5 605 résultats
Hachette 1969. In-folio broché couverture illustrée rempliée, 16 planches hors texte. Très bon état
Softcover, 82 seiten, Deutsch, 270 x 210 mm, mit abbildungen von ikonen, .
Musée du Quai Branly, 2008. In-4 broché de 113 pages très illustrées. Très bon état
1 vol. in-12 br. couv. ill. noir et blanc, ill. noir et blanc, Alliance culturelle romande, 1962, 83 pp. État très satisfaisant (couv. plastifiée bon état par ailleurs) pour ce catalogue d'une exposition présentée en Suisse en 1962 et 1963 ( à Lausanne, Sion, Neuchâtel, Genève, Fribourg, Moutier ) Français
IN 4. CART AVEC JAQ [BE]. 130 PP. 47 ILL EN COULEURS. [BE]
84 pages, illustrated, map. eng
GRAND IN -4. REL TOILE EDIT {BE]. 136 PP. ENV 160 ILL EN COULEURS. [BE]
IN 8. BR [BE]. ENV 50 PP. ENV 20 ILL EN NOIR. [BE]
grand in-8°, 301 pages, broche, couverture illustree plast. à rabats. PARFAIT ETAT. [MI-5]
GRAND IN 8. BR [BE]. 16 PP. 15 ILL EN COULEURS. [BE]
IN 8 CARRE. BR AVEC COUV REMPLIEE [MOY]. 30 PP. 20 VIGNETTES EN NOIR. [BE]
Oblong large quarto in glossy full -color DJ and brushed green silk-cotton boards; bibliographical references (p. 96-98). High quality full-page color photo reproductions. || Glass art -- United States -- History -- 20th century. Chihuly, Dale, 1941- -- Criticism and interpretation.
Barcelona, Edit. Fund. Miró, 2004. Nombroses il·lustracions en color i negre. 225 p. 4t major. Rústica editorial il·lustrada. Llibre en català, castellà i anglès. Book in English. Molt bon exemplar.
220X300 mm. 197 pages. Softcover. Cover slightly rubbed and yellowing. Cover edges slightly worn. Spine rubbed and wrinkled. Stamps on title page. Pages slightly yellowing. Else in good condition.
Hardcover, 260 pages, English, 355 x 270 mm, in a solid jacket !, Fine copy., very richly illustrated with illustrations, . ISBN 9780283988929. Archaeologists uncovered these works from 48 tombs on Mount Shizhai. They date from the 4th cent ury BCE and later and represent a slave-owning, hunting and agricultural culture.
Madrid, Dirección General de Bellas Artes, 1971. Colección Artistas Españoles Contemporáneos nº 21. Algunas ilustraciones en b/n. 75p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
Large Octavo in photo illus b/w wrappers; 32 p. : ill. (some col.), ports. ; 28 cm. A history and photo essay on the Chitresh Das Dance Company. // Uncommon. // India ; Kathak (Dance)
IN 4 CARRE. BR [BAD]. 12 PP. 9 ILL EN COULEURS. [BE]
Small folio in offwhite illus DJ and brushed blue cotton, gilt-titled boards; 39 p., 183 p. of plates : chiefly ill. (chiefly col.) ; 32 cm. Art, Modern -- 20th century -- Private collections -- Massachusetts -- Catalogs. Barrett, Beatrice H. -- Art collections -- Catalogs. Sculpture ; Painting
The first comprehensive catalogue of Chris Burden's work. Over the past twenty-five years, Burden has used technology to subert the hegemony of the machine in the industrial age. — Testi: Noever Peter, Schröder Johannes Lothar et al. F.to: 21x28; pagg. 230; COL e BN; rileg. brossura. Editore: Hatje Cantz Verlag, Ostfildern, 1996.
Hardcover 456 pages., 295 b/w ill. + 32 colour ill., 216 x 280 mm, Languages: English. ISBN 9782503579672. Few medieval images are as iconic, or as challenging, as the life-sized sculptural crucifixes that emerged in the Holy Roman Empire at the end of the tenth century. Striking at the fundamental mysteries of Christianity ? the idea of a God made flesh, who died on the Cross and was resurrected after three days ? these objects were made to attract attention and inspire veneration, and they exist in uneasy tension with medieval anxieties about idolatry and the cult of images. This volume presents new research on the Boston Crucifix, the earliest medieval crucifix in North America and one of the most significant examples of the genre, in dialogue with new directions in this field as a whole. Essays on the history, theology, style, condition, and provenance of early wood crucifixes are presented here together for the first time in a format that is intended as a major scholarly resource, but will also prove accessible to students and non-specialists who are curious about the origins of monumental crucifixes in the High Middle Ages. Shirin Fozi (PhD Harvard University) is assistant professor of the History of Art and Architecture at the University of Pittsburgh. Gerhard Lutz (PhD Technische Universität, Berlin) is associate director and curator at the Dommuseum Hildesheim. The editors have invited essays from internationally recognized authors who are active on both sides of the Atlantic, taking special care to include the perspectives of conservators, curators, and other scholars of medieval art. Table of Contents Foreword Marietta Cambareri IntroductionPART ONE: The Boston Crucifix at the Museum of Fine Arts, Boston The Crucifix from the Fuld Collection in the Museum of Fine Arts, Boston: A Masterpiece of late Ottonian Sculpture Gerhard Lutz The Boston Corpus: Technical Examination at the Museum of Fine Arts, Boston Abigail Hykin and Richard Newman The Boston Crucifix in the Context of Early Wood Sculpture: Technical Observations Klaus Endemann Harry Fuld, Georg Swarzenski, and the Modern History of a Medieval Crucifix Shirin Fozi PART TWO: The Technical Study of Early Wood Crucifixes The Bavarian Context of the Boston Crucifix: Origins and Chronology Manuela Beer The Debate on Dating the Crucifixes at Schaftlach, Enghausen, and Schlehdorf Matthias Weniger Wood Carving Techniques in Early Monumental Sculpture Klaus Endemann PART THREE: Case Studies The Gero Cross in Cologne Cathedral Rolf Lauer In Memory of Duke Otto of Swabia: The Crucifix of Aschaffenburg Klaus Gereon Beuckers and Anna Pawlik The Gerresheim Crucifix: New Conclusions on the Working Techniques of an Ottonian Sculpture Marc Peez The Crucifix Torso from St Georg in Cologne Manuela Beer A Tyrolean Crucifix at The Cloisters Charles T. Little The Cloisters? Romanesque Crucifix from Northern Spain: A Reconstruction and Interpretation Michele Marincola The Lavaudieu Corpus at The Cloisters Lucretia Kargère PART FOUR: Audience and Experience ?Not to nature, but to miracles?: The Attitude towards Images in Prudentius of Troyes?s Sermo de vita Maurae William J. Diebold The Cross and the Monumental Crucifix Beatrice Kitzinger The Crucifix from Ringelheim and Bernward of Hildesheim: Sculpture and Veneration in the Time around 1000 Gerhard Lutz The Image of the Dead Christ on the Cross in the Ottonian Era: The Artistic and Theological Problems of Sculptural Crucifixes Rainer Kahsnitz EPILOGUE The Strangeness of Crucifixes Jacqueline E. Jung
