323 résultats
196981964Nagel 1969 In-4 relié. Infimes frottements en coiffe et pieds de jaquette, sinon intérieur frais, bon état d’occasion.
1997109293éditions de l'Archevêché de Chypre 1997 In-4 relié 32 cm sur 25. Nombreuses illustrations en couleurs. Jaquette en état correct. 222 pages. Bon état d’occasion.
352 pp., gilt lettering and tooling to spine and cover, facsimiles, b/w illustrations, text clean and tight. V khigu vklyucheny stat'i i publikatsii tekstov, podgotovlennye na materiale rukopisnogo sobraniya Pushkinskogo Doma. Publikuyutsya kak khorosho izvestnye v nauke, no prezhde ne izdavavshiesya pamyatniki, tak i pamyatniki vpervye vvodimye v nauchnyi oborot. Stat'i kasayutsya razlichnykh problem drevnerusskoi knizhnosti: ot analiza illyustratsii k rukopisnomu Evangeliyu XV v. do izucheniya avtographov pisatelei vygovskoi shkoly. Clean Copy. In Russian
1939606901Paris, Gallimard, 1939. 1939 In-8 broché, 394 pp., 173 reproductions d'oeuvres en n/b. in-t., bibliographie, index. .
64565Gallimard, TEL, 2021, 379 pp., poche, illustrations, très bon état.
19831103131983 Editions Love me tender - 1983 - in-4, cartonnage noir sous jaquette illustrée en couleurs - 125 p. - Très nombreuses reproductions photographiques et illustrations en couleurs et en N&B in et hors texte
19831244371983 Editions Herscher - 1983 - Grand in-4, cartonnage toilé, titre en doré au dos, sous jaquette illustrée - 240 pages - Nombreuses illustrations en N&B et couleurs, in et hors-texte, dans l'ouvrage
2003118794Cerf 2003 Cerf, 2003, 202 p., broché, environ 30x22cm, bon état.
45867Paris, Desclée de Brouwer, 1977. 22 x 27, 180 pp., nombreuses planches en couleurs, reliure d'édition pleine toile + jaquette, très bon état.
A religious icon, thought to have been destroyed during World War II, reappears in contemporary New York in this debut thriller that blends faith, art, history and suspense. In a remote Greek village, Captain Elias and his guerrillas in the resistance are engaged in battle with the Nazis. A church burns to the ground in an act of betrayal, and several die trying to protect a religious icon hidden there. What happens that day lies shrouded in mystery until, sixty years later, the icon surfaces on the New York art market, generating keen - and possibly deadly - interest from a variety of interested parties, each wanting it for a different reason 353.As new except for remainder mark. Book
192 p., nbr. fig. coul. Inv. 17290
2003LFA-126714766Un ouvrage de 192 pages, format 150 x 250 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 2003, bon état
1963S68696Utrecht, Aartsbisschoppelijk Museum 1963 [16]pp. + 38 buitentekstplaten, 23cm., tentoonstellingscatalogus (Aartsbisschoppelijk Museum, Utrecht, 18 februari - 16 april 1963), S68696
[16]pp. + 38 buitentekstplaten, 23cm., tentoonstellingscatalogus (Aartsbisschoppelijk Museum, Utrecht, 18 februari - 16 april 1963), S68696
1983S107633München, Slavisches Institut 1983 148pp., 21cm., softcover, good condition, [also contains a German translation], S107633
148pp., 21cm., softcover, good condition, [also contains a German translation], S107633
199363809Amherst, New York: Prometheus Books 1993. 253, (1) Seiten. Mit 17 photographischen Abbildungen auf 8 Tafeln. Gr. 8° (23,5 x 15,5 cm). Orig.-Pappband mit goldgeprägtem Rückentitel sowie Orig.-Schutzumschlag. [Hardcover / fest gebunden].
19933110573Amherst, New York: Prometheus Books 1993. 253, (1) Seiten. Mit 17 photographischen Abbildungen auf 8 Tafeln. Gr. 8° (23,5 x 15,5 cm). Orig.-Pappband mit goldgeprägtem Rückentitel sowie Orig.-Schutzumschlag. [Hardcover / fest gebunden].
19933132828Amherst: Prometheus Books 1993. 253, (1) Seiten. Mit 17 photographischen Abbildungen auf 8 Tafeln. Gr. 8° (23,5 x 15,5 cm). Orig.-Pappband mit goldgeprägtem Rückentitel sowie Orig.-Schutzumschlag. [Hardcover / fest gebunden].
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages. Full of art depicting women and their.... bodies.
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
11098, Gent, Snoeck-Ducaju, 2002 Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 24x29,5cm, 116pp, rijkelijk geillustreerd in kleur en z/w, chronologisch overzicht, lexicon.
[Masterpieces in colour series] Exceptionally neat closeup images of fine mosaics from Ravenna- one on the front cover+11 plates tipped in [suitable for framing] with accompanying notes and introduction by Bernard Myers. 10p.+11 pates. NOTE : Large format [38x28x1 cm] Book
