Buste

Primera parte de las diferencias de libros que ay en el universo. Declaradas por el maestro Alexio Vanegas. .

1540 · 3354 — Toledo: Juan de Ayala 1540. First edition only part published. Complete. Bound in modern full leather with raised bands and title vignettes on the spine. Occasional contemporary marginal notes and underlining. Artistically restored. Old possessor's inscription and stamp removed from the title page; a long partially open tear at the gutter. Small wormhole at the upper inner margin through the first ten leaves. Light stains and occasional spots throughout; faint stain on folios F1-2 with a small unrelated hole leading to minimal text loss 1-2 letters. Darker stain on the lower corners of e6-f4 and upper outer edge of g1-4 impacting the text block. Minor imperfections to the lower corners of e3-4 and the outer edge of h5. Overall in very good condition. Title page with armorial woodcut three large woodcut illustrations and woodcut initials throughout. Title page with armorial woodcut three large woodcut illustrations and woodcut initials throughout. First edition only part published. Complete. Bound in modern full leather with raised bands and title vignettes on the spine. ff. 8 240 many misnumbered; sign.: 8 a-z8 et8 A-F8. <p><br /> An important geographical and cosmographical work with early references to the New World.<br /> <p><p><br /> First edition of this significant work on geography cosmography and early explorations by Alexo de Vanegas a renowned scholar from Toledo acknowledged for his expertise in early Spanish language and noted as an influence on Cervantes.<br /> <p><p><br /> Primera parte de las diferencias de libros que ay en el universo is a foundational text in Spanish geographical and cosmographical literature and an important early reference to the New World. Chapters 21 22 26 and 29 offer detailed passages on Amerigo Vespucci and Christopher Columbus with early accounts of America and notable discussions on navigation and the mariner's compass.<br /> <p><p><br /> Illustrated with three woodcut diagrams depicting solstices and solar eclipses. Complete copies of this rare first edition are seldom available as many surviving examples are incomplete or in poor condition.<br /> <p><p><br /> References: Salvá 2438; Heredia 3731; Palau 351608.<br /> <p>. [Juan de Ayala] unknown

?Mademoiselle Marcelle Lender, en buste?. Originallithographie in acht Farben. (Aus: ?Pan?, 1. Jahrgang, Heft 3).

1895 · 65440 — [Berlin, F. Fontane & Co., 1895]. Im Stein monogrammiert ?HTL?. Darstellung ca. 32,5 x 24,5 cm (Blattgröße 36,8 x 28 cm).

"Celebrations at the Colegio de la Compañía in Cordoba for the Canonization of Two Jesuit Fathers Illustrated Includes Description of Ephemeral Art and Poetry no Copies in US Libraries"

1728 · RF 1373 — <p>Amphitheatro sagrado desde cuyas tres órdenes de asientos se pueden vèr sin zozobra y con gusto los espectaculos celebres y magnificos que ofreciò à los ingenios y à los ojos el maximo colegio cordobès de la Compañia de Jesus para aplaudir en su canonizacion a los dos nuevos astros de su milicia S. Luis Gonzaga y S. Estanislao Kostka. Impresso en Cordoba: En casa de Juan de Ortega y Leon mercader de libros por Acisclo Cortès Diego de Valverde y Juan de Pareja 1728. </p><p>4th; Plate with the coat of arms of the Marquis of Las Escalonias signed by Bernabé Orbaneja in Córdoba 1728; contemporary vellum.</p><p>First edition. List of the celebrations that the Jesuits of the Colegio de la Compañía de Jesús de Córdoba organized in 1753 to celebrate the canonization of two young members of the order Luis Gonzaga and Estanislao Kostka. Signed by Pedro Clemente Valdés pseudonym Pedro del Busto secretary of the poetic contest JE de Uriarte Catálogo razonado de obras anónimas y seudónimas de autores de la Compañía de Jesús Madrid 1904-1916 III p. 18-19.</p><p>The first part describes the celebrations with the ephemeral art samples that were seen during the festivities. In the second part a dramatic play is read "Los dos jóvenes de Ignacio" "The two young men of Ignatius" represented by the students of the same College. The third part is dedicated to the poetic contest: contains the poems dedicated by members of the order nobles jurists etc. from Córdoba and other cities with some feminine contribution. The ritual through which the two beatified Jesuits were honored including the costumes is described in the manner of a fest buch.</p><p>Saint Louis Gonzaga Castiglione delle Stiviere Marquis of Castiglione March 9 1568 - Rome June 21 1591 was an Italian Jesuit religious. Beatified by Paul V on October 19 1605 and canonized on December 13 1726 by Benedict XIII who declared him patron of youth a title confirmed by Pius XI on June 13 1926. His feast is celebrated on 21 June.</p><p>Estanislao Kostka Rostkowo Poland October 28 1550 - Rome August 15 1568 was a Polish novice member of the Society of Jesus. He was born in the village of Rostkowo which is part of the municipality of Przasnysz in the Mazovia Voivodeship now Poland joined the Society of Jesus in Rome on his 17th birthday October 28 1567 and died of malaria in that same city.</p><p>Palau 37863; Aguilar Piñal F. Impresos sevillanos del siglo XVIII v. 1 5343</p><p># WorldCat: one copy in US Libraries. RF 1373</p> En casa de Juan de Ortega, y Leon, mercader de libros por Acisclo Cortès, Diego de Valverde, y Juan de Pareja, hardcover

