269 résultats
194531453New York: by the Author 1945 1945. First Limited Edition. The Special Artist's Edition comprised of 250 signed numbered copies this is no.76. Oblong folio 33cm x 43cm. Cloth-board portfolio; 5 preliminary leaves and 52 color lithographic plates loose as issued. Slight wear to the portfolio; plates uniformly clean and unmarked; Near Fine. The plates reproduce 52 of Bourdelle's expressionist battlefield drawings composed while he was serving as an ambulance driver in the North African and Italian campaigns during the Second World War. The plates printed by the New York art printer Albert Carman are of exceptional quality generally in two or three colors on heavy art paper. Preliminary essays by Pierre Claudel and Stephen Galatti Director of the American Field Service. The limited edition is uncommon there was also a trade edition issued the same year by American Studio Books. unknown books
Elephant portfolio of preliminaries and 53 original tinted lithographs, together 57 leaves, title/limitation leaf SIGNED AND NUMBERED BY THE ARTIST, the whole contained in broad-weave rose cloth portfolio, upper board lettered in gilt, paper flaps worn at folds, a near fine set in very good, clean portfolio. LIMITED TO 250 SETS SIGNED AND NUMBERED BY THE ARTIST (THIS SET NO. 137). The set comprises Title/Limitation (1 leaf), Foreword (1 leaf) , Commentary (2 leaves), Listing (1 leaf), original lithographs (52 leaves). IN ADDITION TO THE FORMAL LIMITATION AND SIGNATURE, THIS SET IS A PRESENTATION COPY FROM THE ARTIST TO BERNARD DE PERTHUIS [COMTE BERNARD DE PERTHUIS DE LAILLEVAULT] WITH THE FORMER'S ADDITIONAL WARM SIGNED HOLOGRAPH INSCRIPTION ON 'FOREWORD' LEAF. Son of Antoine Bourdelle, Pierre Bourdelle created this series of lithographs based on his experiences as a volunteer ambulance driver with the American Field Service in WWII, during which he served in the North African and Italian theatres. Comte Bernard de Perthuis de Laillevault, head of the house of Perthuis, served with the RAF during WWII before establishing a successful career as a painter of murals and other artwork. IMAGE SHOWS SAMPLE PRINT
73-5314New York: Charles E. Slatkin Galleries 1962. 4to. 95 pp. Cardstock cover cover. Very Good. Black and white plates.From the collection of Peter Selz Art History Professor at UC Berkeley. New York: Charles E. Slatkin Galleries, 1962 unknown
196258459New York: Charles E. Slatkin Galleries. As New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 96 pp. With 73 ills. 28 x 22 cm. -- with a bonus offer-- . Charles E. Slatkin Galleries paperback
197262477Museum. As New. 1972. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Japanese. 186 pp. With 184 ills. 8 col. . 24 x 26 cm. -- with a bonus offer-- . Museum paperback
1947023365Editions Rombaldi. Very Good- with no dust jacket. 1947. Limited Edition. Hardcover. Hardcover; Hardcover: Limited edition of 350 copies of which this is #317. Hardcover portfolio in slipcase. Portfolio covers and interior are foxed and soiled. Emile Antoine Bourdelle is imprinted on the spine in green. Inside the portfolio covers is an illustrated softcover with a line drawing and Bourdelle written on the cover. This softcover is encased in onion skin. The softcover and onion skin are chipped at corners and spine ends with some foxing. 24 page text is laid in and has some foxing as well. The plate index lists 78 plates. The laid in plates are numbered 1 through 79 however numbered plates 11 and 78 are missing but there is an additional unnumbered color plate laid in as well. The total comes to 78 plates present. The plates are clean and crisp. This portfolio is encased in a tired slipcase that is worn soiled split frayed and foxed. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; B/w Illus; FOLIO; 78 pages . Editions Rombaldi hardcover
1947518124Paris: Editions Rombaldi 1947. Unbound. Near Fine. First edition. Text in French by Paul Lorenz. Illustrated with 78 color and black and white plates complete laid into a pictorial portfolio with glassine jacket. Portfolio with short tears at the spine ends and a bit of wear at the corners the text and plates are bright and fine with just a bit of foxing at the edges. Housed in the publisher’s vellum-backed portfolio that is foxed at the edges with one panel only of the publisher’s slipcase included. Limited to 350 numbered copies on Arches paper. Bourdelle was a pupil of and assistant to Rodin for 15 years and worked mostly in bronze and marble. Editions Rombaldi unknown
