19 518 résultats
19551054881955 Paris, Tériade, 1955, in-folio en feuilles 420x320mm, 158p., sous couverture et étui chemise.
1972565h5548New York: Majority Enterprises Inc. Good. 1972. First Edition. Single Issue Magazine. Iconic preview issue of Ms. signed and inscribed by its co-founder Gloria Steinem upon front cover. This landmark feminist publication was "written for all women everywhere in every occupation and profession - women with deep diverse ambitions and those who have not yet had a chance to formulate ambition - women who are wives mothers and grandmothers or none of these - women who want to be fully a female person and proud of it. In brief women who want to humanize politics business education the arts and sciences. in the home the community and the nation." - p113. Cover art by Miriam Wosk 1947-2010 depicts frantic eight-armed pregnant woman struggling to satisfy the many demands of her work marriage and motherhood. 128 pages including such articles as: De-Sexing the English Language; Men's Cycles They Have Them Too You Know; Down With Sexist Upbringing; We Have Had Abortions; Why Women Fear Success; My Mother The Dentist; How To Write Your Own Marriage Contract; The Black Family and Feminism - A Conversation with Eleanor Holmes Norton; The Sexual Revolution Wasn't Our War; Can Women Love Women; The Birth of Individual Architecture; and more. Interesting ads. Complete and unmarked with average wear. Signature and inscription appear more clearly than is indicated in our photos. An extraordinary piece of American feminist history.; 4to - over 9¾" - 12" tall; Ms. Magazine Women's Liberation Gloria Steinhem Feminism Feminist Periodicals Women's Liberation Movement Women's Studies Patricia Carbine Johnnie Tillmon Miriam Wosk Men's Cycles Eleanor Holmes Norton Sexual Revolution Individual Architectur; Signed by Authors . Majority Enterprises, Inc. unknown
190131051ABParis, Schwarz, S., 1901-1912. 4° (33,5 x 25 cm). Mit über 9600 meist farbigen, teils ganzseitigen oder doppelblattgrossen Lithographien von Steinlen, Vallotton, F. Kupka, K. van Dongen, Gris, Cheret, Redon, Jossot Willette und vielen anderen Künstlern. Inkl. die Almanche für die Jahre 1907, 1908 sowie 3 Sonderhefte "Les Masques de l'Assiette au Beurre" und alle Nummern "hors série". Orginal Jugendstil-Verlegereinbanddecken mit verschiedenen reliefartig blindgeprägten Pappintarsien von V. Preissig. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A 11 Bände, 3 Sonderhefte.
19784428DBLausanne., André et Pierre Gonin, Éditeur., 1978. 1 Bogen mit Farbstichzeichnung. 84 Seiten (21 gefalteten Bogen), 20 ganzseitige Lithographien, Suite mit 18 Lithographien. Illustrierter Leinenband mit individuell gestaltetem, gezeichnetem Pergamin-Schutzumschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Kassetten.
190131051AB11 Bände, 3 Sonderhefte. Paris, Schwarz, S. 1901-1912 4° (33,5 x 25 cm). Mit über 9600 meist farbigen, teils ganzseitigen oder doppelblattgrossen Lithographien von Steinlen, Vallotton, F. Kupka, K. van Dongen, Gris, Cheret, Redon, Jossot Willette und vielen anderen Künstlern. Inkl. die Almanche für die Jahre 1907, 1908 sowie 3 Sonderhefte "Les Masques de l'Assiette au Beurre" und alle Nummern "hors série". Orginal Jugendstil-Verlegereinbanddecken mit verschiedenen reliefartig blindgeprägten Pappintarsien von V. Preissig.
19784428DB2 Kassetten. Lausanne. André et Pierre Gonin, Éditeur. 1978. 1 Bogen mit Farbstichzeichnung. 84 Seiten (21 gefalteten Bogen), 20 ganzseitige Lithographien, Suite mit 18 Lithographien. Illustrierter Leinenband mit individuell gestaltetem, gezeichnetem Pergamin-Schutzumschlag.