PRIMERA PARTE DE LAS DIFFERENCIAS DE LIBROS QUE HAY EN EL UNIVERSO

1569 · WRCAM5652 — Madrid 1569. 8242 leaves. 19th-century vellum lacking ties new endsheets. Some leaves heavily foxed. Marginal repairs to the first signature not affecting text. Else a clean decent copy. The third edition after Toledo editions of 1540 and 1546. An important geographical and cosmographical work with numerous New World references and an important early navigational guide. EUROPEAN AMERICANA 569/48. MEDINA BHA 128. HARRISSE ADDITIONS 156. hardcover books

Bust of Napoleon Bonaparte.

1900 · ABC_48595 — 1900. Ca. 15 x 9.5 x 6 cm base ca. 4.5 x 4.5 cm. Patinated bronze portrait bust. Attractive portrait bust of the French Emperor Napoleon Bonaparte 1769-1821 dressed in a jacket with two medals on his left chest. The bronze bust is raised on a circular socle with a square base on which the name ‘Napoleon’ is impressed.A tiny hole on the back of the left shoulder. Otherwise in good condition. ABE CAT Art History unknown

Donna ignuda a mezzo busto

Acquaforte, puntasecca misure: mm 151 x 228; foglio mm 181 x 280 Pittore e incisore italiano, vicino alla corrente artistica del Verismo e dell'Impressionismo. Frequentò inizialmente lo studio di Giambattista Calò (Barletta 1832 - 1895) e Vincenzo Dattoli (Foggia 1831 -Roma 1899) dipingendo soprattutto la natura dal vero. All'età di quindici anni entrò come allievo all'Accademia di Belle arti di Napoli sotto la guida di Giuseppe Mancinelli (Napoli 1813 – Palazzolo di Castrocielo 1875) ma nel 1863 venne espulso per problemi di disciplina e condotta. Così continuò la sua carriera lontano dal mondo accademico per poi entrare a far parte della Scuola dei Portici che praticava una pittura aderente al vero, attenta alla resa cromatica. Toccò diverse città italiane come Firenze dove frequenta il caffè Michelangelo, nel 1867 giunse a Parigi sotto la protezione del mercante Goupil entrando in contatto con artisti quali Mariano Fortuny (Reus 1838 – Roma 1874) e Leon Gerôme (Vesoul 1824 – Parigi 1904) di cui si disse allievo. Espose le sue opere per diversi anni ai Salon e Degas, nel 1874, lo fece partecipare alla prima esposizione degli impressionisti. Di questi "studiò il taglio e l'impaginazione della pittura giapponese, gli effetti cinematici di Degas e amò le dissolvenze materiche di Monet" (Piceni, 1979, p.23). Egli fu un abile acquafortista e in queste opere mise in risalto, grazie ad un'attenta riflessione intima e ad una continua sperimentazione tecnica, le atmosfere della luce cercando di cogliere l'attimo fuggente di un'espressione o di una posa. Tutte le incisioni appartengono al periodo parigino ed alcune portano la data '73 e '74. Questa stampa fu pubblicata postuma sulla Gazette des Beaux-Arts a settembre del 1913 accompagnata da un articolo dal titolo Une eau-forte inedite de J. De Nittis. Anche in quest'opera l'artista agisce con estrema delicatezza e raffinatezza; la donna è semisdraiata, appoggia il braccio sinistro su un oggetto non identificabile, forse un bracciolo o un cuscino, ha il busto scoperto eburneo quasi invisibile rispetto ai capelli scuri e ai giochi chiaroscurali dell'abito che copre le gambe. Ha lo sguardo fisso verso lo spettatore che rivela naturalezza ma anche imbarazzo. L'intimità della scena è riportata con cura mediante poche linee che definiscono il corpo della donna e un più attento tratteggio nella zona dei capelli e dell'abito. Petrucci afferma che "più che un'incisione sembra una pittura ottenuta con un lavoro sapiente di toni chiari su scuri." Impressione ottima e ben conservata, eccetto minimo foxing diffuso. Ampi margini oltre la battuta del rame. Esemplare in uno stato intermedio fra il II/ III prima dei ritocchi sul mignolo della mano destra. Un altro esemplare è conservato presso Milano (MI), Civiche Raccolte Grafiche e Fotografiche. Civica Raccolta delle Stampe Achille Bertarelli Bibliografia: F.Fiorani-R.Dinoia, De Nittis incisore, pag. 160, n.23; Petrucci, 1934- 1941, con il titolo Risveglio sereno, pag.10, pag.27.

