81 résultats
192642987Chicago: Field Museum of Natural History 1926. Paperback. Very Good. folding map frontis ills photos 191p. Softcover in original gray wrapper lightly soiled. 20cm. Field Museum of Natural History. Dept. of Anthropology Guide Part 6. <br/><br/> Field Museum of Natural History paperback books
1850WRCLIT57303London 1850. 6pp. plus blank. Octavo. Printed self-wrappers. Engraved decorative head and tail pieces. Slight tanning at edges and verso of blank a bit dusty else very good. First separate edition. A rare printing of a mid-career poem by the talented radical engraver and poet to all appearances printed in the U.K. possibly for his own distribution in the period prior to his emigration to the U.S. OCLC locates a single copy in the distinguished Linton collection at Yale there tentatively dated 1850. It is not listed in his entry in NCBEL and not recorded in NSTC. unknown books
19261332107Chicago: Field Museum 1926. Softcover. Octavo; Fair Paperback; Tanned spine with Black text; Covers have some edgewear moderate shelfwear large open tear along head edge of front cover open tears along spine edges and joints of both covers spine mostly separated from textblock sunning to spine and both covers large closed tear on rear cover bending to corners; Textblock has underlining in pencil on many pages small closed tears along fore edge of last few pages age toning foxing on some pages; 191 pp. 1332107. FP New Rockville Stock. Field Museum unknown books
2008145614Santa Barbara California: Edward Cella Art Architecture 2008. Softcover. VG. Color illus. wraps; 71 pp.; Profusely illustrated in color. Accompanied a 2008 exhibition held at Edward Cella ArtArchitecture. Includes an essay by Meg Linton as well as biographical information about the artist. Edward Cella Art + Architecture unknown books
1882WRCLIT74443Hamden CT: Appledore Press 1882. xvi4187pp. Large octavo. Original printed decorated boards. Wood-engraved title-page and head- and tail-pieces. Boards a bit darkened at edges and spinesmall chip at toe of spine and thin residue of old cellotape mend to chip occasional faint foxing otherwise a very good copy of a book often seen with the spine perished. First edition. One of 225 numbered and signed copies edited set and printed by hand by Linton at his Appledore Press. The selection of poems from the 16th-19th centuries includes those Linton felt had not seen frequent publication in anthologies. He dedicated it to his friend Richard H. Stoddard. RANSOM 4. NCBEL III:533. Appledore Press] hardcover books
1845WRCLIT57304London 1845. 4pp. Octavo. Folded leaflet. Light use at edges but very good. First separate edition. A rare printing of a mid-career poem by the talented radical engraver and poet signed at the end 'W.J.L.' and to all appearances printed in the U.K. possibly for his own distribution in the period prior to his emigration to the U.S. OCLC locates a copy in the distinguished Linton collection at Yale undated as well as a different printing in company with two other poems tentatively dated 1845 in an odd format paginated 51- 74pp. It is not listed in Linton's entry in NCBEL and not recorded in NSTC. unknown books
188298639Boston: Estes and Lauriat 1882. later cloth. 4to. later cloth. x 711 pages followed by one printed leaf and 15 blank pages. First edition limited to 1000 numbered copies signed by the author. With 20 full-page plates reproducing woodcuts from such artists as Anderson Linton Cole Kruell Closson and others. The text is followed by a page printed in red ink which states that extra blank pages have been bound in that can be used to mount additional plates. These pages are blank in this copy. Ex-library copy with markings. One leaf partially detached. Estes and Lauriat unknown books
1875WRCLIT43776London: Blakeman & Jagger Old-Style Printers 1875. Printed broadside 26.5 x 21.2cm. Text in double columns. Old folds a bit dusty at edges but very good. A rare broadside printing of this poem by Linton in memory of his close friend and publisher fellow radical James Watson. Written after Linton's removal to the U.S. the text is dated at the end "U.S. Dec 20 1874." Linton's early publication history in Britain was closely connected with Watson dating from the years of Linton's first major endeavor the radical weekly THE NATION. In 1879 Linton published his own significant prose memoir of Watson and their association. Not in Linton's entry in NCBEL. Blakeman & Jagger, Old-Style Printers unknown books