1916List1025Siberia Petrograd et al. 1916. First Edition. Various documents and letters most legal format roughly 200 pages in total with three publications and several newspapers on the subject and thirteen hand drawn architectural plans for a new camp at Omsk measuring between 25 x 17 and 13 x 8 inches. During World War One a staggering number of prisoners - roughly 2.4 of the five million in total who were sent to the Eastern Front - ended up as prisoners of war in Russia. Of that number roughly two million were from Austria-Hungary. Though often neglected by historians due to the attention given to the Russian Civil War and the atrocities of World War Two the subject has drawn increased historical interest with the historian Gerald H. Davis and others calling attention to its importance in the 1980s. Davis and others have written on the relationship between the large prisoner population and the dissolution of their nations as well as the abhorrent conditions many were forced to endure partially due to hierarchical structure of treatment due to differing attitudes by their Russian hosts toward different nations and ethnicities and partially due to the lack of appropriate infrastructure and resources to support such a large prisoner population. <br /> <br /> Offered here are the papers of Herbert H.D. Pierce the Special Aide to Embassador George T. Marye in Petrograd containing a substantial amount of firsthand accounts of prison conditions from the early years of the war as well as a striking series of manuscript architectural plans for a new prison camp that was built in Omsk. Pierce a diplomat who was most famously involved with a case involving seal fishing in the Berings Strait was appointed as a Special Aide out of his retirement and served until his death in 1916. It is possible that he was assigned the task of dealing with the prisoner of war situation as nearly all of his papers that we recovered from his estate from this period deal with the subject. Pierce was involved specifically with the disbursal of relief funds received from the German and Austro-Hungarian governments that were to be disbursed to their citizens. <br /> <br /> The highlight of the collection is a series of hand drawn architectural plans for a series of POW camp structures in Omsk bearing the signature of a N. Alexandrow architect. It is unclear what Pierce's exact relationship was to this project. The plans are translated into English in ink. Of particular interest are the separate officers' barracks plans as one of the violations of POW laws in Russia was the varying levels of treatment given to different prisoners in particular in their recognition of German and Austro-Hungarian ranking officers. There were twenty-eight prison camps in Omsk this one is not identified specifically. The Siberian camps often held up to 35000 prisoners this one shows plans for 10000. There were 128 camps in the Moscow region where camps typically housed 2000-5000 prisoners. The conditions of the camps were generally abysmal with camp capacities routinely exceeded by roughly 50-100%. Frequent disease outbreaks killed thousands of prisoners during the conflict in Omsk Novo-Nikolaevsk Sretensk and Totskoe specifically. <br /> <br /> The group includes letters written to Marye describing conditions in the camps as well as reports of the Americans' own observations in Siberia Moscow and elsewhere. Most are in English though several original documents in German are included. Also included are Pierce's working copies of the Second Hague Convention guidelines of 1907 Order 697 of the War Department that established the regulations regarding prisoners of war in 1914 and a copy of the agreement made between Germany and Russia in August of 1914 which allowed for all women and all men over 45 years and younger than 17 to leave the country unheeded. Some of the letters document violations of this agreement for example a fifty-five year old Austrian man writing to the embassy stating that he had been detained. The authorship of some of the reports is often unclear - one report is credited to "A Russian Lady" another from Krasnaya-Ratchka near Khabaraovsk is an uncredited 18 page description of prisoner conditions. One uncredited report nineteen pages long on the conditions of prisoners in the Moscow Circuit may have been written by Pierce himself and is