ICC Guide to ICC Documentary Credit Operations for the UCP

928421159X-11-1 — Icc Pub. 2. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Icc Pub unknown

UNE PEINTURE A L'HUILE SUR PAPIER : "BUSTE DE FEMME" (1920)

1950 · 27858 — nantes 1950 Une peinture originale : huile sur papier, format : 65 x 50 cm, auteur inconnu, sans date (1920 environ),

Contemporary Ergonomics 2009: Proceedings of the International Conference on Contemporary Ergonomics 2009

2009 · 2-0415804337 — Taylor & Francis 2009. Paperback. New. 1st edition. 554 pages. 9.13x6.18x0.94 inches. Taylor & Francis paperback

Contemporary Ergonomics 2008: Proceedings of the International Conference on Contemporary Ergonomics CE2008 1-3 April 2008 Nottingham UK

2008 · x-0415465753 — Taylor & Francis 2008. Paperback. New. 1st edition. 793 pages. 9.50x6.25x1.50 inches. Taylor & Francis paperback

Contemporary Ergonomics 2006: Proceedings of the International Conference on Contemporary Ergonomics Ce2006 4-6 April 2006 Cambridge Uk

2017 · x-1138411523 — Taylor & Francis 2017. Hardcover. New. 678 pages. 9.21x6.14x1.45 inches. Taylor & Francis hardcover

Contemporary Ergonomics 2006: Proceedings of the International Conference on Contemporary Ergonomics CE2006 4-6 April 2006 Cambridge UK

2006 · 2-0415398185 — Taylor & Francis 2006. Paperback. New. 1st edition. 660 pages. 8.75x6.00x1.25 inches. Taylor & Francis paperback

Contemporary Ergonomics 2006: Proceedings of the International Conference on Contemporary Ergonomics CE2006 4-6 April 2006 Cambridge UK

2006 · DADAX0415398185 — Taylor & Francis 2006-03-30. paperback. New. 6.14x1.53x9.21. Buy with confidence. Excellent Customer Service & Return policy. Taylor & Francis paperback

Réflexions d’une innocente. Un dessin de A. Derain.

Contemporary Ergonomics 1984-2008: Selected Papers and an Overview of the Ergonomics Society Annual Conference

6160410-n — new. unknown

Contemporary Ergonomics 2007: Proceedings of the International Conference on Contemporary Ergonomics CE2007 17-19 April 2007 Nottingham UK

2007 · DADAX0415436389 — Taylor & Francis 2007-04-14. paperback. New. 6.00x1.25x9.00. Buy with confidence. Excellent Customer Service & Return policy. Taylor & Francis paperback

Contemporary Ergonomics 2008

2008 · DADAX0415465753 — Taylor & Francis 2008-04-04. 1. paperback. New. 6.14x1.83x9.21. Buy with confidence. Excellent Customer Service & Return policy. Taylor & Francis paperback

Contemporary Ergonomics 1984-2008: Selected Papers and an Overview of the Ergonomics Society Annual Conference

2009 · __0415804345 — Taylor & Francis 2009. Paperback. New. 1st edition. 680 pages. 9.13x6.14x1.22 inches. Taylor & Francis paperback

Chiesa collegiata in Carnago - Chiesa collegiata di Legnano - Chiesa collegiata in Besozzo - Chiesa collegiata in Busto Arsizio

Tavola raffigurante in unico foglio le collegiate di Carnago - Legnano - Besozzo - Busto Arsizio. Non menzionata nella bibliografia di riferimento

BUSTO ARSIZIO. Notizie storico-statistiche.

