Bust, Alyssa F; Van Patten, George FBiblio.com
44 résultats
1997Q-1878823221Van Patten Pub 1997-11-30. paperback. New. New. In shrink wrap. Looks like an interesting title! Van Patten Pub paperback
1997Q-1878823213Van Patten Pub 1997-12-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Van Patten Pub paperback
1984R119997Madrid, Instituto Arias Montano, C.S.I.C. 1984 lxv + 327pp., 25cm., softcover, in the series "Textos y estudios 'Cardenal Cisneros'" volume 32, introduction in Spanish & critical text edition in Greek, good condition, R199997
19992090502113718197Not Available 1999. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19622091502135700422Kainan Municipal Tatsumi Public Hall 1962. Soft Cover. Fine. The book is in fine condition. Kainan Municipal Tatsumi Public Hall paperback
1906302731ª Ed.- Buenos Aires: CompañÃa Sud-Americana de Billetes de Banco 1906.- 205 p.; 4º 25 cm; Excelente impresión sobre magnÃfico papel de hilo verjurado; Intonso conservando todas sus barbas; Rústica Ed.- RARO. Cubiertas algo fatigadas con pequeñas faltas en las esquinas junto al lomo y algún degarro. Todo ha sido restaurado. Interior en perfecto estado. HISTORIA POLÃTICA Y DERECHO POLÃTICO-INTERNACIONAL AMERICANOS DESDE LA INDEPENDENCIA Libro en español Compañía Sud-Americana de Billetes de Banco paperback
19981304086PN. New. 1998. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1998Q-1887906010Leela Pr 1998-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Leela Pr paperback
1980647805 vol. in-8 br., 1980-1991, rappel du titre complet : Les Amis du Vieux Cestas (N° 1, 2, 3, 4, 5) N° 1 ; N° 2 : La vie scolaire à Cestas depuis 1691 ; N° 3 : Le château Haussmann à Cestas ; N° 4 : Cestas et la Révolution Française ; N° 5 : 1841-1991. Bordeaux La Teste 150 ans de chemin de fer à Cestas
1936205935Milano: Hoepli Arte Moderna Italiana 1936. Brossura sovracoperta wrappers dust jacket. Molto buono Very Good. Significativa dedica con firma autografa dell'Artista datata Milano 12-3-1938 XVI indirizzata a una nota pittrice Substantial inscription signed by the Artist dated Milan 1938. N. 1 Serie A - Pittori n. 1. Testo di Ugo Bernasconi. 30 tavole in bianco e nero f.t. una a colori al controfrontespizio e una illustrazione n.t. Nota biografica e bibliografia. 16mo cm 17x125. pp. 24 tavole. Significativa dedica con firma autografa dell'Artista datata Milano 12-3-1938 XVI indirizzata a una nota pittrice Substantial inscription signed by the Artist dated Milan 1938. Molto buono Very Good. II edizione numerata di 1000 copie. II edition. Hoepli, Arte Moderna Italiana unknown
1994R160121121CHAMBRE DE COMMERCE INTERNATIONALE. 1994. In-4. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 116 pages. Quelques spécimens en noir et blanc hors texte. Traces de crayon a papier sur plusieurs pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
193911612Lausanne, Éditions des Trois Collines, 1939. In-8 broché de 42-[4] pages, couverture imprimée en deux tons.
19277966PRIMERA EDICION.- Paris: Le Livre Libre 1927.- 220 p.: Retrato fotográfico del autor ante la portadilla; 8º mayor 192 cm; Buena impresión sobre papel verjurado ahuesado; Intoso; Rústica Editorial. con una dedicatoria autógrafa del autor a D. BenjamÃn Fernández y Medina. En la esquina inferior de la portada tenues marcas de una antigua pegatina. LITERATURA ESTUDIOS LITERARIOS FILOSOFÃA Y PENSAMIENTO IBEROAMERICANO EN GENERAL Libro en español Le Livre Libre paperback
1967135010Various cities: Various Publishers 1967. A collection of 10 original lobby cards for the Mexican releases of nine films directed by or featuring Charlie Chaplin. <br /> <br /> Highlights of this bright charming collection include lobby cards for the Mexican releases of Chaplin's "Limelight" "King of New York" and "The Circus" as well as two variants for "The Chaplin Revue" seen here as both " La Revisita de Chaplin" and the official release title "La Cabalgata de Chaplin." Also present are three other unidentifiable cards likely festival days featuring multiple pieces of Chaplin's work and two cards for documentaries featuring Chaplin: the 1967 "The Funniest Man in the World" and the 1960 "When Comedy was King" translated here simply as "Risas y mas risas" no doubt an appropriate if slightly misleading title interpretation. <br /> <br /> Universally acclaimed as an actor director and producer Chaplin and his iconic Tramp character especially captured the hearts of the filmgoing population worldwide and to this day he is considered a legendary innovator in comedic cinema. Though his life was plagued by multiple marriages divorces and eventual revoking of his US citizenship his devotion to perfection in his work remained. <br /> <br /> 16.75 x 12.75 inches. Very Good condition with bumps and pinhole tears to a number of corners lightly foxed. Various Publishers unknown
1964art22mParis, F. de Nobele, 1964. vers 32,5 x 25 cm. 160 pages de planches,. Toile originale sous jaquette "Grande monographie "ouvrage posthume suivi d'un catalogue systématique Quatre parties : I. Sources - II. Biographie et étude de l'œuvre - III. Catalogue et l'œuvre - IV. Reproductions. Texte en français. 2 volumes.