addressed to Marye. Another 44 page report on Siberian prison conditions is uncredited and likely produced by the embassy itself. A portion - perhaps 25% or so - of the reports are incomplete or unclear in origin though there is much to glean from them regardless. <br /> <br /> Also included are three printed publications. The first is entitled Rapport du Conseiller Prive E.G. Chinkevitch Membre du Comte special de secours aux prisonniers de guerre sur la visite des camps des prissoniers Austro-Hongrois dans l'arrondissement militair d'Omsk printed in 1915. OCLC locates a single copy in France. The report outlines the observed conditions and includes twenty-six photographs of prisoners. The second is a forty-three page report addressed to James Gerard the American ambassador in Berlin by an unidentified author which outlines the prisoner of war conditions in England written in February of 1915. The third is a scarce map of Russian prisoner of war camps printed by L. Friederichsen in Hamburg in 1915 entitled Karte vom Europäischen und Asiatischen Russland mit Angabe der hauptsächlichsten Orte in denen sich Kriegsgefangene und zurückgehaltene Zivilpersonen befinden sowie mit Bestimmungen über den Postverkehr nach diesen Orten. The map shows locations of prison camps throughout the Russian Empire and also shows the mail routes. It is in fine condition overall and we locate six copies in OCLC. <br /> <br /> Overall a scarce survival of primary source material on a somewhat overlooked but important period in Russian history with relevance to diplomatic historians as well worthy of further study. <br /> <br /> Works cited: <br /> <br /> Grekov N. V.: Germanskie i avstriiskie plennye v Sibiri 1914-1917 German and Austrian prisoners in Siberia 1914-1917 in: Vibe P. P. ed.: Nemtsy. Rossiia. Sibir' Germans. Russia. Siberia Omsk 1997 p. 159.<br /> <br /> Nachtigal Reinhard: Seuchen unter militärischer Aufsicht in Rußland. Das Lager Tockoe als Beispiel für die Behandlung der Kriegsgefangenen 1915/16 in: Jahrbücher für Geschichte Osteuropas 48/3 2000 pp. 367-368; Brändström Kriegsgefangenen 1922 pp. 41-48.<br /> <br /> Nachtigal Reinhard; Radauer Lena: Prisoners of War Russian Empire. In: 1914-1918 Online. https://encyclopedia.1914-1918-online.net/article/prisoners_of_war_russian_empire Accessed 5/21. unknown books
1914153270Stuttgart, Engelhorn, 1885-1914. 4°. M. zahlr. (teils farb.) Taf. Nahezu einheitl. goldgepr. Hldrbde. (Jg. 30 abweichend). Bibliotheksex. m. Rsign. u. St. u. Sign. a. Tit. Einbde. berieben u. bestoßen. Taf. teilw. fingerfl. od. auch m. Bibl.-St. Einige Bl. am unteren Rand leicht eingerissen. Jg. 30 m. Anstreich., Bind. gelockert u. einige Bl. lose. Es fehlen: Jg. 12 Taf. 96, Jg. 13 Taf. 47, Jg. 26 Taf. 15, 16, 24 u. Jg. 27 Taf. 64, 70.
19604455DBKleve, ca. 1960/1980. & 61 Positionen (Mappen) mit über 300 Originalzeichnungen und vielen Druckvorlagen. Dazu ein sich bewegender Schaufenster-Animationselefanten und ein Wummy-Plüschelefanten. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1957100374Copenhague Bauhaus Imaginiste 1957 600x735mm Discours sur les Passions de l'amour. Pentes psychogéographiques de la dérive et localisation d'unités d'ambiance. Copenhague, Le Bauhaus Imaginiste (éditeur), Permild & Rosengreen, sd (1957), 300x124mm (plié), 600x735mm (déplié), impression lithographique en rouge et noir. La critique situationniste se tourna avec vigueur contre les normalisateurs corbuséens ou communistes en privilégiant une conception poétique de la ville, respectueuse des contraintes historiques qui l'ont engendrée ; l'allusion à la carte de voyage Michelin n'est pas gratuite : on découvre et on explore mais on ne détruit pas ; le guide nous introduit dans les espaces fréquentés par les situationnistes : les unités d'ambiance, cafés, ou divers lieux de rencontre, et décrit les chemins pris pour les atteindre : les pentes psychogéographiques. Les thèses architecturales et urbanistiques de Guy Debord seront longuement développées dans les douze numéros de l'Internationale Situationniste à partir de 1958. Berreby 402. Les Années Pop, centre Pompidou, 2001, exposé. Bel exemplaire. (100374)
19604455DBKleve, ca. 1960/1980. & 61 Positionen (Mappen) mit über 300 Originalzeichnungen und vielen Druckvorlagen. Dazu ein sich bewegender Schaufenster-Animationselefanten und ein Wummy-Plüschelefanten.
