Trianon BallroomBiblio.com
41 résultats
432Chicago Illinois: Trianon Ballroom 1948. 4 pages ; 10 x 7 in. 4 pages ; 10 x 4 in. In good condition. No writing/markings within the interior text. Moderate edgewear/tear/insect damage to the covers. Scarce. unknown
17-5499Paris France: Versailles Trianon Palace 1969. 8vo. 40 pp. Softcovers. Black and White and Color Plates. Very Good with some discoloration on cover. Price notations in ink in margins. Text in French. Paris, France: Versailles Trianon Palace 1969. paperback
17-5218Paris France: Versailles Trianon Palace 1963. 4to. 50 pp. Softcovers. Black and White and Color Plates. Good. Supplement Included. Text in French. Paris, France: Versailles Trianon Palace, 1963. paperback
ria9781019422632_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
0331992477.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1999PMV501504ZParis: Association française d'action artistique ; Réunion des musées nationaux 1999. Trade paperback. Good/Not issued. 240 x 300 x 20 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Association française d'action artistique ; Réunion des musées nationaux paperback
1021790095.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1021201596.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1295482959.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1993PMV529004QParis: Ed. de la Réunion des musées nationaux 1993. Hardcover. Good/Good. 250 x 310 x 34 cm. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b>. Ed. de la Réunion des musées nationaux hardcover
1019746297.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019422637.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19865004778MD: Trianon Pub. 1986. This is the scarce early second volume of this series -- this one has nude and cheesecake photos of TV stars of the day: Jamie Lee Curtis Sally Field Jane Seymor Goldie Hawn Julie Newmar et al. Scarce edition of this interesting magazine. 96 pp. First Edition. Soft Cover. Near Fine/No Jacket. Magazine. Trianon Pub. Paperback
185813398Versailles Brunox 1858. Small 8vo-oblong. Orig. full cloth gilt. 32 pp. 12 engraved plates and 2 lithographed Plans. A little brownspotted. hardcover
186013396Versailles Brunox n.d.ab. 1860. Small 8vo-oblong. Orig. full cloth gilt. With 26 engraved illustr. on 24 plates. hardcover
26758UNBOUND Piece of Paper Signature on page of Elsie de Wolfe. Signature and paper are in GOOD condition heavy glue mounting stains on back of page. SIGNED NOTE Elsie de Wolfe Signature ON NOTEPAGE SIGNED Elsie de Wolfe Mendl Villa Trianon VERSAILLES 1936 IN BLUE INK She was Born December 20 186523 July 12 1950 was an American actress interior decorator nominal author of the influential 1913 book The House in Good Taste4 and a prominent figure in New York Paris and London society. According to The New Yorker "Interior Design as a profession was invented by Elsie de Wolfe."5 During her married life the press usually referred to her as Lady Mendl. De Wolfe's 1926 marriage to diplomat Sir Charles Mendl was page-one news in the New York Times. Shortly after her marriage she scandalized French diplomatic society when she attended a fancy-dress ball dressed as a Moulin Rouge dancer and made her entrance turning handsprings In 1926 the New York Times described de Wolfe as "one of the most widely known women in New York social life" and in 1935 as "prominent in Paris society." Her morning exercises were famous. In her 1935 autobiography de Wolfe wrote that her daily regimen at age 70 included yoga standing on her head and walking on her hands. Signed by Author. Unbound. paperback
1929feb1037761929. Used. 1929; French Edition of SUPLIMENT A DE L'ESPIRIT DE FACTION DE SAINT EVREMOND ; For more details please contact me unknown
197655401976. London: Trianon Press 1976. <br /> <br /> 4to 5 color plates and commentary. Quarter brown morocco slipcase. A fine copy.<br /> <br /> § Regular copy #166. Limited to 538 copies including 32 de luxe copies numbered I-XXXII 480 regular copies numbered 1-480 and 26 copies lettered A-Z reserved for the Trustees of the William Blake Trust and the publishers. Bentley BBS p. 62.<br /> <br /> The Book of Los is the companion volume to the Book of Ahania. "The poem opens with a lamentation by "Eno aged Mother" over the loss of Edenic pleasures through Urizenic error and the world it creates. The narrative then centers on Los's anguished responses to that world including his transformation of the void into matter and his binding of Urizen. The five plates of The Book of Los were etched in intaglio and printed in 1795. There is only one complete copy A British Museum plus a separate impression of Plate 4. The designs on Plates 1-3 and 5 were color printed from the surfaces of copperplates bearing only etched outlines of the pictorial motifs." The Blake Archive 6288. unknown