16-6424Circa late 19th Century. Proof on wide margined rag paper 23 x 20cm. sheet size.Saint reconnu en Sologne et en Berry pour posséder des propriétés fertilisantes.Les dames en mal d'enfant lui rendaient hommage nuitamment venant gratter en douce le membre viril de la statue en bois du bon saint. Elles réalisaient ensuite une décoction des copeaux obtenus dans l'espoir de donner rapidement naissance à un bam Circa late 19th Century. unknown
16-6425Circa late 19th Century. Proofs on wide margined rag paper 31 x 22.5cm. sheet size. First and second states without engrvaed text. Final state with an engraved text. Circa late 19th Century. unknown
045743London: Peter Owen 1964. Book. Fine. Hardcover. First Thus. 8vo - over 7¾" - 9¾" tall. Dark gray cloth-effect paper covered boards spine panel lettered in gold foil. As issued. Dust jacket slightly soiled/toned with only slight shelf wear now in mylar. xii105 pp. 30 b&w plates. Peter Owen Hardcover
42730973-nnew. unknown
42730973like new. unknown
2021__1493219898Sap Pr America 2021. Paperback. New. new edition. 600 pages. 9.00x6.90x1.02 inches. Sap Pr America paperback
197062202Galleries. As New. 1970. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 64 pp. With 55 ills. 26 x 19 cm. -- with a bonus offer-- . Galleries paperback
194522542New York: Printed by the Author 1945. First edition. Hardcover. Contents loose as issued in light blue basket weave cloth portfolio front cover lettered in gilt. Very good. Bourdelle Pierre. Three text leaves are commentary by Pierre Claudel. Folio 44 x 34 cm. Limited edition copy 16 of 250 signed by Bourdelle. Fifty-two fine tinted lithographs printed in a variety of colors printed by Albert Carman on wove paper. The author a volunteer ambulance driver with the American Field Service on the African and Italian fronts traces his experiences not only with American forces but all Allied troops fighting in the previous war zones. The emotional intensity of the images captures a level beyond a camera eye. Portions of front cover rubbed with some fading. Printed by the Author hardcover
X01OS-00115American Studio Books. Collectible - Acceptable. New York and London: American Studio Books 1945. Folio. 5 leaves52 plates in portfolio. Illus. Fair book. Portfolio rubbed flaps torn. Title page and two plates 11 29 missing. This is NOT the limited signed edition. World War 2 American Field Service Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. American Studio Books unknown
1945165440New York: American Studio Books 1945. Hardcover. VG- shelfwear and tears to portfolio; stain to cover sheet remaining pages and plates are very clean. All plates are present. Blue folding cloth portfolio. Cover sheet listing of illustrations 2 pp foreword commentary followed by the 52 prints. The cover sheet is also a print. In portfolio; title from cover./ "The scenes depicted in this volume are authentic. They are scenes that Bourdelle as a volunteer ambulance driver of the American Field Service saw at the North African and Italian fronts."--Foreword. WAR embossed in gold on front board hence the title. American Studio Books hardcover
194512785WAR American Studio Books 1945 first edition some modest soiling to the covers of the blue cloth portfolio else vg with fine contents being 57 loose leaves laid into an off-white folder 53 of which are pictorial monotone and duotone renderings of what the artist witnessed during his WW2 experiences as an ambulance driver in both North Africa and Italy. American Studio Books hardcover