19755062DBLondon, Casell - A Michael Dempsey Book, 1975. 241 S. Leinenband mit illustriertem Schutzumschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 5062DB|5062DB_2 [2 Warenabbildungen]
19214977DBBern/Leipzig, Bircher, 1921. 8°. VIII, 126 S,., 20 Tafeln. Beschriftete Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4977DB|4977DB_2 [2 Warenabbildungen] Aus der Serie: Arbeiten zur angewandten Psychiatrie, Band 1.
19214977DBBern/Leipzig, Bircher, 1921. 8°. VIII, 126 S,., 20 Tafeln. Beschriftete Broschur. Aus der Serie: Arbeiten zur angewandten Psychiatrie, Band 1.
194741856Dossier technique sous chemise in-4, 22 octobre 1947, comprenant 22 pièces (sur 25). Bordereau des pièces du dossier : 0 :Bordereau des Pièces du dossier ; 1 : Mémoire descriptif ; 2 : Carte d'ensemble 1/200.000 ; 3 : Profil en long général 1/2000 - 1/200.000 ; 4 : Plan de situation topographique (manque) ; 5 : Profils en travers type 1/500 ; 6 : Profil en long général géologique (manque) ; 7 : Rapport géologique de M. le Professeur Lugeon avec avant-propos ; 8 : Ecluse-type de 22m20 de hauteur de chute. Plan d'ensemble et coupes 1/2000 ; 9 : Ecluse type de 22m20 plan coupe (manque) ; 10 : Ecluse type de 22m20 de hauteur de chute. coupes transversales 1/500 ; 11 : Barrage type de Blagnac sur la Garonne. Elévation côté amot et plan coupe 1/200 ; 12 : Barrage-type de Blagnac sur la Garonne. Coupe transversale 1/200 ; 13 : Pont-Canal de Montech sur la Garonne. Plan d'ensemble en élévation au 1/1000 et 1/1500 ; 14 : Pont-Canal de Montech sur la Garonne coupes 1/200 ; 15 : Ouvrages de garde. Pkan et coupes ; 16 : Pont-Mobile ascenseur. Elévation coupe au 1/500 ; 17 : Pont-mobile basculant à la volée. Elévation et coupe au 1/500 ; 18 : Tunnels. Route. Coupes transversales 1/50 ; 19 : Perspective d'un chantier normal de déblais en terre et en rocher ; 20 : Perspective de grands remblais à l'Est du Pont-Canal de Montech sur la garonne ; 21 : Perspective des chantiers de terrassements de la tranchée de Naurouse ; 22 : Carte d'ensemble des besoins et des ressources en matériaux de construction. Lieu d'utilisation. Moyens et distances de transports 1/200.000 ; 23 : Devis estimatif et récapitulation générale (adapté au prix 1947 par les Entreprises A. Borie et C. Montcocul) ; 24 : Rapport économique
19314975DBBerlin, J. Bard, 1931. 8°. Frotnispiece-Porträt, 204 S., mit Illustrationen. Mit Titel und Autor bedrucktem Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4975DB|4975DB_2|4975DB_3|4975DB_4 [4 Warenabbildungen]
19314975DBBerlin, J. Bard, 1931. 8°. Frotnispiece-Porträt, 204 S., mit Illustrationen. Mit Titel und Autor bedrucktem Leinenband.
