentelles with brown morocco frame flanked by large and small decorative gilt rolls top edge gilt other edges untrimmed. Original color-illustrated paper wrappers bound in at the rear. With decorative borders enclosing text and with 58 CHROMOLITHOGRAPHED ILLUSTRATIONS BY DINET consisting of title page and three section titles four head- or tailpieces 41 illustrations in the text and nine full-page plates. Verso of front free endpaper with bookplate of John R. Menzies. Carteret IV 140. ◆Spine lightly sunned one tiny spot on half title but A VERY FINE COPY clean fresh and bright internally and in a binding with no signs of wear.<br/> <br/> This is a strikingly bound deluxe copy of the first book produced by the French Orientalist painter Étienne Dinet and his Arabic teacher and closest friend Sliman ben Ibrahim. The text of three Saharan folktales related here by Sliman are illustrated with Dinet's sensuous watercolors and the whole is bound with great animation and skill by Otto Schulze of Edinburgh. Dinet and Sliman met in Algeria in 1889 when Sliman saved the painter from an ambush. Sliman accompanied Dinet to Paris in 1896 where he met the French Society of Oriental Painters and impressed them with both his character and his couscous. Sliman and Dinet also collaborated on a biography of Mohammed and an account of the Hajj they made after Dinet's conversion to Islam. The binding here is reminiscent of an Oriental carpet and echoes Dinet's beautiful designs used inside the book. Operating during the first 10 or 15 years of the 20th century Otto Schulze was an Edinburgh publisher whose books sometimes appeared in bindings said to have been done by him. As in the case of other publishers and booksellers such bindings often were done for rather than by the party whose name is stamp-signed on the volume. Bindings signed by Schulze are consistently attractive but are not common: since 1975 ABPC has listed six such morocco bindings two of them described as "elaborate" or "extra." Since our volume says that the binding is by--and not for--Schulze we can only assume that our publisher had an in-house binder. From 1906 until his death in 1935 our previous owner John R. Menzies was chairman of John Menzies & Co. founded in Edinburgh in 1833 by his father. The firm sold books magazines and newspapers becoming with W. H. Smith one of two major newsagents in the United Kingdom in the 20th century until bought out by its rival in 1990. H. Piazza et Cie unknown
1964505572London: Weidenfeld and Nicolson 1964. Hardcover. Near Fine/Very Good. First British edition. Introduction by Paul Bowles. Jacket illustrated by Lewin Bassingthwaighte. Label shadow on front fly copyright information lined out as seen on some copies near fine in a slightly rubbed very good dust jacket with light tanning to the spine and extremities and modest edgewear. A novel of a young man growing up in poverty in Western North Africa. Weidenfeld and Nicolson hardcover
1964509833New York: Grove Press 1964. Hardcover. Near Fine/Near Fine. First edition. Introduction by Paul Bowles. Near fine in a near fine dust jacket with gentle edgewear. A novel of a young man growing up in poverty in Western North Africa. Grove Press hardcover
19805871431980. Unbound. Near Fine. A collection of over 125 letters both typed or holograph Signed by mostly American and English authors. The letters largely date from the mid-1970s to the mid-1980s. A few have small tears or slight offsetting but most are near fine or better. Dr. Braude was a scholar and apparent autograph collector. The majority of the letters address to one degree or another Braude’s fulsome praise of the author's work and apparent inquiry of each author for further information on their complete list of published books.<br /> <br /> Among those who responded are: Horton Foote Gwendolyn Brooks E.B. White Fritz Scholder Arthur C. Clark Wallace Stegner Robert Caro Stephen Ambrose Dick Francis William Gaddis Gore Vidal E.L. Doctorow David Mamet William Manchester Joyce Carol Oates Peter Straub John Ball John Ashbery Margaret Atwood Jean Auel John Hershy W.D. Snodgrass William Safire James T. Farrell Barry Lopez James Clavell Trevanian Richard Condon Gay Talese Don DeLillo Frederick Forsyth Martin Cruz Smith Colleen McCullough Donald Hamilton Erskine Caldwell William Kennedy Brooks Atkinson Allen Drury Theodore H. White Ira Levin Tom Clancy Danielle Steel William Manchester Lore Segal Rollo May Roger Shattuck Mark Strand Garson Kanin James M. McPherson Cynthia Ozick Richard Wilbur Erich Segal Beaumont Newhall Joe Gores Isabel Allende Morris L. West Harry Golden Sidney Lumet George MacDonald Fraser Avery Corman Andre Brink Howard Nemerov Norman Podhoretz Larry Collins C.K. Williams Mary McCarthy Barbara Michaels John Barth Mary Stewart Muriel Spark Penelope Gilliatt Betty Comden and many others.<br /> <br /> A nice large collection of letters by authors. unknown