1976BIBLIO-57445Trianon Press Paris first edition 1976. One of 480 numbered ordinary copies from a total edition of 538. Quarter-morocco and marbled boards 4to. 5 facsimile plates 8 pp. From the Commentary: "The Book of Los was the first of the two small books executed by Blake mainly as etchings on copper to be printed as ordinary intaglio plates. The Book of Ahania was the companion volume. The title-pages of both books were dated by Blake 1795 so that they were probably the last ones to be produced in his Lambeth house. Each book exists in only a single copy. For this facsimile direct collotype negatives in the size of the originals were made from the volume in the British Museum. A proof printing was done from these and each plate was then expertly coloured in the Museum to make a faithful replica of the original. The direct collotype negatives were subsequently used again for the printing of the present facsimile the replicas being used as colour-guides for cutting the stencils and for colouring the plates." The book was printed "on Arches pure rag paper made to match the paper used by Blake. Copy no. X a misnumbering as roman numerals were reserved for the 32 special copies this being one of 480 numbered copies from a total edition of 538. Very Good in Very Good slipcase. Trianon Press, Paris, first edition, 1976 hardcover
197753391977. London: Trianon Press: 1977. <br /> <br /> 4to 155 pp. 51 plates. Original quarter brown morocco slipcase. Fine as issued. <br /> <br /> § Limited to 562 copies. This is copy 67. The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. unknown
1993Q-2711827747Reunion des musees nationaux 1993-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Re?union des muse?es nationaux paperback
19706442London: Trianon Press 1970. First thus. Fine. Limited edition number 9 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/4 x 9 in; 298 x 230 mm. 28 pp. Ten color plates. Original quarter green morocco over marbled boards. In the original marbled board slipcase. <br /> <br /> "Through aphoristic declarations and accompanying emblem-like designs Blake argues for the essential unity of all religions as expressions of the "Poetic Genius" within all human beings." The William Blake Archive. Blake first etched the work in c. 1788 returned to it in 1795 and again in 1818. In this edition the plates were reproduced by the Trianon Press France using the collotype process with some water-color washes added by hand. The editorial matter was printed by the Imprimerie Darantiere Dijon and binding was by Engel Malakoff and the hand-made slip-case by Adine Paris. With a description and bibliographical history by Blake scholar Geoffrey Keynes. Fine. Trianon Press unknown
19776443London: Trianon Press 1977. First thus. Fine. Limited edition number 135 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/8 x 8 1/4 in; 290 x 210 mm. 154 p. Ten color plates. Original quarter brown morocco over cloth boards. In the original cloth slipcase.<br /> <br /> A singular collection of all portraits and related sketches of Blake his wife and places they lived by a range of artists to get at the character of the artist. "This compilation of portraits was a departure for the Trianon Press which had previously focused on facsimiles of Blake's illuminated books and designs. But with a text by Blake scholar Geoffrey Keynes who contributed commentary to the other facsimiles it continued Trianon's incomparable record of bringing all aspects of Blake's work and life to light" Union College. Fine. Trianon Press unknown
183455893Paris: A. BelinLachapelle 1834. Fine. A. Belin Lachapelle Paris 1834 13 x 21.50 cm relié First edition. Half burgundy Russia morocco binding with corners smooth spine decorated with a cartouche arabesques and gilt fillets gilt date at foot very light traces of rubbing without significance to joints gilt fillet frames on marbled paper boards marbled endpapers and pastedowns top edge gilt bookplate pasted on pastedown elegant romantic pastiche binding signed by Pagnant. Work illustrated with an engraving as frontispiece representing Maximilien de Robespierre. Rare and handsome copy attractively bound in a signed binding by Pagnant. A. BelinLachapelle hardcover
19726961London: printed in Paris at the Trianon Press for the William Blake Trust 1972. Letter L of 26 copies reserved for the Trustees of the William Blake Trust and teh Publishers. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving. 2 vols. 4to and small 4to. quarter brown morocco with marbled paper covered boards in original marbled paper covered slipcase. A very good copy.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic†and “If any could desire what he is incapable of possessing despair must be his eternal lotâ€.Bentley <em>Blake Books </em>202. printed in Paris at the Trianon Press for the William Blake Trust hardcover
