VANGUARDIA, LABiblio.com
NEUE SACHLICHKEIT AND AVANT-GARDE -Biblio.com
Neue Sachlichkeit and Avant-Garde
19477796like new. unknown
GreatBookPrices · États-Unis189,13 $US≈ 160,02 €
19 résultats
21583EDICIONES GILUZ. New. EDICIONES GILUZ unknown
19682110502150410016Naniwashobo 1968. Soft Cover. Fine. Volume: 1 Naniwashobo paperback
19562092902137302568Bijutsu shubbansha 1956. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19882090502113716313Not Available 1988. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19622092902137305936National Museum of Modern Art 1962. Soft Cover. Fine. The book is in fine condition. National Museum of Modern Art paperback
19732092902137305598Toki no bijutsusha 1973. Soft Cover. Fine. The book is in fine condition. Toki no bijutsusha paperback
Strzeminski, Wladylaw, KaIn Pristine Condition. unknown
19477796like new. unknown
19477796-nnew. unknown
193615184Prague: F.J. Muller 1936. First Edition. 12mo 18cm. Pictorial yellow wrappers designed by Frantisek Muller; 68pp. Mild external soiling; Very Good. Text of a lecture delivered by Teige at the Manes Pavilion in Prague in which he analyzed from a marxist perspective the changes that the rise of capitalism had brought to the position of the artist in society. DANA 66. PRIMUS 168. F.J. Muller unknown
199081710Paris: Éditions du Regard 1990. First French Language Edition. Two tall heavy quarto volumes 32cm. Black cloth hardcovers in dustjackets and pictorial slipcase; pp.1-459; 460-880; illus. Fine in the original publisher's slipcase lightly bumped on one corner else fine. Text entirely in French.<br /> <br /> Thoroughly-illustrated history of the Soviet art and industrial design workshop Vkhutemas established in Moscow in 1920 and active until its dissolution under Stalin in 1930. The school's faculty included such figures as Alexander Rodchenko Lyubov Popova Kazimir Malevich and others and Vkhutemas bore an extraordinary influence in Soviet design in the early years of the Revolution serving as the incubator for such key artistic movements as Constructivism Suprematism and Rationalism in fields as diverse as painting drama architecture and industrial design. A massive and very heavy set approx. 7kg; overseas buyers should request a shipping quote before placing an order. Éditions du Regard unknown
1927893191927. AVANT-GARDE UMEHARA Hokumei et al. BUNGEI SHIJO Vol.3 #6. Wrappers 21.7 x 15 cm. Tokyo Showa 2 1927 First published in November of 1925 this issue of June 1927 unleashed its mordant humor on the literary world of Japan. The cover is a study all on its own with the cockamamie orthography and inside jokes of the avant-garde. The contents in this case celebrate the 250 year anniversary of Yaoya Oshichi a girl of 16 burned at the stake in the 17th century whose tragic story was picked up by Saikaku at the time and became an important joruri and kabuki theme thereafter. Besides that emphasis the notes run the gamut from literary gossip to the latest on Russian and European art and literary movements and theorists. At first solidly left wing and imersed in the avant-garde the magazine lasted for 19 issues into later in 1927 when Umehara took his interests into even more scandalous avenues and began publishing GROTESQUE magazine the heart of the ero-guro movement. This copy of the BUNGEI SHIJO is very good overall. unknown
24860TLS: 17 July 1974; on letterhead of Calder and Boyars Ltd 18 Brewer Street London. All three ACS on his letterhead 6 Dalmeny House 9 Thurloe Place London SW7; one dated 15 January 1975 the others undated. See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson editor of ‘Books and Bookmen’ at the time of Dosse’s suicide in Standpoint magazine October 2018. The typed letter is in fair condition aged and worn; the three cards are in very good condition. The signature on the four items is little more than a squiggle. Of the three cards only Item Four below is addressed. ONE: TLS 17 July 1974 on Calder and Boyars Ltd letterhead ‘Directors: John Calder . Marion Boyars . Michael Hayes . Chris Davidson’. 1p 4to. Addressed to ‘Dear Philip’. Suggests a meeting offering to send a new photo thanking him for generosity regarding an ‘Ad.’ Ends: ‘Hope to get the Kafka review to you by this week.’ TWO: ACS undated but following on from Item One. ‘Hope this will do! Review of Kafka next week.’ The following two sentences are not entirely legible. THREE: ACS 15 January 1975. ‘Dear Philip / A year ago I asked if I could do some reviews because the collapse of Better Books left me with guarantees to pay off at a time of other financial troubles tempting enough to do a Stonehouse. I have done at least five reviews but never seen a cheque and the is worse. Could you jog your accountant please.’ The reference is to the Labour MP John Stonehouse whose plan to faked his own death to avoid his creditors had just been reported. FOUR: ACS undated but following on from Item Three. In green ink. He thanks him for ‘the cheque and kind words’ stating that he knows ‘how difficult things are for you too’. He would be ‘happy to do more reviews although the price is as you know low’. TLS: 17 July 1974; on letterhead of Calder and Boyars Ltd, 18 Brewer Street, London. All three ACS on his letterhead, 6 Dalmeny unknown