194518521New York: American Studio Books 1945. Hardcover. g. Ex library. Elephant folio. Textured gray-blue cloth portfolio with gold lettering on cover. Small closed tears along head and tail of spine corners and edges rubbed. Library bookplate on inside of front cover. Paper folding flaps of portfolio have been repaired with clear tape. Small library stamp on rear of each plate. 52 reproductions of drawings by Pierre Bourdelle in mono- and duotone of his experiences in W.W. II on the North African and Italian fronts. Bourdelle was a volunteer ambulance driver of the American Field Service. Foreword by Stephen Galatti commentary by Pierre Claudel. Binding in good plates in very good condition. American Studio Books hardcover
194516713NY: American Studio Books. Near Fine. 1945. First Edition. Hardcover. The binding and contents are "fine" but the flaps containing the prints have been reinforced on the outside with tape. ; Oblong 4to 11" - 13" tall; 57 pages . American Studio Books hardcover
4827053 Original Lithographs. 52 numbered lithographs and one limitation page lithograph Albert Carman Printer hardcover
1968250205Tokyo: Musee National d'Art Occidental 1968. First. paperback. near fine. Bourdelle Emile-Antoine. With 129 illustrations some in color. Notes and biography in French and Japanese. Slim oblong 8vo pictorial wrappers 3 heart-shaped punch-outs on rear cover otherwise a near fine copy of this unusual exhibition catalogue. Tokyo: Musee National d'Art Occidental 1968.<br/><br/> Musee National d'Art Occidental unknown books
This is an about very good softcover copy with some wear. Completely clean inside and very clean outside, just light toning. Spine not creased, binding firm. Pages a little stiff, very soft curve to lower right corner. Text in French. 193 works in the exhibition. Many illustrated in black & white (about 80). Also illustrations in the ads at the end. Also tipped-in is the fold-out brochure for the Italian pavilion or section of the exhibition which featured Manzu. Texts by Jean Bouret and Denys Chevalier.10.5" high X 8" wide, 16 text and list pages + ads. This book will be securely packed and shipped with tracking.
25172<meta charset="utf-8"><span data-mce-fragment="1">Autodidacte née en Californie, pionnière de la "danse libre", Isadora Duncan (1877-1927) défia les conventions en plaçant son art au coeur d'un projet de société plus démocratique. Cet ouvrage, le premier consacré aux années qu'Isadora passa en France, s'attache à restituer le contexte intellectuel et artistique d'une époque, et retrace le parcours de la danseuse, de ses débuts dans les salons parisiens aux succès sur des scènes prestigieuses - Gaîté-Lyrique, théâtre du Châtelet ou des Champs-Élysées - en évoquant également le rayonnement de ses écoles de danse, déterminantes pour la transmission de son art. Séduits par l'expressivité de sa danse, nourrie de sa fascination pour la Grèce antique, de nombreux artistes - Antoine Bourdelle, José Clara, Jules Grandjouan, André Dunoyer de Segonzac, Abraham Walkowitz, Rik Wouters... - ont cherché à en saisir l'élan vital, par la légèreté du trait ou la gravité du matériau. D'autres ont magnifiquement représenté cette femme audacieuse et moderne, comme en témoignent le portrait peint d'Eugène Carrière ou les clichés d'époque d'Albert Harlingue, Arnold Genthe ou Edward Steichen. Personnalité d'exception, femme libre, Isadora Duncan révolutionna l'art de la danse: "Je n'ai pas inventé la danse, elle existait avant moi ; mais elle dormait et je l'ai réveillée."</span> Paris, 2009 Paris Musées. 335 pages, très nombreuses illustrations couleur, broché. 22 x 27
22498<p>De 1861 à 1902, le sculpteur danois Niels Hansen Jacobsen (1861-1941) s'établit à Paris, une des capitales du premier symbolisme nourri des échanges et des amitiés entre écrivains, musiciens et artistes venus de l'Europe entière. L'atelier du sculpteur à la Cité fleurie, au 65, boulevard Arago, est le rendez-vous d'un groupe de symbolistes nordiques et francophiles, notamment les peintres Jens Lund et Henriette Hahn-Brinckmann. L'émulation est d'autant plus vive que Hansen Jacobsen a pour voisins d'atelier le céramiste et collectionneur Paul Jeanneney, le sculpteur et céramiste Jean Carriès, l'illustrateur et affichiste Eugène Grasset. L'ouvrage, à travers des oeuvres singulières, révèle la vivacité créatrice de ces artistes qui se «battent avec la flamme« et affrontent leurs démons pour donner corps à l'Indicible. </p> Paris, 2020 Paris Musées 224 p., relié. 21 x 29