In-8 p. (mm. 212x143), mz. pelle con ang. moderna, dorso a cordoni con fregi e titolo oro, pp. IX,277, con una tavola f.t., più volte ripieg., che riporta il “prospetto approssimativo dell'andamento annuale della fabbricazione dei tessuti di cotone di Busto Arsizio, giusta i dati assunti nel principio del 1862”. Interessante opera sulla storia di Busto Arsizio dalle origini, con dettagliato elenco delle famiglie e uomni celebri e benemeriti del borgo, oltre a notizie statistiche sulle sue industrie, usi e costumi, amministrazioni, chiese e monasteri, scuole e ospedali. "Rara prima edizione". Cfr. Lozzi,I,984. Solo frontesp. e ultime 2 cc. di Indice ingiallite; con lievi uniformi arross. ma complessivam. esemplare ben conservato.

Schweres Bronzerelief des Komponisten Franz Liszt mit eingeritztem Künstlermonogramm "R.K.", unten mit erhaben aufgesetzter Widmung in ungarischer Schrift "Amosoni" zum 10-jährigen Bestehen des Gesang- und Musikvereins Moson (nördlich Sopron). Links neben der Schrift eine weitere Ritzmonogramm "H.L.". Das Bronzerelief zeitgenössisch montiert auf eine schwarz gelackte Eichenholzplatte.

1936 · 147638 — 1936. Format der Bonze: 21 x 15,5 cm. Gesamtgröße (Eichenplatte): 28,5 x 23,5 cm. Gewicht: 2,6 kg.

Arturo Tosi. Peintre classique et peintre rustique

1933 · 206256 — Parigi: Chroniques du Jour Art Italien Moderne 1933. Brossura wrappers. Molto buono Very Good. Dedica e firma autografe dell'Artista datata Milano 12/3/1938 Inscription signed by the Artist dated Milan 12/3/1938. Testo di <strong>Waldemar George</strong>. 3 illustrazioni nel testo al frontespizio e in copertina. 36 tavole in bianco e nero. Notizia biografica ed elenco delle tavole. Edizione in francese. 8vo. pp. 12 tavole. Dedica e firma autografe dell'Artista datata Milano 12/3/1938 Inscription signed by the Artist dated Milan 12/3/1938. Molto buono Very Good. Prima edizione di 500 es. numerati. <em><strong>Primo numero della collana Art Italien Moderne a cura di Gualtieri di San Lazzaro</strong></em> Chroniques du Jour, Art Italien Moderne unknown

Further Reflections On The Death Of A Porcupine Limited Edition This Copy Not Numbered Or Signed

1932 · 059797 — London Uk: Blue Moon Press 1932. 1st Edition . Hardcover. Fine. 34 Pp. Bound In Thin Wood Boards Gray Paper Spine Label And Endpapers Printed In Black On Gray Paperfine In Oversize Clear Glassine Dust Jacket. Per Wikipedia Miriam Constance Beaumont-Vaughan 1901-1979 Better Known By Her Pseudonym Olive Moore Was A Modernist English Writer Best Known For Three Well-Esteemed Novels: Celestial Seraglio 1929 Spleen 1930 And Fugue 1932 And For The Acerbic Essay Collection The Apple Is Bitten Again 1934. She Also Produced An Essay On D.H. Lawrence Entitled Further Reflections On The Death Of A Porcupine Which Was Privately Printed In 1933 And Included In Her Essay Collection. Her Collected Writings Was Published In 1992. Born In Hereford Moore Was Acquainted With The Bloomsbury Literary Circles In London During Her Prolific Years And With The Poet Hugh Mcdiarmid And The Radical London Bookseller And Publisher Charles Lahr. She Briefly Worked For The Daily Sketch. In The Early 1920'S She Married The Sculptor Sava Botzaris 1894-1965. Otherwise Little Is Known About Her Life Beyond A Brief Autobiographic Sketch In 1933. Moore Claimed To Be Working On A Novel Entitled Amazon And Hero: The Drama Of The Greek War For Independence Which Was Never Published. Due To Her Rapid Disappearance From The London Literary Scene The Date And Location Of Her Death Remain Unknown Though She Is Believed To Have Died Around 1970. Moore Has Been Termed "A Cross Between Virginia Woolf And Djuna Barnes But With A More Biting Wit." Her Novels Make Free Use Of Modernist Techniques Such As Stream Of Consciousness In Their Frank Dealings With Issues Of Sexuality And Disability. Though Considered A Highly Talented Experimental Writer Moore's Disappearance And The Rarity Of Published Versions Of Her Texts Until The Mid-1990'S Has Led To A Relative Critical Neglect Of Her Work Until Recently. <br/> <br/> Blue Moon Press hardcover

Contemporary Ergonomics 2007: Proceedings of the International Conference on Contemporary Ergonomics CE2007 17-19 April 2007 Nottingham UK

2007 · __0415436389 — Taylor & Francis 2007. Paperback. New. 1st edition. 554 pages. 9.00x6.00x1.25 inches. Taylor & Francis paperback