199431128ABStuttgart und Frankfurt, Verlag Müller und Schindler, S. Fischer, 1994. Folio. 203 Blatt mit vielen Initialen und 40 ganzseitigen Miniaturen in Blattgold, 148 Seiten (Kommentar). Seideneinband auf Holzdeckel. Auf dem Vorderdeckel wurde die Goldschmiedearbeit des Original-Buchdeckels mit 23-Karat-Vergoldung kopiert. Mit zwei Schliessen. In schwarzem Samtsack. Halblederband (Kommentar) in Pappschuber. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B 2 Bände.
199431128AB2 Bände. Stuttgart und Frankfurt, Verlag Müller und Schindler, S. Fischer 1994. Folio. 203 Blatt mit vielen Initialen und 40 ganzseitigen Miniaturen in Blattgold, 148 Seiten (Kommentar). Seideneinband auf Holzdeckel. Auf dem Vorderdeckel wurde die Goldschmiedearbeit des Original-Buchdeckels mit 23-Karat-Vergoldung kopiert. Mit zwei Schliessen. In schwarzem Samtsack. Halblederband (Kommentar) in Pappschuber.
1944ARCHITEC008360Folkwang-Verlag Hagen. 1919. i.e. Tokyo 1944. Reissue of the 1919 edition. Folio. Black cloth wrappers with Japanese lettering in silver. Japanese title-page and 37 card leaves comprising 29 mounted monochrome sheets and eight colour lithographs all facsimile reproductions of the 1919 edition. The translation into Japanese is in a booklet at the rear. It is sometimes stated that this is in fact a reissue of the original Folkwang sheets which had somehow been transported to Japan but it has been established that there is some variation in dimensions and therefore these are in fact lithographic reproductions of a very high quality. Utopian visions of fantasy crystalline constructions. In the mid-thirties Taut in exile from Nazi Germany spent a few years in Takasaki where he wrote extensively on Japanese architecture and culture. He compared the historical simplicity of Japanese architecture with the modernist style. Near fine in very good indeed dustwrapper printed in Japanese with a tear to the front flap. Scarce especially in such brilliant condition.Offered with: the other four volumes of the Collected Works of Bruno Taut published simultaneously with the above but in a different format octavo: very good set in card slipcases. Illustrated; texts in Japanese. Folkwang-Verlag, Hagen. 1919. i.e. Tokyo, hardcover
1945420781 vol. in-folio reliure demi-toile grise, Contient, de manière suivie, du numéro 1 de la 3e année (28 septembre 1945) au 24 de la 3e Année (27 décembre 1946), puis toujours de manière suivie n°1 de la 4e année (10 janvier 1947) au n°49 de la 6e Année (24 octobre 1950), Le Maître d'Oeuvre de la Reconstruction Française.
1931115768Paris: Librairie d'art Louis Reynaud 1931. Small folio. INSCRIBED by the author on the title page. An additional inscription on the front pastedown to John Amore is signed by six of the architects of Rockefeller Center and two of its most important contributing artists. The architects who have signed include John R. Todd L. Andrew Reinhardt Henry Hofmeister Wallace Harrison J. Andre Fouilhoux and George N. Pauly. Reinhard and Hofmeister are credited with Rockefeller Center's basic scheme with Raymond Hood contributing significantly to the design of the main buildings. The artists who have signed are Rene F. Chambellan who co-designed and cast the Atlas sculpture and designed several promenade fountains and Gaetano Cecere sculptor. <br /> <br /> Alfred Janniot was a French sculptor who contributed to the bas-relief sculptures of Rockefeller Center in New York City. The portfolio on offer here is a record of Janniot's bas-reliefs on the Palais de la Porte Doree in Paris delivered in 1931 for the Paris Colonial Exposition and designed by Janniot between 1928 and 1931. The work he contributed to Rockefeller Center is the gilded panel "Paris and New York Joining Hands Above Figures of Poetry Beauty and Elegance" on the facade of Le Maison Francaise circa 1930. <br /> <br /> Folded title sheet with an introduction in French and 66 full-page plates printed on rectos only. In a folding photo illustrated portfolio with brown silk tie as issued. Plates Near Fine portfolio Very Good with some wear along the hinge folds. Librairie d'art Louis Reynaud unknown