1866WRCLIT57343Brantwood Coniston Windermere: Printed for the Author 1866. Narrow folio broadside 44.5 x 14cm. Printed on recto only. Folded across middle light use and foxing at edges very good. First separate printing of these two poems the first on the cession of Venetia to Italy by Napoleon and the second re: Bismark Garibaldi and other affairs signed "Spartacus. It is quite possible that this item was printed by Linton on the press he maintained at Brantwood prior to his departure for America and on which he printed the concluding numbers of THE ENGLISH REPUBLIC prior to its cessation in 1855. OCLC reports only copies in the near definitive Linton collection at Yale and supplies the date above. Printed for the Author unknown books
2006142101Los Angeles CA: Ben Maltz Gallery Otis College of Art and Design 2006. First edition. Softcover. Exhibition catalog for a show that ran July 22 through September 23 2006. Curated and essay by Meg Linton. Interview of Tanner by Julien Robson. Additional essay by Michael Darling. Includes numerous color images. A near fine copy in wrappers. Ben Maltz Gallery, Otis College of Art and Design unknown books
1939044369Paris: Librairie Nizet et Bastard 1939. 148 1p. original stiff printed wrappers partially unopend. Affixed to the front blank flyleaf is a printed sheet identifying the work as a 1936 Ph.D. thesis at the University of Minnesota along with a vita of the author. Librairie Nizet et Bastard unknown books
197070158sCarbondale: Southern Illinois University Press 1970. New Horizons in Journalism Series. First Edition. Octavo cloth hardcover xx 330 pp. Portraits. Near-Fine in dust jacket. Southern Illinois University Press, [1970]. New Horizons in Journalism Series. First Edition. hardcover books
1972032597NY: Wiley. 1972. Fine in a near fine dust jacket. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Fine. Wiley hardcover books
1976240023Charlottesville: Univ. of Virginia 1976. First. paperback. very good. An Exhibition in the University of Virginia Library honoring Linton Reynolds Massey. 142pp. illustrated. 8vo photographic wrappers Charlottesville 1976. First Edition.<br/><br/> Univ. of Virginia unknown books
196820920Charlottesville: Bibliographical Society of the University of Virginia 1968. First edition square 4to pp. x 6 250; frontispiece portrait illustrations; original white quarter cloth over black cloth. <br/><br/> Bibliographical Society of the University of Virginia hardcover books
28238Oblong 4" x 6.5". 90 pp in manuscript remaining pages blank pages lined. Original brushed leather decorative tooled borders and spine rubbed and worn spine eroded covers detached. First few leaves loose one torn then neatly sewn together. A couple of small clipped articles on cures for hydrophobia recipe for a consumption cure. Good.<br/><br/> This is the pocket-sized receipt ledger of Samuel Linton 1806-1888. Linton was married to Maria Hoover Linton 1811-1888. For the 1830 Federal Census he lived in District 2 Maryland; the 1840 census in Pennsylvania; the 1850 census in Ward 6 Washington D.C. working as a clerk; the 1880 Census in Maryland and working as a farmer. <br/> The book spans 56 years of Linton's dealings from 1832 through 1888. It includes receipts for payments for leather rent taxes professional services of Dr. B.W. Helffenstein a subscription to the Norristown Register and other goods and services. Each receipt is written out and signed by the recipient of Linton's largesse. Linton died on October 19 1888; his wife Maria died just five days later. They were buried in Rock Creek Cemetery in Washington. Linton's son Irwin took over the book at this time and recorded information about his parents' estates including funeral costs flowers distributions. <br/> Some names mentioned in this book are John N. Ford William H. West and John P. West all of Washington D.C. Also listed are Dr. B.W. Helffenstein B. Posey Capt. Francis Simmons Benjamin K. Brant Henry Nuss Henry L. Acker Simpson & Philips Jonathan Thomas Cyrus Wheeler William Walker J.L. Righter B. Johnson Jno. Pursell & Son Edwin Bird Samson Thomas. unknown books