195577582New York NY.: Between-Hours Press. Very Good. 1955. Softcover. Printed By Hand By Ben Grauer at his Between Hours Press Wood Engravings By John DePol. 85 Copies Number 20. This item is soft-bound in green wrappers with small red and white printed paper label on the upper cover. The string binding is solid. The contents are bright and clean. This birthday greeting is a Limited Edition #20/85. There is an extra paper label at the rear. . Between-Hours Press paperback
195477581New York NY.: Between-Hours Press. Very Good. 1954. Softcover. Wood Engravings By John DePol. Hand Printed By Ben Grauer at the Press on 67th Street. May 14 1954. Eighty-Four Copies Number 24. This item is soft-bound in salmon colored wrappers with a small paper label on the upper cover. The string binding is solid. The contents are bright and clean with some small wood engravings. This item is a Limited Edition #24/84. . Between-Hours Press paperback
1967329098Madison Wisconsin: Quixote Magazine 1967. Softcover. Near Fine. Magazine "The Potluck Issue." Quarto. 11113pp. About fine in lightly rubbed wrappers. Magazine with a 55-page transcription from a symposium featuring James Dickey Howard Nemerov Gregory Corso Jack Gilbert John Simon and Theodore Weiss held at the YMHA Poetry Center in New York on February 2 1964. Additional contributions from Norbert Blei Edward Ben Elson Robert Chute Stanley Cooperman Douglas Blazek Linda Chown Ray Crabtree Harvey Feinberg A.A. Fox Richard Grossinger Joan White Hugh Know Loren Loverde Joan Michelson Sol Newman Bernie Pyron Rock Proktos Ed Ochesier and Clayton Bailey. Quixote Magazine unknown
19348582Nashville TN: Hume-Fogg High School 1934. First Edition. Original wraps. Very Good. 6 3/4 X 10 Inches. 40 PP. One of the very earliest appearances of Fannie Rose Dinah Shore in print!<br /> <br /> "Fannie Rose Shore is also in Vanderbilt. She gained recognition during last summer as one of the "Old Barn Players." Page 26<br /> <br /> Typical High School Monthly magazine with sections on ROTC Clubs Editorials advertising and essays. The "Alumni News" features the blurb on the soon to be world famous Dinah Shore. After graduating Hume-Fogg and Vanderbilt Shore moved to New York City to pursue her singing career. Early in the 1940's she would become the first major female singing star to break free from the Big Band era. She went on to garner 80 plus popular hit songs in her career. A VERY RARE SURVIVING COPY OF THIS HUME-FOGG "ECHO" STUDENT PUBLICATION. <br /> <br /> Light wear to edges and spine. Some toning to covers. OCLC LOCATES "0" COPIES. Hume-Fogg High School unknown
195298491London: Hamish Hamilton Ltd. 1952. 1952. Very good. - Octavo 9 inches high by 6 inches wide. Softcover bound in bluish-green red black & white wrappers designed by Alvin Lustig. The covers are lightly rubbed and creased. 196 pages illustrated with 8 pages of color reproductions of paintings by Ben Shahn and 4 pages of photographs of 16 contributors to this issue. Very good. <p>First English edition.<p>The contents include William Faulkner's Nobel Prize acceptance speech 15 poems and a story by William Carlos Williams "Some Translations from the Fables of La Fontaine" by Marianne Moore a poem by Kenneth Rexroth "The Music of Aaron Copland" by Arthur Berger illustrated with musical examples Thornton Wilder on Goethe and book reviews by Edward Dahlberg and Randall Jarrell. London: Hamish Hamilton Ltd., 1952. paperback
1955218862New York 1955. Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Gelatin silver print. 1 vols. 35 x 22 cm. approx 14 x 8-3/4 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "II-NN-15". Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Gelatin silver print. 1 vols. 35 x 22 cm. approx 14 x 8-3/4 inches. The original production of Tennessee Williams' CAT ON A HOT TIN ROOF directed by Elia Kazan opened on March 28 1955. His portrayal of 'Brick' Maggie's alcoholic husband launched his career. unknown
1955219072New York 1955. Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait from the rear Gazzara looking back over his shoulder. 1 vols. 32.5 x 23.5 cm. approx 12-3/4 x 9-3/8 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "II-NN-ii". Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait from the rear Gazzara looking back over his shoulder. 1 vols. 32.5 x 23.5 cm. approx 12-3/4 x 9-3/8 inches. In his career-launching role as 'Brick' in the original production of Tennessee Williams' CAT ON A HOT TIN ROOF directed by Elia Kazan which opened on March 28 1955. unknown