1923152971Berlin, Vlg. Dt. Bauzeitung, 1868-1923. 4°. M. zahlr. Taf. u. Textabb. Verschied. geb. Bibliotheksex. m. St. a. Vorsatz od. Tit. Teilw. m. Rsign. Einbde. teilw. stark beschäd., Bind. gelockert od. lose. Einige Bde. m. fehlendem bzw. losem Rücken. Selten m. vereinzelt. Anstreich. Jg. 24 teilw. am unteren Rand wasserfl. Es fehlen: Jg. 5 Bildbeilage zu H. 1; Jg 7 fehlen jeweils d. Mittwochsausgaben; Jg. 8 Pag. unklar; Jg. 10 Heft 50, 93; Jg. 14 Nr. 55; Jg. 26 fehlt Bildbeil. zu S. 217; Jg. 27 fehlt Bildbeil. zu. S. 111; Jg. 31 fehlen Bildbeil. zu S. 1 u. Heft 27. Mitteilungen über Zement Jg. 4 No. 1 u. 2; Jg. 16 No. 4 und 6 und Jg. 17 No. 11 nur als Kopie.
19538764New York: Horizon Press 1953. First Edition. Hardcover. Very Good/Fair. 8 1/4 X 10 1/4 Inches. 224 PP. First edition copy in original cloth. Jacket retains price of $7.50 on front flap. SIGNED AND INSCRIBED BY FRANK LLOYD WRIGHT TO HIS PUBLISHER AND FRIEND BEN RAEBURN. Signed "To Ben with gratitude and admiration" on the title-page. Some light scuffing and wear. Jacket missing spine but is the original one owned by Ben Raeburn that is backed with a newer underneath. THIS ASSOCIATION COPY ACCOMPANIED AN ORIGINAL 1953 "USONIAN HOUSE" GUGGENHEIM EXHIBITION CATALOG AN ORIGINAL FOLDING PROSPECTUS FOR THE BOOK FROM HORIZON PRESS AND AN ORIGINAL POSTCARD MAILED FROM TOKYO TO MRS. FRANK LLOYD WRIGHT. Likely the most important association copy of this book that exists. Wright signed to the publisher and designer of the book itself. The first book in Horizon's run of Wright's lifetime works. <br /> <br /> From the personal collection of Ben Raeburn owner of the influential Horizon Press. Ben who actually did a two-year stint in prison for mailing "obscene" books in the 30's is best remembered for his work with Frank Lloyd Wright. Raeburn published many books by and about Wright's architecture. His published work also included James T. Farrell Robert Olen Butler Helen Levitt James Agee Aaron Siskind Berenice Abbott Edwin Denby and many more. Raeburn's Horizon Press was known for it's exquisite book design. Horizon Press hardcover
1983AR-110Firenze Italy: Edizioni Il Ponte 1983. Atmos and Thanatos contains the extraordinary works of the Valdarnese painter Marco Fidolini inspired by electric power stations. Fidolini associates two aspects of the contrast of dualism fascination and repulsion in his works to the Freudian theory of Eros and the instict of death. Atmos being the symbol of steam a component of power stations; and Thanatos being the instinct of death in parallel association; thus drammatizes the positive and negative aspects of technology and industrial complexes in the artist's paintings. Includes a bio-chronology of the artist and exhibition works. Illustrated with 73 plates. Text in Italian and English. Includes an original limited to 100 lithograph Signed and Numbered 40/100 by Fidolini. Text is also Signed dated and inscribed by Fidolini on the half-title page. Dustjacket has a few tiny closed edge tears on the upper front cover and a tiny scrape on a blank area of the lower front cover. In mylar. Scarce. Signed by the Artist. Limited/Numbered First Edition. Hard Cover. Fine/Near Fine. Folio - over 12" - 15" tall. Edizioni Il Ponte Hardcover