19269071Prague: Prokop Laichter 1926. First edition. 4to 81 1pp. Illustrated initials and full page illustrations by Laichter Prokop. Publisher's cloth backed purple paper boards with large paste on illustration on front cover. Boards somewhat toned and faded around edges internally clean and bright. A near fine copy. <br /> <br /> A stunning production from the Czech painter illustrator set designer and actor Laichter Prokop 1898-1975 who was also son of the influential publisher Jan Laichter. In 1924 Prokop's first wife the author of this book Annuše died prematurely of tuberculosis and Laichter printed this book as a remembrance two years later. The introduction translates as "A few words spoken over the grave of a prematurely deceased fairy-teller." Likely printed in a very small number for friends and family we find 3 copies only in OCLC: Princeton and 2 in the Czech Republic. Prokop Laichter unknown
193015186Prague: Sfinx 1930. First Edition. Octavo 21cm. Stiff printed wrappers designed by Jindrich Styrsky; 104pp. Just mild wear to extremities of wrappers; VG to Near Fine. An impressive minimalist cover design by Styrsky and an uncommon work from Nezval's surrealist period. PRIMUS 122. Sfinx unknown
1926912451926. AVANT-GARDE MURAYAMA Tomoyoshi. KOSEIHA KENKYU. Research on Constructivism. Tokyo Taisho 15 1926. First Printing. 1081pp. 31 plates finals and ads. Decorated wrappers with cover design by Murayama printed in red and black. The plates cover works by European and Japanese proponents of Constructivism. An unusual and fragile work here in its original edition - with the wonderful dinosaur on the cover. There is soiling to the covers and ownership notes to the rear endpaper. About good overall and important. unknown
1937904421937. Avant Garde Kindai Bijutsu ShichÅ KÅza L'Idee et L'Esprit de L'Art Moderne　近代美術æ€æ½®è¬›åº§Â Atelier-sha. Tokyo. Shôwa 12 13 1937 1938. Six volumes in printed publisher's slipcases. 22.5 x 16.3 cm. Cloth bound western-style. A fascinating series of volumes. The critics Sagara Tokuzô and Araki Sueo wrote REALISME and FAUVISME respectively. The artists Ihara Usaburo Fukuzawa Ichiro Kanbara Tai & Hasegawa Saburô wrote CUBISME; SURREALISME; FUTURISME EXPRESSIONISME DADAISME; and ABSTRACT ART. The product of a time when Japan justly felt itself to be firmly in the vanguard of world art. The spines are a bit darkened one has a small gouge and the slipcases a bit soiled but overall a very good copy of this very unusual and important set. Some folded promotional sheets laid in. Not merely painting and printmaking but also the plastic arts and a bit of architecture etc. are addressed in these wide-ranging and well-illustrated volumes. Complete as issued. unknown
19312222Prague 1931-1949. Czech Avant-Garde Photography Editor: Augustin Skarda et al. . CESKOSLOVENSKA FOTOGRAFIE. Complete in 12 volumes. Prague 1931-1949 first editions of the complete set in 12 volumes; 10.75 x 8.5 inches over 800 full page photo-engraved plates; short texts all volumes in Czech some with English German and French. Early years with covers of avant-garde typographic designs by Karel Teige .Photographers include: Josef Sudek Jaroslav Krupka Jindrich Styrsky Frantisek Drtikol Alois Zych Karel Plicka Jaroslav Seifert R. Sima K. Muller J. Tutsch and many others. All 12 volumes are uniformly bound in the original publisher's boards; the 1949 volume with the original dust jacket. Overall this set is in excellent condition.<br />Publisher: Svaz Ceskoslovenskych Klubu Svaz Ceskoslovenskych Klubu hardcover
181946939Tbilisi.: 'Feniks'. December 1918 - 1919 February / March. Stapled as issued in original publisher's printed paper wrappers with titles to front covers in black issue no. 2 in red and black issues 2 and 3 /4 with publisher's vignettes issue 1 with advertisements to rear cover; repair to spine of issue 1 front cover of issue 2 detached. 4 issues in 3. 4to. c.220 x 190 mm. Printed text and verse in Russian throughout no. 1 with 3 mounted monochrome zincograph illustrations by A. N. Geevski no. 2 with monochrome illustrations by Terent'ev and P. Iashvili issue 3 with monochrome illustrations by Goncharova and Kruchenykh. An excellent complete set of the very scarce avant garde periodical 'Kuranty'.The short-lived literary and artistic periodical 'Kuranty' produced in Tbilisi during the Russian Civil War features contributions from many of the most important Russian and Georgian avant garde figures of the time: Alexei Kruchenykh and Igor Terent'ev contributed a large body of material but the contributions of Kyril Zdanevich the editor Boris Korneev Nikolai Sudeikin Tatiana Vechorka Rafalovich and others cannot be overlooked. Natalia Goncharova's 'Portrait of A. Kruchenykh' is reproduced in the final issue together with portraits by Kruchenykh himself.This Tbilisi-produced 'Kuranty' is not to be confused with the review 'Kuranty' published in Kiev in the same year and also of considerable rarity.'Kuranty' is extremely scarce and we can locate no complete sets in libraries although a facsimile is held and Johns Hopkins holds a copy of issue 1; auction records feature one complete copy only that sold at Christie's in 2014 as well asone other incomplete set also Christie's in 2007. 'Feniks'. unknown
