5 605 résultats
This is a very good softcover copy with just light toning to the covers. Very clean inside and out. One small handstamp from the scholar who previously owned the catalog, on the front endpaper, Text in Italian. Illustrated in black & white with 16 photographic plates. 8" high X 6" wide, 69 text pages + plates.
Very Good French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
New English Paperback. 4to. (24 x 22 cm). In English and Turkish. 95 p., color ills. Sophia Pompery's works derive from the artist's interest in everyday objects and physical phenomena. They are motivated by a desire to slow down the sense of time and are characterized by a picturesque quality and a subtly arranged visual element. Born in Berlin in 1984, Pompery studied fine arts and sculpture at Weissensee School of Arts and Institute for Spatial Experiment, University of Arts, Berlin. Since 2004, she has had more than 10 solo shows and participated in several group exhibitions at institutions such as the Tokyo Museum of Contemporary Art and the Reykjavik Art Museum.
Very Good English Paperback. Pbo. Oblong large 8vo. (22 x 23 cm). In English and Turkish. Color and b/w ills. 36 p. Nuri Iyem Painting Award 2014.= Nuri Iyem Resim Ödülü 2014. 10-24 June 2014, Evin Sanat Galerisi. [Exhibition catalogue].
New New English Original bdg. Dust wrapper. Large Roy. 8vo. Color and b/w ills. 206 p. In English and Turkish. 1000 copies printed. OBJE'CT is the first book of Book for Artists Series of the Zorlu Center Art Collection, curated by Basak Senova. OBJE'CT is also a humble attempt to address the specific characteristics, unfolding issues, and the line of the Zorlu Center Art Collection through Calovski's line of thinking and working. Concurrently, it is the first comprehensive publication focusing on the work of artist Yane Calovski, who produced an object for this collection in 2011. Calovski's conceptual work renders the incompleteness and lapsing of narratives and history. Therefore, in the same manner of an archaeologist, he is obsessed with researching and processing archives. His work is nurtured by the findings and missing links in an archive of any kind; sometimes the work is embodied in personal archives and narratives, and sometimes the work is set up in the public realm. Archives reveal and conceal personal and collective processes. Calovski's research resonates between these acts of concealing and revealing; thus, his work enchants with the alchemy of turning lapses of memory and missing links into ephemeral sequences of events, situations, feelings, and objects. Research is the key process for Calovski's working methodology. His artistic practice covers diverse works that range from drawings, objects, photographs, video, site-specific installations to performance. Accordingly, his work contextualizes and addresses the function of ideas in various forms of presentation, production, research, and analysis. OBJE'CT presents Yane Calovski in conversation with the editor, accompanied by an extended critical article on Calovski's work by Astrid Wege and a fictional scenario by Sebastian Cichocki that aims to emphasize the unrecorded aspects of documenting art. The book introduces Calovski's selected multilayered works since 1998 that have been exhibited at various venues and events, including Tate Britain, Manifesta 7, European Kunsthalle, Kunshallen Brands, Baltic Art Center, Museum of Contemporary Art Skopje, and AR/GE Kunst Galleria Museo.
Santa Cruz de Tenerife, Ediciones del Cabildo Insular, 1994, 21'5 x 21'5 cm., cartoné original, ilustraciones intercaladas, 224 págs. - 2 h.
Préface de Jean Cassou, 1 vol. in-4 carré relié pleine toile rouge éditeur sous jaquette illustrée, Editions Carmen Martinez, 1979, 237 pp. Bon exemplaire. Français
softcover, originele uitgeversomslag geillustreerd in kleur, 17x24cm, s.p., geillustreerd z/w.
in-8°, XXIV-236 pages, broche, couv. Dos us. (tr. d’adhEs.) sin. b. ex. Avec vingt-deux compositions dAntoine BOURDELLE, dont dix-neuf inedites, et precede de « Quatre pages de journal » par Claude Aveline. [CA-1]
IN 8. REL TOILE EDIT AVEC JAQ [BE. 40 PP. 24 ILL EN NOIR [BE]
Gallimard, 1992. In-8 broché, couverture à rabats de 89 pages illustrées. Très bon état
grand in-8°, 187 pages, tres nombreuses illustrations en noir (heliogravures), broche, couv., jaquette illustree. Tres bel exemplaire. [MI-1]
Le grand livre du mois, 1999. In-8 relié cartonnage souple éditeur de 533 pages. Bon état
in-8°, 72 pages+ LXVIII planches hors texte en heliogravure et une carte depliante N&B, broche, couv. Bel exemplaire. [MI-15]
[12]pp. + 20 buitentekstplaten, 23cm., geïll.omslag, tentoonstellingscatalogus (Brussel, Koninklijke Musea voor Kunst en Geschiedenis, 19 februari - 20 maart 1960), goede staat, [teksten in Frans, Nederlands, Engels en Duits], S71997
softcover , originele uitgeversomslag, 27,5x21cm, 78pp, geillustreerd z/w. Tentoonstelling: Museum van Hedendaagse Kunst Antwerpen. 1996/00/00 - 1996/00/00.
Alicante, Caja de Ahorros Provincial, 1980, 21'5 x 16 cm., 242 págs., incluso 20 láminas - 1 h.
B., Planeta, 1973, 21'5 x 16 cm., tela original con sobrecubiertas, 275 págs. - 2 h. - láminas en papel couché con 120 figuras.
Buenos Aires, Losada, 1942, 18'5 x 13'5 cm., lámina en color - 32 págs. - 12 láminas.
87pp.with many ills., 23cm., 2nd ed., stamp on title page
Madrid, Artes y Artistas, 1956, 23 x 16'5 cm., cartoné original con sobrecubiertas, 40 págs. y 48 láminas en papel couché.
40pp.+ 4 platen buiten tekst, 20cm., in de reeks "Verhandelingen van de Algemeene Katholieke Vlaamsche Hoogeschooluitbreiding" nr.185, S79019
Madrid, Ministerio de Cultura, 1979, 25 x 20 cm., 159 págs. con ilustraciones a toda página + 23 láminas.
