Philippe WarzeeMareMagnum
22 569 résultats
Gebonden, Hardcover met stofomslag compleet. 159 pagina's met prachtige illustraties in kleur. Foto's van Eric Valenne vuurtorens als inspiratiebron.
Alain de Gourcuff Editeur 198, in/4 à l'italienne, reliure éditeur, dans un étui en couleurs, 109 pages. Reproductions en couleurs, les aquarelles reproduites dans cet ouvrage proviennent du recueil du Petit Trianon conservé à la biblioteca Estense de Modéne, Italie., photographie par Gianni Roncaglia.
1 vol. in-4 reliure de l'époque pleine percaline marron, Berthiault, Ad. Mame et Cie, Tours, A. Fontaine, Paris, 1859, titre, 25 feuillets et 25 planches Etat moyen (reliure abîmée et faible, une annotation en garde, belle fraîcheur intérieure). Prix en l'état Français
1 vol. in-4 reliure de l'époque pleine percaline bleue, Berthiault, Imprimeur en taille-douce de la maison Ad. Mame et Cie, Tours, A. Fontaine, Paris, 1859, titre, 25 feuillets, 25 planches et 1 f. (liste des planches) : [ Contient : ] La douane à Londres - Somerset-House à Londres - La Tour de Londres - Le Pont de Londres - Eglise Saint-Paul - Portsmouth - Vue générale de Nîmes - Place de la Belle-Croix (Nîmes) - La Porte de France (Nîmes) - Le Pont du Gard - La cathédrale de Nîmes - Les Arènes (Nîmes) - Vue de Grenade - Place Saint-Marc (Venise) - Vue générale de Berne - Berne - Le pont de Berne - La tour Saint-Christophe (Berne) - Cathédrale de Berne - Trente - Pont de Trente - Porte Saint-Laurent - Le Ponte-Alto (Trente) - Inspruck - Le Martinsberg, près d'Inspruck Etat très satisfaisant (reliure frottée, belle fraîcheur intérieure) Français
1 gravure (eau-forte et burin) format visible 67 x 87 cm sous encadrement vitré (format 77 x 97 cm), retirage du tirage daté 1764 Les graveurs Charles-Nicolas Cochin et Jean-Philippe Le Bas transposent la vue peinte par Claude-Joseph Vernet. La série des "Vues des Ports de France" est composée de 15 grands tableaux de Vernet, gravés par Cochin et Le Bas. Très beau tirage moderne, bien encadré (la gravure a lég. glissé, lég. usures au verso du cadre). Pas d'expédition, à retirer sur place. Français
[+/- 200] pp.rijkelijk geïllustreerd in kleur en zw/w, in oblong (21x27cm.), catalogus van gelijknamige tentoonstelling (Gent, St.-Pietersabdij, 28 okt. 1983 - 15 jan.1984), goede staat, S84494
New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 287, [1] p., color and b/w ills., 1 folding plate. Voyvoda Street from Ottoman times to today.= Bankalar Caddesi. Osmanli'dan günümüze Voyvoda Caddesi. "Following the last two exhibitions; A-135-Year Old Treasure and A History of Paper Money- Traces of History, our third exhibition "Voyvoda Street from Ottoman Times to Today was opened. One of the most important parts of the exhibition is its monograph having the same title. Although the book is based on a spatial and architectural setting, it tries also to reflect economic and social dimensions of the street, and, more, particularly of 33 buildings".
New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 287, [1] p., color and b/w ills., 1 folding plate. Voyvoda Street from Ottoman times to today.= Bankalar Caddesi. Osmanli'dan günümüze Voyvoda Caddesi. "Following the last two exhibitions; A-135-Year Old Treasure and A History of Paper Money- Traces of History, our third exhibition "Voyvoda Street from Ottoman Times to Today was opened. One of the most important parts of the exhibition is its monograph having the same title. Although the book is based on a spatial and architectural setting, it tries also to reflect economic and social dimensions of the street, and, more, particularly of 33 buildings".