192341111Honolulu: Bishop Museum Press 1923. seattle 2019. 4to. pp. iv 1 264-471plus b/w plates. <br /><br />Complete original work. With b/w plates XL-LXXXIV of diverse objects and decorative designs. Rebound in brown buckram with gold spine lettering. Very good condition. Bishop Museum Press hardcover books
186844588New York: J.S. Redfield 1868. First American Edition. Octavo 19cm.; publisher's burnt-orange cloth gilt-lettered spine yellow glazed endpapers; xii13-371pp. Extremities shelf worn spine cocked some foxing and finger-soil throughout textblock contemporary ownership inscription to front free endpaper. Very Good only. Series of anti-feminist articles by Eliza Lynn Linton the first salaried female journalist in Britain. SABIN 49818. J.S. Redfield unknown books
186849056NY: Redfield 1868. 8vo pp. xii 13-371. Introduction by Lucia Gilbert Calhoun. Blue cloth. Owner's bookplate on flyleaf. Cover somewhat spotted and scuffed at edges o/w a VG tight copy. Redfield unknown books
1895WRCLIT43620Hamden CT: The Appledore Press 1895. 8pp. 12mo. Unprinted stiff wrappers. Near fine. First separate edition of this poem on Darwinian issues printed by Linton at his handpress in an unspecified but small edition. Not in Ransom or NCBEL. The Appledore Press unknown books
1866WRCLIT66779Brantwood Coniston Lancs 1866. Printed broadside or galley-slip 44.3 x 14.4cm. Folded in half some nicks and creases at edges a few foxmarks but very good. An interesting item being a printing of Linton's 17 July petition as presented to the House of Commons by John Stuart Mill on 22 July. The galley-slip like format suggests the possibility that this is some form of proof for publication in another format. unknown books
1889WRCLIT42663London: John C. Nimmo 1889. Large octavo. Publisher's quarter calf and boards t.e.g. Portrait. Bookplate and shadow of another on front pastedown spine a bit rubbed at extremities boards toned and with a few smudges still a much better copy than the norm. First edition. One of 780 numbered copies printed on handmade paper for distribution in the UK and US. The last substantial UK edition of the radical poet/engraver's works published in the UK during his lifetime. NCBEL III:533. John C. Nimmo hardcover books
1889WRCLIT57209London: John C. Nimmo 1889. Large octavo. Publisher's quarter calf and boards t.e.g. Portrait. Bookplate on front pastedown spine a bit rubbed at extremities but a very good copy much better than the norm. With the scarce but somewhat browned prospectus laid in. First edition. One of 780 numbered copies printed on handmade paper for distribution in the UK and US. This copy bears the publisher's presentation inscription: "Charles. T. Jacobi with J.C. Nimmo's compliments April 3/89." The last substantial edition of the radical poet/engraver's works published in the UK during his lifetime. NCBEL III:533. John C. Nimmo hardcover books
1889WRCLIT42664London: John C. Nimmo 1889. Large octavo. Publisher's quarter calf and boards t.e.g. Portrait. Bookplate on front pastedown spine rubbed and worn at extremities and with chipping at crown boards toned and with a few smudges still a good sound copy. First edition. One of 780 numbered copies printed on handmade paper for distribution in the UK and US. The last substantial UK edition of the radical poet/engraver's works published in the UK during his lifetime. NCBEL III:533. John C. Nimmo hardcover books
1875WRCLIT42415New York: S.W. Green Printer 1875. 24pp. Original printed wrappers. Wrappers slightly dusty else near fine. First edition of this collection of eleven parodies of some of Poe's better known poems composed and published nine years after Linton left the UK to settle in Connecticut as overseer of his Appledore Farm printing and crafts shop. The copyright is taken in the name of 'Abel Reid' one of Linton's regular pseudonyms. NCBEL III:533. S.W. Green, Printer unknown books