1932059797London Uk: Blue Moon Press 1932. 1st Edition . Hardcover. Fine. 34 Pp. Bound In Thin Wood Boards Gray Paper Spine Label And Endpapers Printed In Black On Gray Paperfine In Oversize Clear Glassine Dust Jacket. Per Wikipedia Miriam Constance Beaumont-Vaughan 1901-1979 Better Known By Her Pseudonym Olive Moore Was A Modernist English Writer Best Known For Three Well-Esteemed Novels: Celestial Seraglio 1929 Spleen 1930 And Fugue 1932 And For The Acerbic Essay Collection The Apple Is Bitten Again 1934. She Also Produced An Essay On D.H. Lawrence Entitled Further Reflections On The Death Of A Porcupine Which Was Privately Printed In 1933 And Included In Her Essay Collection. Her Collected Writings Was Published In 1992. Born In Hereford Moore Was Acquainted With The Bloomsbury Literary Circles In London During Her Prolific Years And With The Poet Hugh Mcdiarmid And The Radical London Bookseller And Publisher Charles Lahr. She Briefly Worked For The Daily Sketch. In The Early 1920'S She Married The Sculptor Sava Botzaris 1894-1965. Otherwise Little Is Known About Her Life Beyond A Brief Autobiographic Sketch In 1933. Moore Claimed To Be Working On A Novel Entitled Amazon And Hero: The Drama Of The Greek War For Independence Which Was Never Published. Due To Her Rapid Disappearance From The London Literary Scene The Date And Location Of Her Death Remain Unknown Though She Is Believed To Have Died Around 1970. Moore Has Been Termed "A Cross Between Virginia Woolf And Djuna Barnes But With A More Biting Wit." Her Novels Make Free Use Of Modernist Techniques Such As Stream Of Consciousness In Their Frank Dealings With Issues Of Sexuality And Disability. Though Considered A Highly Talented Experimental Writer Moore's Disappearance And The Rarity Of Published Versions Of Her Texts Until The Mid-1990'S Has Led To A Relative Critical Neglect Of Her Work Until Recently. <br/> <br/> Blue Moon Press hardcover
19361476381936. Format der Bonze: 21 x 15,5 cm. Gesamtgröße (Eichenplatte): 28,5 x 23,5 cm. Gewicht: 2,6 kg.
1933206256Parigi: Chroniques du Jour Art Italien Moderne 1933. Brossura wrappers. Molto buono Very Good. Dedica e firma autografe dell'Artista datata Milano 12/3/1938 Inscription signed by the Artist dated Milan 12/3/1938. Testo di <strong>Waldemar George</strong>. 3 illustrazioni nel testo al frontespizio e in copertina. 36 tavole in bianco e nero. Notizia biografica ed elenco delle tavole. Edizione in francese. 8vo. pp. 12 tavole. Dedica e firma autografe dell'Artista datata Milano 12/3/1938 Inscription signed by the Artist dated Milan 12/3/1938. Molto buono Very Good. Prima edizione di 500 es. numerati. <em><strong>Primo numero della collana Art Italien Moderne a cura di Gualtieri di San Lazzaro</strong></em> Chroniques du Jour, Art Italien Moderne unknown
195027858nantes 1950 Une peinture originale : huile sur papier, format : 65 x 50 cm, auteur inconnu, sans date (1920 environ),