1955219071New York 1955. Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length frontal portrait of the actor seated in jacket and shirt with open collar. Gelatin silver print. 1 vols. 33.8 x 23.4 cm. approx 13 x 9-1/4 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "II-NN-4". Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length frontal portrait of the actor seated in jacket and shirt with open collar. Gelatin silver print. 1 vols. 33.8 x 23.4 cm. approx 13 x 9-1/4 inches. In his career-launching role as 'Brick' in the original production of Tennessee Williams' CAT ON A HOT TIN ROOF directed by Elia Kazan which opened on March 28 1955. unknown
1946619710New York: Arco Publishing Company 1946. Hardcover. Near Fine/Near Fine. First edition. Introduction by Ernest Hemingway. Quarto. 417pp. Front hinge starting and a chipped corner of first page reattached else near fine in very good spine sunning dust jacket with small chips at several corners along with scattered creases tears and nicks. A collection of writings about the post-World War future divided into regions of the world and featuring many of the leading thinkers of the day including with Bertrand Russell Thomas Mann and Albert Einstein as wells are writers such as Hemingway Theodore Dreiser Carl Sandburg and Witter Bynner. Arco Publishing Company hardcover
192530774Oxford: At the Clarendon Press 1925-86. Eleven volumes volumes I II IV VIII X and XI first editions the others reprints. Some plates and facsimiles volumes I II and IV with the bookplate of the poet and critic Vivian de Sola Pinto some other mostly brief inscriptions to front endpapers one paste down with an owner's ink stamp to the paste down volume XI ex-library with a bookplate and two small stamps to the title. Original gilt titled buckram or cloth volume VII still with its wrapper some general rubbing otherwise a good set. Oxford: At the Clarendon Press unknown
1996ST20234-35Council Bluffs Iowa: Yellow Barn Press 1996. No. 28 OF 215 COPIES. 252 x 184 mm. 10 x 7 1/4". vii i 22 pp. <br/> Publisher's blue bell-patterned paper backed with blue linen flat spine with light blue printed paper label untrimmed edges. With woodcut engraving on title one full-page woodcut illustration and one folding facsimile. Printed in red and black. With prospectus for the present work loosely laid in. A pristine copy of an attractive fine press publication that traces the journey of William Morris's Albion Press No. 6551 from its role in printing the Kelmscott Chaucer to its arrival in America.<br/> . Yellow Barn Press unknown
1911368147Chicago: Forbes and Company 1911. Hardcover. Very Good. First edition. Small quarto. Illustrated with photographs by Essie Collins Matthews and Leigh Richmond Miner. Publisher's decorative cloth boards. Moderate soiling to the boards very good. A handsome copy of King's African-American vernacular poems. Forbes and Company hardcover
1966579108International Graphic Arts Society 1966. Unbound. Very Good. Woodblock print. Image measures approximately 15" x 19" on 20" x 24¾" paper. Modest general wear and soil some light staining most pronounced in the bottom right corner beneath Shahn's signature affecting the right edge of the print but only noticeable on the blank verso an about very good copy. Signed by Shahn along with his chop mark and also Signed by printer Stefan Martin. Copy 130 of 300 printed. The striking woodblock print is based on Shahn's ink portrait of King that appeared on the cover of Time on March 19 1965 12 days after what is now known as Bloody Sunday. N.B. also published in an edition with text by King beneath the portrait. [International Graphic Arts Society unknown
1980368463San Francisco: Romax 1980. Softcover. Near Fine. Magazine. Cover by Michael S. Bell. 12mo. Stapled glossy wrappers somewhat rubbed and with small stain to one page near fine. The Fluxus issue of this poetry anthology featuring Alison Knowles Ben Vautier Robert Watts Robert Filliou D.R. Wagner Endre Tot Peter Frank and Ken Friedman. A booklet by Larry Wendt tipped in at the rear wrap. Additional contributions from Michael Crane Michael Earley Michael Gibbs Devi Det Hompson David E. Thompson Karl Kempton Tony May Stephen Moore Bern Porter Kirk Robertson Zel von Zell and D.R. Wager. Romax unknown
19307086London: John Lane The Bodley Head 1930. First Edition. Hardcover. Very Good/Good. 5 1/8 X 7 5/8 Inches. 248 PP. Original cream cloth with title stamping and Bodley Head device in black on cover and spine. Published in 1930 with no additional dates present. Housed in scarce original jacket. Light wear to jacket folds and edges. Chip to crown of jacket spine. John Lane, The Bodley Head hardcover
19892092902141202939Chinese book office 1989. Soft Cover. Fine. Volume: 1 Chinese book office paperback