[ARMAN] Fernandez ARMANBiblio.com
653 résultats
197488812Paris: Jean Petihory 1974. Fine. Jean Petihory Paris avril 1974 23 x 29 cm agrafé First edition of this issue of the magazine edited by Jean-Louis Bory with Pierre Bourgeade as editor-in-chief. The entire issue is devoted to the work of Arman who also authored the texts. Illustrated throughout.A handsome copy. Jean Petihory unknown
1996AFRIQUEART451224Paris, Réunion des Musées Nationaux, 1996, 23 x 29,5, 280 pages cousues sous couverture rempliée illustrée. Contient deux entretiens avec Arman. Iconographie noir & blanc et couleurs. Photographies de Gérard Bonnet. Catalogue publié à l'occasion de l'exposition présentée à Marseille, Paris et Cologne en 1996-1997 puis à Bruxelles et New York.
3515La différence (Classiques du XXIe siècle), 7-1993. In-8, rel. toilée, 153 p., jaquette, illustrations en noir et en couleurs.
2010814882010 Paris, Centre Pompidou, 2010, in 4° carré broché, 60 pages ; nombreuses reproductions ; couverture illustrée.
199922781Au même titre - Galerie Piltzer 1999 In-4 cartonné carré, couv. illustrée, 96 pp. Nb photos majoritairement en coul. Texte en Français et en Anglais sur 2 colonnes. Très bon état.
200122782Kerber Verlag 2001 In-8 cartonné, couv. illustrée en coul., 192 pp. 114 reproductions en coul., 80 en deux tons., toutes légendées. Texte en Anglais et en Allemand.
15290Paris, Galerie Nationale du Jeu de Paume - RMN, 1998 ; in-4, broché (27 x 22,3 cm). 269 pp. Nombreuses illustrations en noir et en couleurs. parfait état.
2000LIQ-6689P. Hazan 2000 In-8° broché, sous couverture et jaquette illustrées à l’identique, petit coup en haut du premier plat, 279 pages.
197488812Jean Petihory | Paris avril 1974 | 23 x 29 cm | agrafé
1983LIQ-6687Antibes, Musée Picasso 1983. In-8° carré broché sous couverture illustrée en couleurs, non paginé.
L16845N°22, avril 1974. In-8 agrafé. Directeur : J.-F. Bory. Rédacteur en chef : P. Bourgeade. Textes et mise en page d'Arman. E.O.
Pieghevole in cartoncino (cm 16 x 21 ca.) al cui interno si trova un pieghevole di carta opaca semitrasparente costituito da 10 facciate con apertura a fisarmonica. Al recto di ciascuna delle facciate e' impressa in nero un'opera di Arman in mostra alla Galleria La bussola di Torino: violini infranti, accumulazioni di oggetti in contenitori di plexiglass, tipici dell'arte di qusto scultore e pittore francese.
189973943Paris: Georges Petit 1899. First edition Folio 10 3/4 x 14 1/4 inches. 122 text pages followed by 52 pages of engravings with original tissue guards. Frontispiece engraving of Doria essay on the life of the Count Armand Doria by Arsene Alexandre and a Preface by M. L. Roger-Miles. Publisher's printed wrappers. Some minor aging to wrappers and creases to spine but solid clean no chips and fresh. Uncut and unopened. A very good copy.Issued in the same year as Armand Doria's two part auction catalog also issued by Georges Petit but considerably scarcer. Count Doria was a man of vision and a patron of the arts and an art collector. For example he was a patron to Adolphe-Félix Cals who stayed in his castle for an extended period of time. Other long-term guests were Gustave-Henri Colin and Victor Vignon. Count Doria also invited Jean-Baptiste-Camille Corot and Édouard Manet.Count Doria was the owner of The Roman Campagna with the Claudian Aqueduct an 1826 painting by Corot which is now in the permanent collection of the National Gallery in London. Another Corot painting View of Olevano is at the Kimbell Art Museum in Fort Worth Texas. He purchased many more paintings by Corot over the years. He was also the owner of La Leçon de Tricot by Jean-François Millet. Another Millet painting he owned View of Farm Buildings across a Field is now in the collection of the Ashmolean Museum in Oxford. Count Doria also owned La maison du pendu by Paul Cézanne but he exchanged it with art collector Victor Chocquet for another Cézanne painting La Neige fondante. He also owned Les Grands boulevards by Pierre-Auguste Renoir which is now in the collection of the Philadelphia Museum of Art. Georges Petit unknown
1969008158Paris Ileana Sonnabend 1969 In-8 agrafé, couverture illustrée Edition originale
152976441529 muséum of conteporary art la jolla california 15 septembre 29 octobre 1974 In4 broché non paginé nombreuses illustrations
1971106435Arman 'Music Stop'. 6 SÃrigraphies sur Toile. Paris: Edition Galerie Sonnabend, 1971. 7 loose sheets in portfolio. 24.5 x 16.5cms.
1971106435Arman 'Music Stop'. 6 SÃrigraphies sur Toile. Paris: Edition Galerie Sonnabend, 1971. 7 loose sheets in portfolio. 24.5 x 16.5cms.
1979109714Arman. New Bronzes and Accumulations. New York: Andrà Emmerich Gallery, 1979. Folded exhibition invitation / poster issued by Andrà Emmerich Gallery, franked. 61 x 93cms.
1979109714Arman. New Bronzes and Accumulations. New York: Andrà Emmerich Gallery, 1979. Folded exhibition invitation / poster issued by Andrà Emmerich Gallery, franked. 61 x 93cms.
1965117939Arman. Exhibition: New York, Sidney Janis, 1965. 20 pages, 22 black and white illustrations. Paperback. 28 x 21.5cms.
1965117939Arman. Exhibition: New York, Sidney Janis, 1965. 20 pages, 22 black and white illustrations. Paperback. 28 x 21.5cms.
Arman. Exhibition: New York, Sidney Janis, 1965. 20 pages, 22 black and white illustrations. Paperback. 28 x 21.5cms.
Arman 'Music Stop'. 6 Sérigraphies sur Toile. Paris: Edition Galerie Sonnabend, 1971. 7 loose sheets in portfolio. 24.5 x 16.5cms.
Arman 'No Comment'. Exhibition: Paris, Galerie Georges-Philippe Vallois, 2006. 77 pages, fully illustrated in colour. Hardback. 31 x 24cms. Text in French. Text in French
Arman. New Bronzes and Accumulations. New York: André Emmerich Gallery, 1979. Folded exhibition invitation / poster issued by André Emmerich Gallery, franked. 61 x 93cms.