Metz, Éditions Serpenoise, 2001; in-4, 112 pp., broché, couverture illustrée. Cet ouvrage est une version enrichie d'une thèse parue en 1983. Oeuvre illustrée de nombreuses photographies, de dessins, de cartes en noir et blanc et en couleurs.
Editions du Rouergue 1987. In-Folio relié toile éditeur sous jaquette de 147 pages. Photos hors texte. Très bon état
Reliure de l'éditeur. 144 pages. Jaquette. 28x28cm.
IN 4. BR {BE]. 194 PP. 220 ILL EN COULEURS. [BE]
GRAND IN 4. BR [BE]. 116 PP. ENV 120 ILL EN NOIR ET EN COULEURS. [BE]
In-Ex projects, 2003. In-8 broché, couverture illustrée à rabats de 351 pages illustrées. Très bon état
Cartonn?. 157 pages. 26x26.5 cm.
IN 4 CARRE. REL TOILE EDIT AVEC JAQ [BAD]. 160 PP. 15 PPL EN COULEURS ET 165 ILL EN NOIR. [BE]
Aug[ustae] Vind[elicorum] (Ausburg), Jeremias Wolff, (1720). Folio (313 x 225 mm). In contemporary half calf with five raised bands and gilt ornamentation. Extremities with wear and most of the gilting worn of. 7 engraved plates (434 x 313 mm): (Title-page), Copenhagen, Der Schloss Platz, Der Neue Königs Markt, Fridrichburg, Fridrichs=Berg, Der Öresund.All plates folded in the middle. Light occassional brownspotting, otherwise fine.
28 cm, sovracop. editoriale illustrata (dust jacket), p. 248. Numerose illustrazioni e fotografie nel testo. Leggere tracce alla sovracop. Minimal signs on the spine of the dust jacket
26 cm, ril. editoriale illustrata, p. 96, numerose foto e illustrazioni. Timbri di architetto ai risguardi e etichetta al dorso
32x25cm. 191+23 pages. Gilt hardcover. Cover slightly yellowing. Cover corners slightly bumped. Spine slightly yellowing. Spine edges slightly bumped. Pages slightly yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Kbhvn., 1937-39. 4to. 3 private hlærredsbd. Rigt illustr.
Kbhvn., 1947-58. 4to. Rigt illustr.
Kjøbenhavn, Udgiverens Forlag, 1833-41. Lille 8vo. Et samt. beskedent hshirtbd. med håndskreven titeletiket. 73 64,(8) 37,(4) 9,(4) 12,14 pp.
Softcover, 292 x 215 mm, 160 pages, English / NL edition. ISBN 9789463930796. This book offers an architectural report of the metamorphosis that the Vooruit art center has known during the last ten years. Spurred on by a growing need for the arts center to physically adapt and make new connections with its surroundings and its users, the iconic monument underwent a transformation from a cultural home to an urban platform. The book further elaborates on the vision of the architect and how he wants to build on this art and architecture treasure from the past in a unique and challenging way. The social importance and responsibilities of the arts center in the city are deepened in a debate, in which sustainability and greening are also given a place. In addition, art in the public space becomes an important theme in the publication. Three artists give their reflection on the new architecture through interviews. Their artworks are a lasting witness. In the first part, architecture reviewer Christoph Grafe elaborates on the social and architectural importance of the transformation. In the second part, Louis Demey (ov) enters into a dialogue with architect Geert LM Pauwels. Finally, the artists Christophe Hefti, Strook and Bonom give their view of art in the public space. The dialogue between old and new is beautifully portrayed by the powerful photography of Karin Borghouts, Michiel Devijver and Reinhart Cosaert. Authors Essay by Christoph Grafe and Beatrice Josse, Interview with artists Bonom, Strook and Christoph Hefti. Interview with architect Geert Pauwels by Louis Demey. Photography Reinhart Cosaert, Karin Borghouts, Reiner Lautwein, Stijn Bollaert, Michiel Devyver
